Find a show you like and click the
button. The show will be added to your My Playlist page and updated 24/7 with new videos.
Search Results
2 Views
19:10:45 05/21/12
John Travolta's Sexual Harrassment Troubles
[LESS INFO] 2 VIEWS | ADDED 19:10:45 05/21/12
John Travolta's had his worst week yet and learnt that bad news come in threes as he was hit with multiple sexual harassment claims.
Two unnamed male masseurs claim the Grease star made sexual advances towards them in January and are suing him.
However, while the first masseur claims that the actor assaulted him on January 16 in a Beverly Hills hotel, John's camp have put out a photo showing him to be in New York on that day.
In a bizarre twist, the masseur has released a statement wishing the accused, health and happiness, despite pressing ahead with the lawsuit.
A third man former cruise ship worker Fabian Zanzì has thrown his hat into the ring by accusing Travolta of offering him $10,000 for sex in 2009.
The devout Scientologist, who denies all the claims, is now considering counter-suing.
travolta has been the subject of gay murmuring for years in Hollywood, with Carrie Fisher even outing him in 2010!
-----------------------------
Brad Pitt is set to become the first man to front the iconic ladies’ perfume Chanel number 5.
The matinee idol will follow in the footsteps of Nicole Kidman, Vanessa Paradis and Audrey Tautou when he shoots his first commercial in London this week. He is expected to pick up a pay cheque for a cool $2 million for his efforts. The sweet smell of success!
-----------------------------
If you follow Rihanna on Twitter, you'll be used to her tweeting scandalous pictures, but who could have predicted her latest snap .... of an intravenous drip?
Friends are said to be sick with worry after Rihanna was hospitalised with exhaustion and dehydration following ‘non-stop travelling’ and ‘excessive partying’ and fear she may end up in rehab if she doesn’t take it easy. And rather than resting after being discharged, she went straight to the premiere of Battleship in LA.
RiRi is said to be up to her old tricks after she was reportedly spotted kissing American football player Darren McFadden who has a girlfriend. Perhaps she needs a new plaything since unfollowing ex-boyfriend Chris Brown on Twitter after he apparently mocked her in lyrics on his new single.
And finally, In the red corne, Teri Hatcher. And in the blue corner, all the rest of the Desperate Housewives.
Cat fights at dawn on Wisteria Lane as an interesting photo of a gift card from the actresses to the show’s crew has emerged.
The farewell note read. Just know that on all your future adventures you are carrying a little piece of our love and gratitude. Thank you for a magical eight years. Love Eva, Marcia, Felicity and Vanessa.‚Äô The crew say that the girls don‚'t get along with Desperate Fishwife Teri who, according creator Marc Cherry, former co-star Nicollette Sheridan describes as the ‚Äòmeanest woman in the world.
That's just about it from me for this week. Layla will return next time around. Meanwhile, don't forget to buy OK! Magazine - on sale now - and check out the links on screen now to Tweet and Facebook to your hearts content. Bye.
2 Views
22:48:30 05/17/12
It's Casual - Live in Studio B - Part 1 - The New Los Angeles
[LESS INFO] 2 VIEWS | ADDED 22:48:30 05/17/12
Part 1 of It's Casual performing live at Mevio Studios in San Francisco
For the entire performance CLICK HERE
WEBSITE FACEBOOK TWITTER MYSPACE YOUTUBE
BIO:
Like most Angelenos, Eddie Solis is pissed about the traffic on the 101. Unlike most Angelenos, Eddie Solis writes songs about being pissed about the traffic on the 101.
Solis’ band, an impossibly loud punk/hardcore duo called It’s Casual, addresses transit issues with an urgency hitherto unmatched in the realm of urban planning. Imagine Henry Rollins at a City Council Transportation Committee meeting, all neck veins and municipal outrage, and you get the picture.
Onstage, Solis’ eyes bulge amid a shock of curly hair, his throat emitting the collective war cry of a million frustrated commuters: “Los Angeles! There’s too many people! I want them to go away!”
His isn’t the Los Angeles of Priuses, Pilates and brunch, but the L.A. of undocumented immigrants, hardcore music and bus-stop delays. After nearly 10 years of ceaseless yelling, It’s Casual have a busy year ahead of them, what with slots on Fu Manchu’s North American tour, a forthcoming sequel to their ’08 ode to the city, The New Los Angeles, and, maybe, a European tour.
“We’ve been working at it and believing in this kind of music — which I call L.A. hardcore or L.A. skate rock — every day,” says Solis. His gaze is unflinching, and his voice is smog-raspened. He calls It’s Casual “L.A.’s only two-piece hardcore band” and is serious about his art. “I don’t take it lightly. It all comes from deep within.”
It’s Casual formed in 2001, the name inspired by a line in Cameron Crowe’s obscure follow-up to Fast Times at Ridgemont High, called The Wild Life. In it, a character played by the late Christopher Penn replies with “It’s casual” every time he is asked a question. Solis currently has a similar relationship with drummers — he’s between them. As far as a third member? “We kept trying to find a bassist, and they kept flaking,” Solis says.
The band’s sonic boom is amazing, considering there are only two of them. The secret to their sound is a unique pedal and mic’ing system. Solis’ guitar is actually wired to two amps for added punch. The results are so thunderous that fellow musicians have been known to come early to shows to watch him set up. (“There is a special formula with different pedals,” he explains of his sound. He’s trying to register it as intellectual property.)
It’s Casual’s first record, The New Los Angeles, came out in fall 2007, and was inspired by Solis’ commute from Pico Rivera to Hollywood. Tracks include “EZ Pass,” about the public transit ticket, and “The Red Line” (the handy subway that connects North Hollywood to Union Station). Most of It’s Casual’s songs last around two minutes and contain no more than three or four lyrics, hammering home their message with a directness most public servants and council officials have yet to master. Even Councilman Bill Rosendahl, chair of Los Angeles’ Transportation Committee, is impressed. “Music is a good way to get transportation messages across,” he says during a recent phone call, adding that he hoped It’s Casual were aware that plans for the Purple Line are afoot. “They should write a song about the Purple Line!” he enthuses, suggesting possible lyrics, singing: “The Purple Line/In my lifetime!”
It’s not all subways and off-ramps. Solis ventures into other matters. “Cholas Are Loyal,” for example, is all about the advantages of dating Latinas. And It’s Casual’s next album, The New Los Angeles II: Less Violence, More Violins, is inspired primarily by the California education budget deficit. “Do you think It’s Casual will translate in Europe?” he wonders, aware of his band’s distinctly local messages. But wherever there is a rush hour, there are people who identify with Eddie Solis.
Born and raised in East Los Angeles County, Solis is “the result of basically growing up around a gang-infested area with lots of negativity.” He turned to music and skateboarding as an escape, and was 15 when he started his first band — a Ramones cover group called Endless Vacation, which played shows in his parents’ living room. He got “the heaviness” from his father, who used to carry his young son around the house on his shoulders while listening to Black Sabbath, Led Zeppelin and the Who. “They weren’t handing me money to buy me instruments,” Solis says, “but they were, like, ‘Hey, listen, we know you wanna do this, so here’s our backyard and here’s our living room.’ Which is pretty punk.”
His parents let him build a halfpipe in the back, and Solis would “put Slayer on the radio superloud” and learn skateboarding tricks with his friends. “That would be Friday night, and then Saturday we would have a show on the ramp and take donations to keep it refurbished.” Skate videos informed his taste in music — the teenage Solis would grab a pen and paper and pause the VCR to jot down names of bands like Black Flag, Dinosaur Junior, Hüsker Dü, “… all the good stuff on SST.”
Fast-forward to 1993, when Solis started interning at metal record label Century Media, which gave him a taste of hardcore commuting. Taking the bus from Pico Rivera to the label’s headquarters in Santa Monica every day was a formative experience, but he only lasted about a month (“Well, you know, it was a long trek”). That job led to a position at Priority Records, down the street in the CNN building. That’s where he learned how to sell records, a job he still does today as sales manager at doom-metal label Southern Lord.
Solis also worked as a publicist for Black Flag at SST, under the label’s founder, Black Flag guitarist Greg Ginn. Basically it was the gig of Solis’ 15-year-old dreams. “I took the job because I thought it would be great to work for an icon, a legend,” he says. It was there that he learned the philosophy of DIY.
Three years ago, while strolling down the road near the Southern Lord offices in East Hollywood, Solis came upon the Relax Bar, a 150-person capacity Thai karaoke bar with an orange awning. Solis has single-handedly transformed it into a hub for L.A.’s heavy music scene. He’s booked more than 400 thrash, doom, noise and punk bands there in the last three years. “I was going to lunch, walking past the Relax Bar and the door was open. I saw a stage and it had this dark, musty kind of vibe. Kind of grim in terms of the atmosphere but real positive in terms of what you could do there. I thought, if I could get these owners on the same page and book any format — whether it’s satanic black metal or really avant-garde stuff — that would be great.”
The Relax Bar’s owners, despite not being fluent in English, supported Solis’ vision, prompting the most unlikely cultural union since Weezer recruited Kenny G. “They had a guy translating as I tried to describe the kinds of bands I wanted to book, using metal as my main focus. I said ‘Ozzfest, no — not those kinds of bands. Stuff that’s a little more creative, full of more soul, and more organic.” He played them some It’s Casual and High on Fire and a selection of punk and grindcore CDs, and they seemed to like it. Turns out the ballad-loving Thai karaoke bar owners, like Solis, possessed an unyielding passion for DIY. “They know how much work it is to bring your gear out, record your own stuff and self-release records,” says Solis. “They are all musicians themselves.” It’s been a happy union ever since, with some of the gnarliest underground bands in L.A., from Municipal Waste to Chingalera, rocking the Relax Bar’s tiny stage amid the perpetual aroma of green curry and ginger — and, when the door pops open, the faint smell of bus exhaust.
0 Views
22:39:27 05/17/12
It's Casual - Live in Studio B - Part 2 - The Red Line
[LESS INFO] 0 VIEWS | ADDED 22:39:27 05/17/12
Part 2 of It's Casual performing live at Mevio Studios in San Francisco
For the entire performance CLICK HERE
WEBSITE FACEBOOK TWITTER MYSPACE YOUTUBE
BIO:
Like most Angelenos, Eddie Solis is pissed about the traffic on the 101. Unlike most Angelenos, Eddie Solis writes songs about being pissed about the traffic on the 101.
Solis’ band, an impossibly loud punk/hardcore duo called It’s Casual, addresses transit issues with an urgency hitherto unmatched in the realm of urban planning. Imagine Henry Rollins at a City Council Transportation Committee meeting, all neck veins and municipal outrage, and you get the picture.
Onstage, Solis’ eyes bulge amid a shock of curly hair, his throat emitting the collective war cry of a million frustrated commuters: “Los Angeles! There’s too many people! I want them to go away!”
His isn’t the Los Angeles of Priuses, Pilates and brunch, but the L.A. of undocumented immigrants, hardcore music and bus-stop delays. After nearly 10 years of ceaseless yelling, It’s Casual have a busy year ahead of them, what with slots on Fu Manchu’s North American tour, a forthcoming sequel to their ’08 ode to the city, The New Los Angeles, and, maybe, a European tour.
“We’ve been working at it and believing in this kind of music — which I call L.A. hardcore or L.A. skate rock — every day,” says Solis. His gaze is unflinching, and his voice is smog-raspened. He calls It’s Casual “L.A.’s only two-piece hardcore band” and is serious about his art. “I don’t take it lightly. It all comes from deep within.”
It’s Casual formed in 2001, the name inspired by a line in Cameron Crowe’s obscure follow-up to Fast Times at Ridgemont High, called The Wild Life. In it, a character played by the late Christopher Penn replies with “It’s casual” every time he is asked a question. Solis currently has a similar relationship with drummers — he’s between them. As far as a third member? “We kept trying to find a bassist, and they kept flaking,” Solis says.
The band’s sonic boom is amazing, considering there are only two of them. The secret to their sound is a unique pedal and mic’ing system. Solis’ guitar is actually wired to two amps for added punch. The results are so thunderous that fellow musicians have been known to come early to shows to watch him set up. (“There is a special formula with different pedals,” he explains of his sound. He’s trying to register it as intellectual property.)
It’s Casual’s first record, The New Los Angeles, came out in fall 2007, and was inspired by Solis’ commute from Pico Rivera to Hollywood. Tracks include “EZ Pass,” about the public transit ticket, and “The Red Line” (the handy subway that connects North Hollywood to Union Station). Most of It’s Casual’s songs last around two minutes and contain no more than three or four lyrics, hammering home their message with a directness most public servants and council officials have yet to master. Even Councilman Bill Rosendahl, chair of Los Angeles’ Transportation Committee, is impressed. “Music is a good way to get transportation messages across,” he says during a recent phone call, adding that he hoped It’s Casual were aware that plans for the Purple Line are afoot. “They should write a song about the Purple Line!” he enthuses, suggesting possible lyrics, singing: “The Purple Line/In my lifetime!”
It’s not all subways and off-ramps. Solis ventures into other matters. “Cholas Are Loyal,” for example, is all about the advantages of dating Latinas. And It’s Casual’s next album, The New Los Angeles II: Less Violence, More Violins, is inspired primarily by the California education budget deficit. “Do you think It’s Casual will translate in Europe?” he wonders, aware of his band’s distinctly local messages. But wherever there is a rush hour, there are people who identify with Eddie Solis.
Born and raised in East Los Angeles County, Solis is “the result of basically growing up around a gang-infested area with lots of negativity.” He turned to music and skateboarding as an escape, and was 15 when he started his first band — a Ramones cover group called Endless Vacation, which played shows in his parents’ living room. He got “the heaviness” from his father, who used to carry his young son around the house on his shoulders while listening to Black Sabbath, Led Zeppelin and the Who. “They weren’t handing me money to buy me instruments,” Solis says, “but they were, like, ‘Hey, listen, we know you wanna do this, so here’s our backyard and here’s our living room.’ Which is pretty punk.”
His parents let him build a halfpipe in the back, and Solis would “put Slayer on the radio superloud” and learn skateboarding tricks with his friends. “That would be Friday night, and then Saturday we would have a show on the ramp and take donations to keep it refurbished.” Skate videos informed his taste in music — the teenage Solis would grab a pen and paper and pause the VCR to jot down names of bands like Black Flag, Dinosaur Junior, Hüsker Dü, “… all the good stuff on SST.”
Fast-forward to 1993, when Solis started interning at metal record label Century Media, which gave him a taste of hardcore commuting. Taking the bus from Pico Rivera to the label’s headquarters in Santa Monica every day was a formative experience, but he only lasted about a month (“Well, you know, it was a long trek”). That job led to a position at Priority Records, down the street in the CNN building. That’s where he learned how to sell records, a job he still does today as sales manager at doom-metal label Southern Lord.
Solis also worked as a publicist for Black Flag at SST, under the label’s founder, Black Flag guitarist Greg Ginn. Basically it was the gig of Solis’ 15-year-old dreams. “I took the job because I thought it would be great to work for an icon, a legend,” he says. It was there that he learned the philosophy of DIY.
Three years ago, while strolling down the road near the Southern Lord offices in East Hollywood, Solis came upon the Relax Bar, a 150-person capacity Thai karaoke bar with an orange awning. Solis has single-handedly transformed it into a hub for L.A.’s heavy music scene. He’s booked more than 400 thrash, doom, noise and punk bands there in the last three years. “I was going to lunch, walking past the Relax Bar and the door was open. I saw a stage and it had this dark, musty kind of vibe. Kind of grim in terms of the atmosphere but real positive in terms of what you could do there. I thought, if I could get these owners on the same page and book any format — whether it’s satanic black metal or really avant-garde stuff — that would be great.”
The Relax Bar’s owners, despite not being fluent in English, supported Solis’ vision, prompting the most unlikely cultural union since Weezer recruited Kenny G. “They had a guy translating as I tried to describe the kinds of bands I wanted to book, using metal as my main focus. I said ‘Ozzfest, no — not those kinds of bands. Stuff that’s a little more creative, full of more soul, and more organic.” He played them some It’s Casual and High on Fire and a selection of punk and grindcore CDs, and they seemed to like it. Turns out the ballad-loving Thai karaoke bar owners, like Solis, possessed an unyielding passion for DIY. “They know how much work it is to bring your gear out, record your own stuff and self-release records,” says Solis. “They are all musicians themselves.” It’s been a happy union ever since, with some of the gnarliest underground bands in L.A., from Municipal Waste to Chingalera, rocking the Relax Bar’s tiny stage amid the perpetual aroma of green curry and ginger — and, when the door pops open, the faint smell of bus exhaust.
0 Views
22:21:27 05/17/12
It's Casual - Live in Studio B - Part 3 - EZ Pass
[LESS INFO] 0 VIEWS | ADDED 22:21:27 05/17/12
Part 3 of It's Casual performing live at Mevio Studios in San Francisco
For the entire performance CLICK HERE
WEBSITE FACEBOOK TWITTER MYSPACE YOUTUBE
BIO:
Like most Angelenos, Eddie Solis is pissed about the traffic on the 101. Unlike most Angelenos, Eddie Solis writes songs about being pissed about the traffic on the 101.
Solis’ band, an impossibly loud punk/hardcore duo called It’s Casual, addresses transit issues with an urgency hitherto unmatched in the realm of urban planning. Imagine Henry Rollins at a City Council Transportation Committee meeting, all neck veins and municipal outrage, and you get the picture.
Onstage, Solis’ eyes bulge amid a shock of curly hair, his throat emitting the collective war cry of a million frustrated commuters: “Los Angeles! There’s too many people! I want them to go away!”
His isn’t the Los Angeles of Priuses, Pilates and brunch, but the L.A. of undocumented immigrants, hardcore music and bus-stop delays. After nearly 10 years of ceaseless yelling, It’s Casual have a busy year ahead of them, what with slots on Fu Manchu’s North American tour, a forthcoming sequel to their ’08 ode to the city, The New Los Angeles, and, maybe, a European tour.
“We’ve been working at it and believing in this kind of music — which I call L.A. hardcore or L.A. skate rock — every day,” says Solis. His gaze is unflinching, and his voice is smog-raspened. He calls It’s Casual “L.A.’s only two-piece hardcore band” and is serious about his art. “I don’t take it lightly. It all comes from deep within.”
It’s Casual formed in 2001, the name inspired by a line in Cameron Crowe’s obscure follow-up to Fast Times at Ridgemont High, called The Wild Life. In it, a character played by the late Christopher Penn replies with “It’s casual” every time he is asked a question. Solis currently has a similar relationship with drummers — he’s between them. As far as a third member? “We kept trying to find a bassist, and they kept flaking,” Solis says.
The band’s sonic boom is amazing, considering there are only two of them. The secret to their sound is a unique pedal and mic’ing system. Solis’ guitar is actually wired to two amps for added punch. The results are so thunderous that fellow musicians have been known to come early to shows to watch him set up. (“There is a special formula with different pedals,” he explains of his sound. He’s trying to register it as intellectual property.)
It’s Casual’s first record, The New Los Angeles, came out in fall 2007, and was inspired by Solis’ commute from Pico Rivera to Hollywood. Tracks include “EZ Pass,” about the public transit ticket, and “The Red Line” (the handy subway that connects North Hollywood to Union Station). Most of It’s Casual’s songs last around two minutes and contain no more than three or four lyrics, hammering home their message with a directness most public servants and council officials have yet to master. Even Councilman Bill Rosendahl, chair of Los Angeles’ Transportation Committee, is impressed. “Music is a good way to get transportation messages across,” he says during a recent phone call, adding that he hoped It’s Casual were aware that plans for the Purple Line are afoot. “They should write a song about the Purple Line!” he enthuses, suggesting possible lyrics, singing: “The Purple Line/In my lifetime!”
It’s not all subways and off-ramps. Solis ventures into other matters. “Cholas Are Loyal,” for example, is all about the advantages of dating Latinas. And It’s Casual’s next album, The New Los Angeles II: Less Violence, More Violins, is inspired primarily by the California education budget deficit. “Do you think It’s Casual will translate in Europe?” he wonders, aware of his band’s distinctly local messages. But wherever there is a rush hour, there are people who identify with Eddie Solis.
Born and raised in East Los Angeles County, Solis is “the result of basically growing up around a gang-infested area with lots of negativity.” He turned to music and skateboarding as an escape, and was 15 when he started his first band — a Ramones cover group called Endless Vacation, which played shows in his parents’ living room. He got “the heaviness” from his father, who used to carry his young son around the house on his shoulders while listening to Black Sabbath, Led Zeppelin and the Who. “They weren’t handing me money to buy me instruments,” Solis says, “but they were, like, ‘Hey, listen, we know you wanna do this, so here’s our backyard and here’s our living room.’ Which is pretty punk.”
His parents let him build a halfpipe in the back, and Solis would “put Slayer on the radio superloud” and learn skateboarding tricks with his friends. “That would be Friday night, and then Saturday we would have a show on the ramp and take donations to keep it refurbished.” Skate videos informed his taste in music — the teenage Solis would grab a pen and paper and pause the VCR to jot down names of bands like Black Flag, Dinosaur Junior, Hüsker Dü, “… all the good stuff on SST.”
Fast-forward to 1993, when Solis started interning at metal record label Century Media, which gave him a taste of hardcore commuting. Taking the bus from Pico Rivera to the label’s headquarters in Santa Monica every day was a formative experience, but he only lasted about a month (“Well, you know, it was a long trek”). That job led to a position at Priority Records, down the street in the CNN building. That’s where he learned how to sell records, a job he still does today as sales manager at doom-metal label Southern Lord.
Solis also worked as a publicist for Black Flag at SST, under the label’s founder, Black Flag guitarist Greg Ginn. Basically it was the gig of Solis’ 15-year-old dreams. “I took the job because I thought it would be great to work for an icon, a legend,” he says. It was there that he learned the philosophy of DIY.
Three years ago, while strolling down the road near the Southern Lord offices in East Hollywood, Solis came upon the Relax Bar, a 150-person capacity Thai karaoke bar with an orange awning. Solis has single-handedly transformed it into a hub for L.A.’s heavy music scene. He’s booked more than 400 thrash, doom, noise and punk bands there in the last three years. “I was going to lunch, walking past the Relax Bar and the door was open. I saw a stage and it had this dark, musty kind of vibe. Kind of grim in terms of the atmosphere but real positive in terms of what you could do there. I thought, if I could get these owners on the same page and book any format — whether it’s satanic black metal or really avant-garde stuff — that would be great.”
The Relax Bar’s owners, despite not being fluent in English, supported Solis’ vision, prompting the most unlikely cultural union since Weezer recruited Kenny G. “They had a guy translating as I tried to describe the kinds of bands I wanted to book, using metal as my main focus. I said ‘Ozzfest, no — not those kinds of bands. Stuff that’s a little more creative, full of more soul, and more organic.” He played them some It’s Casual and High on Fire and a selection of punk and grindcore CDs, and they seemed to like it. Turns out the ballad-loving Thai karaoke bar owners, like Solis, possessed an unyielding passion for DIY. “They know how much work it is to bring your gear out, record your own stuff and self-release records,” says Solis. “They are all musicians themselves.” It’s been a happy union ever since, with some of the gnarliest underground bands in L.A., from Municipal Waste to Chingalera, rocking the Relax Bar’s tiny stage amid the perpetual aroma of green curry and ginger — and, when the door pops open, the faint smell of bus exhaust.
0 Views
21:54:59 05/17/12
It's Casual - Live in Studio B
[LESS INFO] 0 VIEWS | ADDED 21:54:59 05/17/12
It's Casual performs live at Mevio Studios in San Francisco
BIO:
Like most Angelenos, Eddie Solis is pissed about the traffic on the 101. Unlike most Angelenos, Eddie Solis writes songs about being pissed about the traffic on the 101.
Solis’ band, an impossibly loud punk/hardcore duo called It’s Casual, addresses transit issues with an urgency hitherto unmatched in the realm of urban planning. Imagine Henry Rollins at a City Council Transportation Committee meeting, all neck veins and municipal outrage, and you get the picture.
Onstage, Solis’ eyes bulge amid a shock of curly hair, his throat emitting the collective war cry of a million frustrated commuters: “Los Angeles! There’s too many people! I want them to go away!”
His isn’t the Los Angeles of Priuses, Pilates and brunch, but the L.A. of undocumented immigrants, hardcore music and bus-stop delays. After nearly 10 years of ceaseless yelling, It’s Casual have a busy year ahead of them, what with slots on Fu Manchu’s North American tour, a forthcoming sequel to their ’08 ode to the city, The New Los Angeles, and, maybe, a European tour.
“We’ve been working at it and believing in this kind of music — which I call L.A. hardcore or L.A. skate rock — every day,” says Solis. His gaze is unflinching, and his voice is smog-raspened. He calls It’s Casual “L.A.’s only two-piece hardcore band” and is serious about his art. “I don’t take it lightly. It all comes from deep within.”
It’s Casual formed in 2001, the name inspired by a line in Cameron Crowe’s obscure follow-up to Fast Times at Ridgemont High, called The Wild Life. In it, a character played by the late Christopher Penn replies with “It’s casual” every time he is asked a question. Solis currently has a similar relationship with drummers — he’s between them. As far as a third member? “We kept trying to find a bassist, and they kept flaking,” Solis says.
The band’s sonic boom is amazing, considering there are only two of them. The secret to their sound is a unique pedal and mic’ing system. Solis’ guitar is actually wired to two amps for added punch. The results are so thunderous that fellow musicians have been known to come early to shows to watch him set up. (“There is a special formula with different pedals,” he explains of his sound. He’s trying to register it as intellectual property.)
It’s Casual’s first record, The New Los Angeles, came out in fall 2007, and was inspired by Solis’ commute from Pico Rivera to Hollywood. Tracks include “EZ Pass,” about the public transit ticket, and “The Red Line” (the handy subway that connects North Hollywood to Union Station). Most of It’s Casual’s songs last around two minutes and contain no more than three or four lyrics, hammering home their message with a directness most public servants and council officials have yet to master. Even Councilman Bill Rosendahl, chair of Los Angeles’ Transportation Committee, is impressed. “Music is a good way to get transportation messages across,” he says during a recent phone call, adding that he hoped It’s Casual were aware that plans for the Purple Line are afoot. “They should write a song about the Purple Line!” he enthuses, suggesting possible lyrics, singing: “The Purple Line/In my lifetime!”
It’s not all subways and off-ramps. Solis ventures into other matters. “Cholas Are Loyal,” for example, is all about the advantages of dating Latinas. And It’s Casual’s next album, The New Los Angeles II: Less Violence, More Violins, is inspired primarily by the California education budget deficit. “Do you think It’s Casual will translate in Europe?” he wonders, aware of his band’s distinctly local messages. But wherever there is a rush hour, there are people who identify with Eddie Solis.
Born and raised in East Los Angeles County, Solis is “the result of basically growing up around a gang-infested area with lots of negativity.” He turned to music and skateboarding as an escape, and was 15 when he started his first band — a Ramones cover group called Endless Vacation, which played shows in his parents’ living room. He got “the heaviness” from his father, who used to carry his young son around the house on his shoulders while listening to Black Sabbath, Led Zeppelin and the Who. “They weren’t handing me money to buy me instruments,” Solis says, “but they were, like, ‘Hey, listen, we know you wanna do this, so here’s our backyard and here’s our living room.’ Which is pretty punk.”
His parents let him build a halfpipe in the back, and Solis would “put Slayer on the radio superloud” and learn skateboarding tricks with his friends. “That would be Friday night, and then Saturday we would have a show on the ramp and take donations to keep it refurbished.” Skate videos informed his taste in music — the teenage Solis would grab a pen and paper and pause the VCR to jot down names of bands like Black Flag, Dinosaur Junior, Hüsker Dü, “… all the good stuff on SST.”
Fast-forward to 1993, when Solis started interning at metal record label Century Media, which gave him a taste of hardcore commuting. Taking the bus from Pico Rivera to the label’s headquarters in Santa Monica every day was a formative experience, but he only lasted about a month (“Well, you know, it was a long trek”). That job led to a position at Priority Records, down the street in the CNN building. That’s where he learned how to sell records, a job he still does today as sales manager at doom-metal label Southern Lord.
Solis also worked as a publicist for Black Flag at SST, under the label’s founder, Black Flag guitarist Greg Ginn. Basically it was the gig of Solis’ 15-year-old dreams. “I took the job because I thought it would be great to work for an icon, a legend,” he says. It was there that he learned the philosophy of DIY.
Three years ago, while strolling down the road near the Southern Lord offices in East Hollywood, Solis came upon the Relax Bar, a 150-person capacity Thai karaoke bar with an orange awning. Solis has single-handedly transformed it into a hub for L.A.’s heavy music scene. He’s booked more than 400 thrash, doom, noise and punk bands there in the last three years. “I was going to lunch, walking past the Relax Bar and the door was open. I saw a stage and it had this dark, musty kind of vibe. Kind of grim in terms of the atmosphere but real positive in terms of what you could do there. I thought, if I could get these owners on the same page and book any format — whether it’s satanic black metal or really avant-garde stuff — that would be great.”
The Relax Bar’s owners, despite not being fluent in English, supported Solis’ vision, prompting the most unlikely cultural union since Weezer recruited Kenny G. “They had a guy translating as I tried to describe the kinds of bands I wanted to book, using metal as my main focus. I said ‘Ozzfest, no — not those kinds of bands. Stuff that’s a little more creative, full of more soul, and more organic.” He played them some It’s Casual and High on Fire and a selection of punk and grindcore CDs, and they seemed to like it. Turns out the ballad-loving Thai karaoke bar owners, like Solis, possessed an unyielding passion for DIY. “They know how much work it is to bring your gear out, record your own stuff and self-release records,” says Solis. “They are all musicians themselves.” It’s been a happy union ever since, with some of the gnarliest underground bands in L.A., from Municipal Waste to Chingalera, rocking the Relax Bar’s tiny stage amid the perpetual aroma of green curry and ginger — and, when the door pops open, the faint smell of bus exhaust.
0 Views
04:42:25 05/16/12
Carter's Hat Trick Lifts Kings
[LESS INFO] 0 VIEWS | ADDED 04:42:25 05/16/12
Carter's Hat Trick Lifts Kings
Jeff Carter scored three goals and Jonathan Quick stopped 24 shots as the Los Angeles Kings matched an NHL record with their seventh straight road playoff victory. From: ESPN Views: 212 6 ratings Time: 03:05 More in Sports
0 Views
11:46:24 05/09/12
Adam Deacon's Party Trick - Britain Unzipped - Episode 3 - BBC Three
[LESS INFO] 0 VIEWS | ADDED 11:46:24 05/09/12
Adam Deacon's Party Trick - Britain Unzipped - Episode 3 - BBC Three
More about this programme: www.bbc.co.uk BAFTA winning actor, Adam Deacon, shows Greg and Emily Atack from The Inbetweeners his best party trick. From: BBC Views: 4390 46 ratings Time: 01:21 More in Entertainment
1 Views
11:46:24 05/09/12
Adam Deacon's Party Trick - Britain Unzipped - Episode 3 - BBC Three
[LESS INFO] 1 VIEWS | ADDED 11:46:24 05/09/12
Adam Deacon's Party Trick - Britain Unzipped - Episode 3 - BBC Three
More about this programme: www.bbc.co.uk BAFTA winning actor, Adam Deacon, shows Greg and Emily Atack from The Inbetweeners his best party trick. From: BBC Views: 6820 59 ratings Time: 01:21 More in Entertainment
0 Views
08:26:30 05/09/12
Tom Schaar Profile -- World's First 1080 & Youngest X Games Gold Medalist -- Guinness World Records
[LESS INFO] 0 VIEWS | ADDED 08:26:30 05/09/12
Tom Schaar Profile -- World's First 1080 & Youngest X Games Gold Medalist -- Guinness World Records
On March 26th, 2012, Tom Schaar (Malibu, CA) made skateboarding history by successfully landing the world's first 1080 degree spin. The trick involves three full aerial revolutions, and requires a lot of speed. Tom landed the 1080 on the MegaRamp at Woodward West, Tehachapi, CA. In the week following our interview with Tom, he travelled out to Shanghai, China to compete in the X Games. He walked away with gold in the MiniMega event making him the world's youngest X Games gold medalist. 1080 footage provided by Red Bull Media House NA, Inc ______ Am 26. M%aumlrz 2012 schrieb Tom Schaar (Malibu, CA) Skateboard-Geschichte, als er erfolgreich den ersten 1080 Grad Spin der Welt landete! Der Trick erfordert drei volle Umdrehungen in der Luft und ben%oumltigt eine sehr hohe Geschwindigkeit. Tom landete den 1080 Spin auf der MegaRamp in Woodward West, Tehachapi, CA. In der Woche nach unserem Interview flog Tom nach Shanghai, China, um bei den X Games anzutreten. Er kam siegreich aus dem MiniMega Event, in dem er Gold gewann, was ihn zum j%uumlngsten Goldmedaillen Tr%aumlger der X Games macht. ___________________________________________________ Welcome to the official Guinness World Records YouTube channel! If you're looking for videos featuring the world's tallest, shortest, fastest, longest, oldest and most incredible things on the planet, you're in the right place. Willkommen im offiziellen Guinness World Records Kanal! Wenn du auf der Suche nach den gr%ouml%szligten, kleinsten, schnellsten, l%aumlngsten ... From: GuinnessWorldRecords Views: 115163 662 ratings Time: 03:53 More in Entertainment
0 Views
00:11:30 04/24/12
New Releases For April 24, 2012 - Press Pause Daily
[LESS INFO] 0 VIEWS | ADDED 00:11:30 04/24/12
This week we have a new Prototype, a fantasy RPG, and a couple of downloadable games to help you pass the time.
SHOW NOTES:
GAME 1: Prototype 2 - PS3, Xbox 360, PC
First up is Prototype 2 which puts you in the shoes of a new protagonist as you hunt for the man who made you who you are.
Play as the all-new infected protagonist, Sgt. James Heller, soldier and husband to a deceased wife and child, in this sequel to the popular open-world game, Prototype
Become the ultimate shape-shifting weapon as you cut through the wastelands of post-viral New York Zero and build a vast genetic arsenal of deadly new biological weapons and abilities on your quest to kill Alex Mercer
Take down the devil himself, Alex Mercer, against the explosive backdrop of New York Zero and its warring factions fighting for control over the infection
Explore New York Zero's three distinct zones, including the heavily militarized Green Zone, the overcrowded refugee camps of the quarantined Yellow Zone and the war-ravaged home of Alex Mercer, the Red Zone
Unleash the ultimate form of shape-shifting devastation and take advantage of the unbelievable Tendril power that lets you lift and tear apart cars and military vehicles, ensnare powerful infected beasts and shred large groups of enemies to pieces
Mix and match an impressive range of new Mutation perks, including bigger and faster locomotion abilities, sharper claws and enhanced disguise abilities, to create your own ultimate Prototype
Disguise yourself as soldiers, scientists and more to absorb their memories and acquire new abilities
Emit a powerful sonar pulse from your body to track down enemies
Experience the unparalleled technology of the Titanium 2.0 engine
The first game was an interesting open world revenge tale, and this one could be just as good. We’ll keep our fingers crossed.
GAME 2: Risen 2: Dark Waters - PC
Next up we have Risen 2: Dark Waters, the sequel to the 2009 fantasy RPG.
Several years after the end of Risen, humanity is pushed to the brink of existence and one of the only safe havens is Caldera, a city located on the peninsula of the Lost Realm. However, even this sanctuary is threatened by the world at chaos, as monstrous sea monsters cause shipments of vital supplies to come to a grinding halt. The hero, upon discovering a rumor that the pirates of the Southern islands know of a way to banish the creatures of the deep, journeys to infiltrate their ranks and attempt to acquire this knowledge in time to save Caldera from imminent peril.
A Unique Pirate Fantasy Setting — Risen 2 features an open world complete with copious amounts of rum, firearms, dirty tricks and a brand new voodoo magic style
One of the Most Intense, Immersive Game Worlds Ever Created — Risen 2 will fully envelop its players in its world with a full day/night cycle, dynamic weather patterns, NPCs with daily routines who react based on your behavior, and even creature AI with routine behaviors such as scavenging and sleeping that are impacted by the time of day
Every Gameplay Decision Made Has a Consequence — Risen 2 allows players to shape their game experience and even the game world itself depending on their actions and choices. Your choices may change the character's skill set, NPC relationships, or even potential quest lines
A True Role-Playing-Oriented Experience — A perfect blend of classical RPG gameplay and a fresh, unique underlying game world
Several Unique Islands — All lovingly designed by hand with no copy and paste set pieces, encourage exploration and adventure while the player hunts for secret treasures and hidden areas
New Visual Technology — High-res texturing, gorgeous weather, water and light/shadow effects, a fully revamped character animation system and an exhaustive NPC character model design which greatly reduces the chance of "clone" NPCs
If you dig the fantasy setting, then this might just be the game for you. The PC version is out now, but the Xbox 360 and PS3 version were pushed back until July.
GAME 3: Bloodforge - XBLA
Our first digital release this week is Bloodforge.
With a brutal combat system, stunning art style, and a deeply compelling story, Bloodforge empowers you to slaughter hordes of demonic soldiers, deformed worshippers, and the gods themselves, using ferocious Rage Kills, devastating Rune attacks, and furious Weapon Combos. Help seal Crom’s fate – and the fate of the rest of the world – in this dark, visceral story of revenge, betrayal, and destiny.
If you love mindless gory hack and slash gameplay then you can grab this for a price of 1200 Microsoft Points.
GAME 4: UEFA Euro 2012 - PS3, Xbox 360, PC
And lastly we have a soccer expansion for FIFA 2012 that will cover the Union of European Football Associations 2012 championship.
It will feature a new game mode: Expedition Mode where players create a customized team to bid against the European nations.
Players can import their Virtual Pro into the mode.
The game will include all 53 UEFA-member nations. The user can play a full version of Euro 2012, from qualifying all the way to the final, or start at the Euro 2012 finals.
All 8 official stadiums of the tournament will be included in the game.
The Story of the Finals scenario mode from 2010 FIFA World Cup South Africa will be returning. The user earns points for how well they do which unlock more scenarios.
If you’re a soccer fan who has already beat FIFA 2012, then this will give you a whole lot more game to play. You’ll be able to download the expansion to your PC, Xbox 360, and PS3.
Be sure to catch past episodes of Press Pause. To do that, you just need to go to presspause.mevio.com , or our YouTube channel youtube.com/presspausemevio .
1 Views
11:40:10 04/14/12
Flyer Claude Giroux scores 2nd hat trick of game 4/13/12
[LESS INFO] 1 VIEWS | ADDED 11:40:10 04/14/12
Flyer Claude Giroux scores 2nd hat trick of game 4/13/12
Philadelphia Flyer Claude Giroux scores three goals against the Penguins for a post season hat trick. From: NHLVideo Views: 222 8 ratings Time: 00:49 More in Sports
0 Views
11:40:10 04/14/12
Rookie Sean Couturier nets hat trick 4/13/12
[LESS INFO] 0 VIEWS | ADDED 11:40:10 04/14/12
Rookie Sean Couturier nets hat trick 4/13/12
Sean Couturier scores three in a Flyer victory for his first playoff hat trick. From: NHLVideo Views: 225 10 ratings Time: 01:01 More in Sports
0 Views
16:57:28 03/24/12
RJ Umberger hat trick 3/23/12
[LESS INFO] 0 VIEWS | ADDED 16:57:28 03/24/12
RJ Umberger hat trick 3/23/12
RJ Umberger nets three goals against the hurricanes, bringing down the hats in Columbus. From: NHLVideo Views: 682 10 ratings Time: 00:58 More in Sports
0 Views
17:36:40 03/23/12
euronews futuris - A new bus that's just the ticket
[LESS INFO] 0 VIEWS | ADDED 17:36:40 03/23/12
euronews futuris - A new bus that's just the ticket
www.euronews.com You wait and wait and then three come at once, so the old joke about buses goes. But the bus has been getting a makeover. Umberto Guida, the co-ordinator of the European Bus of the Future (EBSF) project said: "Half of public transportation in Europe is done with buses. But buses are still widely considered as the least efficient and least attractive transport system. So our idea was to bring about the renaissance of the bus." A brand new Number 16 bus running on one of the busiest routes in Gothenburg is part of the plan to re-kindle a love affair between Europeans and their buses. And it's a magic bus with a few tricks built-in to give passengers 20 percent more space. Lars Carlden, an engineer with Volvo Technology explained: "To start with, we have these two new wider, sliding doors that allow a better flow of passengers. We also have foldable seats. We have 15 of them. During the peak hours, the drivers can lock them in the upright position. We have also put the driver in the centre between the front wheels, and we have moved the front wheels forward so that more space is generated. In the back, we have the new bellows (the concertina section linking the front and back parts of the bus) that are transparent. And by that means, we get more light into this area, because usually this area of the bus is very dark." It is the final prototype from a European Union research project aimed at developing quieter, cleaner and more user-friendly buses. The ... From: Euronews Views: 8 2 ratings Time: 08:48 More in Shows
0 Views
17:36:40 03/23/12
euronews futuris - A new bus that's just the ticket
[LESS INFO] 0 VIEWS | ADDED 17:36:40 03/23/12
euronews futuris - A new bus that's just the ticket
www.euronews.com You wait and wait and then three come at once, so the old joke about buses goes. But the bus has been getting a makeover. Umberto Guida, the co-ordinator of the European Bus of the Future (EBSF) project said: "Half of public transportation in Europe is done with buses. But buses are still widely considered as the least efficient and least attractive transport system. So our idea was to bring about the renaissance of the bus." A brand new Number 16 bus running on one of the busiest routes in Gothenburg is part of the plan to re-kindle a love affair between Europeans and their buses. And it's a magic bus with a few tricks built-in to give passengers 20 percent more space. Lars Carlden, an engineer with Volvo Technology explained: "To start with, we have these two new wider, sliding doors that allow a better flow of passengers. We also have foldable seats. We have 15 of them. During the peak hours, the drivers can lock them in the upright position. We have also put the driver in the centre between the front wheels, and we have moved the front wheels forward so that more space is generated. In the back, we have the new bellows (the concertina section linking the front and back parts of the bus) that are transparent. And by that means, we get more light into this area, because usually this area of the bus is very dark." It is the final prototype from a European Union research project aimed at developing quieter, cleaner and more user-friendly buses. The ... From: Euronews Views: 8 2 ratings Time: 08:48 More in Shows
0 Views
14:51:32 03/09/12
Ilya Kovalchuk hat trick 3/8/12
[LESS INFO] 0 VIEWS | ADDED 14:51:32 03/09/12
Ilya Kovalchuk hat trick 3/8/12
Ilya Kovalchuk puts three goals on the board in a 5-1 win over the Islanders. From: NHLVideo Views: 727 14 ratings Time: 01:40 More in Sports









