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0 Views
05:01:24 11/02/11
Room Invasion on 'New Girl'
[LESS INFO] 0 VIEWS | ADDED 05:01:24 11/02/11
After walking in on Nick naked Jess thought she'd even the playing field but picks the wrong time to do so. Tue., 9PM on FOX. www.fox.com
6 Views
19:29:33 04/24/11
How To Play You're The Rason God Made Oklahoma
[LESS INFO] 6 VIEWS | ADDED 19:29:33 04/24/11
http://www.realcountryguitar.com/2011/04/how-to-play-youre-reason-god-made.html Country T Shirts: http://realcountryguitar.spreadshirt.com/ facebook: http://www.facebook.com/pages/Real-Country-Guitar/152908544739219 Other cool sites http://www.roarnomore.com/ http://therisingseed.blogspot.com/ http://worshipguitarriffs.blogspot.com/ There's a full moon over Tulsa, I hope that it's shining on you. The nights are getting cold, In Cherokee County. There's a Blue Norther passing through. I remember green eyes and a ranchers daughter. But remember is all that I do. Losing you left a pretty good cowboy, With nothing to hold on to. Sundown came and I drove to town, And drank a drink or two. You're the reason God made Oklahoma, You're the reason God made Oklahoma. And I'm sure missing you, I'm sure missing you. Here the city lights out shine the moon I was just now thinking of you. Sometimes when the wind blows you can See the mountains, And all the way to Malibu. Everyone's a star here in L.A. County, You ought to see the things that they do All the cowboys down on the Sunset Strip Wish that they could be like you. The Santa Monica Freeway, Sometimes makes a country girl blue You're the reason God made Oklahoma, You're the reason God made Oklahoma. And I'm sure missing you. I work 10 hours on a John Deere tractor, Just thinking of you all day. I've got a calico cat and a 2 room flat, On a street in West L.A. You're the reason God made Oklahoma, You're the reason God made Oklahoma. And I'm sure missing you, I'm sure missing you.
84 Views
05:07:21 03/15/11
Maxim Exclusive: Eva Amurri
[LESS INFO] 84 VIEWS | ADDED 05:07:21 03/15/11
Maxim Exclusive: Eva Amurri
An Ivy league--educated starlet with a Hollywood pedigree, Eva Amurri is ready to strut her stuff, on-screen and off. See Eva's Maxim photos look here: www.maxim.com EVA AMURRI: You look incredible. Did you enjoy this shoot? I loved it! I imagined I was the sexy wife left alone, posing around the house in lingerie. My fianc%eacute [Fox soccer analyst Kyle Martino] visited the set, and we got engaged the next day. Everybody's been teasing him, "The Maxim shoot sold you, huh?" Are you a soccer fan? I played growing up and have always really loved it, which is lucky because we watch a lot of soccer in our house. Did you play any other sports as a kid? Yeah, I'm pretty athletic. I played softball and ice hockey, and I also danced a lot. Actually, I was in an African dance group. That must have been tough for a tall white girl. Right, so this is the thing: You'd better practice, because you definitely stand out. Will we ever see you on Dancing With the Stars? No chance! But we do Dancing With the Stars in our living room sometimes. Kyle can do a mean "Thriller" dance, so we try to top each other with Michael Jackson moves. We must compliment your performance as a stripper in Californication. Was that tough for you? Not at all. I loved it! I've wanted to play that part my entire life. You can tell from the way girls dress on Halloween, we just want to wear cute outfits that let us show off. We're always told, "You can't look like a slut," so to be able to prance around like we do in ... From: videosbyMaxim Views: 33792 99 ratings Time: 01:52 More in Entertainment
43 Views
16:10:40 02/03/11
NTN #009: Jesus Barf Puddle and Anti-Aging Makeup For Tweens!
[LESS INFO] 43 VIEWS | ADDED 16:10:40 02/03/11
Coming up today: Jesus Barf Puddle, Anti aging makeup for tweens and Snowbound commuters use kids to hold parking spots.
Jesus Barf Puddle
This just in from NewsMutiny.com - Hundreds of faithful Christians have lined up around the block of a bar in Long Beach, California to pray before the image in a puddle of vomit they believe represents Jesus Christ. The vessel was Jeremy Baskin who recounted the incident:
"I'd gotten pretty sloshed when the next thing I knew I was stumbling out the back door and totally spewing all over the place.
"Woah my puke looks kinda like Jesus."
Javier Nesco traveled from Miami, Florida with terminal cancer hoping to be healed. "I didn't want to be disrespectful of him so I picked a piece of sick that wasn't part of his face to eat and today I feel much better."
The puddle of vomit is in the alley behind Stumble Inn located in Long Beach, California however there is a 70% chance of rain Saturday.
http://www.newsmutiny.com/pages/World/JesusBarf.htm
From ABC news - Walmart Introduces Makeup For Tweens - Does your 8 year old baby girl wish she looked 6 again? The new anti aging make up line GeoGirl from Walmart will help your daughters look younger and fresher. Aimed at the tween market, it's a hot sexy look that will prevent those nasty wrinkles that today's tween is worried about. The first 5000 purchases of the complete line come with a strip tease pole so your little girl can get a head start on her career.
http://abcnews.go.com/US/tweens-young-makeup/story?id=12777008
Snowbound commuters use kids to hold parking spots
Newsflash from Cap News - Shoveling out a parking spot has become a serious issue for one South Boston community. After trying to save the spots with folding chairs, garbage pails and even a dining room table, they have resorted to using both children and pets to guard the parking spaces. In defense of the practice, a resident who asked to remain anonymous commented, "It's not like I leave my 7 year old daughter out there over night. It's only when I'm making a quick trip like to buy cigarettes or play Keno."
A city official noted that city snow plow drivers are authorized to plow over small obstacles but the children and dogs are impeding their progress.
http://www.crystalair.com/story.php?id=200901015
3 Views
05:06:37 01/28/11
Saddned- Back in the day Bonus Track
[LESS INFO] 3 VIEWS | ADDED 05:06:37 01/28/11
(Intro) As I stand here besides myself I wonder why I’m sitting here besides myself First it was Kellee and now it’s Michelle At least I’m here on the earth oh well I feel a lot of pain inside, but I have my dignity and pride At least I have my chosen son JT, cause you know I will always love he (Verse) My life is so confused I played the game and I lose The life that I live is the one that I choose Oops here it comes yet another tragedy I miss my chosen son Jose Torres you see I sit in this room feeling sad and lonely No matter what I do bad luck surround me But hold on let me tell the story I had two best friends Raymond and Andy I thought they were done but they really hate me Break into my home they use to have the house key That made me angry so I called the police But hold on here’s another story, Rob and Michael Knight really out to get me But worse of all foster mother hurt me, turn her back on me that’s all right with me What goes around comes back lady, I always knew in my heart you was shady But anyway here’s another story, I use to have a girlfriend by the name of Kellee Said I was too good for her and then she dumped me, Sherry-Ann cheated with the boy called Lean Sometimes I sit and I wonder why me, I’m all by myself I’m so sad and Lonely Excuse me and let me tell my story, life is so confused I played the game and I lose But hold on let me tell the story, I use to have a girl by the name of Kellee But anyway here’s another tragedy, I miss my chosen son Jose Torres you see I sit in this room feeling sad and lonely, no matter what I do children surround me
6 Views
19:54:29 11/30/10
Two Girls' Hotel Room Double KO
[LESS INFO] 6 VIEWS | ADDED 19:54:29 11/30/10
It was the best of times, and it was the worst of times. It was the eve of two girls play fighting on a bed, and it was a night of two girls knocked out on the floor.
0 Views
04:27:58 09/18/10
The Ladies' Room
[LESS INFO] 0 VIEWS | ADDED 04:27:58 09/18/10
The Ladies' RoomThe scene takes place outside the door of a ladies’ room ;at a shopping mall.The Ladies' Room by Carolyn Gage with Jackie Rivera as Rae and Katie Crawford as Nicole Directed by Marjorie O'Neill-ButlerMusic composed by Jason O'Neill-ButlerProduced by The Women's Theatre Project, Ft. Lauderdale FLOriginally read as part of GIRL PLAY, the second annual lesbian reading festival, June 25-27, 2010 at the GLCC, Wilton Manors, FL
5 Views
17:43:14 07/29/10
Antardwand Trailer
[LESS INFO] 5 VIEWS | ADDED 17:43:14 07/29/10
Delhi University. A romance. An accidental pregnancy. And the act of announcing this to his conservative parents is just the beginning of the explosion of emotions and events that Antardwand unfolds. The boy- Raghuveer who has just appeared for his Civil Services exams is admonished by his father against marrying his pregnant girlfriend in Delhi. Distraught and defenseless Raghu terminates his visit home in the interiors of Bihar and leaves for Delhi. But before he could get out of the village he gets ABDUCTED by another headstrong and ambitious father of a girl wanting to have a potential IAS officer as his son-in-law. The boy is forcibly married off at a gun point much against his and the girl’s own wishes. Once married, they are locked up in a room for days end till they consummate their marriage and accept each other completely.....but do they accept each other in the face of inevitability? Groom Abduction or “Pakrauah Shaddi” so rampant in Bihar and Eastern UP is touched upon in Antardwand. The film is a peep into the reality that is mofussil India, a feudal India refusing to die-..it’s a story where everybody involved pay a heavy price for the ugly patriarchal power play…it’s a society rotting while the country surges ahead to be a global power. Antardwand is a film that stokes the sensitive, thinking viewer’s ire, concern and empathy. Distributed by Tubemogul.
10 Views
17:25:39 07/17/10
Inception, The Grease Sing-a-long and Ramona and Beezus (Version-2)
[LESS INFO] 10 VIEWS | ADDED 17:25:39 07/17/10
This weeks Contenders.... Check out more cool stuff at www.icplaces.com
Inception
In Theatres and IMAX® Friday, July 16
Acclaimed filmmaker Christopher Nolan directs an international cast in "Inception," an original sci-fi actioner that travels around the globe and into the intimate and infinite world of dreams.
Dom Cobb (Leonardo DiCaprio) is a skilled thief, the best in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-- inception . Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse; their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime.
But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.
This summer, your mind is the scene of the crime.
Warner Bros. Pictures presents, in association with Legendary Pictures, a Syncopy Production, a film by Christopher Nolan, "Inception."
The film stars three-time Academy Award® nominee Leonardo DiCaprio ("Blood Diamond," "The Aviator"), Academy Award® nominee Ken Watanabe ("The Last Samurai"), Joseph Gordon-Levitt ("500 Days of Summer"), Oscar® winner Marion Cotillard ("La Vie en Rose"), Academy Award® nominee Ellen Page ("Juno"), Tom Hardy ("RocknRolla," "Bronson"), Cillian Murphy ("Batman Begins"), Academy Award® nominee Tom Berenger ("Platoon"), Dileep Rao ("Avatar"), and two-time Oscar® winner Michael Caine ("Hannah and Her Sisters," "The Cider House Rules").
"Inception" was written and directed by Oscar® nominee Christopher Nolan ("Memento," "The Dark Knight"), who also produced the film with Emma Thomas. Chris Brigham and Thomas Tull served as executive producers, with Jordan Goldberg co-producing.
Nolan's behind-the-scenes collaborators included three-time Oscar®-nominated director of photography Wally Pfister ("The Dark Knight," "The Prestige," "Batman Begins"), production designer Guy Hendrix Dyas ("Indiana Jones and the Kingdom of the Crystal Skull," "Elizabeth: The Golden Age"), two-time Oscar®-nominated editor Lee Smith ("The Dark Knight," "Master and Commander: The Far Side of the World"), Oscar®-nominated costume designer Jeffrey Kurland ("Bullets Over Broadway," "Collateral"), and Oscar®-nominated special effects supervisor Chris Corbould ("The Dark Knight"). The music is by Academy Award®-winning composer Hans Zimmer ("The Dark Knight," "The Lion King").
Concurrently with the film's nationwide theatrical release, "Inception: The IMAX Experience" will be released in select IMAX® theatres. "Inception" will be digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology. With crystal clear images, laser-aligned digital sound and maximized field of view, IMAX provides the world's most immersive movie experience.
"Inception" has been rated PG-13 by the MPAA for sequences of violence and action throughout.
The Grease Sing-a-Long
“GREASE” SING-A-LONG SELLS OUT ACROSS THE COUNTRY
Sold Out Shows Reported in Austin, Dallas, Los Angeles, New York City, San Diego and San Francisco –
Ocala, FL Sells Out Entire Weekend
“GREASE” fans everywhere have spoken. Sellouts have been reported in Austin, TX, Dallas, TX, Los Angeles, CA, New York, NY, Ocala, FL, San Diego, CA and San Francisco, CA for the upcoming exclusive engagements of “GREASE” Sing-A-Long. On the heels of promotional, standing room only outdoor screenings across the country, people have flocked to buy tickets for the limited engagements of the hit musical.
John Travolta’s hometown, Ocala, FL, has reported all showings of the limited engagement are sold out.
“GREASE” Sing-A-Long will begin playing TONIGHT in its first run of exclusive showings in 12 markets across the country. The first cities to show the film include: New York, NY (AMC Village); Los Angeles, CA (AMC Century City); Chicago, IL (AMC River East); San Francisco, CA (AMC Metreon); Boston, MA (AMC Boston Commons); Dallas, TX (AMC Northpark); Atlanta, GA (Regal Atlantic Station); Seattle, WA (AMC Pacific Place); Ft. Lauderdale/Miami, FL (Sunrise Gateway); San Diego, CA (AMC Fashion Valley); Austin, TX (Alamo Lamar); and Ocala, FL (Regal Hollywood).
Paramount Pictures will expand the film to the following five additional cities on Thursday, July 15th: Houston, TX (Cinemark Woodlands 17); Orlando, FL (AMC Pleasure Island); Phoenix, AZ (AMC Esplanade); San Antonio, TX (STKS Palladium); and Detroit, MI (MJR Partridge Creek). These additional five cities were selected based on the results of an online poll, with fans across the country “demanding” the musical open in their city. The film is being distributed by Paramount Pictures under the newly created Insurge Pictures label.
Ramona and Beezus
The adventures of young Ramona Quimby (newcomer Joey King) and her big sister Beezus (Selena Gomez) come to life in this all new film based on the best-selling books (over 30 million…and counting) by Beverly Cleary. Ramona’s vivid imagination, boundless energy, and accident-prone antics keep everyone she meets on their toes. But her irrepressible sense of fun, adventure and mischief come in handy when she puts her mind to helping save her family’s home.
John Corbett (My Big Fat Greek Wedding) and Bridget Moynahan (I, Robot) also star as Ramona and Beezus’ parents, Robert and Dorothy Quimby, while Ginnifer Goodwin (He’s Just Not That Into You) portrays the girls’ Aunt Bea, opposite Josh Duhamel (Transformers) as Bea’s former flame, Hobart. Sandra Oh (Grey’s Anatomy) plays Ramona’s third grade teacher, Mrs. Meacham.
Elizabeth Allen (Aquamarine) directs from a screenplay by Laurie Craig and Nick Pustay. Denise Di Novi and Alison Greenspan produce for Fox 2000 Pictures and Walden Media. The cinematographer is John Bailey, ASC; Brent Thomas is the production designer; and Jane Moran is the editor. Co-producer is Brad Van Arragon. Music is by Mark Mothersbaugh, and the music supervisor is Julia Michels.
First published over 50 years ago, Beverly Cleary’s books have entertained several generations of readers. The cast and filmmakers of the first major motion picture based on Cleary’s series – RAMONA AND BEEZUS – typifies the books’ cross-generational appeal. The film’s Ramona, Joey King, began reading the book series before she was cast in the role. Selena Gomez, the on-screen Beezus, had read the books in elementary school. “I love how Beverly writes the characters,” says the popular singer-actress. “We wanted to do justice to Beverly and her work, and to make her proud. We all did our homework and worked really hard to be true to the characters. I think this movie is going to be a fun family experience.”
“I grew up on the Ramona books, as did my mother who passed them down to me,” says Ginnifer Goodwin, who plays Ramona and Beezus’ Aunt Bea. “I think the way the books are passed down from parent to child is what’s magical about the whole series. The thing that really struck me when I reread the books was how Beverly Cleary captured the childhood experience.”
For the filmmakers, the process of turning the books into a major motion picture brought up strong feelings of nostalgia. “It’s a unique privilege to be able to make a movie that’s based on something so integral to one’s childhood,” says producer Alison Greenspan, who worked tirelessly to secure the motion picture rights to the beloved books.
12 Views
10:46:59 07/16/10
Inception, The Grease Sing-a-long and Ramona and Beezus
[LESS INFO] 12 VIEWS | ADDED 10:46:59 07/16/10
This weeks Contenders.... Check out more cool stuff at www.icplaces.com
Inception
In Theatres and IMAX® Friday, July 16
Acclaimed filmmaker Christopher Nolan directs an international cast in "Inception," an original sci-fi actioner that travels around the globe and into the intimate and infinite world of dreams.
Dom Cobb (Leonardo DiCaprio) is a skilled thief, the best in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-- inception . Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse; their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime.
But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.
This summer, your mind is the scene of the crime.
Warner Bros. Pictures presents, in association with Legendary Pictures, a Syncopy Production, a film by Christopher Nolan, "Inception."
The film stars three-time Academy Award® nominee Leonardo DiCaprio ("Blood Diamond," "The Aviator"), Academy Award® nominee Ken Watanabe ("The Last Samurai"), Joseph Gordon-Levitt ("500 Days of Summer"), Oscar® winner Marion Cotillard ("La Vie en Rose"), Academy Award® nominee Ellen Page ("Juno"), Tom Hardy ("RocknRolla," "Bronson"), Cillian Murphy ("Batman Begins"), Academy Award® nominee Tom Berenger ("Platoon"), Dileep Rao ("Avatar"), and two-time Oscar® winner Michael Caine ("Hannah and Her Sisters," "The Cider House Rules").
"Inception" was written and directed by Oscar® nominee Christopher Nolan ("Memento," "The Dark Knight"), who also produced the film with Emma Thomas. Chris Brigham and Thomas Tull served as executive producers, with Jordan Goldberg co-producing.
Nolan's behind-the-scenes collaborators included three-time Oscar®-nominated director of photography Wally Pfister ("The Dark Knight," "The Prestige," "Batman Begins"), production designer Guy Hendrix Dyas ("Indiana Jones and the Kingdom of the Crystal Skull," "Elizabeth: The Golden Age"), two-time Oscar®-nominated editor Lee Smith ("The Dark Knight," "Master and Commander: The Far Side of the World"), Oscar®-nominated costume designer Jeffrey Kurland ("Bullets Over Broadway," "Collateral"), and Oscar®-nominated special effects supervisor Chris Corbould ("The Dark Knight"). The music is by Academy Award®-winning composer Hans Zimmer ("The Dark Knight," "The Lion King").
Concurrently with the film's nationwide theatrical release, "Inception: The IMAX Experience" will be released in select IMAX® theatres. "Inception" will be digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology. With crystal clear images, laser-aligned digital sound and maximized field of view, IMAX provides the world's most immersive movie experience.
"Inception" has been rated PG-13 by the MPAA for sequences of violence and action throughout.
The Grease Sing-a-Long
“GREASE” SING-A-LONG SELLS OUT ACROSS THE COUNTRY
Sold Out Shows Reported in Austin, Dallas, Los Angeles, New York City, San Diego and San Francisco –
Ocala, FL Sells Out Entire Weekend
“GREASE” fans everywhere have spoken. Sellouts have been reported in Austin, TX, Dallas, TX, Los Angeles, CA, New York, NY, Ocala, FL, San Diego, CA and San Francisco, CA for the upcoming exclusive engagements of “GREASE” Sing-A-Long. On the heels of promotional, standing room only outdoor screenings across the country, people have flocked to buy tickets for the limited engagements of the hit musical.
John Travolta’s hometown, Ocala, FL, has reported all showings of the limited engagement are sold out.
“GREASE” Sing-A-Long will begin playing TONIGHT in its first run of exclusive showings in 12 markets across the country. The first cities to show the film include: New York, NY (AMC Village); Los Angeles, CA (AMC Century City); Chicago, IL (AMC River East); San Francisco, CA (AMC Metreon); Boston, MA (AMC Boston Commons); Dallas, TX (AMC Northpark); Atlanta, GA (Regal Atlantic Station); Seattle, WA (AMC Pacific Place); Ft. Lauderdale/Miami, FL (Sunrise Gateway); San Diego, CA (AMC Fashion Valley); Austin, TX (Alamo Lamar); and Ocala, FL (Regal Hollywood).
Paramount Pictures will expand the film to the following five additional cities on Thursday, July 15th: Houston, TX (Cinemark Woodlands 17); Orlando, FL (AMC Pleasure Island); Phoenix, AZ (AMC Esplanade); San Antonio, TX (STKS Palladium); and Detroit, MI (MJR Partridge Creek). These additional five cities were selected based on the results of an online poll, with fans across the country “demanding” the musical open in their city. The film is being distributed by Paramount Pictures under the newly created Insurge Pictures label.
Ramona and Beezus
The adventures of young Ramona Quimby (newcomer Joey King) and her big sister Beezus (Selena Gomez) come to life in this all new film based on the best-selling books (over 30 million…and counting) by Beverly Cleary. Ramona’s vivid imagination, boundless energy, and accident-prone antics keep everyone she meets on their toes. But her irrepressible sense of fun, adventure and mischief come in handy when she puts her mind to helping save her family’s home.
John Corbett (My Big Fat Greek Wedding) and Bridget Moynahan (I, Robot) also star as Ramona and Beezus’ parents, Robert and Dorothy Quimby, while Ginnifer Goodwin (He’s Just Not That Into You) portrays the girls’ Aunt Bea, opposite Josh Duhamel (Transformers) as Bea’s former flame, Hobart. Sandra Oh (Grey’s Anatomy) plays Ramona’s third grade teacher, Mrs. Meacham.
Elizabeth Allen (Aquamarine) directs from a screenplay by Laurie Craig and Nick Pustay. Denise Di Novi and Alison Greenspan produce for Fox 2000 Pictures and Walden Media. The cinematographer is John Bailey, ASC; Brent Thomas is the production designer; and Jane Moran is the editor. Co-producer is Brad Van Arragon. Music is by Mark Mothersbaugh, and the music supervisor is Julia Michels.
First published over 50 years ago, Beverly Cleary’s books have entertained several generations of readers. The cast and filmmakers of the first major motion picture based on Cleary’s series – RAMONA AND BEEZUS – typifies the books’ cross-generational appeal. The film’s Ramona, Joey King, began reading the book series before she was cast in the role. Selena Gomez, the on-screen Beezus, had read the books in elementary school. “I love how Beverly writes the characters,” says the popular singer-actress. “We wanted to do justice to Beverly and her work, and to make her proud. We all did our homework and worked really hard to be true to the characters. I think this movie is going to be a fun family experience.”
“I grew up on the Ramona books, as did my mother who passed them down to me,” says Ginnifer Goodwin, who plays Ramona and Beezus’ Aunt Bea. “I think the way the books are passed down from parent to child is what’s magical about the whole series. The thing that really struck me when I reread the books was how Beverly Cleary captured the childhood experience.”
For the filmmakers, the process of turning the books into a major motion picture brought up strong feelings of nostalgia. “It’s a unique privilege to be able to make a movie that’s based on something so integral to one’s childhood,” says producer Alison Greenspan, who worked tirelessly to secure the motion picture rights to the beloved books.
53 Views
10:46:49 04/11/10
Date Night starring - Steve Carell and Tina Fey
[LESS INFO] 53 VIEWS | ADDED 10:46:49 04/11/10
Action-comedy maestro Shawn Levy, the director of the blockbuster “Night at the Museum” franchise, teams up with two of the comedy world’s biggest talents, Steve Carell (“The 40 Year Old Virgin,” “The Office”) and Tina Fey (“Baby Mama,” “30 Rock,” “SNL”) for an adventure that turns a run-of-the-mill married couple’s date upside down – way upside down, in DATE NIGHT.
Phil (Carell) and Claire Foster (Fey) are a sensible, loving couple with two kids and a house in suburban New Jersey. The Fosters have their weekly “date night” – an attempt at re-experiencing the spice of the dates of yesteryear, involving the same weekly night out at the local Teaneck Tavern. Their conversations quickly drift from barely-date talk to the same chore-chat they have at the dinner table at home. Exhausted from their jobs and kids, their dates rarely end in fore- or any other kind of play, let alone romance.
After seeing two of their best friends – another married couple with kids in suburban New Jersey – split apart from living the same life they themselves lead, Phil and Claire begin to fear what may lie ahead: a state of bland indifference and eventual separation.
In an attempt to take date night off auto-pilot, and hopefully inject a little spice into their lives, Phil decides a change of plans is in order: take Claire into Manhattan to the city’s hottest new restaurant. The Fosters, however, don’t have reservations. Hoping to be seated sometime before the clock strikes twelve, they steal a no-show couple’s reservations. What could it hurt? Phil and Claire are now the Tripplehorns.
The real Tripplehorns, however, it turns out, are a thieving couple who are being hunted down by a pair of corrupt cops for having stolen property from some very dangerous people. Forced on the run before they’ve even finished their risotto, Phil and Claire soon realize that their play-date-for-parents has gone hilariously awry, as they embark on a wild and dangerous series of crazy adventures to save their lives. . . and their marriage.
The ritual “date night” dinner is something all too familiar to most married couples – even directors of blockbuster movies. “I was in the process of making the second Night at the Museum film,” recalls filmmaker Shawn Levy, “and, as is kind of our ritual, once a week, my wife and I go out to dinner.”
At one such dinner, the Levys found themselves sitting at the restaurant they frequented, ordering the same food, talking about the kids, what’s coming up that weekend, who’s going to buy the gift for which birthday party, etc., etc. “In the middle of all that, I said to my wife, ‘Wouldn’t it be cool to do a movie about a date night, where you just did one thing differently? And, from there, you have an unraveling of everything, to the point of it threatening your life and your marriage, with all kinds of crazy stuff going on. But, in the midst of all that crazy stuff, you end up recapturing the vitality that date night was invented in the first place to preserve.’”
The next morning, Levy came in to his production company office and told his staff, “Okay, we’re going to do a movie called DATE NIGHT, and here’s what it’s about, and let’s get a writer. Let’s go.”
Levy’s search for a writer didn’t take very long. “I had written a small, quirky film, called ‘(Saint) Peter,’ which Shawn had read and fell in love with, recalls screenwriter Josh Klausner. “Shawn was determined to find something for us to work on together. He very graciously took a big chance and had me fly out, and we started brainstorming.”
Levy and Klausner met at Levy’s bungalow on the Fox lot, where they quickly broke the story. “We are both in the same stage of life,” Klausner says. “We both have children and go out on date nights, knowing what they’re supposed to be, but realizing they never end up being that anymore because there are so many other things that get in the way. So we started talking about those experiences.”
“We talked about our marriages,” Levy adds. “And we found that there are certain commonalities in trying to sustain a vibrant, romantic relationship,” and not simply becoming roommates. “It’s the question of in the midst of grownup life, how do you keep couple-hood fresh?”
DATE NIGHT was originally conceived as more of a suburban story centered around a parent-teacher conference night, but quickly evolved into, as Klausner calls it, “the perfect ‘North by Northwest’ setup” of mistaken identity.
“Shawn and I really wanted what spurs on the evening to be something that we all might do,” Klausner continues. “Phil and Claire simply can’t get a seat at a restaurant, and, since nobody’s answering the call for a reservation, they just decide, ‘What’s the harm in taking it?’ And it leads them down the rabbit hole. From there, they end up on the worst night of their lives, which ends up being the best night for their relationship.”
Levy describes the film as being “in the spirit of action comedies I remember fondly, like ‘Beverly Hills Cop’ or ‘48 Hrs.’ DATE NIGHT has a real hybrid tone, because it’s first and foremost a comedy. It also has a hefty dose of action, as well as a lot of heart, because it’s about the things that people deal with in relationships.”
For Levy, DATE NIGHT is a change from the family-friendly hits he’s helmed, like “Cheaper by the Dozen,” “Pink Panther” and “Night at the Museum.” DATE NIGHT is more of an adult-skewing comedy,” Levy points out. “In a way, it’s the other side of the movies I’ve done, which have been focused on the child-parent relationships. DATE NIGHT is focused on the marriage side – what happens after the children go to sleep.”
Levy was keen to keep the emotional side of the story intact through the mayhem experienced by the characters. “If you’re making a movie about relationships and being a married couple, it must be more than just funny, because life doesn’t work that way,” the director explains. “This movie has some surprising moments of poignancy.”
“A lot of comedies these days feel like a compendium of gags tied together to follow a narrative story,” notes Klausner. “DATE NIGHT, at its heart, is about marriage and being in love with somebody, but at the same time, life gets in the way. It’s honest, which is something Steve and Tina wanted, too. I’m proud that this movie has preserved that soul.”
When Levy learned that Steve Carell and Tina Fey were hoping to find a project on which they could work together, he knew he had found his DATE NIGHT duo. “We got an early draft of the screenplay to Tina and Steve, who always struck me as the dream pairing for a movie about marriage,” Levy says. “They said, ‘Yeah, we relate to this, we want to do an action comedy that’s also honest about relationships.’ So they said they were in.”
While Levy usually takes a break between completing one feature and beginning the next, he found himself prepping DATE NIGHT while editing “Night at the Museum: Battle of the Smithsonian,” in order to take advantage of his stars’ availability. “Steve’s and Tina’s series commitments [on, respectively, “The Office” and “30 Rock”] provides only a limited window for feature film work,” Levy explains. “They told us, ‘Look, we want to do this, but we’re free now, and we’re not going to be free in six months – what do we do?’ I said, ‘Well, we make the movie right now!’ I didn’t get a break between films, but I got a comedy with Steve Carell and Tina Fey, who are two of the most intelligent, interesting people working in comedy today. So a lot of my job was to come up with the idea, get the two perfect actors for the movie, and then get the hell out of the way.”
While slight alterations to the script were made to match the stars’ comedic voices, DATE NIGHT was essentially tailor-made for the pair. “It felt like the film was written for them,” says Klausner. Adds Levy: “Three minutes into this movie, you buy Steve and Tina as a married couple. They have a powerful chemistry together. They clicked completely on screen.”
Phil, says Carell, “feels underappreciated by his friends and family, but he sort of keeps that feeling close to his chest. He’s a very loving guy, but he and Claire have reached a plateau in their relationship. He needs to snap himself out of it, if possible. And the night that he and Claire experience together is a defibrillator for their marriage.”
Carell’s comedic skills, along with his ability to stir audiences’ hearts, made him the perfect choice for the role, Levy says. “Steve is super funny, and his chops as an actor are fantastic. He not only carries entire comedy sequences on his back, but three scenes later, he’s moving you to an emotional place with such sincerity and nuance. There’s no end to what he can do.”
Carell says his own date nights, like Phil Foster’s (and Levy’s and Klausner’s), leave much to be desired. “Sometimes the worst part of date night is actually leaving for the date – when you see your babysitter sitting down, getting all cozy, turning on the TV. That sometimes seems much better than the night that lies ahead.”
Fey, like Carell, has the ability to be riotously funny while still portraying the emotional side of her character realistically – to turn down the volume on jokes and simply allow them to happen. For example, in response to a nudge for sex from her husband, Fey’s Claire offers a very normal, ‘Yeah, hang on a minute” moment as she pulls out her dental mouth guard in preparation for sex with her husband, with enough drool to instantly turn off her mate.
“Besides being obviously really pretty and intelligent, Tina has a complete willingness to make an ass out of herself,” says Levy. She’s completely up for goofing on herself and being the butt of the joke, and that’s very charming.”
Fey describes Claire as “a working mom of two kids, who, like almost everyone I know, is just a little worn out by the day-to-day life of raising your kids, getting them out the door, getting them to school, having a job, keeping a house clean. She’s a good person who is just kind of worn into the ground a little bit. I certainly identify with how just physically tiring it is to be a parent and have a job – sometimes it feels like a real effort to just be present for your spouse.”
So which would be scarier – being in a boring marriage or being chased by the mob (both of which the Fosters experience in the film)? “I would say that being married to a person in the mob would be the scariest,” Fey jokes.
Along their night-from-hell journey, Phil and Claire encounter a cavalcade of characters on both sides of the law. Levy’s casting choices for these roles was sometimes unexpected – and always spot-on. His intent was to provide the story with a “Wizard of Oz”-like experience. “You’re with your heroes, but along the way, they’re being affected and changed by the people they meet, and I just thought wouldn’t it be fun if at every turn of the road, you’re surprised all over again by who has suddenly appeared in this movie. And the cast members fit the roles perfectly.”
The surprise apparently wasn’t limited to the audience. “I read the script,” says Fey,” and I thought, ‘Oh, these are really good parts for somebody.’ I never thought we would get this lucky to have that caliber of people in all these different parts.” Having what otherwise would have appeared to be small roles portrayed by big name actors only helps bring them alive, Carell notes. “When you see them acted out, they’re even better than they were on the page.”
And getting high-powered stars to join the DATE NIGHT team wasn’t just a matter of coincidence. “So many people were so keen to find a way to work with Steve and Tina – they just found a way to make it work,” says Levy.
Mark Wahlberg portrays a former real estate client of Claire’s the pair turns to in the middle of the night. “I play a guy named Holbrooke Grant, who is a security expert who Claire and Phil come to for help,” Wahlberg explains. “They just catch Holbrooke at a bad time – he’s with his beautiful Israeli girlfriend.” The pair ends up turning Holbrooke’s night upside down, as well.
Wahlberg had the simplest costume in the entire cast. “There is no wardrobe – just a pair of silk genie pants,” he recalls, noting that he regularly found himself freezing on the air-conditioned set. That the top half of his costume was missing (except for an ample supply of makeup covering Wahlberg’s countless tattoos), was a fact not lost on the female members of the cast and crew. “Mark was shirtless for three or four days,” Fey says, prompting a noticeable increase in the number of women who suddenly had additional tasks to address on set on the days he was on the job. “I had friends texting me, ‘Can I get on the Fox lot and visit you today?’” Fey laughs.
Also coming to the aid of the beleaguered couple is Taraji P. Henson, an Oscar® nominee for her work in “The Curious Case of Benjamin Button,” who plays NYPD Detective Arroyo, who, though she doesn’t exactly believe the Fosters “chased by bad guys” story, begins to become suspicious of a couple of her colleagues. “She’s sort of a hero,” the actress says.
Playing thugs Collins and Armstrong, who are after the Fosters (whom they believe are the Tripplehorns) are Common and Jimmi Simpson. Common is a familiar face to audiences for his role as a murderous cop in “Street Kings” and for his work as a musical artists (his hits include “Love of My Life” and “Testify”). Simpson has made occasional appearances as Lyle the Intern on “The Late Show with David Letterman.”
Common describes the duo as “one of the many catalysts to get this mundane couple out of their comfort zone – mainly by shooting guns at them.” The two are essentially hunters, he adds, noting, “I’m the muscle.”
Collins and Armstrong’s formidable boss is gangster Joe Miletto, from whom the Tripplehorns have apparently stolen something of importance that he wants back. The casting of acclaimed actor Ray Liotta as Miletto delighted Carell and Fey. “We were shooting a scene with Ray one night,” recalls Carell, “and Tina looked over and said, ‘I feel like I am in a 3D version of ‘Goodfellas. Ray Liotta is actually walking up and talking to me.’ It was like a ride at a theme park.”
Playing a heavy in a comedy, particularly for actors used to appearing in dramatic films, requires a special knack, one which DATE NIGHT’s group of toughs embraced with gusto.
“It’s really in the writing, so it’s dependent on your commitment to it,” explains Liotta. “If the situation’s just a little more heightened, you’re going to laugh.” Common agrees: “Shawn expressed to us from the beginning – you’ve got to keep it real. The more real it becomes – because you’re playing off Steve and Tina – the funnier it becomes.”
Portraying the “real” Tripplehorns – actually a drug dealer named Taste and his wacky stripper girlfriend, Whippit – are James Franco and Mila Kunis. Despite their different life circumstances, the pair has much in common with the Fosters, being in the same spot in their relationship as their clean-cut counterparts. Notes Josh Klausner: “Whether you’re a drug dealer or a suburban husband, you still feel the pangs of ‘You never look at me the way you used to’ and ‘You don’t have time for me.’ What the two couples are going through is exactly the same,” making the exchanges between the two couples both hilarious and poignant at the same time.
Kunis describes the pair as “very passionate – when they’re angry, they’re very angry, and when they’re happy, they’re madly in love.” Whippit, specifically, she describes as a “psycho, who is very up and down. She goes through three different emotions within two and a half script pages.”
The name “Taste,” Franco says, is left over from an earlier concept of the character – a 6 ft. 7 in. bald man with “TASTE” tattooed on his forehead. “So when they asked me to be in the movie, I said, ‘Well, I’m certainly not that.’” The character’s description was then rewritten, but the name stuck. “I was up for facial tattoos, too,” Franco says with a laugh. “We just went for the cheesy ‘Grim Reaper.’”
Kristen Wiig and Mark Ruffalo play the Fosters soon-to-be-splitting couple friends, Haley and Brad Sullivan. “Their parting brings up the question about getting bored with your spouse and moving on, or just sticking it out,” says Wiig. “I think Haley plants the seeds in Claire’s mind.”
Also taking on key roles are “Gossip Girl’s” Leighton Meester as the Fosters’ babysitter Katy, and “The Dark Knight’s” William Fichtner as district attorney Frank Crenshaw.
All the cast members appreciated Levy’s ability to balance action and comedy, which in turn allowed his actors the freedom to come up with their own gags. “That’s the only way you can afford to have time to play around or to improvise and do extra takes,” notes Fey. “That only happens if everyone – especially your director – really knows what they’re doing.”
For Levy, there’s a method to the potential madness of improv. “Sometimes, after we’d get what I want, Steve and Tina would come to me and say, ‘You know what? Could I get one more take? I’ve got an idea that might lead somewhere.’ Sometimes we couldn’t use it, but more often than not, it was gold and it ended up in the movie,” such as the duo’s restaurant shenanigans game of guessing what’s up with the couple sitting across the way.
“Every person in any field wants to go to work and feel respected for what they do,” says the director. “So when you say to an actor, ‘We’re going to do the script that I’ve written for you, but I want to hear what’s in your head. I actually think that the ideas you come up with might be as legitimate or better than what we scripted,’ it makes your actors feel like partners and collaborators, and not mouthpieces. It makes them feel like part of the creative team, rather than a piece of machinery.”
MEET THE TWINS
While attempting to escape their pursuers, the Fosters “borrow” Holbrooke Grant’s car, the much-too-powerful-for-Phil Audi R8. When Phil inadvertently smashes into a taxi cab, the two vehicles’ bumpers become hopelessly locked together. Nonetheless, the chase continues, the conjoined twin automobiles smashing their way down Manhattan streets.
The complicated sequence came about when Levy and Klausner were brainstorming ideas for a chase scene. Concerned about repeating the oft-used, cliché urban car chase, Klausner recalls, “I remember sitting in a room with Shawn, telling him, ‘You know, do we really have to do a car chase, because how many times have we seen a car chase in these movies? How interesting can that be?’”
Levy then related to his writer a story from his teenage years. “He was just learning to drive, and was trying to park, but he ended up smashing into another car in front of him and getting stuck on that car. His father just drove by and shook his head.” Thus was born the idea of conjoined cars.
But just having two cars barreling down the street wasn’t enough. “Shawn wanted to do something that nobody had ever seen before,” says 2nd unit director and stunt coordinator Jack Gill, who planned and executed the sequence. “Once we got the basic idea of conjoining the cars, we began figuring out not only how to build the cars, but how to make it work comically. I then started adding eccentricities, like spinning them around in circles and having characters fire guns at them.”
Besides having six different cars that, each of which handled a specific aspect of the chase stunts, Gill built a 40 foot frame, upon which the Audi and cab bodies were placed. “So there’s just one rigid frame,” he explains. The stunt driver was situated at the leading end of the conjoined vehicles. “So when the cab is facing forwards, with the Audi ahead of it facing the wrong way, the stunt driver is actually driving from inside the Audi’s trunk, looking out the back so he can see where he’s going and drive around corners.” In addition, for most shots, the rig’s rear wheels – those under the rear end of the conjoined vehicles – could also steer, in the same manner as those of a hook-and-ladder fire truck.
Needless to say, don’t try this at home on your own Manhattan street.
New York City ordinances limited the production to the types of stunts that could be filmed on Manhattan streets. So following a week of night work in New York, the stunt team moved to downtown Los Angeles to complete the sequence.
“We had about six blocks to work with on Broadway, which was great,” Gill recalls. “We needed a long stretch locked down, because when you conjoin two cars together, you’ve got a thing that’s forty feet long – getting it up to speed and shutting it all down can be tough. You can’t just do it in two blocks.” The sequence was filmed with up to six cameras, including a special “balloon cam,” with wheeled buoys on each corner, which allowed the camera to be sent into the path of the speeding car pair and getting hit head-on, without damaging expensive camera equipment.
Carell did actually drive the R8 himself for a number of shots. “We wanted the car to have way too much power for a guy like Phil to handle,” says Gill. “So I asked Audi to disconnect the all-wheel drive, which meant putting all 560 horsepower into the rear wheels.” So what was Carell’s impression? “He said it felt like somebody hitting him in the back of the head with a shovel when he stepped on the gas.”
In one shot, Phil must make his way to the cab while Claire is driving the Audi at high speed. “We did all the transfers across the hood with doubles – that was all real,” notes Gill.
Close-ups of Carell and Fey were done against a green screen set at Twentieth Century Fox. Since the chase acrobatics had already been filmed, besides their scripted lines, Carell and Fey filled in the gaps with their gut-busting ad-libs. “I’d show them footage and explain to them, ‘Here’s what we did last week downtown with the real cars – what do you think?’” Gill says. “And we’d bounce off ideas until something really clicked. And then Shawn was always there to say, ‘You’re right on track here – that’s really funny!’ It really helps when you have a collaboration where everybody can talk ideas out.”
Even with all the excitement, Levy kept the scene’s theme on track. “Once we had the concept of having the two cars stuck together, then we could find a way to thematically tie it in to what the movie’s about, which is this couple that has to learn to communicate to survive,” he explains.
Indeed, even with all that happens to them on this fateful night, the Fosters achieve their goal: to reinvigorate their relationship and reconnect with the love and excitement that brought them together in the first place.
“DATE NIGHT is kind of like a fable,” says Levy. “It takes place over a very short period of time, but in some way, it’s timeless, because it’s a story about a journey two people make in their relationship. And we leave the night feeling like they will go back to their lives and no one except for the people involved that night might ever know what happened. We’ve watched them experience this crazy night, but the real adventure of their married life, now that they’ve found each other again, is just about to begin.”
“They’re comfortable enough again with each other to be able to say ‘Knock it off’ and ‘I love you’ within the same five minutes,” says Steve Carell.
Tina Fey has just one last piece of relationship advice: “Go on a date night and see DATE NIGHT.”
ABOUT THE CAST
STEVE CARELL (Phil Foster) has emerged as one of the most sought-after comedic actors in Hollywood. First gaining recognition for his contributions as a correspondent on Comedy Central’s Emmy® Award-winning “The Daily Show with Jon Stewart,” Carell has successfully segued into primetime television and above-the-title status in the film world with equal aplomb.
Carell currently stars as Michael Scott, the pompous and deluded boss of a Pennsylvania paper company, in the Americanized adaptation of Ricky Gervais’ acclaimed British television series “The Office.” Now in its sixth season, the show continues to flourish in ratings and has earned Carell three Emmy Award nominations and four Golden Globe® nominations for his work on the show, and earned the Golden Globe in 2006. In the last two years, the show has won the Screen Actors Guild Award® for Outstanding Performance by an Ensemble in a Comedy Series.
Carell opened his first lead feature, “The 40-Year-Old Virgin,” which he co-wrote with director Judd Apatow, at #1, a spot it remained in for two straight weekends. The surprise hit of 2005 went on to gross more than $175 million worldwide and had #1 openings in 12 countries. The film generated over $100 million in DVD sales in North America alone. On an award level, the film was honored with an AFI Award® named one of 10 Most Outstanding Motion Pictures of the Year and took home Best Comedy Movie at the 11th annual Critics’ Choice Awards®. The film also earned Carell and Apatow a co-nomination for Best Original Screenplay by the Writers Guild Association.
In 2008, Carell starred as Maxwell Smart in the much-anticipated action-comedy “Get Smart,” opposite Anne Hathaway and Alan Arkin. The film grossed over $230 million worldwide. A sequel is due in 2011. He also lent his voice as “The Mayor of Whoville” in Twentieth Century Fox’s animated film “Dr. Seuss’ Horton Hears a Who!” based on the children’s book written by Dr. Seuss. Directed by Jimmy Hayward (“Finding Nemo,” “Monsters, Inc.”), Carell played opposite Jim Carrey, and helped launch the film as an international success earning over $295 million worldwide.
In 2006, as part of an ensemble, he starred in “Little Miss Sunshine,” which earned an Academy Award® nomination for Best Picture and won the SAG Award™ for Outstanding Performance by a Cast in a Motion Picture. The black comedy also starred Greg Kinnear and Toni Collette. Previous film credits for the actor include “Anchorman: The Legend of Ron Burgundy,” “Bewitched, and “Dan in Real Life.” Carell’s feature film breakout role in “Bruce Almighty,” opposite Jim Carrey, led to a sequel starring Carell in 2007, “Evan Almighty.”
Carell recently announced the start of his new production company, Carousel Productions. Carell’s endeavors and successes in acting, writing and producing were an organic segue in the creation of Carousel Productions. Born in Massachusetts, Carell now resides in Los Angeles with his wife, actress Nancy Walls (NBC’s “Saturday Night Live”), whom he met while at the Second City Theater Group in Chicago, where both were members. He is the proud father of a daughter and a son.
TINA FEY (Claire Foster), one of the most visible and popular figures in television today, writes, executive produces and stars in NBC's three-time Emmy Award-winning comedy series “30 Rock,” a workplace comedy which takes place behind-the-scenes of a live variety show. Her performance as head writer Liz Lemon on the fictional “TGS with Tracy Jordan” has earned Fey an Emmy, two Golden Globes, three SAG Awards, and a People’s Choice Award®. This year alone, “30 Rock” won five Emmy Awards and was nominated for many others.
Prior to creating “30 Rock,” Fey completed nine seasons as head writer, cast member and co-anchor of the “Weekend Update” segment on NBC’s “Saturday Night Live.” Fey is an Emmy winner and two-time Writers Guild Award winner for her writing on SNL, also receiving an Emmy for her spoof of vice-presidential candidate Sarah Palin.
Since her transition to being in front of the camera, Fey has won much acclaim, including being named one of Entertainment Weekly’s Entertainers of the Year, People Magazine’s Most Beautiful People (three times), and one of Time magazine’s Prestigious Time 100.
Other awards include, in 2008, a Producers Guild Award and a Writers Guild Award for Outstanding Comedy Series for “30 Rock.” She has also won two Gracie Awards and a Made in New York Award and has been nominated for a People’s Choice Award for Choice Comedy Actress and a SAG Award for Outstanding Performance by an Ensemble in a Comedy Series
Fey expanded to feature films in spring 2004 as both a screenwriter and an actress opposite Lindsay Lohan in the hit comedy “Mean Girls,” which earned her a nomination for a Writers Guild Award for Best Adapted Screenplay. Most recently she starred alongside “Saturday Night Live’s” Amy Poehler in the film “Baby Mama” for Universal Pictures, which exceed the $50 million dollar mark at the U.S. box office. Fey also starred in the Ricky Gervais comedy “The Invention of Lying,” released in 2009.
MARK WAHLBERG (“Holbrooke Grant”) earned Academy Award and Golden Globe nominations for his standout performance in Martin Scorsese’s acclaimed drama “The Departed.”
Wahlberg’s remarkable film career began with Penny Marshall’s “Renaissance Man” and “The Basketball Diaries” with Leonardo DiCaprio, followed by a star turn opposite Reese Witherspoon in the thriller “Fear.” He has enjoyed playing diverse characters for visionary filmmakers such as David O. Russell, Tim Burton and Paul Thomas Anderson.
Wahlberg’s breakout role in “Boogie Nights” established him as one of Hollywood’s most sought-after talents. He later headlined “Three Kings” and “The Perfect Storm” with George Clooney, and “The Italian Job” with Charlize Theron. He followed those with “I ♥ Huckabees,” “Four Brothers” and the football biography, “Invincible.” He then appeared in “Shooter,” based on the best-selling novel Point of Impact. Wahlberg reunited with “The Yards” director James Gray and co-star Joaquin Phoenix in “We Own the Night,” which Wahlberg produced.
In 2008, Wahlberg starred in M. Night Shyamalan’s “The Happening,” and in “Max Payne.” He recently appeared in director Peter Jackson’s adaptation of “The Lovely Bones.” Due out this year is “The Fighter” for director David O. Russell and “The Other Guys,” with Will Ferrell.
Wahlberg is an executive producer on “The Fighter” and “We Own the Night,” as well as on the HBO series “Entourage” and “In Treatment,” which have received six Golden Globe and three Emmy nominations.
Future projects include the new HBO series, “Boardwalk Empire,” with Martin Scorsese and “How to Make it in America,” along with other feature film projects. A committed philanthropist, he founded The Mark Wahlberg Youth Foundation in 2001 to benefit inner city children and teens.
TARAJI P. HENSON (“Detective Arroyo”) earned an Academy Award nomination for Best Supporting Actress portraying Brad Pitt’s mother in David Fincher’s highly acclaimed “The Curious Case of Benjamin Button.” Most recently, she starred in Tyler Perry’s “I Can Do Bad All By Myself,” which opened to number one at the box office.
For three years, Henson starred as Raina Washington, the youngest female detective on Lifetime’s “The Division.” She was also a regular on David E. Kelly’s “Boston Legal” and had a recurring role on ABC’s “Eli Stone.” Henson appeared in featured roles on “ER,” “Strong Medicine,” “CSI,” “House,” among others.
Henson received rave reviews for her role in Focus Features’ “Talk to Me” opposite Don Cheadle. Henson was named Outstanding Supporting Actress in a Feature Film at the 2005 Black Movie Awards and received the Best Actress nod at the 2006 BET Awards for her performance as Shug in the gutsy drama “Hustle & Flow,” produced by Oscar-nominated filmmaker John Singleton. She received two nominations at the 2006 MTV Movie Awards™ including Best Breakthrough Performance.
Upcoming films include “Karate Kid” opposite Jaden Smith and Jackie Chan, which filmed on location in Beijing for Columbia. Henson plays Rainn Wilson’s love interest in the upcoming indie comedy “Peep World,» also starring Sarah Silverman. In the indie drama “Once Fallen,” Henson stars with Ed Harris and Brian Presley. She starred in Sony’s “Not Easily Broken” opposite Morris Chestnut, and opposite Forest Whitaker in “Hurricane Season.” She starred in Tyler Perry’s “The Family That Preys” with Kathy Bates and Alfre Woodard.
Born and raised in Washington, D.C., the Howard University grad has a strong passion for helping disabled and less fortunate children and reveals, “I always stress to kids to have faith in themselves—the greatest recipe for success is self confidence.”
COMMON (Collins), a Grammy Award® winning artist, made his big screen debut as a musical performer in “Dave Chappelle’s Block Party,” in 2006. In January 2007, he made his acting debut co-starring opposite Jeremy Piven, Ben Affleck, Alicia Keys and Ryan Reynolds in “Smokin’ Aces.” Since then he’s co-starred opposite Denzel Washington in “American Gangster,” directed by Ridley Scott; David Ayer’s “Street Kings,” starring Keanu Reeves and Forest Whitaker; and “Terminator Salvation,” directed by McG, starring Christian Bale.
ABOUT THE FILMMAKERS
SHAWN LEVY (Director/Producer) is one of the most commercially successful film directors of the past decade. To date, his films have grossed over 1.5 billion dollars worldwide. Levy has honed his craft, seamlessly weaving comedy and heart into captivating stories that resonate with audiences. His youthfully enthusiastic approach to filmmaking is evident in the storylines and characters he creates – reflecting his joyful intensity for each project at hand.
Levy is currently developing several films to produce through his production company, 21 Laps, which is housed at Twentieth Century Fox. These projects include “The Ten Best Days of My Life” (with Amy Adams), “Neighborhood Watch,” “The Devil You Know” and “How to Talk to Girls” for Fox; “Factracker” for MGM; “The Extraordinary Adventures of Alfred Kropp” and “The Cutlass Islands” for New Regency, “Men of Magic” for Universal; “The Berenstain Bears” for Walden; and “The Spectacular Now” and “Table 19” for Fox Searchlight.
Currently, Levy is in pre-production on the futuristic father-son boxing drama, “Real Steel,” starring Hugh Jackman, for Steven Spielberg’s Dreamworks.
Levy’s 21 Laps recently produced the 2008 comedy «What Happens in Vegas,» starring Cameron Diaz and Ashton Kutcher, which went on to earn over $200 million worldwide.
Levy both produced and directed the blockbuster “Night at the Museum,” starring Ben Stiller, Robin Williams, Owen Wilson, Ricky Gervais, Dick Van Dyke and Mickey Rooney, which grossed over $580 million worldwide and “Night at the Museum: Battle of the Smithsonian,” starring a wide array of today’s most notable comedic talent including Ben Stiller, Amy Adams, Jonah Hill, Bill Hader, Hank Azaria, Owen Wilson, Ricky Gervais and Steve Coogan, which grossed over $400 million worldwide.
He directed the successful 2006 comedy, “The Pink Panther,” starring Steve Martin, Kevin Kline, Beyoncé Knowles, and Jean Reno and served as the executive producer of “Pink Panther 2.” Levy also directed “Cheaper By The Dozen” starring Steve Martin, Bonnie Hunt, Ashton Kutcher and Hilary Duff, which went on to gross more than $200 million worldwide.
In 2002, Levy directed both the hit romantic comedy “Just Married,” starring Ashton Kutcher and Brittany Murphy, which grossed over $100 million and the family comedy “Big Fat Liar,” for Universal Pictures, with Frankie Muniz, Paul Giamatti and Amanda Bynes.
Levy graduated at the age of 20 from the Drama Department of Yale University. He later studied film in the Masters Film Production Program at USC, where he produced and directed the short film Broken Record. This film won the Gold Plaque at the Chicago Film Festival, in addition to being selected to screen at the Director’s Guild of America.
JOSH KLAUSNER (Screenwriter) attended Princeton University, where he was involved in the theater community as an actor, playwright and director, and studied theater luminaries Bobby Lewis and Albert Innaurato. Klausner’s thesis play, “Scratch,” received the Francis LeMoyne Page Prize for Excellence in Theater. After graduation, Klausner co-created the short “Season of the Lifterbees,” which premiered at the Sundance Film Festival in 1992, and won the Time Warner Grand Prize at the Aspen Shortsfest and a regional AMPAS Student Academy Award for Best Dramatic Short.
In 1994, Klausner began working as an assistant to the Farrelly Brothers, on their first film, “Dumb & Dumber,” moving on to work as 2nd unit director on the Farrellys’ hit 1998 film, “There’s Something About Mary” and again in 2001’s “Shallow Hal.”
In 2000, Klausner wrote and directed HBO’s “The 4th Floor,” starring William Hurt, Juliette Lewis, Austin Pendleton and Shelley Duvall. He did additional screenplay work on “Shrek the Third,” and wrote the original screenplay and storyline for DreamWorks
Animation’s upcoming “Shrek Forever After,” to be released later this year.
Klausner is currently working on a number of feature film projects, including a live action adaptation of “Thomas the Tank Engine,” and an adaptation of Adena Hapern’s The Ten Best Days of My Life for Shawn Levy’s 21 Laps, which will star Amy Adams. He is also collaborating with Sir Paul McCartney on “High in the Clouds,” an upcoming animated feature film based on the former Beatle’s children’s book.
JOE CARACCIOLO, JR. (Executive Producer) began his career in film as a production manager on director Sidney Lumet’s “Running on Empty” and “The Verdict.”
Caracciolo executive produced the hit comedies “Marley & Me” starring Owen Wilson and Jennifer Aniston, “What Happens in Vegas” starring Cameron Diaz and Ashton Kutcher (for 21 Laps), and “The Devil Wears Prada” starring Meryl Streep and Anne Hathaway. His other executive producing credits include “Just My Luck,” starring Lindsay Lohan, “Hide & Seek,” a psychological thriller starring Robert De Niro and Dakota Fanning, and “Uptown Girls,” a comedic New York fairy tale starring Brittany Murphy and Dakota Fanning. Additionally, he produced the teen thriller “Swimfan,” directed by John Polson.
Caracciolo’s other feature film credits include James Foley’s “Glengarry Glen Ross,” Jon Amiel’s “Copycat,” and “The Man Who Knew Too Little,” and writer-director John Waters’ “Serial Mom,” “Pecker,” and “Cecil B. Demented.”
JOSH McLAGLEN (Executive Producer) has worked as an assistant director on dozens of blockbuster films alongside some of Hollywood’s top directors. He has been 1st AD on “Tango and Cash,” “Alien 3,” James Cameron’s “Titanic,” “The X-Files,” “Cast Away,” “The Polar Express, and “Beowulf,” the latter three for director Robert Zemeckis, and again for Cameron on “Avatar.”
In 2002, McLaglen began wearing a producer’s hat, working his way from associate producer (“The Polar Express”) to co-producer (“Beowulf,” “Avatar”) to executive producer. In 2006, he began working with director Shawn Levy, as both 1st AD and co-producer on “Night at the Museum,” becoming executive producer for that film’s sequel, “Night at the Museum: Battle of the Smithsonian,” as well as for “Date Night” and the upcoming “Real Steel.”
TOM McNULTY (Executive Producer) is the president of production at 21 Laps, a production company based at Twentieth Century Fox in Los Angeles. McNulty joined 21 Laps at its inception with the company’s principal, director Shawn Levy and has set up over a dozen film projects at Fox, Universal, Warner Brothers and New Line. 21 Laps films include “Cheaper By The Dozen 2,” as well as the hit comedy “What Happens In Vegas” starring Cameron Diaz and Ashton Kutcher, “St. Peter” starring Elizabeth Banks and Sam Rockwell, and “The Rocker,” the latter marking their first producing effort together.
Prior to joining Levy, McNulty was the executive vice president of production at Adam Sandler’s Happy Madison Productions for over six years. There, he oversaw the development of the entire slate of films, notably “Mr. Deeds,” “Anger Management,” “50 First Dates,” “Are We There Yet,” “Click” and “Dickie Roberts Former Child Star.”
Prior to joining Happy Madison, McNulty was an executive at Out Of The Blue Entertainment, where he was an executive on “Big Daddy” and “Deuce Bigalow Male Gigolo.”
McNulty arrived in Hollywood as an actor, appearing in “Boys on the Side” opposite Whoopi Goldberg and “Escape from L.A.” with Kurt Russell. McNulty grew up on Long Island and attended The Catholic University of America in Washington DC.
DEAN SEMLER, ACS/ASC (Director of Photography) began his career in his native Australia, lensing “Mad Max 2” (aka “The Road Warrior” in North America) in 1982 for George Miller, for which Semler received an Australian Film Institute (AFI) nomination. Semler reteamed with Miller for “Mad Max Beyond Thunderdome.” Semler won both the AFI and Australian Cinematographers Society awards for the Aussie thriller “Razorback.”
By the late ‘80s, Semler was serving as director of photography on several U.S. productions, including “Cocktail” with Tom Cruise and Bryan Brown, and the western “Young Guns.” The following year, he returned to Australia for “Dead Calm,” starring Nicole Kidman and Sam Neill, for which Semler won the AFI award.
After filming the “Young Guns” sequel in 1990, Semler shot Kevin Costner’s “Dances With Wolves,” for which Semler received multiple honors, including an Academy Award and American Society of Cinematographers (ASC) Award. He reteamed with Costner in 1995 for “Waterworld.”
Throughout the ‘90s and into the following decade, Semler shot the comedies “City Slickers,” “Nutty Professor II: The Klumps,” “Bruce Almighty,” and “Get Smart.” He also filmed Mel Gibson’s epic “Apocalypto.”
Most recently, Semler was director of photography on Roland Emmerich’s “2012,” and on “Secretariat,” starring Diane Lane and Scott Glenn.
DAVID GROPMAN (Production Designer), after working in television and independent films, designed the studio features “Of Mice and Men,” “Waiting to Exhale,” and “The Cider House Rules,” for which he was nominated for an Oscar.
Gropman received an Art Directors Guild award and BAFTA nomination for his design for “Chocolat.” Gropman worked on John Waters’ “Hairspray,” for which Gropman was nominated for a Satellite Award. The Art Directors Guild once again recognized Gropman with a nomination for period film design for “Doubt,” which takes place in the 1960s.
CHRISTOPHE BECK (Composer) reunites with Shawn Levy, after composing the scores for the Levy-helmed projects “Just Married,” “Cheaper by the Dozen,” “The Pink Panther. Recently, Beck reteamed with director Chris Columbus on “Percy Jackson & The Olympians: The Lightning Thief,” after composing the score for Columbus’ “I Love You, Beth Cooper.”
The Montreal native started piano lessons at age five and was writing music for his first-ever band, Chris and The Cupcakes, before his teen years. During high school, Beck studied flute, saxophone, trombone and drums, and performed in rock bands. While studying music at Yale University, Beck had an epiphany, discovering that his talent for composing exceeded that for performing. He wrote two musicals with his brother Jason (a.k.a. Chilly Gonzales, the Berlin-based hip-hop recording artist), as well as an opera based on The Tell-Tale Heart by Edgar Allen Poe
Upon graduation from Yale in 1992, he moved to Los Angeles to attend USC's prestigious film scoring program, where he studied with Oscar winner Jerry Goldsmith, among others. Beck was immediately attracted to the creative challenges unique to the marriage of music and picture, and a personal recommendation from the head of the USC Music Department led to his first professional assignment, the Canadian TV series “White Fang.” Soon thereafter, he was asked to score a new TV series (then in its second season), “Buffy, the Vampire Slayer,” based on the 1992 cult classic film, for which he received the Emmy for Outstanding Music Composition during his three seasons with the show.
The prolific talent has scored 40+ feature films and nearly twenty television shows since 1993. His film compositions include a wide array of projects and genres including the action films “The Sentinel” and “Elektra,” the comedies “The Hangover,” “Drillbit Taylor,” “What Happens in Vegas,” “Charlie Bartlett,” “Pink Panther 2,” and “Bring It On,” and the dramas “Under the Tuscan Sun,” “Year of the Dog,” “Phoebe in Wonderland” and the Sundance Film Festival Grand Jury nominee “The Greatest.”
Beck has also composed scores for “The Seeker: The Dark is Rising,” “School for Scoundrels,” “License to Wed,” “Fred Claus,” “We Are Marshall,” “Confidence,” “Yours, Mine and Ours,” “Taxi,” “A Cinderella Story,” “Saved!,” “Garfield” and its sequel, “Garfield: A Tail of Two Kitties” “Cheaper by the Dozen,” “American Wedding,” “Post Grad,” and “All About Steve.”
MARLENE STEWART (Costume Designer) earned her first credits working on music videos, including memorable designs for fashion-forward pop superstar Madonna. Stewart created image-shaping costumes for 11 Madonna videos, including “Vogue,” “Material Girl,” “Like a Prayer” and “Express Yourself.”
Stewart’s film work spans a wide variety of genres, periods and looks. She has collaborated with an intriguing array of directors, ranging from Alejandro González Iñárritu on “21 Grams” to Oliver Stone on “The Doors” and “JFK” to Michael Mann on “Ali” and Beeban Kidron on “To Wong Foo Thanks for Everything, Julie Newmar.”
Most recently, Stewart designed the costumes for Ben Stiller’s “Tropic Thunder,” Nancy Meyers’s romantic comedy “The Holiday” and Kimberly Peirce’s drama “Stop-Loss.”
Her credits also include Andy Tennant’s “Hitch,” James Cameron’s “Terminator 2: Judgment Day” and “True Lies,” Mary Lambert’s “Siesta,” Joel Schumacher’s “Falling Down,” James L. Brooks’s “I’ll Do Anything,” Curtis Hanson’s “The River Wild,” Joe Pytka’s “Space Jam,” Rob Bowman’s “The X Files,” Tony Scott’s “Enemy of the State,” Dominic Sena’s “Gone in 60 Seconds,” David McNally’s “Coyote Ugly,” and Antoine Fuqua’s “Tears of the Sun.”
After earning a degree in History at the University of California, Berkeley, Stewart studied at the Fashion Institute of Design and Merchandising in Los Angeles. She received the Bob Mackie Award for Design for her student work and began her design career by launching her own women’s clothing line, Covers. A Boston native, Stewart designed the costumes for three Madonna tours as well as tours for Cher, Paula Abdul, and Gloria Estefan. She created music video looks for Janet Jackson, Rod Stewart, Bette Midler, Debbie Harry, Smashing Pumpkins, the Bangles, and the Eurythmics, and was the first recipient of the American Music Awards’ Best Costume Design Award for the video “Material Girl.”
0 Views
18:16:01 02/03/10
Beyond Reality The Bachelor Recap 2/1/10
[LESS INFO] 0 VIEWS | ADDED 18:16:01 02/03/10
Beyond Reality - The Bachelor Recap 2/1/10 On the Wings of Love There are 5 ladies left this week & everyone will be getting a date. There are 3 one on one dates, & 1 two on one date. There are no date roses. The RV is headed to San Francisco. The first 1 on 1 date is for Tenley - Lets get our love on track in San Francisco. Their date includes a private trolley ride, a trip to Chinatown & dinner at the Coit tower. Corrie plays a joke & says the 2 on 1 date card reads - Ali & Vienna - Come be the queens of my castle. It was really for Gia & Vienna. A trunk arrived with clothes for the date & a limo took them to a castle winery in Napa Valley. They stayed overnight & after dinner Jake was visited in his room by Vienna. Even though he had dirty thoughts he sent her back to her room. The next one on one date was for Corrie - Love is a walk in the park. Their date included a boat ride at the park and a romantic dinner at the science center. The final one on one date was with Ali - I want to leave my heart in San Francisco - show me your city. Their date included a walk around her neighborhood including a trip to the cafe. It ended with a game of grab ass on a blanket near the Golden Gate Bridge & a jump in the water. Cocktail party t the hotel. Rose Ceremony - Jake wants everyone to know his heart is breaking - Tenley, Ali, Gia Final Rose - Vienna. Corrie is sent home. Next week - Home town dates! & NO rose ceremony?
1 Views
10:15:58 09/17/09
2 girls 1 duck - contains spoilers
[LESS INFO] 1 VIEWS | ADDED 10:15:58 09/17/09
This video at first started out just like any other. It just wasn’t cool or interesting, however once the action took place it became a whole different ball game. I don’t want to spoil too much but let’s just say the 2 girls and the 1 duck are very important parts to the overall story that plays out. In fact I found a little bonus which I showcase in more detail if you read more. SPOILER ALERT – now don’t say that I didn’t warn you. When I clicked on the video by accident while it was playing I ended up entering a strange new world where the RubberDuckZilla played the main character. The website is an old school video game fun fest complete with video game looks and music background. Just when I thought I knew what was going to happen I was quite confused when it was asking me to print out a symbol of a rain drop. Even more fascinating was the comic that was hidden on the website along with a video of the 2 girls from the original video demonstrating on how to print out a special tool to play the games. I knew I was going to feature the main video but seeing the webcam recognize the symbol that I printed out was quite cool. For some of the games I found the symbol tough to keep on the screen long enough to play the games but for others it worked beautifully. Looking back I should have included more lighting in the room to compensate for the darkness that must have not allowed the web cam to work correctly. I noticed that the 2 girls did demonstrate that even if you don’t print out the picture of the rain drop you could always draw it yourself using a marker. I never tried it out but would like to hear if anyone else resorted to that trick. All in all for a nice little diversion into the world of RubberDuckZilla try out the website and see if you can beat the high score.
3 Views
10:15:58 09/17/09
2 girls 1 duck - contains spoilers
[LESS INFO] 3 VIEWS | ADDED 10:15:58 09/17/09
This video at first started out just like any other. It just wasn’t cool or interesting, however once the action took place it became a whole different ball game. I don’t want to spoil too much but let’s just say the 2 girls and the 1 duck are very important parts to the overall story that plays out. In fact I found a little bonus which I showcase in more detail if you read more. SPOILER ALERT – now don’t say that I didn’t warn you. When I clicked on the video by accident while it was playing I ended up entering a strange new world where the RubberDuckZilla played the main character. The website is an old school video game fun fest complete with video game looks and music background. Just when I thought I knew what was going to happen I was quite confused when it was asking me to print out a symbol of a rain drop. Even more fascinating was the comic that was hidden on the website along with a video of the 2 girls from the original video demonstrating on how to print out a special tool to play the games. I knew I was going to feature the main video but seeing the webcam recognize the symbol that I printed out was quite cool. For some of the games I found the symbol tough to keep on the screen long enough to play the games but for others it worked beautifully. Looking back I should have included more lighting in the room to compensate for the darkness that must have not allowed the web cam to work correctly. I noticed that the 2 girls did demonstrate that even if you don’t print out the picture of the rain drop you could always draw it yourself using a marker. I never tried it out but would like to hear if anyone else resorted to that trick. All in all for a nice little diversion into the world of RubberDuckZilla try out the website and see if you can beat the high score.
0 Views
21:21:06 07/19/09
MOON GIRL!
[LESS INFO] 0 VIEWS | ADDED 21:21:06 07/19/09
Time to boldly go where no man has gone before! Watch Part 3 HERE! http://www.youtube.com/watch?v=0MP_G6arpVI%list=PLEDD2B7C405F30AEB Subscribe! http://www.youtube.com/subscription_center?add_user=barelypolitical Watch Part 1 HERE! http://www.youtube.com/watch?v=b-z54EP0EhM%list=PLEDD2B7C405F30AEB Story by Tom Small and Regina Nigro Written by Tom Small with Mark Douglas Music by Mark Douglas and Jake Chudnow http://www.myspace.com/barelyjake Vocals by Mark Douglas Direction, Costumes and Graphics by Tom Small Yellow Nerd: Erik Beck Red Nerd/Evil Droid: Tom Small Moon Queen: Ami Lynn Moon Warriors/Gym Girl: Lauren Francesca Moon Face/Jock: Mark Douglas Goth Girl: Regina Nigro LYRICS uh, uh, yeah, yeah, this is a sad jam. Yeah. I was feeling no love from the girls in gym class; In the locker room, I'm getting wedgies up my ass. So we built a ship one afternoon and my buddy and left for the Moon. We landed hard on an alien shore- Gonna boldly go where no man's gone before- We met some alien babes! They were hot and lean, We were the first earth dudes they'd ever seen. Walked up to the queen and said with a smirk, "His name's Chewie. I'm Captain Kirk." Then we started to party with the whole platoon, and now I'm in love with a chick from the Moon. So he asked her to the junior prom as they strolled across the dunes (strolled across the moon dunes) He wants to take her home to meet his mom, his girlfriend from the Moon. The party got crashed by some evil droids, They were pumped up on Ass-Steroids. One grabbed my princess by the hair and said "I'm taking this one to my robot lair." "Excuse me sir, but she's spoken for!" "I'm gonna knock her up with my robot spore." "First we do battle with video games. I'll school your ass- yeah, what's my name?" For hours I pwned that robot thug. We played Galaga, Frogger, and even DigDug. Cmon man, let's go again. Best out of five. Can we switch controllers? Now I'm drinking the nectar of the gods Yikes- What are those strange pseudopods? I think I'm having an asthma attack! I went for my inhaler, and never went back. I flew back home and I wrote this tune, and now I'm missing my girl from the Moon. Why the hell did he leave her? Now he feels like such a goon (feeling like a moon goon!) I guess he got sorta skeeved by his girlfriend from the Moon. I'm so sorry that I broke your hearts when I ran from your alien lady parts Now I'm back at school getting hung on a shelf They're grabbing my hand, saying "Don't hit yourself." I'm slurping down life from a bitter spoon, and missing my girlfriend from the Moon. ...from the moon... Graknia, if you can hear me out there, I'm sorry. I just freaked out. It's not you, it's me. (It's not you it's him) This pain I'm feeling is worse than I felt after seeing the Phantom Menace. (The Phantom Menace really sucked... except for Darth Maul) I just was intimidated by your three vaginas. (Larry, Curly and Moe) I would fight all the Orcs in Mordor just to have you back. In space, no one can hear you cry. (boo hoo hoo... this is f**kin' nerd shit) -- MORE BARELY: Subscribe! http://www.youtube.com/subscription_center?add_user=barelypolitical Facebook! http://www.facebook.com/thekeyofawesome Get the songs on iTunes! http://itunes.apple.com/us/album/the-key-awesome-deluxe-edition/id374349910 TShirts! http://thekeyofawesome.spreadshirt.com Mark's Channel: http://youtube.com/markdouglas Todd's Stuff http://youtube.com/wombatron http://www.twitter.com/toddwomack Follow us on Twitter http://www.twitter.com/barelypolitical http://www.twitter.com/barelydigital Leave us a voicemail 1-(646)-827-2202 Write us a letter! The Key of Awesome P.O. Box 23 New York, NY 10113
4 Views
21:25:58 03/17/09
SEXY CYBORG!
[LESS INFO] 4 VIEWS | ADDED 21:25:58 03/17/09
Rather date an Amazon Babe or a Sexy Cyborg from another dimension? Watch Part 2 HERE! http://www.youtube.com/watch?v=C4zbBEifkrU%list=PLEDD2B7C405F30AEB Watch Part 3 HERE! http://www.youtube.com/watch?v=0MP_G6arpVI%list=PLEDD2B7C405F30AEB Subscribe! http://www.youtube.com/subscription_center?add_user=barelypolitical Story by Tom Small and Rusty Ward Written by Tom Small with Mark Douglas Music and vocals by Mark Douglas and Jake Chudnow (http://www.myspace.com/barelyjake ) Direction and Graphics by Tom Small Cyborg arm effect by Erik Beck Yellow Nerd: Erik Beck Red Nerd/Robot Singer: Tom Small Amazon Babe: Ami Lynn Sexy Cyborg: Lauren Francesca Barbarians/Ninjas etc: Mark Douglas, Rusty Ward, Jake Chudnow Arty Goth Girl/Astronaut: Regina Nigro Homecoming Queen: Andrea Feczko Cousin Steve: Michael Stevens Grandpa: Robert Ankers LYRICS I don't wanna come home with the homecoming queen And those arty goth girls are too freaky for me. I don't want a nice girl who's good in the kitchen, I want an Amazon babe from another dimension! She's got skimpy armor, and a sword to match: She never gets cold and never gets a scratch. She fights off ninjas, a hundred at a time- but that's ok, 'cause they're waiting in line. When she swings her sword she looks smoking hot- dodging bullets, 'cause they're lousy shots. I'm addicted but I don't want an intervention From my Amazon babe from another dimension. Amazon babe from another dimension! All the barbarians stand at attention Amazon babe from another dimension! Not like the ones at the comic convention The girl I want is made of metal and tubes- She's a Sexy Cyborg, with adjustable boobs. She's got skinny arms, but can totally whale: Leapin' tall buildings while she's checking email. Got a Gatling gun and a radar detector- When she needs repairs, I'm the Gadget Inspector. If I was a teacher, I'd give an extension To my Sexy Cyborg from another dimension Sexy Cyborg from another dimension! One more thing I forgot to mention Sexy Cyborg from another dimension! She's not recommended for those with hypertension So we read about an ancient tribal rite And performed it at an indian burial site opened up an intergalactic wormhole- And out came ladies who are outta control! She's alive! But my Amazon won't play video games and she's only interested in talking to dames. My Robot looks hot on the movie poster, But I came home from school and found her f***ing the toaster. I use that. So far I've gotten no action at all Not how it went for Anthony Michael Hall You've got a beautiful face and you're totally stacked But if we can't have sex I'd like my room back. Sexy Cyborg from another dimension! One more week and you have to leave Amazon babe from another dimension! You even had sex with my cousin Steve? Now this stupid wormhole is open. Letting in all manner of flotsam. Biker Zombies, Giant squids. Man-eating Manatees, Charlton Heston... We should've just watched porn shoulda watched porn, shoulda watched some porn... -- MORE BARELY: Subscribe! http://www.youtube.com/subscription_center?add_user=barelypolitical Facebook! http://www.facebook.com/thekeyofawesome Get the songs on iTunes! http://itunes.apple.com/us/album/the-key-awesome-deluxe-edition/id374349910 TShirts! http://thekeyofawesome.spreadshirt.com Mark's Channel: http://youtube.com/markdouglas Todd's Stuff http://youtube.com/wombatron http://www.twitter.com/toddwomack Follow us on Twitter http://www.twitter.com/barelypolitical http://www.twitter.com/barelydigital Leave us a voicemail 1-(646)-827-2202 Write us a letter! The Key of Awesome P.O. Box 23 New York, NY 10113
