Search Episodes (What s Your Geek Story)

MM210: Google Wallet, Apple iCloud and Future Business Cards

Added 06/01/11
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MM210: Google Wallet, Apple iCloud and Future Business Cards

[LESS INFO] 7 VIEWS | ADDED 06:16:21 06/01/11
We may have been off for our Memorial Day Week/Weekend, but I sure am ready to get back into the moxie technology news of the week - and boy do we sure have a lot to discuss! This episode is brought to you by Dog.com - the BEST online retailer for ANYTHING and EVERYTHING you could ever need for your dog. Check out our awesome promo codes and coupons at Dog.com here. Also, Petco.com is THE one-stop shop for all of your pets needs - use our promo codes at Petco.com to save money instantly at check out. Google Wallet - Pay With Your Android Smartphone NFC (Near Field Communications) technology isn't new, but Google Wallet promises to change the way people shop: by using Google Wallet (a free Android app) to purchase items with their Android smartphone. No more plastic, no more cash - all you need is your smart phone . And when you have MasterCard on your side, over 70% of retailers with NFC-capable registers, this could be a game changer. We'll show you how it works, why Google believes it WILL work (huge discounts from stores such as Macy's to Walgreen's to Toys-R-Us) and who the next smart phone will be to use NFC technology! Apple Announces iOS5, Mac OS X Lion and iCloud for WWDC 2011: Apple did something they've never done before: they announced today what they will be announcing next week (June 6) at their WWDC 2011 developers' conference! Some big changes are headed to Apple fans including iOS 5 (the new OS for iPhone, iPad and iPod Touch), the new OS for Mac computers - the very moxie and very brilliant Mac X Lion (10.7) and a brand new "digital file storage of all of your media on Apple's cloud servers" called iCloud which promises to blow Google Music , Amazon Cloud Player and any other "web based cloud" service out of the water. We're not talking accessing your music "in the cloud" - we're talking doing it Apple's way and just wait until you see what they have in store! Make sure you follow @MoxieMo on Twitter for the latest scoop! The Future of Business Cards: Augmented Reality Style! I remember the first day I ever received my first business card - I felt so professional as if I had really made it. Now, business cards are "so 1998." Well, thanks to a group of awesome and moxie geeks, business cards don't have to be "outdated." Simply add a little graphic, put the business card in front of your computer's webcam and BAM - wait until you see the awesome power of augmented reality. Truly, this is what EVERY business card should look like! Thanks to Mashable.com for this great story - a MUST SEE to believe! Subscribe to the Moxie Mo Show Below: iTunes (HD Version) | iTunes (Small iPhone Version) Zune (HD Version) | Zune (Medium Version) Moxie Mo Show iPhone App 3.0 | Moxie Mo Show iPad App | Moxie Mo Show Blog MeVIO Network | Blinkx Network Moxie Mo Show YouTube | Moxie Mo Show Facebook

Do You Read to Your Kids - or Did Your Parents Read to You?

Added 05/13/11
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The Best Free Desktop News Ticker

Added 05/12/11
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Do You Read to Your Kids - or Did Your Parents Read to You?

Added 04/30/11
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What's Your Favorite Podcast?

Added 04/25/11
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MM154: iPhone 4 Recall, Mosquito Gadget, Musical Cars Viral Vid

Added 07/14/10
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MM150: Burberry's Livestream Fashion Show, Starck's LED Watch,...

Added 06/24/10
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MM150: Burberry's Livestream Fashion Show, Starck's LED Watch, @Twitter Necklaces

[LESS INFO] 9 VIEWS | ADDED 05:51:05 06/24/10
The Moxie Mo Show's 150th episode has arrived and we're taking you down a new road... how fashion meets technology and how GEEK is the new CHIC. Quite frankly, we're tired of all the Apple news this week so click here for iPhone 4 and iOS4 news . Geek IS the new chic and you'll be amazed at these latest tech stories that would have even Vogue interested! First, Burberry is trail blazing the way a real fashion designer attracts its customers - not only were they the first to livestream a fasion show in 3D , but they broke another industry first this past Saturday . Just wait until you see what they did for their Spring 2011/Summer 2011 line and what technology Burberry is using to make their brand even more moxier. Burberry uses Twitter , Facebook , Chat Widgets and even livestreaming to get their customers the hottest fashion before their stores even get it and we'll show you how you can get 2011's hot new line before anyone else does! Many of you may know my day job... I work at Fossil and I'm proud to show off another hot piece of fashion mixed with some very cool technology; one of our licensed brands, Starck , is getting a lot of attention thanks to their new very chic, modern LED watch . I have yet to see an LED watch that's as cool as this and guys, you'll love the way it looks. I was fortunate to get one before they go to the stores and you'll be amazed at some of the things you can do with this LED watch, including using the LED to display a message of your choice as it flashes across the face - you must WATCH IT to believe it! Last but not least, something for your loved one and for the girls of the Moxie Mo Show - the hottest trend in necklaces may come as a surprise. Survival of the Hippest (SOTH) has a new line of necklaces that have your custom-made Twitter name on them. You have to see these to believe them - not only are they a perfect way for your Twitter friends to envy you but they definitely can be used as an interesting conversation starter. You can use your @Twittername or even a hash tag if you'd like. We have all the details inside the show! As always, we want to think Angie's List for giving our fans a 25% off discount when you use MOXIE at check out. Looking for a lawyer, dentist, house sitter, dry cleaner or even a personal shopper? Well Angie's List will have the best service people IN YOUR AREA and all you have to do is use MOXIE to save 25% off to get started . Please follow us on Facebook as well as Twitter , as we are giving away gifts through out the summer and as we discussed last episode, the Summer of Podcasts II Giveaway is still going on - so hurry up and go to www.podcastmadness.com and enter the special code I give you in the episode (so you must listen, it's toward the end) and enter your information on the form to the right side of the webpage so you can be entered to win several awesome new gadgets and gift cards! Make sure you tell them the Moxie Mo Show sent you. Don't forget - our v2 of the Moxie Mo Show App for the iPhone and the iPad is out in the iTunes App Store and it's a definite hit - so go download it today and keep on top of all things moxie!

The Losers -starring Jeffrey Dean Morgan, Zoë Saldana, Chris ...

Added 04/22/10
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The Losers -starring Jeffrey Dean Morgan, Zoë Saldana, Chris Evans, Idris Elba, Columbus Short, Oscar Jaenada and Jason Patric

[LESS INFO] 9 VIEWS | ADDED 20:15:07 04/22/10
An explosive action tale of betrayal and revenge, “The Losers” centers around the members of an elite Special Forces unit sent to the Bolivian jungle on a search and destroy mission. But the team—Clay, Jensen, Roque, Pooch and Cougar—soon find that they have become the target of a deadly double cross, instigated from the inside by a powerful enemy known only as Max. Making good use of the fact that they are now presumed dead, the group goes deep undercover in a dangerous plot to clear their names and even the score with Max. They are joined by the mysterious Aisha, a beautiful operative with her own agenda, who is more than capable of scoring a few points of her own. Working together, when they’re not arguing amongst themselves, they have to stay one step ahead of the globetrotting Max—a ruthless man bent on embroiling the world in a new high-tech global war for his own benefit. If they can take down Max and save the world at the same time, it’ll be a win-win for the team now known as The Losers. “The Losers” stars Jeffrey Dean Morgan (“Watchmen”) as Clay; Zoë Saldana (“Avatar,” “Star Trek”) as Aisha; Chris Evans (the “Fantastic Four” films) as Jensen; Idris Elba (“Obsessed”) as Roque; Columbus Short (“Stomp the Yard”) as Pooch; Oscar Jaenada (“Che: Part Two”) as Cougar; and Jason Patric (“In the Valley of Elah”) as Max. Sylvain White (“Stomp the Yard”) directed the film from a screenplay by Peter Berg and James Vanderbilt, based upon the comic book series written by Andy Diggle, illustrated by Jock and published by DC Comics/Vertigo. “The Losers” is produced by Joel Silver, Akiva Goldsman and Kerry Foster, with Steve Richards, Andrew Rona, Sarah Aubrey and Stuart Besser serving as executive producers and Richard Mirisch co- producing. The behind-the-scenes creative team was led by director of photography Scott Kevan (“Stomp the Yard”), production designer Aaron Osborne (“Kiss Kiss, Bang Bang”), editor David Checel (“Stomp the Yard”), visual effects supervisor Richard Yuricich (“Orphan”), and costume designer Magali Guidasci (“Zombieland”). The music is by John Ottman (“Orphan,” “Valkyrie”). Warner Bros. Pictures presents, in association with Dark Castle Entertainment, a Weed Road Pictures production, “The Losers,” to be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film has been rated PG-13 by the MPAA for scenes of intense action and violence, a scene of sensuality, and language. ABOUT THE PRODUCTION Anyone else would be dead by now. “The Losers have fun while they kick butt.” Director Sylvain White succinctly sums up the appeal of the ex-special forces unit that comes to the big screen from the pages of the popular DC/Vertigo comic book series, by the team of writer Andy Diggle and artist Jock. As a fan of the original comics, White wanted to capture the same irreverent style in the film “The Losers.” He relates, “When I read the comics, the first thing that really struck me was the sense of humor Diggle and Jock were able to inject into a very action- driven story. It was such good source material, and I wanted to stay true to it by reflecting that tone in the movie.” Producer Joel Silver agrees. “The great thing about ‘The Losers’ is that it doesn’t take itself too seriously, which originated with the comics, of course. But much of that attitude also came from the screenwriters, Peter Berg and James Vanderbilt, who brought so much to the table, and a lot came from Sylvain, who delivered a strong, visual cinematic style that I think feels fresh and hip and cool.” Producer Akiva Goldsman was already familiar with Sylvain White’s work from the director’s feature film debut, “Stomp the Yard,” a drama centered around a step- dancing competition. “And yet,” Goldsman says, “there was a construct to the dancing in it that made it very much like martial arts, which spoke to the style he wanted to bring to this movie. Sylvain has a really good eye and a terrific sense of character and action. When he showed us what he wanted to do with ‘The Losers,’ we were all impressed.” Employing his graphic arts background, White had created a full storyboard for the film that told the producers all they needed to know. “Sylvain came in and gave us a dazzling presentation,” recalls producer Kerry Foster. “He was so passionate and had such a clear vision for the movie that we knew he was the perfect choice to direct it.” White says he not only drew inspiration from the original comic books but also from the screenplay. “It had a light tone paired with very gritty, visceral action. That can be a very difficult balance to maintain, but Peter and Jamie did it perfectly.” James Vanderbilt, who collaborated with Peter Berg on the screenplay for “The Losers,” notes, “I was raised on Joel Silver movies like ‘Die Hard,’ ‘Lethal Weapon’ and ‘48 Hrs.,’ and that is my favorite type of action film—where there are real emotions, but not everything is so dire all of the time. The stakes are high, but the characters seem to be having a good time...and we have a good time with them.” “The Losers are fun; you want to hang out with them,” White affirms. “They are not superheroes, they are real guys; in fact they’re underdogs who find themselves in what I would say is an extreme situation.” “We’re not soldiers anymore. We’re fugitives.” Despite what they are called, “The Losers” started out as anything but. Rather, they were an elite black ops unit, who were called upon for only the most perilous missions. But in the jungles of Bolivia, while on a secret mission to eliminate a powerful drug and arms dealer, they are betrayed by a shadowy government operative named Max, who has his own reasons for wanting them eliminated...and almost succeeds. “They’re left for dead and left taking the blame for the innocent lives that were lost on their mission,” White remarks. “Now they have to find their way back into the U.S. and redeem their names.” Being presumed dead does have its advantages. But, although no one may be looking for them, five “dead men” can’t exactly walk back into the country without drawing unwanted attention. They need help and they find it in an unlikely source: Aisha, who is as beautiful as she is mysterious. Before they can reclaim their lives, however, they will have to deal with Max. Each member of the team—Clay, Roque, Jensen, Pooch and Cougar—has a specialty that makes him individually strong. Together, they are unstoppable...or so they hope. CLAY – OPERATIONAL CONTROL Jeffrey Dean Morgan is Clay, The Losers’ man in command, whose entire identity had been wrapped up in being a soldier. After the team is betrayed, however, he is forced not only to fight for his country and his men but also his name. Morgan offers, “His rank is colonel and that had defined him. Without that he has to question who he is, but he still has to lead this ragtag group. The leadership thing came naturally to me. It helped that I’m older than most of the guys in this movie, so I immediately wanted to kick their butts anyway,” he deadpans. “Clay is a hardened man, but he has a definite sense of humor and I loved the dry wit of the script,” Morgan continues. “That can be difficult for a writer to capture on the page and a tricky thing for an actor to deliver. But I’m pretty sarcastic in real life,” he smiles. “In fact, I tend to be even a little dryer than Clay, so that worked well for me in playing the part.” Sylvain White says he was sure Morgan was the right man for the role even before he actually met him. “He pulled up on his Harley and I knew instantly he was the guy. He’s got this very cool, mature energy about him, a kind of old soul quality that makes him a born leader. Jeffrey is very likeable, very approachable, but there is also a bit of a dark edge to him, which was something he was able to layer very well into the character of Clay as he spirals down into his obsession to take revenge on Max.” “Jeffrey is that great combination of a tough guy with a heart of gold,” adds Goldsman about the actor, who played a very different kind of soldier in “Watchmen,” the film adaptation of the acclaimed DC Comics graphic novel. “He’s handsome and rugged and can appear dangerous, but at the same time be kind and sensitive. It’s a very mercurial quality that is hard to deliver, but he absolutely did.” JENSEN – COMMUNICATIONS & TECH Chris Evans plays Jensen, the team’s computer wizard, who can hack anything—or into anything—that comes his way. Even under cover on the other side of the world, he manages to keep up, via computer, with the standings of his niece’s 8-and- under soccer team, The Petunias.In terms of the family dynamic of the team, he is kind of the kid,” Evans admits. “He gets into mischief and cracks jokes at inappropriate times, but he cares about this group of people and loves what he does. He’s quick with a smile and has limitless energy. I enjoy playing guys like that because you can’t help but bring some of that attitude home with you.” “Jensen is the geek with a gun,” White laughs. “Every character has moments of comic relief, but Jensen is probably the funniest guy in the movie. Chris had a ball with that because he is a genuinely funny person and was able to bring his own natural humor to the role. He is such a great guy to be around; he was always making us laugh, and that’s basically who Jensen is.” “Chris was a wonderful addition to ‘The Losers’ cast,” Goldsman says of Evans, who is already a favorite of comic book genre fans for his role in the “Fantastic Four” movies and has just been announced as the new “Captain America.” “He is not only a talented and appealing actor, he also has the same sort of charm as Jensen, which is very engaging.” ROQUE – DEMO & TACTICAL Idris Elba plays Roque, an explosives expert, whose personal weapon of choice is a knife...the bigger the better. Roque has been Clay’s brother-in-arms for years, although Clay’s dogged determination to exact revenge on Max, at any and all costs, is now causing friction between the two old friends. “Roque is a no-nonsense type of character,” the actor observes. He’s a straight talker, very to the point. He’s an experienced soldier who’s not very emotional about the job; he just gets it done.” White remembers, “When I first met with Idris, he told me about his ideas for how he could bring facets to the character of Roque because his story takes an unpredictable turn. He is an amazing actor; I knew he had the capacity to make his arc believable and yet surprising.” “I liked the character of Roque, and that I had enough room to make it my own,” says Elba, who adds that there were other elements that appealed to him about the project. “The script was great—funny with a lot of larger-than-life action. And I’ve worked with Joel Silver before and am a fan of his movies, so that was another draw.” “Idris is one of those go-to actors,” notes Silver who previously worked with the actor on “RocknRolla” and “The Reaping.” “I always know he’s going to give a great performance, no matter what the role. He can do drama, he can do comedy, he can do action, and there’s all of that in this movie. This is my third film with him, and I’m sure it won’t be the last.” POOCH – TRANSPORTATION & HEAVY WEAPONS Columbus Short takes on the role of Pooch, the group’s transportation expert, who “can rig, wire, fly, drive or commandeer any vehicle, and gets to shoot some pretty sweet weapons,” states Short. Pooch also has the most personal motivation for wanting to return home. Short explains, “Pooch’s wife is about to have their first baby, and he desperately wants to get back in time to see his child be born. It makes Pooch kind of the heart of the group and adds to the guys’ individual reasons for wanting to clear their names.” Short’s motivations for taking the role involved both the script and the director. “The storyline was great and the writing was very clever and witty; I laughed out loud reading some of the dialogue and I loved the action,” he comments. The actor says he also appreciated the opportunity to reunite with Sylvain White, who had directed him in “Stomp the Yard,” which marked his first leading role. “Sylvain is a very collaborative director; he gave me the freedom to discover things about my character that weren’t necessarily in the dialogue. I couldn’t imagine a better experience than working with him again on this movie.” White states, “I knew Columbus was perfect for Pooch from the get-go; I didn’t even have to think about it. When I read the script for ‘The Losers,’ I felt that the character was the emotional anchor of the team. He’s the family man and the kind of guy you want as a friend. And Columbus has a very warm soul and this sweet innocence about him that makes you care about him the second you meet him, so I pictured him as Pooch right off the bat.” COUGAR – LONG-RANGE ELIMINATIONS Spanish actor Oscar Jaenada is cast as Cougar, the unit’s crack sniper, who can hit any target with a steady hand, a cool eye and a quiet calm. “I loved playing a character who is more about sight than sound, more visual than verbal,” Jaenada offers. “Cougar may be the quiet type, but he’s always there watching out for his team. He’s the strong, silent guy in the movie.” “Cougar is the mystery man of the crew,” says White. “I met Oscar and thought he was incredible; he has such an expressive face and an amazing presence. We needed someone who could act with his eyes, and that’s Oscar. He brought the character of Cougar to life in a way not many people could have.” Kerry Foster emphasizes, “Oscar was such a boon to the cast. He enjoyed the idea of playing the guy who doesn’t need to speak to get his point across. He came in from Spain and wasn’t able to arrive until the day before we started shooting, and I think the other guys were sad to see him because he was clearly the coolest of the bunch,” Foster teases. “But he’s just the sweetest man and everybody loved working with him.” “It’s pretty much a suicide mission.” Despite their individual and combined skills, The Losers need help to sneak back into the U.S. undetected. That’s where Aisha comes in. Zoë Saldana plays the woman who proves to be either a formidable ally or a dangerous enemy...or both. It’s hard to know whose side she’s really on—other than her own—but Clay is about to learn she usually comes out on top. “Aisha appears to them out of nowhere just when the guys think there is no hope for them to get back home,” says Saldana. “She makes them an offer that sounds too good to be true, but it’s also an offer they can’t refuse: she’ll get them back into the country, but then they have to deliver Max. They decide to take her up on it, but there is mistrust from the beginning because they don’t know what this woman is hiding up her sleeve,” the actress smiles. White, who had been a fan of Saldana’s even before her recent roles in the sci-fi blockbusters “Avatar” and “Star Trek,” recalls, “When we started discussing the role of Aisha, I instantly thought of Zoë. She has remarkable acting chops, but she also has the physicality the role demanded. Aisha is not the lady in distress; quite the contrary, she’s the badass who actually rescues the men. She’s very capable, very strong and very determined, and Zoë brought her own genuine strength to her performance. She also happens to look very much like the character in the comic book, so we were thrilled when she said yes.” Joel Silver adds, “Zoë is beautiful and sexy and exciting—all the things Aisha needed to be. We wanted Aisha to be a match for the guys and then some. She’s tough, smart, opinionated and able to mix it up, and everything we expected of the character, Zoë delivered to the role.” “You know that if we do this, we are waging a war against the Central Intelligence Agency.” The man who targeted The Losers—and who is now their target—is Max, a shadowy and ruthless government operative, who is now operating by his own set of rules to keep America on top. And if a few billion dollars end up in his pocket along the way, even better. Jason Patric, who plays the role of Max, affirms, “He has his own manifesto and a twisted sense of patriotism that I thought was funny and even a little topical today. Max has a bit of a swagger and an overconfidence, which I think he uses to hide the fact that he’s been beaten down in the past. But I just tried to have fun with it.” “Max was probably the trickiest part to cast,” White asserts. “We wanted to cast against type, and Jason has never played a true bad guy in a movie before. He came in with some great ideas for the role, and I thought he would help me create a unique character who is different from other villains we’ve seen. He brought this quirkiness to his performance that I think really sets it apart.” “Jason was terrific,” Foster agrees. “He made Max menacing and eccentric and funny all at the same time. He’s a villain you love to hate.” As do all self-respecting villains, Max also has a henchman named Wade, because, as Patric says, “Every bad guy should have a thug.” Wade is played by Holt McCallany, who offers, “Wade is a former special ops soldier, a very competent guy who has now kind of gone over to the dark side. He took all the skills he learned in the Special Forces and become a soldier of fortune. He’s a guy who’s essentially a mercenary. What makes him dangerous to The Losers is that he knows these guys. He knows their history and what they’re capable of...and what a threat they are.” Judging by appearances, you can also tell what Wade is capable of. “You know Wade could physically take Max out any time he wanted to,” White allows. “But Max is smart enough and manipulative enough to have Wade following his orders, no matter how outrageous they are. Holt played the character with just the right balance of fear, loathing and respect.” “CIA, NSA, Special Forces... We’re not them.” Before the main cast of “The Losers” could portray a Special Forces unit they had to learn to behave like one. Former Navy SEAL Harry Humphries, who has served as the military advisor on a wide range of films, recently including “Iron Man” and “Transformers,” was the film’s military advisor and “training officer.” Humphries relates, “I come from the Special Operations community and I feel a great responsibility to them, so it was very important to me that the actors, who obviously didn’t have any prior tactical experience, look correct onscreen.” He and his team put the cast of “The Losers” through a rigorous training regimen. “I didn’t try to turn them into total ninjas overnight,” says Humphries, “but I looked at what they would be required to do in the script and concentrated on those skill sets, like proper weapons handling, dynamic room entry, fire and cover, etc. They were all excellent students. I was very impressed.” The actors had equal praise for their trainer. “Harry was a great instructor,” Idris Elba states. “He taught us quite a few tactical maneuvers. He made sure we looked realistic, especially handling the gear and the weapons.” Columbus Short concurs, “Before I got there, I would not have known the first thing about dismantling or brandishing any sort of weapon. Now I feel like a weapons specialist. We were trained in the protocols known by every Special Forces operative in the world. It was very cool.” Since Oscar Jaenada was still in Spain at the time, Humphries sent a trainer based in Europe to teach the actor the rudiments of being an expert sniper. Humphries notes, “A former British SAS (Special Air Services) Operative named Tony Smith went down to see Oscar in Madrid and just immersed Oscar for a week in the mental and physical requirements of precision rifle shooting.” “It was very important for me to learn how to act like a real sniper,” Jaenada says. “Tony taught me the right way to hold the rifle and I also had to learn about precision and patience—when to know the perfect moment to take the shot.” Armorers Michael Papac and Vincent Flaherty worked closely with Humphries to select and supply the right weapons to use in each scene, including Cougar’s mammoth- scoped rifle, the Knights Armament SR-15. Chris Evans points out that the most important thing he learned about the Special Forces was “I am not cut out to be one, that’s for damn sure,” he laughs. “We were out in the jungle doing those scenes, and I’m like, ‘I need water...I need a chair...I’m sweating...I’m tired...There’s mud, and bugs are biting me...’ We’ve got a whole team of ex-Navy SEALS consultants who never even break a sweat, and I’m wondering when lunch is. Oh yeah, that’s not for me. “But seriously,” Evans adds, “it was one of the coolest experiences I’ve had making movies. Where else would a guy like me get Navy SEAL training? It was fantastic.” One important aspect of the actors’ training was learning to work together as a unit, which they all agree came naturally. “There is a shorthand between those guys, a special camaraderie, and I think we captured that,” says Jeffrey Dean Morgan. “Within one or two days, we realized it had fallen into place as far as us all feeling like one team...with Sylvain White as the maestro.” White remarks, “The first time the cast was all assembled as a group they immediately bonded, and it was pretty clear that they had great chemistry between them. That’s the kind of thing you can’t really predict or bank on, so when it happens, you feel really fortunate. And I think it makes a big difference on the screen, too.” “Welcome back to the land of the living.” The action of “The Losers” unfolds around the world—from the jungles of Bolivia to New Mexico, from Mumbai to Dubai, and from Miami to Houston to Los Angeles, with various points in-between. Despite the diversity of the settings, the filmmakers were able to accomplish almost all of the principal photography on the island of Puerto Rico. “We looked at quite a few places,” White recounts, “but when we got to Puerto Rico, we saw that the islandhas a great infrastructure and different locales. It was very convenient because we could ‘cheat’ a variety of terrains within a relatively small distance.” “It was staggering what we found when we came to Puerto Rico to scout,” Foster confirms. “There is a city, obviously gorgeous beaches, a close approximation of a desert, and a rainforest that was ideal to double for Bolivia. It’s a beautiful island and the people could not have been more wonderful.” Filming on Puerto Rico, the filmmakers also took advantage of the dramatic backdrop of the Arecibo Observatory, the world’s largest radio telescope. Jason Patric shot his first scenes there and, in the process, discovered something about himself. “I didn’t realize I have a lack of fondness for heights, but I do now,” the actor reveals. “It was a pretty daunting way to begin.” To craft the look of the film, production designer Aaron Osborne first went to the source: the original comic books. “What I noticed is that they used two or three colors to represent the tone of each setting, so I really tried to enhance that.” “Every chapter of the comic books is a new environment distinguished by different color palettes,” White observes. I really wanted to do that in the movie as well—where every time we are in a new city or country, the aesthetic of the film changes completely, so there is no homogeneous look. It’s very eclectic.” White collaborated with Osborne and cinematographer Scott Kevan to break down the images of the scenes. “We charted the whole movie with certain color schemes for each location and different shades as we moved from day to night,” Osborne explains. “We were quite meticulous about it.” Color also came into play in the work of costume designer Magali Guidasci, who deviated from tradition by dressing the main protagonist, Clay, mostly in black, while the villain, Max, mainly wore white or light pastels. “Clay is a black-and-white type of guy,” she says, “so he wears a black suit and white shirt—another type of uniform in its own way, make no mistake. Max is always in a very light color, if not pure white. We first see him in a white suit and black tie, as if to appear the opposite of Clay.” Form followed function with Cougar’s trademark cowboy hat, which was the perfect accoutrement for a sniper whose eyes needed to be shielded from the deflecting glare of the sun. His clothes are in muted colors to allow him to fade into the background and he wears gloves with the trigger finger cut out. Function was also important in costuming Zoë Saldana as Aisha, in clothes that Guidasci describes as “simple and athletic. She wears boots where she can conceal extra weapons, but no heels for that lady. She needs to be agile—able to jump and kick ass.” In keeping with Jensen’s fun-loving nature, the character wore a collection of T- shirts that were as colorful as his personality. The idea of the T-shirts began with the one Petunias shirt he wears to support his niece’s soccer team. Guidasci offers, “Then Sylvain came up with the idea for Jensen to have a different funny T-shirt for almost every scene. Some we found and some were created by our graphic designer, Eduardo Gomez, and we also tried to make some of them subtly apropos to the moment.” Osborne notes that the filmmakers adopted the term “Loser style,” which did not refer to the clothes of the characters but rather their surroundings. He elaborates, “Let me put it this way: anything we built in ‘Loser style’ either got burned, destroyed, shot up or blown apart.” For certain sets, where the action was going to be explosive, Osborne and his crew consulted with special effects coordinator John P. Cazin, as well as stunt coordinator and second unit director Garrett Warren. Clay’s hotel room in Bolivia was the most obvious example of a set that was literally designed to be demolished. “My first thought was, ‘Oh, we’re building a motel room...no big deal,’” admits Osborne. “But we had to design layer-by-layer, working everything out with John regarding the special effects, since we were going to burn down the entire room, and also with Garrett on the stunts, because people were going to be thrown around and putting their fists through the walls. So what seems to be a normal motel room was actually planned to the utmost detail. Every piece of furniture had to be replicated several times over because we were either going to burn it or smash it.” The motel room is destroyed over the course of an all-out brawl between Clay and Aisha, who, surprisingly, is more than a match for her larger opponent. “The fight scene between Clay and Aisha was amazing to create,” says Warren, who had recently worked with Saldana on “Avatar.” “They were both consummate professionals: Jeffrey is up for anything and Zoë has a dancer’s physicality and loves doing stunts. We just pulled out all the stops.” “The thing I loved about the way Garrett designed the fight is that he made it very playful,” Saldana comments. “When Clay and Aisha meet, you think they’re about to hook up for a steamy scene and they end up kicking the crap out of each other. There’s something sexy about a woman who can hold her own against a man, especially when they find each other irresistible.” “It was pretty hot,” Morgan agrees, though not necessarily referring to the attraction between the characters. “The flames in that room were real, so filming that scene really stood out for me.” Hot and steamy proved to the watchwords for the entire cast and crew while working in tropical Puerto Rico. “It’s a beautiful place, but the heat and humidity were unrelenting,” Morgan attests. “Add a black suit and about 60 pounds’ worth of guns and gear, and it made filming the action scenes a special challenge. You can’t drink enough water because no matter where or when you’re shooting, you’re drenched in sweat. But the good news is you’re bound to lose a lot of weight,” he grins. In planning the stunt sequences, Warren says, “I got my team together and we brainstormed to come up with some interesting, fun ways to shoot. I talked Sylvain into letting us fly him above one action scene on wires and he actually held the camera to film one of our guys doing Parkour-style moves, running and jumping over these large containers. That was a lot of fun...at least for us.” White also worked with Scott Kevan to film the action from a perspective that brings moviegoers right into the fray. The director emphasizes, “We want the audience to experience certain pivotal moments through the eyes of the characters. It’s about positioning the camera inside the action and staying as close as possible to the actors. Sometimes it’s limiting, and other times it opens brand new doors. It was a fine line, but I think we were able to find a good combination.” He continues, “I’m very proud of the action in this film, but what I think shines through the most is the fun tone and the great characters. I think ultimately that’s what I want to leave the audience with—having had a good time with ‘The Losers’...and wanting to do it again.” ABOUT THE CAST JEFFREY DEAN MORGAN (Clay) starred last year in the action thriller “Watchmen,” Zack Snyder’s controversial big screen adaptation of DC’s seminal graphic novel. Morgan played Edward Blake, a.k.a. The Comedian, whose murder sets off a potentially explosive investigation and reunites his former costumed colleagues, the Minutemen. Also in 2009, Morgan starred in Ang Lee’s independent feature “Taking Woodstock.” Morgan is currently at work on the crime thriller “The Fields,” in which he and Sam Worthington star as detectives investigating several unsolved murders in Texas. In November, he stars in the remake of the action hit “Red Dawn,” playing a U.S. Special Forces soldier who helps the teenage rebels, known as the Wolverines, fight back against enemy forces that have invaded the United States. Prior to “Red Dawn,” Morgan filmed the suspense thriller “The Resident,” opposite Hilary Swank, his former co-star from “P.S. I Love You,” in which he played her prospective love interest. His other upcoming films include Mikael Hafstrom’s period drama “Shanghai,” with John Cusack, and the murder mystery drama “All Good Things,” in which he stars with Kirsten Dunst, Ryan Gosling and Frank Langella under the direction of Andrew Jarecki. Morgan’s additional film credits include the independent comedy “Kabluey,” with Lisa Kudrow; the romantic comedy “The Accidental Husband,” opposite Uma Thurman; and a cameo role in David Dobkin’s holiday comedy “Fred Claus.” Morgan first gained the attention of television audiences with a recurring role in ABC’s smash hit series “Grey’s Anatomy.” His dramatic arc as heart patient Denny Duquette, who wins the heart of Katherine Heigl’s Izzie Stevens in a star-crossed romance, made him a universal fan favorite. He has also had recurring roles on the hit CW series “Supernatural” and on the award-winning Showtime series “Weeds.” ZOË SALDANA (Aisha) enjoyed a banner year in 2009, starring in back-to-back blockbusters. She capped the year starring as Neytiri in James Cameron’s history- making sci-fi epic “Avatar,” for which Saldana won an Empire Award for Best Actress. The film, which also starred Sam Worthington and Sigourney Weaver, broke numerous box office records on its way to becoming the highest-grossing motion picture of all time. Among its many honors, “Avatar” won a Golden Globe for Best Picture – Drama and earned nine Oscar® nominations, also including Best Picture. Earlier last year, Saldana played Nyoto Uhura in the sci-fi action adventure hit “Star Trek,” about the early years of the legendary crew of the U.S.S. Enterprise. Directed by J.J. Abrams, the film also starred Chris Pine, Zachary Quinto and Eric Bana. Saldana will next be seen in the Neil LaBute-directed comedy “Death at a Funeral,” in which she joins an ensemble cast that also includes James Marsden, Chris Rock, Tracy Morgan, Martin Lawrence, Columbus Short and Luke Wilson. Born and raised in New York, Saldana first gained attention with her memorable feature film debut in the starring role of Eva in “Center Stage,” directed by Nicholas Hytner. She followed with “Get Over It,” “Crossroads,” “Drumline,” “Pirates of the Caribbean: The Curse of the Black Pearl,” and Steven Spielberg’s “Terminal,” for which she won a 2004 Young Hollywood One to Watch Award from Movieline magazine. Her additional film credits include “Haven,” “Guess Who” and “Vantage Point.” In 2009, Saldana graced the cover of ELLE as one of the magazine’s “Top Women in Hollywood.” CHRIS EVANS (Jensen) stars this August in Edgar Wright’s action comedy “Scott Pilgrim vs. the World,” with Michael Cera, Anna Kendrick, Jason Schwartzman, and Mary Elizabeth Winstead. He also just wrapped production on Adam and Mark Kassen’s drama “Puncture,” in which he stars as a drug-addicted lawyer who takes on a major health supply corporation while battling his own personal demons. Evans next starts filming opposite Anna Faris in Mark Mylod’s romantic comedy “What’s Your Number?,” about a woman revisiting all her ex-boyfriends in hopes of finding the man of her dreams. This summer, Evans is set to go into production on the action adventure “The First Avenger: Captain America,” in which he will star in the title role of the Marvel Comics superhero, under the direction of Joe Johnston. Evans is also well known to moviegoers for his role in the hit “Fantastic Four” action adventures. His more recent film credits include Paul McGuigan’s sci-fi thriller “Push,” in which he starred opposite Dakota Fanning; the independent period drama “The Loss of a Teardrop Diamond,” written by Tennessee Williams and also starring Bryce Dallas Howard; and David Ayer’s crime drama “Street Kings,” with Keanu Reeves and Forest Whitaker. Raised in Massachusetts, Evans began acting in regional theatre before moving to New York, where he studied at the Lee Strasberg Institute. He made a few guest appearances on television series before landing his first feature film starring role in the comedy spoof “Not Another Teen Movie.” His early film work also includes “The Perfect Score,” with Scarlett Johansson, and “Cellular,” with Jessica Biel and Kim Basinger. In 2005, teamed with Jessica Alba, Michael Chiklis and Ioan Gruffudd as a group of astronauts who gain individual super powers after being exposed to cosmic radiation in the blockbuster hit “Fantastic Four.” Two years later, he reprised the role of Johnny Storm, a.k.a. The Human Torch, in the summer action hit “Fantastic Four: Rise of the Silver Surfer.” Among Evans’ other film credits are Danny Boyle’s critically acclaimed sci-fi thriller “Sunshine,” with Cillian Murphy and Michelle Yeoh; “The Nanny Diaries,” opposite Scarlett Johansson; the independent drama “London,” opposite Jessica Biel; and Griffin Dunne’s “Fierce People,” with Diane Lane and Donald Sutherland. IDRIS ELBA (Roque) recently starred in the hit 2009 thriller “Obsessed,” with Beyoncé Knowles and Ali Larter. Elba earned an NAACP Image Award nomination for his portrayal of a married man being stalked by a co-worker. He previously shared in a Screen Actors Guild Award® nomination as a member of the main cast of Ridley Scott’s 2007 true-life drama “American Gangster,” with Denzel Washington and Russell Crowe. Elba has several film projects upcoming, including the crime drama “Takers,” with Matt Dillon, Zoë Saldana and Hayden Christensen, and the action adventure “Thor,” in which he stars with Samuel L. Jackson, Anthony Hopkins and Natalie Portman under the direction of Kenneth Branagh. He also executive produced and stars in the independent film “Legacy,” which was chosen to close the 2010 Glasgow Film Festival, and has also been selected to screen at this year’s Tribeca Film Festival. Elba’s additional film credits include David S. Goyer’s horror thriller “The Unborn”; Guy Ritchie’s “RocknRolla,” as part of an ensemble cast that also included Gerard Butler, Thandie Newton and Tom Wilkinson; and the hit horror thriller “28 Weeks Later,” to name only a few. On the small screen, Elba had a recurring role last season on the hit NBC series “The Office.” In his native England, he next stars in the title role of the BBC crime drama series “Luther,” set to debut in the UK in May. He first gained attention with his starring role as the de facto leader of a Baltimore drug empire in HBO’s acclaimed original series “The Wire,” for which he received an Image Award nomination. Additionally, he starred in the Channel 4 telefilm “All in the Game,” and gained another Image Award nod for his performance in the HBO movie “Sometimes in April,” as a Hutu soldier who tries to save his Tutsi wife and family during the 1994 Rwandan genocide. Elba has also worked on the stage, including leading roles in several plays produced in London. Additionally, in New York, he starred in Sir Peter Hall’s off- Broadway production of “Troilus and Cressida,” receiving rave reviews for his portrayal of Achilles. COLUMBUS SHORT (Pooch) previously collaborated with director Sylvain White as the star of the 2007 hit “Stomp the Yard,” which topped the box office in its first two weeks in release and brought Short an NAACP Image Award nomination for Best Actor. He more recently won an Image Award for Best Supporting Actor for his performance in the true-life drama “Cadillac Records,” about the birth of rock n’ roll in Chicago, in which Short starred with Beyoncé Knowles, Jeffrey Wright and Adrien Brody. He next stars in the ensemble comedy “Death at a Funeral,” alongside Chris Rock, Tracy Morgan, Martin Lawrence, James Marsden, Luke Wilson and Zoë Saldana. Born in Kansas City, Missouri, Short relocated with his family to Los Angeles at a young age and, by his early teens, had landed work in television commercials. He was a senior at Orange County School of the Arts when he was offered a part in Broadway‘s hit show “STOMP!” He went on to choreograph Britney Spears’ “In the Zone” tour. Short began his film acting career in 2006 with starring roles in “Save the Last Dance: 2” and the comedy “Accepted,” with Jonah Hill and Justin Long. His subsequent film credits include “This Christmas,” opposite Idris Elba, Regina King and Chris Brown; the horror remake “Quarantine”; the thriller “Whiteout,” with Kate Beckinsale; and “Armored,” with Matt Dillon and Laurence Fishburne. On television, he played the young writer Darius on Aaron Sorkin’s acclaimed drama series “Studio 60 on the Sunset Strip.” Short is also working behind the camera through his production company, Great Picture Show Productions. He most recently executive produced “Stomp the Yard 2: Homecoming.” OSCAR JAENADA (Cougar) is an award-winning actor in his native Spain, who is quickly becoming well known in the U.S. In 2005, he starred in the title role of “Camarón: When Flamenco Became Legend,” the true story of Camarón de la Isla. Jaenada earned a number of acting honors, including Spain’s prestigious Goya Award, for his portrayal of the legendary flamenco cantaor. He more recently starred in “Todos Estamos Invitados,” for which he won the Málaga Spanish Film Festival’s Award for Best Supporting Actor and the Toulouse Cinespaña Award for Best Actor. American film audiences have also seen Jaenada in Jim Jarmusch’s thriller “The Limits of Control,” in which he co-starred with Bill Murray and Tilda Swinton, and Steven Soderbergh’s biopic “Che: Part Two,” starring Benicio Del Toro. Born and raised in Barcelona, Jaenada later moved to Madrid to pursue his acting career. He started out in the local theatre and also landed roles on television. His breakthrough came in the widely acclaimed 2003 feature “November,” for which he received a Goya Award nomination and won several other awards, including a Toulouse Cinespaña Award for Best Actor. JASON PATRIC (Max) first gained attention with his starring role in Joel Schumacher’s 1987 comedy thriller hit “The Lost Boys.” He went on to earn critical acclaim for his performances in the drama “The Beast of War,” the erotic thriller “After Dark, My Sweet,” and the crime drama “Rush.” Patric subsequently starred in Walter Hill’s “Geronimo: An American Legend”; the title role in “The Journey of August King”; Barry Levinson’s “Sleepers”; and Neil LaBute’s “Your Friends and Neighbors,” which was also the first feature Patric produced under the banner of his production company, Fleece. Patric’s more recent film credits include “Narc,” “The Alamo,” “Expired,” “Downloading Nancy,” “In the Valley of Elah,” and “My Sister’s Keeper.” On Broadway, Patric starred as Brick in the revival of “Cat on a Hot Tin Roof,” opposite Ashley Judd. His other theatre work includes productions of Neil LaBute’s “Bash”; “Beirut”; “Out of Gas on Lover’s Leap”; “The Tempest”; “Henry V”; and “Love’s Labour’s Lost.”

TRANSFORMERS 2 PREVIEW: Revenge, Anyone?

Added 06/23/09
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TRANSFORMERS 2 PREVIEW: Revenge, Anyone?

Added 06/23/09
9 Views

BitStories 2008-06-27: Intel and Vista, Firefox 3, Snow Leopar...

Added 06/27/08
1 Views

BitStories 2008-06-27: Intel and Vista, Firefox 3, Snow Leopard, SSDs, FriendFeed, and More

[LESS INFO] 1 VIEWS | ADDED 23:32:51 06/27/08
This week's show is about 47 minutes long and weighs about 42MB (it’s a 128kbps MP3). You can download the file directly, listen using the streaming player above, or (BEST OPTION!!1!) subscribe to the Bit Stories podcast feed in your favorite podcast aggregator (like iTunes). If you subscribe to the feed, you’ll get each show delivered automatically as it becomes available - probably once a week or so, with the occasional bonus video or audio segment thrown in for fun. Plus, we’ll love you forever if you subscribe! :-)Here are some free-form notes and links for the stuff we talked about this week:Intel's JF1 Workplace of the future. It isn't soundproof. Josh is not leaving Yahoo. Intel's Not Deploying Vista (NYTimes). It's more complex and subtle than "Vista Sucks". Really. Vista's not really that bad - we've both used it. Stability, tablet features, etc. are much better than XP. So why am I not using Vista today? Because I switched to Mac. It's not that I don't like Vista, it's that I don't like Windows. :-) Conspiracy Theory #1: Intel is creating a Linux distro for employees. All the big companies are doing it! Conspiracy Theory #2: Does Intel's processor technology come from aliens? Did they tell us NOT to use Vista? Firefox 3 was released! It set the Guinness record for software downloads in a day - 8+ million. Their servers were smoking craters for a while. Speed, stability, new UI, and memory footprint are much improved? Is Firefox 3 threaded for multicore processors? We don't know. Tell us! The use of the term "you can't swing a dead cat without hitting..." Swinging a dead cat is not endorsed by Bit Stories. Besdies, Josh is allergic to cats, except Serious Cat. Snow Leopard news - GrandCentral, OpenCL, LLVM, and smaller app footprints. Is Snow Leopard still going to have Rosetta emulation for PowerPC binaries? Hard drives are only getting bigger and cheaper (can you even BUY a Mac with a drive smaller than 250GB?). So why reduce footprint? SSD (solid state disks). Pay more for Windows on a netbook, or keep the price the same and make the SSD bigger? SSDs are The Future, but they're still WAY expensive (it's a $999 option on the MacBook Air). How few moving parts there really are in a laptop (HD and fan) Where do you draw the line for legacy hardware support? Apple pushes the envelope because they control the whole stack. Microsoft has it a LOT harder, because they have to support such a wide variety of hardware. Are Mac users more forgiving when Apple drops legacy support (smacks us around) than when Microsoft does it? Josh cops to being an Apple fanboy It's a miracle that Windows even works at all, given how many different hardware drivers (of varying quality) that it needs to support. Intel motherboards have finally dropped support for PS/2 ports. Josh is surprised in two directions - that they finally dropped them, and that they're still around. Josh's Father In Law as victim of legacy hardware confusion. (custom keypad thingy) Incompatibility doesn't happen as much on Apple, because they control the whole stack. But control comes at the expense of competition. It's amazing that Apple has let Psystar live for so long. Twitter and Friendfeed Twitter has problems. The term "Plurk-up" is just GROSS. Josh explains how FriendFeed sucks up and aggregates what your friends share, and let you have conversations around any of those things. Josh has been resisting FriendFeed, but two things pulled him in - the conversations that were happening, that he was missing out on, and social gravity. Josh goes where his friends, his network, are. Enough of them are on FriendFeed now to make it worth it. The joy you feel when you discover a new, efficient way to connect with people and read (RSS, Twitter, now FriendFeed) FFToGo.com - nice mobile version FriendFeed is the source of all joy in the universe? The addiction factor - isn't FriendFeed just one more time sink? It's a balancing act - you have to be judicious on what you follow - feeds, Twitter, or FriendFeed. But the social aspect (things bubble up) of FriendFeed make it more efficient/potent, so you don't have to search and dig for the interesting/important stuff. The other obstacle - the "real time factor". Interruptions - tweets pop up, distract. Josh and Brian both have major FOMO - Fear Of Missing Out. You have to train yourself to ignore, and to be compelled to read every. single. thing. Use tools like Summize to track your name, topics, so you don't miss the REALLY important stuff, and then be OK with the fact that most of the rest of it is a river. Stand in the middle, let it flow by, grab what's interesting when you have time/attention. FriendFeed helps with FOMO, because the interesting stuff bubbles up Brian and Josh argue about which of us is more ADD. Unread Item Syndrome - all these made up dysfunctions that we have... Use a client like Twhirl or Twitterrific. Be the boss of the tools, not the other way around Training for "social media tools for software engineers" that Josh is working on, Brian to be a Guinea Pig We can geek out over anything - never had a problem filling time. :-)Are you thrilled that the show is back? Mad that we changed something? Think we suck for being gone so long? Just want to say hi? Post a comment, and let us know! Seriously. We crave the validation that your feedback brings. You have no idea how fragile our self esteem really is… :-)

BitStories 2008-06-13: Josh and Brian Ride Again! iPhone 3G, N...

Added 06/16/08
1 Views

BitStories 2008-06-13: Josh and Brian Ride Again! iPhone 3G, Netbooks, and More

[LESS INFO] 1 VIEWS | ADDED 22:27:57 06/16/08
Hey, remember TinyPodcast? No? Well, Brian Jarvis and I (Josh Bancroft), two guys who happen to work at Intel, started doing a weekly podcast way back in 2004. Basically, the two of us geeked out about the latest mobile devices, cool software, and technology news and rumors, and recorded it. It was moderately popular, and some people actually complained when it tapered off...Well, we're back! And we're under the Bit Stories banner now. I work for Intel Software Network, and I've had the idea and intention for a while now of doing a show there like Brian and I used to do. Now we're actually doing it.If you haven't listened before, this isn't some professionally produced, slick, marketing message controlled by our corporate overlords. We're just a couple of geeks who love gadgets, phones, computers, the web, and software, talking about whatever's new and cool. We try to make the audio sound good, but it's always going to be a little rough around the edges, and we're OK with that. Sound like something you'd be interested in? Come have a listen.In this show, we talk about the following, in no particular order:The iPhone 3G announcement - its features, whether Brian is finally going to cave in and get one, how AT%T is raising prices on the plans just because they can, how we can't wait to see what comes out of the App Store, and everything else we can think of. We're a little obsessed. :-)Netbooks vs. regular laptops vs. Tablet PCs (with the tangent typing vs handwriting discussion).Where we want to take the show - we don't have grand plans - we pretty much have always played this by ear, but we'd love to hear any ideas or suggestions (or complaints!) you have, so we can keep it interesting.And a whole lot more I can't remember right now!The show is about 38 minutes long (we try to stick to the magic 40 minute length), and weighs about 35MB (it's a 128kbps MP3). You can download the file directly, listen using the streaming player in this post, or (BEST OPTION!!1!) subscribe to the Bit Stories podcast feed in your favorite podcast aggregator (like iTunes). If you subscribe to the feed, you'll get each show delivered automatically as it becomes available - probably once a week or so, with the occasional bonus video or audio segment thrown in for fun. Plus, we'll love you forever if you subscribe.Are you thrilled that the show is back? Mad that we changed something? Think we suck for being gone so long? Just want to say hi? Post a comment, and let us know! Seriously. We crave the validation that your feedback brings. You have no idea how fragile our self esteem really is... ;-)

Beach Walk #349 - How much does talent matter?

Added 03/07/07
19 Views

Beach Walk #349 - How much does talent matter?

[LESS INFO] 19 VIEWS | ADDED 23:14:56 03/07/07
Talent sits on a pedestal and also goes unused. Beach Walks takes a look at the pressure that invisibly gets attached to it. Talent is one of those ideas that goes unexamined so often, and inadvertantly creates pressure. This can be whether you are "wasting your talent" or not trying something you want because "you have little or no talent for it." Mahalo for the many emails and testimonials that you have been sending. Please keep them coming! Last night I met Doug Kaye, founder of IT Conversations and his lovely wife Cessna who are visiting Hawai'i. He motivated me to create a survey. So I hope you will please help us in our "get some sponsors" project by taking the survey! Mahalo to Todd Cochrane of Geek News Central for organizing the dinner. Please go here to take the Beach Walks Audience Survey. Check out the great poster Ipo made for us on Kanoa's MySpace: Gomega on MySpace We are looking for companies who may be interested in sponsoring/advertising on Beach Walks. I have two requests for your kokua. * Email me with your name, age, gender, location, and profession, so we have an idea about our audience. Please be sure to tell us what you love about Beach Walks! * Contact companies you may know and give them our information. You can also download our info sheet. (PDF) I've added a new page in the right column for Advertisers and Sponsors. Mahalo nui for your kokua! Subscribe in iTunes so you won't miss a single episode! Try it - it's easy. Please leave a comment for us while you're there! Call the Conch line via skype:roxannedarling or 1-949-544-1456. Our wonderful theme music is from Kaimoku: The Ukulele Experiment . Hawaiian words Kanekapila: playing music and talking story No'eau: talented, skillful Tags: rain , music , talent , hawaii , dog , vlog , video , stressless , podcast , walk , beach , roxanne darling , lexi , kaimoku , travel , beachwalks

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Beach Walk #349 - How much does talent matter?