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19:48:13 02/03/12
Sahara Smith - "Are You Lonely": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 19:48:13 02/03/12
Sahara Smith - "Are You Lonely": SXSW 2012 Showcasing Artist
Sahara Smith is a natural. Or as the Austin Chronicle observes, "She's the real deal all right." Don't take our word for it. Listen to her debut album on Playing in Traffic Records, Myth of the Heart, and you're bound to agree with the Dallas Morning News that "Smith is a revelation." The disc is hailed as "a gorgeous album for all lovers of carefully chosen words, rich imagery and ethereal vocals" by Texas Music magazine and "a richly impressive, intensely soulful debut album," by the Los Angeles Times. All that and more is to be savored on Myth of the Heart. It bows with the alluring "Thousand Secrets," which opens a window on the vulnerable places we all have, as Smith writes, "For every broken branch there is a mile of fallen leaves/But no one knows the river flows a thousand miles deep." Propulsive churning tracks like "Are You Lonely," "The Real Thing" and "All I Need" make feelings of longing and desire palpable, while the up-tempo title song sings about resisting the urge to love. Meditative yet kinetic auras grace Smith's reflections on being lost within love ("Tin Man Town"), empathy ("Angel"), mortality ("The World's On Fire") and life's travails (the closing cut "Twilight Red," which Smith wrote at age 13). And such songs as "Train Man," "Midnight Plane" and "Mermaid" embody the notion of poetry in motion with their evocative images of travel and places near and far. The album was cut in primarily live sessions in Los Angeles, produced by Emile Kelman, known ... From: sxsw Views: 104 3 ratings Time: 03:55 More in Entertainment
0 Views
19:48:13 02/03/12
Sahara Smith - "Are You Lonely": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 19:48:13 02/03/12
Sahara Smith - "Are You Lonely": SXSW 2012 Showcasing Artist
Sahara Smith is a natural. Or as the Austin Chronicle observes, "She's the real deal all right." Don't take our word for it. Listen to her debut album on Playing in Traffic Records, Myth of the Heart, and you're bound to agree with the Dallas Morning News that "Smith is a revelation." The disc is hailed as "a gorgeous album for all lovers of carefully chosen words, rich imagery and ethereal vocals" by Texas Music magazine and "a richly impressive, intensely soulful debut album," by the Los Angeles Times. All that and more is to be savored on Myth of the Heart. It bows with the alluring "Thousand Secrets," which opens a window on the vulnerable places we all have, as Smith writes, "For every broken branch there is a mile of fallen leaves/But no one knows the river flows a thousand miles deep." Propulsive churning tracks like "Are You Lonely," "The Real Thing" and "All I Need" make feelings of longing and desire palpable, while the up-tempo title song sings about resisting the urge to love. Meditative yet kinetic auras grace Smith's reflections on being lost within love ("Tin Man Town"), empathy ("Angel"), mortality ("The World's On Fire") and life's travails (the closing cut "Twilight Red," which Smith wrote at age 13). And such songs as "Train Man," "Midnight Plane" and "Mermaid" embody the notion of poetry in motion with their evocative images of travel and places near and far. The album was cut in primarily live sessions in Los Angeles, produced by Emile Kelman, known ... From: sxsw Views: 94 3 ratings Time: 03:55 More in Entertainment
0 Views
19:24:28 01/27/12
Every Avenue - "Fall Apart": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 19:24:28 01/27/12
Every Avenue - "Fall Apart": SXSW 2012 Showcasing Artist
Exposing a glimpse of a darker side on addictive third album Bad Habits, Every Avenue gives the savvy melody and musicianship they have become known for a whole new swagger. This is an act with new poise, invigorated by the thrill of making an album that every member is truly proud of. Forming in 2003 in Marysville, Michigan, Every Avenue soon gained a name for their brand of euphoric pop rock. Debut full-length Shh... Just Go With It, released in 2008 via Fearless Records, peaked at #27 on the Billboard Heatseeker's Chart on release, it's lead single "Where Were You" receiving the backing of Mark Hoppus who featured it on his blog "Hi My Name Is Mark". Plays on Yahoo and AOL Radio, MTV The Real World/Road Rules Challenge, and winning MTVU's The Freshmen set the stage for their acclaimed 2009 album Picture Perfect. Enlisting producers Mitch Allan (Jonas Brothers, Faith Hill) and Mike Green (Paramore, Set Your Goals), the album debuted at #1 on the New Alternative Artist Chart and #136 in the Billboard Top 200. The band's second full-length spawned hit single "Tell Me I\'m A Wreck", which rode high on the Sirius Hits 1 charts in fall 2010, the video for which was named Kerrang! TV\'s Video Of The Week in the UK, and gained plays on MTV2. On Bad Habits, the band delves into a variety of different musical styles, held together by a spine of quality rock that has become synonymous with Every Avenue. From storming opening track "Tie Me Down", lyrically savoring the bittersweet ... From: sxsw Views: 137 10 ratings Time: 03:20 More in Entertainment
0 Views
19:24:28 01/27/12
Every Avenue - "Fall Apart": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 19:24:28 01/27/12
Every Avenue - "Fall Apart": SXSW 2012 Showcasing Artist
Exposing a glimpse of a darker side on addictive third album Bad Habits, Every Avenue gives the savvy melody and musicianship they have become known for a whole new swagger. This is an act with new poise, invigorated by the thrill of making an album that every member is truly proud of. Forming in 2003 in Marysville, Michigan, Every Avenue soon gained a name for their brand of euphoric pop rock. Debut full-length Shh... Just Go With It, released in 2008 via Fearless Records, peaked at #27 on the Billboard Heatseeker's Chart on release, it's lead single "Where Were You" receiving the backing of Mark Hoppus who featured it on his blog "Hi My Name Is Mark". Plays on Yahoo and AOL Radio, MTV The Real World/Road Rules Challenge, and winning MTVU's The Freshmen set the stage for their acclaimed 2009 album Picture Perfect. Enlisting producers Mitch Allan (Jonas Brothers, Faith Hill) and Mike Green (Paramore, Set Your Goals), the album debuted at #1 on the New Alternative Artist Chart and #136 in the Billboard Top 200. The band's second full-length spawned hit single "Tell Me I\'m A Wreck", which rode high on the Sirius Hits 1 charts in fall 2010, the video for which was named Kerrang! TV\'s Video Of The Week in the UK, and gained plays on MTV2. On Bad Habits, the band delves into a variety of different musical styles, held together by a spine of quality rock that has become synonymous with Every Avenue. From storming opening track "Tie Me Down", lyrically savoring the bittersweet ... From: sxsw Views: 115 8 ratings Time: 03:20 More in Entertainment
0 Views
16:56:41 01/17/12
Tango In The Attic - "Swimming Pool": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 16:56:41 01/17/12
Tango In The Attic - "Swimming Pool": SXSW 2012 Showcasing Artist
Tango in the Attic were formed in 2008 at Edinburgh university by five friends that have grown up together. The band take influence from best pop, avant-garde and east coast garage music made over the last forty years. The band attempt to write pop songs that optimistic and try to engage their listeners wit energetic and uplifting music. We are currently recording to follow up to our debut LP which is due for release in March 2012. In July 2010 we released our debut record \'Bank Place Locomotive Society\' on our own label. This has recieved rave reviews on both sides of the atlantic including a feature in Nylon Magazine in the USA. We have self financed all these projects so far and have managed to sustain a good financial balance. This has been aided in part by our strong merchandising function, which has helped us to establish a recognisable and successful brand image as well as encouraging digital and physical sales. In August 2010 the record was licensed to Inpartmaint Records in Japan, which will see the record fully released both physically and digitally with full press and radio services in November. Sales in the USA have been positive since the Nylon article with the album debuting at 123,rising to 115 and still charting in the CMJ top 200. The record has now sold in 11 Different countries such as USA,Canada,Germany, Sweden, Australia, New Zealand and France. Tracks from this record have been sync\'ed in the USA on MTV\'s the real world and on the online adverts ... From: sxsw Views: 145 8 ratings Time: 05:17 More in Music
0 Views
16:56:41 01/17/12
Tango In The Attic - "Swimming Pool": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 16:56:41 01/17/12
Tango In The Attic - "Swimming Pool": SXSW 2012 Showcasing Artist
Tango in the Attic were formed in 2008 at Edinburgh university by five friends that have grown up together. The band take influence from best pop, avant-garde and east coast garage music made over the last forty years. The band attempt to write pop songs that optimistic and try to engage their listeners wit energetic and uplifting music. We are currently recording to follow up to our debut LP which is due for release in March 2012. In July 2010 we released our debut record \'Bank Place Locomotive Society\' on our own label. This has recieved rave reviews on both sides of the atlantic including a feature in Nylon Magazine in the USA. We have self financed all these projects so far and have managed to sustain a good financial balance. This has been aided in part by our strong merchandising function, which has helped us to establish a recognisable and successful brand image as well as encouraging digital and physical sales. In August 2010 the record was licensed to Inpartmaint Records in Japan, which will see the record fully released both physically and digitally with full press and radio services in November. Sales in the USA have been positive since the Nylon article with the album debuting at 123,rising to 115 and still charting in the CMJ top 200. The record has now sold in 11 Different countries such as USA,Canada,Germany, Sweden, Australia, New Zealand and France. Tracks from this record have been sync\'ed in the USA on MTV\'s the real world and on the online adverts ... From: sxsw Views: 145 8 ratings Time: 05:17 More in Music
0 Views
18:12:31 01/13/12
Social Wire: Expedition White Shark
[LESS INFO] 0 VIEWS | ADDED 18:12:31 01/13/12
Social Wire: Expedition White Shark
The app, Expedition White Shark is the world's first app designed to track adult white sharks in real time. The information is picked up by satellite tags put on the sharks by the Marine Conservation Science Institute. From: kitvtv Views: 160 2 ratings Time: 02:06 More in News & Politics
0 Views
18:12:31 01/13/12
Social Wire: Expedition White Shark
[LESS INFO] 0 VIEWS | ADDED 18:12:31 01/13/12
Social Wire: Expedition White Shark
The app, Expedition White Shark is the world's first app designed to track adult white sharks in real time. The information is picked up by satellite tags put on the sharks by the Marine Conservation Science Institute. From: kitvtv Views: 56 1 ratings Time: 02:06 More in News & Politics
0 Views
16:00:00 01/11/12
My Mobile Life #12: How to Keep your Kids Safe in a Mobile World
[LESS INFO] 0 VIEWS | ADDED 16:00:00 01/11/12
Kids having access to the world through the web and having the world access them in return can be good and bad. Let’s explore ways to keep them safe.
Solution #1
Use a browser that will allow you to control what your kids can see. For example, Kid Mode extensions for Firefox and Chrome. KidZui is on Firefox. Chrome (Kid Mode)
Firefox Kid Mode
KidZui
Solution #2
On mobile phones, use the Parental Controls or Restrictions. You can choose to turn off the phone camera. Turn off location services, and restrict In-app purchases. Also, most phone service providers provide a parental control service (e.g., blocking numbers and limiting the number of text messages). AT%T Smart Limits
Solution #3
You can use your kids mobile phones to track them in real time. Some applications (e.g., Glympse) even provide a history of where they’ve been instead of just their current location. For iPhones, you also have Find My iPhone and Find My Friends. Life360 and Google Latitude (available on both Android and iOS) provides even more details. You should also have the First-Aid app on your mobile device. Glympse (iOS)
Glympse (Android)
Find My iPhone (iOS)
Find My Friends (iOS)
Life360 (iOS)
Life360 (Android)
Google Latitude (iOS)
Google Latitude (All Mobile Devices)
First Aid (iOS)
First Aid (Android)
5 Views
19:00:30 12/28/11
Notable Death of the Year: RIP Austerity Economics, 1921-2011
[LESS INFO] 5 VIEWS | ADDED 19:00:30 12/28/11
"Smokestack Lightnin'," with Hubert Sumlin backing Howlin' Wolf in 1964
This is the time of year when we're reminded of all the famous people who died over the last twelve months, a list which includes two of my favorite guitar players ( Hubert Sumlin and Cornell Dupree ). But there were also some notable non-human deaths in 2011, especially in the world of economic policy.
One of those deaths should have completely altered the political debate in Washington. The name of the deceased was "Austerity Economics," and it was first glimpsed in a 1921 paper by conservative economist Frank Wright. Austerity died of natural causes brought on by prolonged exposure to reality.
But the debate in Washington didn't change nearly enough after its passing. In the nation's capital, dead things still rule the night.
Why Austerity?
"Austerity economics" backers claim that today's economic woes can only be fixed by dramatic reductions in government spending, which will lead to increased private-sector confidence and therefore to greater investment and growth.
But it's never worked. And if investors have lost confidence in the U.S. government's fiscal stability, they're sure not acting that way. There hasn't been this much demand for Treasury bonds since the government began tracking it twenty years ago, and they haven't performed as well since the go-go 1990s.
It's easy to understand austerity's attraction for power elites inside and outside of government. The people who suffer from austerity budgets aren't the kinds of people they know personally, since they're typically public employees like teachers, police, firefighters and the administrators of social programs; people who need government assistance, like the poor; and middle-class people with the temerity to either grow old or become disabled.
Austerity's attraction became even greater in the U.S. because once it became conventional wisdom that tax increases on the wealthy was "politically infeasible." That made it a program whose sole purpose was to cut government spending, lowering the pressure to increase taxes on the wealthy from today's historically low levels.
For a one-percenter, what's not to love?
Austerity Comes of Age
The idea's been around in one form or another since that 1921 paper, and the International Monetary Fund (IMF) had been imposing it on Third World nations for decades.
But 2009 was the year that austerity really came of age. That was the year that a wealthy stockbroker's son named David Cameron began campaigning for Prime Minister of Great Britain on an explicitly pro-austerity platform.
It was also the year that Cameron helped to form a group named European Conservatives and Reformists (ECR) dedicated to electing like-minded politicians across Europe and helping them collaborate on ways to slash government spending. It was also the year that right-leaning Angela Merkel won reelection as the Chancellor of Germany with a stronger mandate than she'd been given in her first term.
With Nicolas Sarkozy as President of France, Great Britain was the only major European power not yet in the hands of the corporate-backed austerity crowd.
The Global Sado-Erotic Thrill Machine
That changed with Cameron's election as Prime Minister in May 2010, an event that threw pro-austerity Americans into throes of near-erotic ecstasy. And if that sounds like hyperbole, consider conservative Anne Appelbaum's reaction to Cameron's budget in September of 2010: >
Vicious cuts." "Savage cuts." "Swingeing (sic) cuts." The language that the British use to describe their new government's spending-reduction policy is apocalyptic in the extreme. The ministers in charge of the country's finances are known as "axe-wielders" who will be "hacking" away at the budget. Articles about the nation's finances are filled with talk of blood, knives, and amputation.
And the British love it.
What can I say? There are people who collect serial-killer memorabilia, too. But Appelbaum wasn't just speaking for herself. It became unacceptable for any politician in Washington, Democrat or Republican, to advocate anything other than an austerity budget for the United States.
And it was more than an economic strategy to its backers. Austerity became a way to demonize those who had suffered most from the banking abuses and self-indulgences of the wealthy, a totemic "blame the victim" response that turned the political debate into a grotesque inversion of morality. Again, Appelbaum: >
"Not only is austerity being touted as the solution to Britain's economic woes; it is also being described as the answer to the country's moral failings."
Bad Metaphors vs. Good Economists
The Democratic President of the United States, Barack Obama, jumped onto the bandwagon with both feet by repeatedly lecturing Americans on the need for government to stop "spending beyond its means." Obama recycled the popular conservative metaphor of a family that has to sit around the kitchen table and decide how much money it has to spend.
That's one of the worst metaphors in modern politics. Does a family establish its own currency -- especially one that has the unique position of the dollar? Can a family borrow money at rates so low they're effectively less than zero? Would a family let Grandma go hungry because Junior bought too many Porsches out of the family kitty and then gambled it away on lousy mortgage investments?
The world's top economists, those who had successfully predicted the crisis of 2008, tried telling the rest of the world what was wrong with the idea: Joblessness and consumer fears were killing any chance of real recovery. More short-term spending was needed to get the economy moving again. Austerity would make things worse, not better.
But nobody listened. Austerity's S%M-like attraction had the world's elites in its grip.
Death of a Delusion
And then something else came into the picture: Reality.
Cameron's austerity budget had a shattering effect on the already-struggling British economy. His government's financial stability was downgraded five times during his first year in power and retail sales had fallen 2.5 percent. Household income was projected to fall an additional 2 percent if his austerity plans were carried forward. Britain's modest employment gains were reversed, youth unemployment reached record levels, and income inequality was the worst it had been in more than half a century.
Anne Appelbaum's erotic dreams had become Great Britain's nightmare.
As Europe's ruling austerity class pushed forward with their plans, even the IMF tried to dissuade them. It was clear to anyone who wasn't blinded by ideology or political cynicism that austerity economics was a failed program. Even in countries like Greece, where government was far graver than elsewhere, the austerity programs imposed from outside threatened to destabilize society while other reasonable measures like improved tax collection were still not taken seriously enough.
And now the entire Eurozone hangs in the balance. Bankers became wealthy by treating governments as if they were mortgages, lending recklessly and pocketing their fees without considering the long-term reliability of their loans. European leaders insisted for months they were take the kind of sensible steps that should've been taken in the United States by requiring bankers to accept at least part of the losses for the bad loans they had issed.
That plan was quietly dropped last month. "Austerity economics" never calls for austerity from those who have gotten rich by being irresponsible, only from those who didn't benefit from it at all.
The Afterlife
President Obama has dropped his austerity rhetoric, at least for the time being, but the Republicans have not. Listening to Mitt Romney discuss economics is like having a doctor wave a dead chicken over your head and saying he's decided to cast a spell on you rather than operate on that thing they found in your X-rays.
Aside from the bill introduced this month by the House Progressive Caucus to almost no media attention, there's no comprehensive plan for dropping this country's ineffective austerity strategy and replacing it with an agenda that works.
Rational solutions to our economic problems are being ignored. There won't be a real debate about alternatives to austerity until an entire political party, not just part of it, adopts this kind of program. Until then there will be chaos. And where there is chaos, austerity's powerful advocates can step in and take charge.
Austerity economics died in 2011 and is survived by the British, German, and French governments as well as the GOP and large portions of the Democratic Party. Instead of sending flowers, the family has asked the public to abandon all hopes of future economic growth.
1 Views
19:00:30 12/28/11
Notable Death of the Year: RIP Austerity Economics, 1921-2011
[LESS INFO] 1 VIEWS | ADDED 19:00:30 12/28/11
"Smokestack Lightnin'," with Hubert Sumlin backing Howlin' Wolf in 1964
This is the time of year when we're reminded of all the famous people who died over the last twelve months, a list which includes two of my favorite guitar players ( Hubert Sumlin and Cornell Dupree ). But there were also some notable non-human deaths in 2011, especially in the world of economic policy.
One of those deaths should have completely altered the political debate in Washington. The name of the deceased was "Austerity Economics," and it was first glimpsed in a 1921 paper by conservative economist Frank Wright. Austerity died of natural causes brought on by prolonged exposure to reality.
But the debate in Washington didn't change nearly enough after its passing. In the nation's capital, dead things still rule the night.
Why Austerity?
"Austerity economics" backers claim that today's economic woes can only be fixed by dramatic reductions in government spending, which will lead to increased private-sector confidence and therefore to greater investment and growth.
But it's never worked. And if investors have lost confidence in the U.S. government's fiscal stability, they're sure not acting that way. There hasn't been this much demand for Treasury bonds since the government began tracking it twenty years ago, and they haven't performed as well since the go-go 1990s.
It's easy to understand austerity's attraction for power elites inside and outside of government. The people who suffer from austerity budgets aren't the kinds of people they know personally, since they're typically public employees like teachers, police, firefighters and the administrators of social programs; people who need government assistance, like the poor; and middle-class people with the temerity to either grow old or become disabled.
Austerity's attraction became even greater in the U.S. because once it became conventional wisdom that tax increases on the wealthy was "politically infeasible." That made it a program whose sole purpose was to cut government spending, lowering the pressure to increase taxes on the wealthy from today's historically low levels.
For a one-percenter, what's not to love?
Austerity Comes of Age
The idea's been around in one form or another since that 1921 paper, and the International Monetary Fund (IMF) had been imposing it on Third World nations for decades.
But 2009 was the year that austerity really came of age. That was the year that a wealthy stockbroker's son named David Cameron began campaigning for Prime Minister of Great Britain on an explicitly pro-austerity platform.
It was also the year that Cameron helped to form a group named European Conservatives and Reformists (ECR) dedicated to electing like-minded politicians across Europe and helping them collaborate on ways to slash government spending. It was also the year that right-leaning Angela Merkel won reelection as the Chancellor of Germany with a stronger mandate than she'd been given in her first term.
With Nicolas Sarkozy as President of France, Great Britain was the only major European power not yet in the hands of the corporate-backed austerity crowd.
The Global Sado-Erotic Thrill Machine
That changed with Cameron's election as Prime Minister in May 2010, an event that threw pro-austerity Americans into throes of near-erotic ecstasy. And if that sounds like hyperbole, consider conservative Anne Appelbaum's reaction to Cameron's budget in September of 2010: >
Vicious cuts." "Savage cuts." "Swingeing (sic) cuts." The language that the British use to describe their new government's spending-reduction policy is apocalyptic in the extreme. The ministers in charge of the country's finances are known as "axe-wielders" who will be "hacking" away at the budget. Articles about the nation's finances are filled with talk of blood, knives, and amputation.
And the British love it.
What can I say? There are people who collect serial-killer memorabilia, too. But Appelbaum wasn't just speaking for herself. It became unacceptable for any politician in Washington, Democrat or Republican, to advocate anything other than an austerity budget for the United States.
And it was more than an economic strategy to its backers. Austerity became a way to demonize those who had suffered most from the banking abuses and self-indulgences of the wealthy, a totemic "blame the victim" response that turned the political debate into a grotesque inversion of morality. Again, Appelbaum: >
"Not only is austerity being touted as the solution to Britain's economic woes; it is also being described as the answer to the country's moral failings."
Bad Metaphors vs. Good Economists
The Democratic President of the United States, Barack Obama, jumped onto the bandwagon with both feet by repeatedly lecturing Americans on the need for government to stop "spending beyond its means." Obama recycled the popular conservative metaphor of a family that has to sit around the kitchen table and decide how much money it has to spend.
That's one of the worst metaphors in modern politics. Does a family establish its own currency -- especially one that has the unique position of the dollar? Can a family borrow money at rates so low they're effectively less than zero? Would a family let Grandma go hungry because Junior bought too many Porsches out of the family kitty and then gambled it away on lousy mortgage investments?
The world's top economists, those who had successfully predicted the crisis of 2008, tried telling the rest of the world what was wrong with the idea: Joblessness and consumer fears were killing any chance of real recovery. More short-term spending was needed to get the economy moving again. Austerity would make things worse, not better.
But nobody listened. Austerity's S%M-like attraction had the world's elites in its grip.
Death of a Delusion
And then something else came into the picture: Reality.
Cameron's austerity budget had a shattering effect on the already-struggling British economy. His government's financial stability was downgraded five times during his first year in power and retail sales had fallen 2.5 percent. Household income was projected to fall an additional 2 percent if his austerity plans were carried forward. Britain's modest employment gains were reversed, youth unemployment reached record levels, and income inequality was the worst it had been in more than half a century.
Anne Appelbaum's erotic dreams had become Great Britain's nightmare.
As Europe's ruling austerity class pushed forward with their plans, even the IMF tried to dissuade them. It was clear to anyone who wasn't blinded by ideology or political cynicism that austerity economics was a failed program. Even in countries like Greece, where government was far graver than elsewhere, the austerity programs imposed from outside threatened to destabilize society while other reasonable measures like improved tax collection were still not taken seriously enough.
And now the entire Eurozone hangs in the balance. Bankers became wealthy by treating governments as if they were mortgages, lending recklessly and pocketing their fees without considering the long-term reliability of their loans. European leaders insisted for months they were take the kind of sensible steps that should've been taken in the United States by requiring bankers to accept at least part of the losses for the bad loans they had issed.
That plan was quietly dropped last month. "Austerity economics" never calls for austerity from those who have gotten rich by being irresponsible, only from those who didn't benefit from it at all.
The Afterlife
President Obama has dropped his austerity rhetoric, at least for the time being, but the Republicans have not. Listening to Mitt Romney discuss economics is like having a doctor wave a dead chicken over your head and saying he's decided to cast a spell on you rather than operate on that thing they found in your X-rays.
Aside from the bill introduced this month by the House Progressive Caucus to almost no media attention, there's no comprehensive plan for dropping this country's ineffective austerity strategy and replacing it with an agenda that works.
Rational solutions to our economic problems are being ignored. There won't be a real debate about alternatives to austerity until an entire political party, not just part of it, adopts this kind of program. Until then there will be chaos. And where there is chaos, austerity's powerful advocates can step in and take charge.
Austerity economics died in 2011 and is survived by the British, German, and French governments as well as the GOP and large portions of the Democratic Party. Instead of sending flowers, the family has asked the public to abandon all hopes of future economic growth.
5 Views
20:00:00 12/19/11
Havel the Dissident: A Legacy Worth Claiming
[LESS INFO] 5 VIEWS | ADDED 20:00:00 12/19/11
Former President Havel addresses a European cultural congress on the economics of culture
On a warm evening in 1991, a colleague and I found an out-of-the-way café in the old part of Prague. Two men with blank expressions stood outside. The interior was dim and close, with room for only eight or nine tables. The place was almost empty. Just a sleepy waitress, a bartender polishing glasses, and a single patron who sat alone drinking wine and chain-smoking cigarettes.
The President of Czechoslovakia wasn't reviewing official papers. He was reading a book, a startlingly un-Presidential act to our American eyes. My companion, a neoconservative State Department official, already admired him for defying and defeating a Communist state. He'd impressed me by bringing a writer's sensibility and an affinity for true underground culture to his role as head of state.
Václav Havel even tried to appoint Frank Zappa as his Minister of Culture. "We're not rock musicians," Zappa told a reporter back in the sixties. "We're electronic social workers." The State Department wouldn't let Zappa assume the post, but Havel had made his point to the Czech public by offering this apparatchik's position to the composer of songs like "What's the Ugliest Part of Your Body?" ("Some say your nose, some say your toes, but I think it's your mind .")
We never spoke to Havel that night. It didn't seem polite to offer anything more than the curt nod of acknowledgement any café patron gives another at that hour. But Havel spoke to us, to all of us. And on the occasion of his death, the real lessons of his life's work are in danger of being lost.
Today we're told that the Occupy movement is too idealistic, too naïve. Naïve? Try Havel's words if you want naïve: "May truth and love triumph over lies and hatred."
Think of that as the Velvet Revolution's "one demand."
Portrait of the President as a Young Freak
As millions of people know, the underground playwright Havel first made his political mark in Charter 77. That group was formed to defend the Plastic People of the Universe, a banned and imprisoned rock band working in the Zappa mold of musical dissonance and cultural dissidence.
The Occupy movement is not on the cultural fringe, despite what its detractors say. But Havel's movement began as a Yippie-like creature of the underworld. Charter 77 rarely had more than a thousand members. It was a strange blend of political idealism and the hippie subculture where people proudly labeled themselves "freaks" to the conventional world. Despite its later alignment with economically conservative forces, it was more Allen Ginsburg than Alan Greenspan.
And it was created to defend the Plastic People of the Universe, whose grating music makes Occupy's drum circles seem like a children's choir serenading the bored residents of a home for aging veterans.
Words
Liberté, Egalité, Fraternité - what wonderful words! And how terrifying their meaning can be! Freedom in the shirt unbuttoned before execution. Equality in the constant speed of the guillotine's fall on different necks. Fraternity in some dubious paradise ...
Havel addressed the liberal democratic West on words in the 1970s, noting that the suppression of speech can give language enormous power: >
I ... live in a country where a writers' congress speech is capable of shaking the system ... a manifesto served as one of the pretexts for the invasion of our country one night by five foreign armies ... a system in which words are capable of shaking the entire structure of government, where words can prove mightier than ten military divisions.
When a system has become inflexible and is in danger of collapsing, what it fears most is words. Think about that the next time you see a phalanx of cops tear down a tent city on television.
Havel had been burned by language, too: >
The same word can at one moment radiate great hope, at another it can emit lethal rays ... true at one moment and false the next, at one moment illuminating, at another, deceptive. On one occasion it can open up glorious horizons, on another, it can lay down the tracks to an entire archipelago of concentration camps.
And as we approach an election year that will be filled with the rhetoric of freedom, this observation still resonates: >
The same word can at one time be the cornerstone of peace, while at another time machine-gun fire resounds in its every syllable.
Control
In 1975 Havel had the presumption to write directly to Czechoslovakian head of state Gustáv Husák with a few suggestions. There's more than a passing resemblance between the fear-driven Communist society Havel condemned in that letter and the financial anxiety many Americans endure today: >
The technique of existential pressure is ... universal. There is no one in our country who is not, in a broad sense, existentially vulnerable. Everyone has something to lose and so everyone has reason to be afraid. The range of things one can lose is broad, extending from the manifold privileges of the ruling caste... down to the mere possibility of living in that limited degree of legal certainty available to other citizens.
Today, one out of two Americans lives in financial insecurity. Even many upper-middle-class citizens live from month to month, just one layoff notice away from medical bankruptcy or home foreclosure.
"Everyone has something to lose," observed Havel.
Havel's description of his 20th Century Communist society echoes our own: >
The more completely one abandons any hope of general reform, any interest in suprapersonal goals and values, or any chance of exercising influence in an 'outward' direction, the more one's energy is diverted in the direction of least resistance, that is, 'inwards.'"
People today are preoccupied far more with themselves ... They fill their homes with all kinds of appliances and pretty things, they try to improve their accommodations, they try to make life pleasant for themselves, building cottages, looking after their cars, taking more interest in food and clothing and domestic comfort ...They turn their main attention to the material aspects of their private lives.
Havel concluded that "Despair leads to apathy, apathy to conformity, and conformity to routine (political) performance - which is then quoted as evidence of 'mass political involvement.'"
Ambition
Havel understood the psychology of greed and power, too. From his letter to Husák: >
If it is fear which lies behind people's defensive attempts to preserve what they have, it becomes increasingly apparent that the chief impulses for their aggressive efforts to win what they do not yet possess are selfishness and careerism.
It is not surprising that so many public and influential positions are occupied more than ever before by notorious careerists, opportunists, charlatans, and men of dubious record.
From Prague to Washington, from Moscow to lower Manhattan, the opportunities change. But human nature never does: >
Seldom in recent times has a social system offered scope so openly and so brazenly to people willing to support anything as long as it brings them some advantage; to unprincipled and spineless men, prepared to do anything in their craving for power and personal gain; to born lackeys, ready for any humiliation and willing at all times to sacrifice their neighbors' and their own honor for a chance to ingratiate themselves with those in power.
Technocracy
It's a historical irony that those who claim they'll govern with the most efficiency usually wind up governing with the least effectiveness. Today corporate-funded politicians from both parties argue that the country should be led by "technocrats' who'll govern without messy "ideologies."
That's a false premise Havel knew well. He called it the "process by which power becomes anonymous and depersonalized, reduced to a mere technology of rule and manipulation."
Washington's technocratic "bipartisans" dream of a world where, in Havel's words, the "professional ruler is (seen as) the 'innocent' tool of an 'innocent' anonymous power ... legitimized by science, cybernetics, ideology, law, abstraction, and objectivity - that is, by everything except personal responsibility to human beings as persons and neighbors." Havel's Prague is our Beltway: >
States grow ever more machinelike; people are transformed into statistical choruses of voters, producers, consumers, patients, tourists, or soldiers, (where) in politics good and evil, categories of the natural world and therefore obsolete remnants of the past, lose all absolute meaning (and where) the sole method of politics is quantifiable success.
Havel condemned a system of state-orchestrated political theater, and the self-perpetuating failures of imagination which mistook the indifferent and pro forma participation of its citizens for genuine democracy. And he saw its universal nature: >
(It) has a thousand masks, variants, and expressions. Essentially, though, it is the same universal trend ... the essential trait of all modern civilization, growing directly from its spiritual structure, rooted in it by a thousand tangled tendrils and inseparable even in thought from its technological nature, its mass characteristics, and its consumer orientation.
"The contemporary concept of 'normal' behavior is," Havel wrote, "deeply pessimistic."
Responsibility
"I favor 'antipolitical politics,'" said Havel, "politics not as the technology of power and manipulation, of cybernetic rule over humans or as the art of the utilitarian, but politics as one of the ways of seeking and achieving meaningful lives, of protecting them and serving them." >
I favor politics as practical morality, as service to the truth, as essentially human and humanly measured care for our fellow humans.
None of us--as an individual--can save the world as a whole, but . . . each of us must behave as though it were in his power to do so.
Decades later he said this to the leaders of Western countries: >
Today, more than ever before in the history of mankind, everything is interrelated ... Because of this, the future of the United States or the European Union is being decided in suffering Sarajevo or Mostar, in the plundered Brazilian rain forests, in the wretched poverty of Bangladesh or Somalia.
Havel had glaring faults. American neocons offered him small favors during his final rise to power. He reciprocated, consciously or unconsciously, by aiding their destructive military ventures and adopting their foolish economic policies. He succumbed to the politics of personality, both his own and those of the leaders who courted him. But it would be a shame if that's all the world remembered.
Havel seemed unhappy in the role of leader. It's possible than he lost sight of his deepest insights, his truest gifts. It was the outsider Havel, the dreamer of the impossible, the surrealist and absurdist, we should remember. That's the Havel who can and should inspire dissidents everywhere.
"Is the human word truly powerful enough to change the world and influence history?" he once asked. With his life and his words, Václav Havel gave us his answer. He showed us the power in each individual and the responsibility that accompanies that power.
At his best, and above all else, Havel was a dissident outsider who realized his power and used it. Now it's our turn.
3 Views
18:39:54 12/03/11
Super Mario lives in the real world: find him everywhere
[LESS INFO] 3 VIEWS | ADDED 18:39:54 12/03/11
Super Mario lives in the real world: find him everywhere
World's most famous plumber is back with new Mario Kart 7. Before fighting to get it, try to find him in the street. Mario Kart is back on December 4th Super Mario Ads Press to start Nintendo (Game Boy Advance) - USA - 2001. Nintendo - Australia - 2009. Nintendo 64 (Super Smash Bros) - USA - 2000. Music track: "Happy together" by The Turtles. Nintendo - USA - 2004. Music track: "Hatsukoi" by Kojima Mayumi. Nintendo - Italy - 2002. Nintendo - USA - 2003. Nintendo - USA. More commercials : www.youtube.com .. All rights reserved. For all inquiries, please mail to culturepub@wizdeo.com From: CulturePub Views: 1100 26 ratings Time: 04:25 More in Entertainment
0 Views
05:17:03 11/21/11
China Doesn't Want YOU To See This ! www.StandUpForTibet.org
[LESS INFO] 0 VIEWS | ADDED 05:17:03 11/21/11
China Doesn't Want YOU To See This ! www.StandUpForTibet.org
Recent "RENTED CHINESE SUPPORTERS" have accused whole world is lying. Chinese propaganda machines are working overtime to blind the world to real happenings inside and outside Tibet. Images and videos clips that you will never see on CCTV and Xinhua News are compiled here to the tune of Tsering Gyurmey's song "Rangzen". CNN, BBC, ITV, ALJAZEERA and Japanese news channel are lying according to China. Where is the logic when one news source is telling truth and everyone else is lying? www.Youtube.com ============================= tinyurl.com China isincurring huge expenditure in transferring and consolidating the Chinese population in Tibet. Massive investment has been made to build a network of modern highways all over Tibet. China can also boast of having laid the highest railway track in the world that connects Lhasa with Beijing. In fact, China often complains that its "civilizing" mission in Tibet is costing the government and people of China large amounts in terms of subsidies to an under-developed region. According to official Chinese statistics, the level of annual subsidies to the Tibetan Autonomous Region (TAR) in the late 1980s was around 1 billion yuan or $270 million. However, all the infrastructure that China has built in Tibet has not made the lives of the native Tibetans any better; it has only taken the exploitative apparatuses of the Chinese government deeper. From: TibetArchive Views: 288 13 ratings Time: 07:10 More in News & Politics
0 Views
05:17:03 11/21/11
China Doesn't Want YOU To See This ! www.StandUpForTibet.org
[LESS INFO] 0 VIEWS | ADDED 05:17:03 11/21/11
China Doesn't Want YOU To See This ! www.StandUpForTibet.org
Recent "RENTED CHINESE SUPPORTERS" have accused whole world is lying. Chinese propaganda machines are working overtime to blind the world to real happenings inside and outside Tibet. Images and videos clips that you will never see on CCTV and Xinhua News are compiled here to the tune of Tsering Gyurmey's song "Rangzen". CNN, BBC, ITV, ALJAZEERA and Japanese news channel are lying according to China. Where is the logic when one news source is telling truth and everyone else is lying? www.Youtube.com ============================= tinyurl.com China isincurring huge expenditure in transferring and consolidating the Chinese population in Tibet. Massive investment has been made to build a network of modern highways all over Tibet. China can also boast of having laid the highest railway track in the world that connects Lhasa with Beijing. In fact, China often complains that its "civilizing" mission in Tibet is costing the government and people of China large amounts in terms of subsidies to an under-developed region. According to official Chinese statistics, the level of annual subsidies to the Tibetan Autonomous Region (TAR) in the late 1980s was around 1 billion yuan or $270 million. However, all the infrastructure that China has built in Tibet has not made the lives of the native Tibetans any better; it has only taken the exploitative apparatuses of the Chinese government deeper. From: TibetArchive Views: 288 13 ratings Time: 07:10 More in News & Politics
0 Views
14:02:44 10/26/11
IN TO THE DUST
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BLACKMEDIA CREW proudly present the last Andreu Lacondeguy short film.
INTO THE DUST
Andreu Lacondeguy's memories
Barcelona, October 2011.
Broken bones, dirty faces, bruised bodies, bruised with pride.
A natural reaction to apathy.This is andreu's obsession, the track he is on. The limit, in between making it possible or not. That empty space which separates a hero from the rest. This film is exactly about that, about a person attempting for something big. it's not about winning or losing, it's about giving it a try and about surviving the RedBull Rampage.
One year later BLACKMEDIA CREW has joined forces in order to present Andreu Lacondeguy's personal tapes. After having worked extremely hard on recovering and clasifying hours of raw material, we were able to reconstruct the hours just before the RedBull Rampage and in that way managed to get inside the body of one of freeride's greatest legends.
This film is not just a documentary on the world's biggest free ride event, it's the story right from inside the trench, from the backline.
It's a story told in the first person. Written in blood...
a real declaration of values.








