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16:57:51 12/19/11
Family Of The Year - Live in Studio B - Part 1- Living On Love
[LESS INFO] 2 VIEWS | ADDED 16:57:51 12/19/11
Part 1 of Family of The Year performing at Mevio Studios in San Francisco For the entire performance CLICK HERE
WEBSITE FACEBOOK TWITTER About
Most bands function like a family, seeing how touring, writing, and studio time force them to share a lot of small spaces for extended periods of time. But Family of the Year has taken that familial feeling a step further, and not just with its moniker. The members of the Los Angeles outfit have formed unbreakable bonds amongst themselves that come from cohabitating in a run-down house and relying on each other for inspiration and support, which has led to the kind of camaraderie that allows members to finish each other’s sentences. It also doesn’t hurt that frontman Joe Keefe and drummer Sebastian Keefe are real-life siblings.
Not surprisingly, many of the group’s songs feature numerous voices, and more than a few include a chorus of joyous handclaps. Some even sound like they should be sung by the tight-knit group around the campfire while the s’mores are melting and the wine is flowing, especially the ones that name-drop members of the band. Guitarist Jamesy Buckey, in particular, has received the lion’s share of shout-outs in FOTY songs, to the point where it’s become a Family tradition.
Family of the Year’s story began in 2009, when Joe assembled a band around an album, Songbook , that he completed while decompressing from a five-year stint with Unbusted, the alt-rock trio he started in Boston with Sebastian that gained some notoriety for its inclusion on the soundtrack to the Farrelly brothers’ film Stuck On You . Instead of relying on the distortion of his past, suddenly pianos, horns, acoustic guitars, and other assorted instrumentation were being used to display a more sophisticated—yet equally as playful—indie-rock sound that brings to mind classic pop bands like The Smiths, The Byrds, Fleetwood Mac, and The Go-Betweens.
To say that Family of the Year has accomplished a lot in a short amount of time would be an understatement. In addition to Songbook , the band has issued a pair of EPs on its own Washashore Records imprint, 2009’s Where’s The Sun and 2010’s Through The Trees , and songs from all three discs have made their way onto various international releases. Media attention has come from various corners of the world, including heavy rotation on French radio as well as glowing reviews from NME , the BBC, and Spin .
Now the group is preparing for its busiest schedule yet, with shows and tours being planned around two new releases: the St. Croix EP, which is coming out on Sept. 27, and the full-length Diversity , which is due in early 2012. In addition to plenty of stateside dates, the Family plans to return overseas, where it has already developed a significant fanbase. In early 2011, the band played sold-out shows in England and across Europe, including a triumphant set at France’s largest music festival, Les Vieilles Charrues.
The list of artists that FOTY has played with over the years is notable, including Edward Sharpe & The Magnetic Zeroes (who took the band on tour early in its career), Mumford & Sons, Gomez, and The Antlers, though arguably the most impressive opening gig so far was when the band warmed up a Ben Folds performance with the Boston Pops Orchestra. Handpicked by Folds and Boston Pops conductor Keith Lockhart, Family of the Year beat out 700 other hopeful artists to open the Oct. 2009 event. Not a bad way to spend your third show ever.
“We went back home to Boston to play at Symphony Hall, which was the sweetest homecoming ever,” says Joe. “The show was amazing. Our mom got to stay at a nice hotel and get dressed up and come see us play. Musically we were a bit shaky, it being our third gig, but it was a great room to play in.”
Proving its versatility, the Family has made fans of a couple of fellow Massachusetts-bred musicians who, on the surface at least, don’t have much in common: singer-songwriter Willy Mason and Aerosmith frontman Steven Tyler. Mason contributed to the reggae-tinged “The Princess And The Pea” on Through The Trees , while the demon of screamin’ discovered Family of the Year through a mutual connection and compared what he heard to “The Mamas And The Papas on acid.” Interestingly enough, the Keefe brothers used to live next to the apartment in Boston that once housed Aerosmith.
“I don’t think Steven Tyler is getting a tattoo anytime soon, but he likes our music,” says Sebastian. “We had the opportunity to meet him once, and he was really cool.”
But a band is only as good as its most recent output, which is why it’s fair to say that Family of the Year has positioned itself for greatness. Recorded by what now constitutes the core of FOTY—Joe (vocals, guitar), Sebastian (drums, vocals), Buckey (guitar, vocals), and Christina Schroeter (keyboards, vocals)—the group completed 14 songs with producer Wally Gagel at his new studio in Hollywood. This is the first time that the band has worked with a producer and gone outside of its own camp to release its music.
With Gagel’s assistance, the band has crafted a stirring set of songs teeming with catchy melodies, clever ruminations on love, heartbreak, and staying up late enough to watch the sun rise, and a cosmopolitan flavor enhanced by the fact that the members of Family of the Year hail from all over the globe. After being born in Martha’s Vineyard, the Keefe brothers followed their father’s bloodline back to Wales during their formative years (during which time Britpop was booming); Buckey is from Jacksonville, Florida, where he familiarized himself with that town’s all-ages punk scene; and Schroeter is the lone Southern California native, having grown up in Huntington Beach. Though still only in their 20s, the members of this Family are music veterans, and the precision with which they play is a testament to all of the hard work that got them here.
Gagel is another Boston native, having played with ’90s power trio Orbit prior to his current status as half of the hit-making production duo Wax Ltd (he and Xandy Barry have collectively and individually worked with artists like Folk Implosion, Muse, New Order, and The Rolling Stones). Joe had already developed strong ties with Gagel before the band entered the studio.
“Having him be a really close friend instead of a random producer assigned to us was really helpful, because you have to be pushed to edit yourself and be better, be stronger, work harder on things,” says Joe. “Working with someone like that who knows exactly what we wanted it to sound like with the same exact vision, it was really kind of a no-brainer.”
St. Croix ’s title track and “Living On Love” perfectly encapsulate what FOTY does best, and the two songs will also appear on next year’s full-length. “St. Croix” is a dreamy, jangly tune about “a boy from Florida / took a trip to the Caribbean … he came to get over her,” and in case you’re wondering, yes, it’s about Jamesy. “Living On Love” is as spirited as the band members themselves, promoting carpe diem over a bouncy, keyboard-driven rocker that brings to mind Vampire Weekend at its best. As a bonus, the EP features a slow-bumping electro remix of “St. Croix” by Hooray For Earth’s Noel Heroux, who over the years has shared various stages with the Keefe brothers. The track is a reminder of their origins, while the EP and LP as a whole are glorious celebrations of just how far they’ve come.
“It feels like the first time in so many ways, because it’s the first time things have really clicked,” says Joe.
“We inspire each other,” says Sebastian. “It was important for this record to be something that would stand up as one piece, rather than something that sounded like songs strung together. We really wanted to have a record with a clear identity.”
And Family of the Year’s future is clearly a bright one. Playing every show like it’s a special occasional and writing each song with complete conviction has allowed the band to accomplish everything it has set its sights on. As “Living On Love” notes, “they say that you can’t get every little thing that you want … it’s such a lie.” Contact Information
Booking: AJ Paul / APA apaul@apa-agency.com
Online: Sneak Attack, Zach Hinkle, zach@sneakattackmedia.com
Label: tinyOGRE, marketing@tinyOGREent.com
10 Views
00:19:16 12/17/11
Family Of The Year - Live In Studio B - Part 2 - Chugjug
[LESS INFO] 10 VIEWS | ADDED 00:19:16 12/17/11
Part 2 of Family of The Year performing at Mevio Studios in San Francisco For the entire performance CLICK HERE
WEBSITE FACEBOOK TWITTER About
Most bands function like a family, seeing how touring, writing, and studio time force them to share a lot of small spaces for extended periods of time. But Family of the Year has taken that familial feeling a step further, and not just with its moniker. The members of the Los Angeles outfit have formed unbreakable bonds amongst themselves that come from cohabitating in a run-down house and relying on each other for inspiration and support, which has led to the kind of camaraderie that allows members to finish each other’s sentences. It also doesn’t hurt that frontman Joe Keefe and drummer Sebastian Keefe are real-life siblings.
Not surprisingly, many of the group’s songs feature numerous voices, and more than a few include a chorus of joyous handclaps. Some even sound like they should be sung by the tight-knit group around the campfire while the s’mores are melting and the wine is flowing, especially the ones that name-drop members of the band. Guitarist Jamesy Buckey, in particular, has received the lion’s share of shout-outs in FOTY songs, to the point where it’s become a Family tradition.
Family of the Year’s story began in 2009, when Joe assembled a band around an album, Songbook , that he completed while decompressing from a five-year stint with Unbusted, the alt-rock trio he started in Boston with Sebastian that gained some notoriety for its inclusion on the soundtrack to the Farrelly brothers’ film Stuck On You . Instead of relying on the distortion of his past, suddenly pianos, horns, acoustic guitars, and other assorted instrumentation were being used to display a more sophisticated—yet equally as playful—indie-rock sound that brings to mind classic pop bands like The Smiths, The Byrds, Fleetwood Mac, and The Go-Betweens.
To say that Family of the Year has accomplished a lot in a short amount of time would be an understatement. In addition to Songbook , the band has issued a pair of EPs on its own Washashore Records imprint, 2009’s Where’s The Sun and 2010’s Through The Trees , and songs from all three discs have made their way onto various international releases. Media attention has come from various corners of the world, including heavy rotation on French radio as well as glowing reviews from NME , the BBC, and Spin .
Now the group is preparing for its busiest schedule yet, with shows and tours being planned around two new releases: the St. Croix EP, which is coming out on Sept. 27, and the full-length Diversity , which is due in early 2012. In addition to plenty of stateside dates, the Family plans to return overseas, where it has already developed a significant fanbase. In early 2011, the band played sold-out shows in England and across Europe, including a triumphant set at France’s largest music festival, Les Vieilles Charrues.
The list of artists that FOTY has played with over the years is notable, including Edward Sharpe & The Magnetic Zeroes (who took the band on tour early in its career), Mumford & Sons, Gomez, and The Antlers, though arguably the most impressive opening gig so far was when the band warmed up a Ben Folds performance with the Boston Pops Orchestra. Handpicked by Folds and Boston Pops conductor Keith Lockhart, Family of the Year beat out 700 other hopeful artists to open the Oct. 2009 event. Not a bad way to spend your third show ever.
“We went back home to Boston to play at Symphony Hall, which was the sweetest homecoming ever,” says Joe. “The show was amazing. Our mom got to stay at a nice hotel and get dressed up and come see us play. Musically we were a bit shaky, it being our third gig, but it was a great room to play in.”
Proving its versatility, the Family has made fans of a couple of fellow Massachusetts-bred musicians who, on the surface at least, don’t have much in common: singer-songwriter Willy Mason and Aerosmith frontman Steven Tyler. Mason contributed to the reggae-tinged “The Princess And The Pea” on Through The Trees , while the demon of screamin’ discovered Family of the Year through a mutual connection and compared what he heard to “The Mamas And The Papas on acid.” Interestingly enough, the Keefe brothers used to live next to the apartment in Boston that once housed Aerosmith.
“I don’t think Steven Tyler is getting a tattoo anytime soon, but he likes our music,” says Sebastian. “We had the opportunity to meet him once, and he was really cool.”
But a band is only as good as its most recent output, which is why it’s fair to say that Family of the Year has positioned itself for greatness. Recorded by what now constitutes the core of FOTY—Joe (vocals, guitar), Sebastian (drums, vocals), Buckey (guitar, vocals), and Christina Schroeter (keyboards, vocals)—the group completed 14 songs with producer Wally Gagel at his new studio in Hollywood. This is the first time that the band has worked with a producer and gone outside of its own camp to release its music.
With Gagel’s assistance, the band has crafted a stirring set of songs teeming with catchy melodies, clever ruminations on love, heartbreak, and staying up late enough to watch the sun rise, and a cosmopolitan flavor enhanced by the fact that the members of Family of the Year hail from all over the globe. After being born in Martha’s Vineyard, the Keefe brothers followed their father’s bloodline back to Wales during their formative years (during which time Britpop was booming); Buckey is from Jacksonville, Florida, where he familiarized himself with that town’s all-ages punk scene; and Schroeter is the lone Southern California native, having grown up in Huntington Beach. Though still only in their 20s, the members of this Family are music veterans, and the precision with which they play is a testament to all of the hard work that got them here.
Gagel is another Boston native, having played with ’90s power trio Orbit prior to his current status as half of the hit-making production duo Wax Ltd (he and Xandy Barry have collectively and individually worked with artists like Folk Implosion, Muse, New Order, and The Rolling Stones). Joe had already developed strong ties with Gagel before the band entered the studio.
“Having him be a really close friend instead of a random producer assigned to us was really helpful, because you have to be pushed to edit yourself and be better, be stronger, work harder on things,” says Joe. “Working with someone like that who knows exactly what we wanted it to sound like with the same exact vision, it was really kind of a no-brainer.”
St. Croix ’s title track and “Living On Love” perfectly encapsulate what FOTY does best, and the two songs will also appear on next year’s full-length. “St. Croix” is a dreamy, jangly tune about “a boy from Florida / took a trip to the Caribbean … he came to get over her,” and in case you’re wondering, yes, it’s about Jamesy. “Living On Love” is as spirited as the band members themselves, promoting carpe diem over a bouncy, keyboard-driven rocker that brings to mind Vampire Weekend at its best. As a bonus, the EP features a slow-bumping electro remix of “St. Croix” by Hooray For Earth’s Noel Heroux, who over the years has shared various stages with the Keefe brothers. The track is a reminder of their origins, while the EP and LP as a whole are glorious celebrations of just how far they’ve come.
“It feels like the first time in so many ways, because it’s the first time things have really clicked,” says Joe.
“We inspire each other,” says Sebastian. “It was important for this record to be something that would stand up as one piece, rather than something that sounded like songs strung together. We really wanted to have a record with a clear identity.”
And Family of the Year’s future is clearly a bright one. Playing every show like it’s a special occasional and writing each song with complete conviction has allowed the band to accomplish everything it has set its sights on. As “Living On Love” notes, “they say that you can’t get every little thing that you want … it’s such a lie.” Contact Information
Booking: AJ Paul / APA apaul@apa-agency.com
Online: Sneak Attack, Zach Hinkle, zach@sneakattackmedia.com
Label: tinyOGRE, marketing@tinyOGREent.com
5 Views
22:32:21 12/16/11
Family Of The Year - Live In Studio B - Part 3 - St. Croix
[LESS INFO] 5 VIEWS | ADDED 22:32:21 12/16/11
Part 3 of Family of The Year performing at Mevio Studios in San Francisco For the entire performance CLICK HERE
WEBSITE FACEBOOK TWITTER About
Most bands function like a family, seeing how touring, writing, and studio time force them to share a lot of small spaces for extended periods of time. But Family of the Year has taken that familial feeling a step further, and not just with its moniker. The members of the Los Angeles outfit have formed unbreakable bonds amongst themselves that come from cohabitating in a run-down house and relying on each other for inspiration and support, which has led to the kind of camaraderie that allows members to finish each other’s sentences. It also doesn’t hurt that frontman Joe Keefe and drummer Sebastian Keefe are real-life siblings.
Not surprisingly, many of the group’s songs feature numerous voices, and more than a few include a chorus of joyous handclaps. Some even sound like they should be sung by the tight-knit group around the campfire while the s’mores are melting and the wine is flowing, especially the ones that name-drop members of the band. Guitarist Jamesy Buckey, in particular, has received the lion’s share of shout-outs in FOTY songs, to the point where it’s become a Family tradition.
Family of the Year’s story began in 2009, when Joe assembled a band around an album, Songbook , that he completed while decompressing from a five-year stint with Unbusted, the alt-rock trio he started in Boston with Sebastian that gained some notoriety for its inclusion on the soundtrack to the Farrelly brothers’ film Stuck On You . Instead of relying on the distortion of his past, suddenly pianos, horns, acoustic guitars, and other assorted instrumentation were being used to display a more sophisticated—yet equally as playful—indie-rock sound that brings to mind classic pop bands like The Smiths, The Byrds, Fleetwood Mac, and The Go-Betweens.
To say that Family of the Year has accomplished a lot in a short amount of time would be an understatement. In addition to Songbook , the band has issued a pair of EPs on its own Washashore Records imprint, 2009’s Where’s The Sun and 2010’s Through The Trees , and songs from all three discs have made their way onto various international releases. Media attention has come from various corners of the world, including heavy rotation on French radio as well as glowing reviews from NME , the BBC, and Spin .
Now the group is preparing for its busiest schedule yet, with shows and tours being planned around two new releases: the St. Croix EP, which is coming out on Sept. 27, and the full-length Diversity , which is due in early 2012. In addition to plenty of stateside dates, the Family plans to return overseas, where it has already developed a significant fanbase. In early 2011, the band played sold-out shows in England and across Europe, including a triumphant set at France’s largest music festival, Les Vieilles Charrues.
The list of artists that FOTY has played with over the years is notable, including Edward Sharpe & The Magnetic Zeroes (who took the band on tour early in its career), Mumford & Sons, Gomez, and The Antlers, though arguably the most impressive opening gig so far was when the band warmed up a Ben Folds performance with the Boston Pops Orchestra. Handpicked by Folds and Boston Pops conductor Keith Lockhart, Family of the Year beat out 700 other hopeful artists to open the Oct. 2009 event. Not a bad way to spend your third show ever.
“We went back home to Boston to play at Symphony Hall, which was the sweetest homecoming ever,” says Joe. “The show was amazing. Our mom got to stay at a nice hotel and get dressed up and come see us play. Musically we were a bit shaky, it being our third gig, but it was a great room to play in.”
Proving its versatility, the Family has made fans of a couple of fellow Massachusetts-bred musicians who, on the surface at least, don’t have much in common: singer-songwriter Willy Mason and Aerosmith frontman Steven Tyler. Mason contributed to the reggae-tinged “The Princess And The Pea” on Through The Trees , while the demon of screamin’ discovered Family of the Year through a mutual connection and compared what he heard to “The Mamas And The Papas on acid.” Interestingly enough, the Keefe brothers used to live next to the apartment in Boston that once housed Aerosmith.
“I don’t think Steven Tyler is getting a tattoo anytime soon, but he likes our music,” says Sebastian. “We had the opportunity to meet him once, and he was really cool.”
But a band is only as good as its most recent output, which is why it’s fair to say that Family of the Year has positioned itself for greatness. Recorded by what now constitutes the core of FOTY—Joe (vocals, guitar), Sebastian (drums, vocals), Buckey (guitar, vocals), and Christina Schroeter (keyboards, vocals)—the group completed 14 songs with producer Wally Gagel at his new studio in Hollywood. This is the first time that the band has worked with a producer and gone outside of its own camp to release its music.
With Gagel’s assistance, the band has crafted a stirring set of songs teeming with catchy melodies, clever ruminations on love, heartbreak, and staying up late enough to watch the sun rise, and a cosmopolitan flavor enhanced by the fact that the members of Family of the Year hail from all over the globe. After being born in Martha’s Vineyard, the Keefe brothers followed their father’s bloodline back to Wales during their formative years (during which time Britpop was booming); Buckey is from Jacksonville, Florida, where he familiarized himself with that town’s all-ages punk scene; and Schroeter is the lone Southern California native, having grown up in Huntington Beach. Though still only in their 20s, the members of this Family are music veterans, and the precision with which they play is a testament to all of the hard work that got them here.
Gagel is another Boston native, having played with ’90s power trio Orbit prior to his current status as half of the hit-making production duo Wax Ltd (he and Xandy Barry have collectively and individually worked with artists like Folk Implosion, Muse, New Order, and The Rolling Stones). Joe had already developed strong ties with Gagel before the band entered the studio.
“Having him be a really close friend instead of a random producer assigned to us was really helpful, because you have to be pushed to edit yourself and be better, be stronger, work harder on things,” says Joe. “Working with someone like that who knows exactly what we wanted it to sound like with the same exact vision, it was really kind of a no-brainer.”
St. Croix ’s title track and “Living On Love” perfectly encapsulate what FOTY does best, and the two songs will also appear on next year’s full-length. “St. Croix” is a dreamy, jangly tune about “a boy from Florida / took a trip to the Caribbean … he came to get over her,” and in case you’re wondering, yes, it’s about Jamesy. “Living On Love” is as spirited as the band members themselves, promoting carpe diem over a bouncy, keyboard-driven rocker that brings to mind Vampire Weekend at its best. As a bonus, the EP features a slow-bumping electro remix of “St. Croix” by Hooray For Earth’s Noel Heroux, who over the years has shared various stages with the Keefe brothers. The track is a reminder of their origins, while the EP and LP as a whole are glorious celebrations of just how far they’ve come.
“It feels like the first time in so many ways, because it’s the first time things have really clicked,” says Joe.
“We inspire each other,” says Sebastian. “It was important for this record to be something that would stand up as one piece, rather than something that sounded like songs strung together. We really wanted to have a record with a clear identity.”
And Family of the Year’s future is clearly a bright one. Playing every show like it’s a special occasional and writing each song with complete conviction has allowed the band to accomplish everything it has set its sights on. As “Living On Love” notes, “they say that you can’t get every little thing that you want … it’s such a lie.” Contact Information
Booking: AJ Paul / APA apaul@apa-agency.com
Online: Sneak Attack, Zach Hinkle, zach@sneakattackmedia.com
Label: tinyOGRE, marketing@tinyOGREent.com
2 Views
19:55:48 12/16/11
Family Of The Year - Live in Studio B
[LESS INFO] 2 VIEWS | ADDED 19:55:48 12/16/11
Family of The Year performs at Mevio Studios in San Francisco WEBSITE FACEBOOK TWITTER About
Most bands function like a family, seeing how touring, writing, and studio time force them to share a lot of small spaces for extended periods of time. But Family of the Year has taken that familial feeling a step further, and not just with its moniker. The members of the Los Angeles outfit have formed unbreakable bonds amongst themselves that come from cohabitating in a run-down house and relying on each other for inspiration and support, which has led to the kind of camaraderie that allows members to finish each other’s sentences. It also doesn’t hurt that frontman Joe Keefe and drummer Sebastian Keefe are real-life siblings.
Not surprisingly, many of the group’s songs feature numerous voices, and more than a few include a chorus of joyous handclaps. Some even sound like they should be sung by the tight-knit group around the campfire while the s’mores are melting and the wine is flowing, especially the ones that name-drop members of the band. Guitarist Jamesy Buckey, in particular, has received the lion’s share of shout-outs in FOTY songs, to the point where it’s become a Family tradition.
Family of the Year’s story began in 2009, when Joe assembled a band around an album, Songbook , that he completed while decompressing from a five-year stint with Unbusted, the alt-rock trio he started in Boston with Sebastian that gained some notoriety for its inclusion on the soundtrack to the Farrelly brothers’ film Stuck On You . Instead of relying on the distortion of his past, suddenly pianos, horns, acoustic guitars, and other assorted instrumentation were being used to display a more sophisticated—yet equally as playful—indie-rock sound that brings to mind classic pop bands like The Smiths, The Byrds, Fleetwood Mac, and The Go-Betweens.
To say that Family of the Year has accomplished a lot in a short amount of time would be an understatement. In addition to Songbook , the band has issued a pair of EPs on its own Washashore Records imprint, 2009’s Where’s The Sun and 2010’s Through The Trees , and songs from all three discs have made their way onto various international releases. Media attention has come from various corners of the world, including heavy rotation on French radio as well as glowing reviews from NME , the BBC, and Spin .
Now the group is preparing for its busiest schedule yet, with shows and tours being planned around two new releases: the St. Croix EP, which is coming out on Sept. 27, and the full-length Diversity , which is due in early 2012. In addition to plenty of stateside dates, the Family plans to return overseas, where it has already developed a significant fanbase. In early 2011, the band played sold-out shows in England and across Europe, including a triumphant set at France’s largest music festival, Les Vieilles Charrues.
The list of artists that FOTY has played with over the years is notable, including Edward Sharpe & The Magnetic Zeroes (who took the band on tour early in its career), Mumford & Sons, Gomez, and The Antlers, though arguably the most impressive opening gig so far was when the band warmed up a Ben Folds performance with the Boston Pops Orchestra. Handpicked by Folds and Boston Pops conductor Keith Lockhart, Family of the Year beat out 700 other hopeful artists to open the Oct. 2009 event. Not a bad way to spend your third show ever.
“We went back home to Boston to play at Symphony Hall, which was the sweetest homecoming ever,” says Joe. “The show was amazing. Our mom got to stay at a nice hotel and get dressed up and come see us play. Musically we were a bit shaky, it being our third gig, but it was a great room to play in.”
Proving its versatility, the Family has made fans of a couple of fellow Massachusetts-bred musicians who, on the surface at least, don’t have much in common: singer-songwriter Willy Mason and Aerosmith frontman Steven Tyler. Mason contributed to the reggae-tinged “The Princess And The Pea” on Through The Trees , while the demon of screamin’ discovered Family of the Year through a mutual connection and compared what he heard to “The Mamas And The Papas on acid.” Interestingly enough, the Keefe brothers used to live next to the apartment in Boston that once housed Aerosmith.
“I don’t think Steven Tyler is getting a tattoo anytime soon, but he likes our music,” says Sebastian. “We had the opportunity to meet him once, and he was really cool.”
But a band is only as good as its most recent output, which is why it’s fair to say that Family of the Year has positioned itself for greatness. Recorded by what now constitutes the core of FOTY—Joe (vocals, guitar), Sebastian (drums, vocals), Buckey (guitar, vocals), and Christina Schroeter (keyboards, vocals)—the group completed 14 songs with producer Wally Gagel at his new studio in Hollywood. This is the first time that the band has worked with a producer and gone outside of its own camp to release its music.
With Gagel’s assistance, the band has crafted a stirring set of songs teeming with catchy melodies, clever ruminations on love, heartbreak, and staying up late enough to watch the sun rise, and a cosmopolitan flavor enhanced by the fact that the members of Family of the Year hail from all over the globe. After being born in Martha’s Vineyard, the Keefe brothers followed their father’s bloodline back to Wales during their formative years (during which time Britpop was booming); Buckey is from Jacksonville, Florida, where he familiarized himself with that town’s all-ages punk scene; and Schroeter is the lone Southern California native, having grown up in Huntington Beach. Though still only in their 20s, the members of this Family are music veterans, and the precision with which they play is a testament to all of the hard work that got them here.
Gagel is another Boston native, having played with ’90s power trio Orbit prior to his current status as half of the hit-making production duo Wax Ltd (he and Xandy Barry have collectively and individually worked with artists like Folk Implosion, Muse, New Order, and The Rolling Stones). Joe had already developed strong ties with Gagel before the band entered the studio.
“Having him be a really close friend instead of a random producer assigned to us was really helpful, because you have to be pushed to edit yourself and be better, be stronger, work harder on things,” says Joe. “Working with someone like that who knows exactly what we wanted it to sound like with the same exact vision, it was really kind of a no-brainer.”
St. Croix ’s title track and “Living On Love” perfectly encapsulate what FOTY does best, and the two songs will also appear on next year’s full-length. “St. Croix” is a dreamy, jangly tune about “a boy from Florida / took a trip to the Caribbean … he came to get over her,” and in case you’re wondering, yes, it’s about Jamesy. “Living On Love” is as spirited as the band members themselves, promoting carpe diem over a bouncy, keyboard-driven rocker that brings to mind Vampire Weekend at its best. As a bonus, the EP features a slow-bumping electro remix of “St. Croix” by Hooray For Earth’s Noel Heroux, who over the years has shared various stages with the Keefe brothers. The track is a reminder of their origins, while the EP and LP as a whole are glorious celebrations of just how far they’ve come.
“It feels like the first time in so many ways, because it’s the first time things have really clicked,” says Joe.
“We inspire each other,” says Sebastian. “It was important for this record to be something that would stand up as one piece, rather than something that sounded like songs strung together. We really wanted to have a record with a clear identity.”
And Family of the Year’s future is clearly a bright one. Playing every show like it’s a special occasional and writing each song with complete conviction has allowed the band to accomplish everything it has set its sights on. As “Living On Love” notes, “they say that you can’t get every little thing that you want … it’s such a lie.” Contact Information
Booking: AJ Paul / APA apaul@apa-agency.com
Online: Sneak Attack, Zach Hinkle, zach@sneakattackmedia.com
Label: tinyOGRE, marketing@tinyOGREent.com
18 Views
18:47:42 12/06/11
MacVoicesTV #1193: Joe Kissell Takes Control of Mail on Your iPad, iPhone and iPod touch
[LESS INFO] 18 VIEWS | ADDED 18:47:42 12/06/11
In what may or may not be his last Take Control book of the year, Joe Kissell talks about the third edition of Take Control of Mail on Your iPad, iPhone and iPod touch . Yes, we know…you've been using Mail on your iDevices just fine up until now. What you don't know is that Mail has been undergoing many changes, especially in iOS 5, and now rivals many desktop mail programs. Joe reviews the changes and updates, and talks about why it may be all the mail program you need. Covering not just Apple's iCloud mail but also Gmail, an old dog email service that has learned new tricks and one feature that needs Apple's attention, Joe helps us further refine our email strategy with Apple's mobile devices in mind.
23 Views
19:00:46 09/10/11
iPad: Pirate Scribblebeard’s Treasure with Oscar & Josephine - $3.99 - Gamse
[LESS INFO] 23 VIEWS | ADDED 19:00:46 09/10/11
Encourage your child's creativity with Oscar, Josephine and Pirate Scribblebeard in their very first iPad drawing, doodling, and imagining book for kids! Watch the interactive pages come to life as your child doodles their way on an adventure filled with animated pirates, hidden treasure, beards (yes beards!), and their very own pirate ship!
3 Views
14:05:55 06/09/11
The Big Scrum: How Teddy Roosevelt Saved Football - Q&A with John J. Miller
[LESS INFO] 3 VIEWS | ADDED 14:05:55 06/09/11
The Big Scrum: How Teddy Roosevelt Saved Football - Q%A with John J. Miller
A stalemate between owners and players that threatens the upcoming NFL season and the widening scandal that forced beloved Ohio State University coach Jim Tressel to resign in disgrace are only the most recent reminders that football has always provoked a huge amount of controversy. In the early 20th century, football was a literal bloodsport, writes John J. Miller in his new book The Big Scrum. After a series of game-related deaths, President Teddy Roosevelt called together the presidents of the three biggest football colleges (Harvard, Yale, and Princeton - yes, a very different America) and jawboned them into cleaning up the game to stave off legislative attempts to ban it outright. The result, says Miller, was the creation of the distinctively American game football featuring forward passes, quarterbacks, spread offenses, and more. The author of several books including the historical novel The First Assassin, Miller writes for National Review and is the new director of the journalism program at Hillsdale College. For more information about Miller, including links to his popular podcast series, go here (www.heymiller.com Miller sat down with Reason's Nick Gillespie to talk about The Big Scrum, the scandal-ridden history of college football, and exactly what budding journalists need to learn in college (hint: it's not journalism). About 6.31 minutes. Shot by Jim Epstein, Meredith Bragg, and Josh Swain, who edited the piece. Go to Reason.tv for downloadable versions, and ... From: ReasonTV Views: 2644 61 ratings Time: 06:32 More in News & Politics
2 Views
02:00:00 02/18/11
Atlas Shrugged: Coming to a theatre near you
[LESS INFO] 2 VIEWS | ADDED 02:00:00 02/18/11
As if the book weren't sloggy enough to read, now you can catch the movie -- Part I, anyway. The trailer was unveiled at CPAC last weekend, much to the delight of randy Randians, who cannot wait for it to hit the big screen. Yes, Ayn Rand's dog of a book has now been made into a movie -- at least, part one of a movie.
Guess which day it will be released? That's right, April 15th. I'm not sure who the backers of the film were, but it's fair to assume at least some of them are the usual suspects, given the ridiculous assertions on the film's website about the relevance of Atlas Shrugged to today's society : >
Ask yourself: What would happen, if our producers disappear - Steve Jobs, Sergey Brin and other industrialists fall off the radar, their companies shuttered and their creative genius no longer powering America? The answer lies in Atlas Shrugged Part I.
For the millions around the world who have read Rand's books, for those curious about her controversial philosophy, and for the uninitiated, and skeptical - the film, which only covers the first third of the book, is an opportunity to a faithful adaptation.
Rand's unique literary genius - which we hope to make accessible to a broader audience via film - is to show the price to be paid by the individual and society when the tragic words " from each according to his ability, to each according to his need " are carried out.
Gotta say, I don't think of Sergey Brin or Steve Jobs as industrialists, at least not in the Ayn Randian sense of things.
This movie is just part of a larger strategy, one that Sarah Palin articulated when she told Sean Hannity that "pop culture is the influencer in this country ". As much as I hate to admit it, she's on the mark with that, which is why her little reality show and Bristol Palin's Dancing with the Stars appearances gave me heartburn. We're a country that loves stupid more than serious.
We have a coordinated attack on liberal values being mounted via popular culture, and this movie is just another weapon in the box. Early reviews on it are terrible, but I guarantee you it will spawn a cult of Rand-ites who memorize every word and cling to it like a religion. If it was good enough for L. Ron Hubbard, why not Ayn Rand?
Maybe I'll be less cranky about this when polls show people engaging in even a minimum of knowledge about the world they live in and the country they inhabit. I expect that to be about the time icicles drop on Satan's head. Start the countdown clock.
3 Views
19:07:30 07/19/10
Vinnaithaandi Varuvaayaa Theatrical Trailer (Tamil)
[LESS INFO] 3 VIEWS | ADDED 19:07:30 07/19/10
Vinnaithaandi Varuvaayaa (Tamil: விண்ணைத்தாண்டி வருவாயா, English: Will you Cross the Skies for Me?) is a 2010 Tamil romance film directed and written by Gautham Menon.The movie features Silambarasan Rajendar and Trisha Krishnan in the lead roles. The film, produced by four producers and distributed by Udhayanidhi Stalin, features a successful music soundtrack composed by A. R. Rahman, cinematography by Manoj Paramahamsa and editing by Anthony Gonsalves. The film's story was also simultaneously shot and released by Menon in the Telugu language as Ye Maaya Chesave with a different cast. The film explores the complicated relationship between a Hindu Tamil assistant director, Karthik, and a Syrian Christian Malayali girl, Jessie. Karthik falls in love with Jessie only to be met by her indifference, behaving reluctant due to the fact that they belong to different religions and her strict conservative family will never consent to this. An unperturbed Karthik keeps asking her, she also falls in love with him. However, they have to undergo many problems and emotional conflicts; whether they can overcome all hurdles forming the crux. The film, began its initial schedule in February 2009, following a mystery launch with a series of publicity posters being launched without details of the cast or crew. Shooting continued through 2009, with the film garnering significant media interest, through schedules in Malta and the United States. Prior to release, the film became the first Tamil project to have a music soundtrack premiered, abroad from India, with a successful launch at the BAFTA in London. The film, released on 26 February 2010, along with the Telugu version to advanced bookings worldwide. Upon release, the film achieved positive reviews, with several critics giving the film "classic" status, whilst also become a commercially successful venture. Distributed by Tubemogul.
2 Views
19:03:46 07/19/10
Vinnaithaandi Varuvaayaa Hosanna Promo (Tamil)
[LESS INFO] 2 VIEWS | ADDED 19:03:46 07/19/10
Vinnaithaandi Varuvaayaa (Tamil: விண்ணைத்தாண்டி வருவாயா, English: Will you Cross the Skies for Me?) is a 2010 Tamil romance film directed and written by Gautham Menon.The movie features Silambarasan Rajendar and Trisha Krishnan in the lead roles. The film, produced by four producers and distributed by Udhayanidhi Stalin, features a successful music soundtrack composed by A. R. Rahman, cinematography by Manoj Paramahamsa and editing by Anthony Gonsalves. The film's story was also simultaneously shot and released by Menon in the Telugu language as Ye Maaya Chesave with a different cast. The film explores the complicated relationship between a Hindu Tamil assistant director, Karthik, and a Syrian Christian Malayali girl, Jessie. Karthik falls in love with Jessie only to be met by her indifference, behaving reluctant due to the fact that they belong to different religions and her strict conservative family will never consent to this. An unperturbed Karthik keeps asking her, she also falls in love with him. However, they have to undergo many problems and emotional conflicts; whether they can overcome all hurdles forming the crux. The film, began its initial schedule in February 2009, following a mystery launch with a series of publicity posters being launched without details of the cast or crew. Shooting continued through 2009, with the film garnering significant media interest, through schedules in Malta and the United States. Prior to release, the film became the first Tamil project to have a music soundtrack premiered, abroad from India, with a successful launch at the BAFTA in London. The film, released on 26 February 2010, along with the Telugu version to advanced bookings worldwide. Upon release, the film achieved positive reviews, with several critics giving the film "classic" status, whilst also become a commercially successful venture. Distributed by Tubemogul.
2 Views
13:24:00 05/23/09
Yes Man - DVD Review
[LESS INFO] 2 VIEWS | ADDED 13:24:00 05/23/09
Yes Man is an American comedy film directed by Peyton Reed and starring Jim Carrey. The film is based on the true story and 2005 book Yes Man by Danny Wallace.
3 Views
19:27:00 03/22/06
In which the gorilla talks dirty
[LESS INFO] 3 VIEWS | ADDED 19:27:00 03/22/06
Evil: "In a large sense, may be described as the sum of the opposition, which experience shows to exist in the universe, to the desires and needs of individuals; whence arises, among humans beings at least, the sufferings in which life abounds. Thus evil, from the point of view of human welfare, is what ought not to exist."
If you're offended by strong language you might as well stop reading at this point.
mfi.
"You know some of them are killers!"
Pat Robertson the man who makes money from gambling scams, who uses taxpayer's money so that his private plane can get child-slave produced blood diamonds onto the market. Who calls openly for the murder of democratically elected foreign heads of state and who together with his puke makingly fat bumbuddy the so-called "Reverend Falwell" (the one wants all the Jews back in Israel so that they can be massacred by the anti-Christ as a prelude to Armageddon ) is at it again. Yes the same little fuckwad who founded Regent's "university" using money from war and slavery so that come the day his minions are trained to rule the earth as yes you guessed it, you can't make this shit up, Regents is at it again.
This time his excuse is a book by the right wing extremist " thinker " David Horowitz called “ The Professors: The 101 most dangerous academics in America .”
> ROBERTSON: Ladies and gentleman this is a fascinating book. If you want to, you'd better take your blood pressure medicine before you read it, but it's "The Professors: The 101 most dangerous academics in America" and that's just a short list of the 30-40,000 of them, they're like termites that have worked into the woodwork of our academic society and it's appalling. This is available at CBN.com and book stores everywhere, and you really ought to read it and be informed.
TERRI: It’s interesting that so many conservatives haven't seen this because decades ago we were told that infiltrating education was the way to take over the country, we should have been on alert.
ROBERTSON: They gamed it, these guys are out and out communists, they are radicals, you know some of them killers, and they are propagandists of the first order and they don't want anybody else except them. That's why Regent University for example is so terrifically important and why we're setting up an undergraduate program that hopefully will see shortly 10,000 students, and then from there 250,000 because you don't want your child to be brainwashed by these radicals, you just don't want it to happen. Not only brainwashed but beat up, they beat these people up, cower them into submission. Ahhh! "The Professors", read it.
[source: PFA you can watch the little shitbag here if your stomach can take it [ WMP format ] or here [ QT format ]
There comes a point at which being polite doesn't work.
So Pat, - Fuck you, fuck the sow that farrowed you, fuck the bitch you mated with, and fuck your pewling thieving brat. That goes for the hate-ridden quasi human sheep who masturbate their entirely justified inferiority complexes in your "church" and who watch your broadcasts. The broadcasts you paid for with those diamonds. You know Pat the diamonds mined by kids the kids who's homes and lives were wrecked by your pal's machete wielding rapist thugs:
> "I was in the northeastern part of the Congo, which is right on Lake Albert. It's the part of the Democratic Republic of Congo that borders Uganda and is extremely rich in mineral resources like diamonds, gold, and cobalt. MSF responded to two major emergencies during my time in the field. In February, thousands of people began to flee the fighting between warring factions. Most of our patients came from the two major camps in Ituri, Tche and Kakwa, where people have sought refuge from the recent outbreak of violence. During the month I spent in Bunia, Tche grew from 2,000 to 10,000 people. And Kakwa expanded to around 7,000 people from 1,000.
[snip]
What really got to me were the attacks on children. I see plenty of injuries in my work as a surgeon in New York. I deal with gunshot and stab wounds all the time. And I saw machete wounds in Burundi, but the number of children being affected by the violence in Ituri is incredible. My last day in Bunia, I took care of four children: two 15 year olds—one of whom was a girl who had been raped—as well as a six-year-old, and a seven-year-old. When I first saw them with their bandages on I thought they probably had superficial machete wounds, but once I examined them closer I realized that someone had actually attempted to decapitate these kids."
Link to full article below:
Mary Ann Hopkins - New York Surgeon who worked with MSF
My grateful thanks to Helen for the tip-off. For some reason Amazon isn't letting me login so the link for anyone who wants to write a review of Horowitz's latest dung offering is here .
mfi
0 Views
17:59:08 02/24/06
David Sifry - What is a blog? (clip 2)
[LESS INFO] 0 VIEWS | ADDED 17:59:08 02/24/06
Dave Sifry , CEO of Technorati , the major search engine tracking blogs and the blogosphere at large, paints in this second video clip ( first clip ), his view of blogs in the emerging new media landscape.
Here is a full text transcript: > " I definitely think that the format of blogging in terms of giving human beings an enormous voice is terribly important.
But what I think is even more important here is to recognize that blogs are a symptom of what’s happening in our society.
And it’s a symptom of the power the internet has been giving.
As broadband and mobile has really enabled people to not only be consumers but producers of information and content.
Blogging is just a symptom of what’s changing.
So, what we really need to be looking at are not just blogs, but reviews, and you know, gee, ever wonder, like…job postings.
Job postings are an obvious thing that people go and you put a job posting on your site, put your resume up on your blog.
Well, what if there were some way for those two to meet each other?
Reviews are huge. We are constantly talking about: Where did I go for dinner tonight? Was it good? Was it bad?
Now I have a camera phone. I can take a picture of the dish! And so, yes this was wonderful, no this was terrible.
I loved this movie, I hated this movie. I liked this book, I hated it.
Then the ability to then use that information to allow people to create communities, or better, to allow the exposure of communities that already exist!
And give people power to communicate with each other and share with each other in a way that doesn’t necessarily mean that I have to go listen to the movie reviewer who talks about it on TV and listen to only what he has to say.
I can find out what my friends think or people who are similar to me think.
And I can also find out what people dissimilar to me think!
And I can use this as a way, as a bridge to be able to help connect. People who ordinarily would have never been able to find each other. "
