Search Episodes (The New England Job Show Show 6)

Biggest Questions in the AFC East: NFL Draft 365

Added 05/11/12
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The One Am Radio Live in Studio B - Part 1 - What You Gave Away

Added 06/06/11
12 Views

The One Am Radio Live in Studio B - Part 1 - What You Gave Away

[LESS INFO] 12 VIEWS | ADDED 16:34:35 06/06/11
Dangerbird recording artists The One Am Radio perform live in Studio B of Mevio in San Francisco This is Part 1. For the complete performance CLICK HERE Official Site Facebook Twitter MySpace The One AM Radio is a trio based in Los Angeles, where the sun hasn’t completely thawed their New England roots. They make music about the feeling you get while driving home, fast, late at night, through half-empty streets. The project began in New England, where Hrishikesh Hirway was studying design and photography at Yale. With a borrowed guitar, a 4-track, and a drum machine, he made cassettes for his friends and his sister to fall asleep to—instrumental lullabies mixed with staticky murmurs of talk radio. Hirway started writing lyrics and singing over his music, and began performing, using what he’d written on the label on the first cassette — “The One AM Radio” — as a moniker. Ted Leo gave Hrishikesh his real start and his first release, after the two played a show together, inviting him to come record in Boston at Radium City, Ted’s home recording studio. Those recordings were released as a split 7-inch with Ted Leo and the Pharmacists. Because of Hrishikesh’s musical roots, The One AM Radio became an unlikely part of the DIY hardcore scene, playing and touring alongside screamy punk bands in sweaty basements. The homemade recordings were released in the form of EPs and 7”s on a variety of hardcore labels, as well as Hirway’s own DIY imprint, Translucence . By the time 2004’s A Name Writ In Water was released, people outside of the hardcore community had started to take notice. Pitchfork reviewed the album glowingly, giving it an 8.1 rating, noting “Hirway’s prose is peppered with imagistic bits of landscape. His compositions simply feel colossal…the maps he draws are beautiful.” Time Out New York deemed it one of the top ten albums of the year, and called the “dream mix of vocals, guitars, synths, violins, and ambient beats…both lush and thoughtful.” That year, between touring and working odd jobs and freelancing as a designer, Hirway began a nomadic lifestyle, criss-crossing the country in his car, with his belongings limited to what could fit in his trunk. He eventually left the US to spend time in his parents’ home country of India, and began writing and recording what would become the album This Too Will Pass while living in Mumbai. Hirway found himself back in Los Angeles, where he had once lived briefly, but long enough to fall in and collaborate with the likes of Daedelus and the dublab crew, the online radio collective at the heart of the LA experimental electronic scene. This time, shedding the wanderlust that had guided him for so long, he decided to try and make the city his home. There, he made the acquaintance of the folks at Dangerbird Records, who signed him to release This Too Will Pass . Los Angeles proved to be a fertile and fortuitous home base for Hirway, as a place where he could continue his unique aesthetic among a collection of luminaries who were like-minded if not exactly like-sounding. He remixed tracks for Jimmy Tamborello (of Dntel and the Postal Service) and LA beat-scene breakout star Baths, who had been a longtime fan of The One AM Radio. He produced two albums for labelmates Eulogies, and played shows with folks like Juana Molina, El Perro Del Mar, and Damien Jurado when they came through town. Hrishikesh started making Heaven Is Attached by a Slender Thread during sleepless nights. Tony Hoffer, who has produced albums for Beck, Phoenix, Belle and Sebastian, and Air, ended up hearing demos of some of the early songs and reached out to get involved with the recording. Hoffer took an the role of an advisor, and Hirway would send him his hand-crafted organic electronic songs. Hoffer eventually mixed the album. Baths and his fellow anticon labelmate alias contributed as well, to the songs “Ticking Heart” and “Weathering (The News),” respectively. Hirway’s new bandmates, Fontaine Cole and Scott Leahy, added to the recordings, as well as Daniel Hart, the violinist for St Vincent. For Hirway, the new LP is about living on the fumes of dreams and hopes, which also happen to be what the plastic city of Los Angeles is built on, and what it is constantly confirming—and betraying. At one point, Hrishikesh’s idea was to make a dance record, and now, he admits, that’s not really how it turned out. But the album does make you want to move, to run, to get in the car and drive fast through the empty city in the middle of the night — to remember how tenuous the hold is on all the things you have, and want, and long for.

The One Am Radio - Live in Studio B - Part 2- Sunlight

Added 06/06/11
13 Views

The One Am Radio - Live in Studio B - Part 2- Sunlight

[LESS INFO] 13 VIEWS | ADDED 16:10:03 06/06/11
Dangerbird recording artists The One Am Radio perform live in Studio B of Mevio in San Francisco This is Part 2. For the complete performance CLICK HERE Official Site Facebook Twitter MySpace The One AM Radio is a trio based in Los Angeles, where the sun hasn’t completely thawed their New England roots. They make music about the feeling you get while driving home, fast, late at night, through half-empty streets. The project began in New England, where Hrishikesh Hirway was studying design and photography at Yale. With a borrowed guitar, a 4-track, and a drum machine, he made cassettes for his friends and his sister to fall asleep to—instrumental lullabies mixed with staticky murmurs of talk radio. Hirway started writing lyrics and singing over his music, and began performing, using what he’d written on the label on the first cassette — “The One AM Radio” — as a moniker. Ted Leo gave Hrishikesh his real start and his first release, after the two played a show together, inviting him to come record in Boston at Radium City, Ted’s home recording studio. Those recordings were released as a split 7-inch with Ted Leo and the Pharmacists. Because of Hrishikesh’s musical roots, The One AM Radio became an unlikely part of the DIY hardcore scene, playing and touring alongside screamy punk bands in sweaty basements. The homemade recordings were released in the form of EPs and 7”s on a variety of hardcore labels, as well as Hirway’s own DIY imprint, Translucence . By the time 2004’s A Name Writ In Water was released, people outside of the hardcore community had started to take notice. Pitchfork reviewed the album glowingly, giving it an 8.1 rating, noting “Hirway’s prose is peppered with imagistic bits of landscape. His compositions simply feel colossal…the maps he draws are beautiful.” Time Out New York deemed it one of the top ten albums of the year, and called the “dream mix of vocals, guitars, synths, violins, and ambient beats…both lush and thoughtful.” That year, between touring and working odd jobs and freelancing as a designer, Hirway began a nomadic lifestyle, criss-crossing the country in his car, with his belongings limited to what could fit in his trunk. He eventually left the US to spend time in his parents’ home country of India, and began writing and recording what would become the album This Too Will Pass while living in Mumbai. Hirway found himself back in Los Angeles, where he had once lived briefly, but long enough to fall in and collaborate with the likes of Daedelus and the dublab crew, the online radio collective at the heart of the LA experimental electronic scene. This time, shedding the wanderlust that had guided him for so long, he decided to try and make the city his home. There, he made the acquaintance of the folks at Dangerbird Records, who signed him to release This Too Will Pass . Los Angeles proved to be a fertile and fortuitous home base for Hirway, as a place where he could continue his unique aesthetic among a collection of luminaries who were like-minded if not exactly like-sounding. He remixed tracks for Jimmy Tamborello (of Dntel and the Postal Service) and LA beat-scene breakout star Baths, who had been a longtime fan of The One AM Radio. He produced two albums for labelmates Eulogies, and played shows with folks like Juana Molina, El Perro Del Mar, and Damien Jurado when they came through town. Hrishikesh started making Heaven Is Attached by a Slender Thread during sleepless nights. Tony Hoffer, who has produced albums for Beck, Phoenix, Belle and Sebastian, and Air, ended up hearing demos of some of the early songs and reached out to get involved with the recording. Hoffer took an the role of an advisor, and Hirway would send him his hand-crafted organic electronic songs. Hoffer eventually mixed the album. Baths and his fellow anticon labelmate alias contributed as well, to the songs “Ticking Heart” and “Weathering (The News),” respectively. Hirway’s new bandmates, Fontaine Cole and Scott Leahy, added to the recordings, as well as Daniel Hart, the violinist for St Vincent. For Hirway, the new LP is about living on the fumes of dreams and hopes, which also happen to be what the plastic city of Los Angeles is built on, and what it is constantly confirming—and betraying. At one point, Hrishikesh’s idea was to make a dance record, and now, he admits, that’s not really how it turned out. But the album does make you want to move, to run, to get in the car and drive fast through the empty city in the middle of the night — to remember how tenuous the hold is on all the things you have, and want, and long for.

The One Am Radio - Live in Studio B

Added 06/06/11
12 Views

The One Am Radio - Live in Studio B

[LESS INFO] 12 VIEWS | ADDED 15:57:56 06/06/11
Dangerbird recording artists The One Am Radio perform live in Studio B of Mevio in San Francisco Official Site Facebook Twitter MySpace The One AM Radio is a trio based in Los Angeles, where the sun hasn’t completely thawed their New England roots. They make music about the feeling you get while driving home, fast, late at night, through half-empty streets. The project began in New England, where Hrishikesh Hirway was studying design and photography at Yale. With a borrowed guitar, a 4-track, and a drum machine, he made cassettes for his friends and his sister to fall asleep to—instrumental lullabies mixed with staticky murmurs of talk radio. Hirway started writing lyrics and singing over his music, and began performing, using what he’d written on the label on the first cassette — “The One AM Radio” — as a moniker. Ted Leo gave Hrishikesh his real start and his first release, after the two played a show together, inviting him to come record in Boston at Radium City, Ted’s home recording studio. Those recordings were released as a split 7-inch with Ted Leo and the Pharmacists. Because of Hrishikesh’s musical roots, The One AM Radio became an unlikely part of the DIY hardcore scene, playing and touring alongside screamy punk bands in sweaty basements. The homemade recordings were released in the form of EPs and 7”s on a variety of hardcore labels, as well as Hirway’s own DIY imprint, Translucence . By the time 2004’s A Name Writ In Water was released, people outside of the hardcore community had started to take notice. Pitchfork reviewed the album glowingly, giving it an 8.1 rating, noting “Hirway’s prose is peppered with imagistic bits of landscape. His compositions simply feel colossal…the maps he draws are beautiful.” Time Out New York deemed it one of the top ten albums of the year, and called the “dream mix of vocals, guitars, synths, violins, and ambient beats…both lush and thoughtful.” That year, between touring and working odd jobs and freelancing as a designer, Hirway began a nomadic lifestyle, criss-crossing the country in his car, with his belongings limited to what could fit in his trunk. He eventually left the US to spend time in his parents’ home country of India, and began writing and recording what would become the album This Too Will Pass while living in Mumbai. Hirway found himself back in Los Angeles, where he had once lived briefly, but long enough to fall in and collaborate with the likes of Daedelus and the dublab crew, the online radio collective at the heart of the LA experimental electronic scene. This time, shedding the wanderlust that had guided him for so long, he decided to try and make the city his home. There, he made the acquaintance of the folks at Dangerbird Records, who signed him to release This Too Will Pass . Los Angeles proved to be a fertile and fortuitous home base for Hirway, as a place where he could continue his unique aesthetic among a collection of luminaries who were like-minded if not exactly like-sounding. He remixed tracks for Jimmy Tamborello (of Dntel and the Postal Service) and LA beat-scene breakout star Baths, who had been a longtime fan of The One AM Radio. He produced two albums for labelmates Eulogies, and played shows with folks like Juana Molina, El Perro Del Mar, and Damien Jurado when they came through town. Hrishikesh started making Heaven Is Attached by a Slender Thread during sleepless nights. Tony Hoffer, who has produced albums for Beck, Phoenix, Belle and Sebastian, and Air, ended up hearing demos of some of the early songs and reached out to get involved with the recording. Hoffer took an the role of an advisor, and Hirway would send him his hand-crafted organic electronic songs. Hoffer eventually mixed the album. Baths and his fellow anticon labelmate alias contributed as well, to the songs “Ticking Heart” and “Weathering (The News),” respectively. Hirway’s new bandmates, Fontaine Cole and Scott Leahy, added to the recordings, as well as Daniel Hart, the violinist for St Vincent. For Hirway, the new LP is about living on the fumes of dreams and hopes, which also happen to be what the plastic city of Los Angeles is built on, and what it is constantly confirming—and betraying. At one point, Hrishikesh’s idea was to make a dance record, and now, he admits, that’s not really how it turned out. But the album does make you want to move, to run, to get in the car and drive fast through the empty city in the middle of the night — to remember how tenuous the hold is on all the things you have, and want, and long for.

Jerod Mayo Press Conference - 12/6/2010

Added 12/07/10
10 Views

Jerod Mayo Press Conference - 12/6/2010

[LESS INFO] 10 VIEWS | ADDED 04:10:00 12/07/10
Patriots linebacker Jerod Mayo addresses the media during his postgame press conference at Gillette Stadium on Monday, December 6, 2010. Q: Is this the best defensive performance the team has had all year? JM: Yeah, I think so. I have been saying since six weeks ago that this defense has been taking steps forward and guys have really been stepping up, like Devin McCourty and Brandon Spikes, who had huge plays today, and I like the direction that we're going in. Q: Did you ever have any doubt that a game like this for the defense would come? JM: We had those extra days to prepare and I think guys had spent a lot of time in the film room. With those days off we were still here watching film. Coach Belichick put together a great game plan and we came out and executed it. Q: The amount of talking that the Jets do and did do, did that give you any extra motivation? JM: Not really. To be honest with you, Coach Belichick does an excellent job of telling us to ignore the noise each and every week and I think we did our talking on the field tonight. Q: How much did that lead help? JM: That was huge. Just to make the Jets one-dimensional and to make them have to throw the ball. We know what they expect and our guys went out there and made plays. Q: Coach Belichick talks about playing a full 60 minutes. Do you think that this is the first time that has happened? JM: I think so. Throughout the game he kept reminding us to play 60 minutes just put it all together, and this was one of our best efforts this year. Q: You guys picked off [Mark] Sanchez on three different occasions. Can you talk about your rookie teammate [Devin] McCourty? JM: He's doing an excellent job. He's always here early in the morning and he stays late and it's really showing on the field. Since he came in as a rookie he has really put in the extra time and that hard work is really paying off for him now.

Bill Belichick Press Conference - 11/17/2010

Added 11/17/10
15 Views

Bill Belichick Press Conference - 11/17/2010

[LESS INFO] 15 VIEWS | ADDED 20:31:00 11/17/10
Patriots head coach Bill Belichick addresses the media during his press conference at Gillette Stadium on Wednesday, November 17, 2010. BB: Back in the division again. Just like Pittsburgh. The Colts, as usual, look real good. They're good at everything. But really, defensively, the three plays at the end of the Cincinnati game kind of summed it up. Cincinnati's got a chance to go ahead [and] they strip them and get back-to-back sacks with [Robert] Mathis and [Dwight] Freeney. That's kind of the way they play. They're a big-play team and [they] cause a lot of havoc, turn the ball over, sack the quarterback, strip them, tip balls and all those things. Offensively, they're still really efficient, as they always are, with Peyton [Manning] running the show and an experienced offensive line. They've used some different people in there, but they've all been productive and it's obvious they have good depth and a good quality of players and, obviously, a good system with Reggie Wayne still making a lot of plays, [Pierre] Garcon, Manning, [Joseph] Addai - I'm sure he'll be back. So, they've got a lot of good players and they've got a real good team. Q: Is it a testament to how good Manning is that they can keep bringing receivers in and out and they're still successful offensively? BB: Yeah, it's no secret he's good. I don't think that's a big news story, right? He's great. He's a great quarterback. He does a good job no matter who's in there. There are not a lot of bad plays from him. Not many at all. He does a great job in managing the team, getting the team in the right play. [He's] a very accurate passer [and] he takes what you give him. Q: How much do you attribute the success of each the Patriots and the Colts to the systems that each team uses? Is that a big part of the success of each franchise? BB: I think it's got to be. It's got to be. I don't know; those are hard questions. When you have so many things that go into a team, so many things that go into what's ...

Bill Belichick Press Conference - 11/12/2010

Added 11/12/10
13 Views

Bill Belichick Press Conference - 11/12/2010

[LESS INFO] 13 VIEWS | ADDED 16:38:00 11/12/10
Patriots head coach Bill Belichick addresses the media during his press conference at Gillette Stadium on Friday, November 12, 2010. BB: Winding it down here for Pittsburgh. How [are] you guys doing? Hay in the barn? Are those weekend stories written? Alright, whatever you need here. Q: Start off with Tom Brady. Since the last time we talked to you, he showed up on the injury report with the foot. Is there any level of concern about his effectiveness this weekend? BB: We'll see how it goes today and list him accordingly this afternoon. Q: Is there any worry fundamentally or mechanically since it's a foot injury? BB: We will do the same thing we always do. We'll practice. We'll go through the week and list his participation in practice based on what it is and list his status for the game just like we do everybody else's based on what we think it is after we get through the whole week - after we get through Friday's practice. Q: How has the transition been so far with the new specialists? BB: I think good, actually. [Shayne] Graham and [Matt] Katula have worked together down there in Baltimore, so they've played before. It's definitely a question of getting used to it and timing and so forth, so we've done that for a few days and we'll see where we're at. I imagine it's alright. Q: I would assume it's more important for Zoltan Mesko to get used to those two guys? BB: Yes, certainly. He's the other important part of that in the field goal aspect, but also in the punting game with Matt and Zoltan and the personal protector and the calls and so forth. It affects the center in terms of blocking responsibilities and snap location sometimes [and] things like that. There is a lot going on there. Hopefully we can do a good job with it. We'll find out on Sunday; I'm sure they'll test us out. Q: Do you ever make an effort to practice bad snaps with Zoltan? BB: Oh, sure. Yeah, we do bad snap drills with the holder and the punter, absolutely. That's always part of the ...

Episode 139: Flight Cancelled!

Added 04/26/10
15 Views

Episode 139: Flight Cancelled!

Added 04/26/10
0 Views

The Losers -starring Jeffrey Dean Morgan, Zoë Saldana, Chris ...

Added 04/22/10
28 Views

The Losers -starring Jeffrey Dean Morgan, Zoë Saldana, Chris Evans, Idris Elba, Columbus Short, Oscar Jaenada and Jason Patric

[LESS INFO] 28 VIEWS | ADDED 13:15:07 04/22/10
An explosive action tale of betrayal and revenge, “The Losers” centers around the members of an elite Special Forces unit sent to the Bolivian jungle on a search and destroy mission. But the team—Clay, Jensen, Roque, Pooch and Cougar—soon find that they have become the target of a deadly double cross, instigated from the inside by a powerful enemy known only as Max. Making good use of the fact that they are now presumed dead, the group goes deep undercover in a dangerous plot to clear their names and even the score with Max. They are joined by the mysterious Aisha, a beautiful operative with her own agenda, who is more than capable of scoring a few points of her own. Working together, when they’re not arguing amongst themselves, they have to stay one step ahead of the globetrotting Max—a ruthless man bent on embroiling the world in a new high-tech global war for his own benefit. If they can take down Max and save the world at the same time, it’ll be a win-win for the team now known as The Losers. “The Losers” stars Jeffrey Dean Morgan (“Watchmen”) as Clay; Zoë Saldana (“Avatar,” “Star Trek”) as Aisha; Chris Evans (the “Fantastic Four” films) as Jensen; Idris Elba (“Obsessed”) as Roque; Columbus Short (“Stomp the Yard”) as Pooch; Oscar Jaenada (“Che: Part Two”) as Cougar; and Jason Patric (“In the Valley of Elah”) as Max. Sylvain White (“Stomp the Yard”) directed the film from a screenplay by Peter Berg and James Vanderbilt, based upon the comic book series written by Andy Diggle, illustrated by Jock and published by DC Comics/Vertigo. “The Losers” is produced by Joel Silver, Akiva Goldsman and Kerry Foster, with Steve Richards, Andrew Rona, Sarah Aubrey and Stuart Besser serving as executive producers and Richard Mirisch co- producing. The behind-the-scenes creative team was led by director of photography Scott Kevan (“Stomp the Yard”), production designer Aaron Osborne (“Kiss Kiss, Bang Bang”), editor David Checel (“Stomp the Yard”), visual effects supervisor Richard Yuricich (“Orphan”), and costume designer Magali Guidasci (“Zombieland”). The music is by John Ottman (“Orphan,” “Valkyrie”). Warner Bros. Pictures presents, in association with Dark Castle Entertainment, a Weed Road Pictures production, “The Losers,” to be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film has been rated PG-13 by the MPAA for scenes of intense action and violence, a scene of sensuality, and language. ABOUT THE PRODUCTION Anyone else would be dead by now. “The Losers have fun while they kick butt.” Director Sylvain White succinctly sums up the appeal of the ex-special forces unit that comes to the big screen from the pages of the popular DC/Vertigo comic book series, by the team of writer Andy Diggle and artist Jock. As a fan of the original comics, White wanted to capture the same irreverent style in the film “The Losers.” He relates, “When I read the comics, the first thing that really struck me was the sense of humor Diggle and Jock were able to inject into a very action- driven story. It was such good source material, and I wanted to stay true to it by reflecting that tone in the movie.” Producer Joel Silver agrees. “The great thing about ‘The Losers’ is that it doesn’t take itself too seriously, which originated with the comics, of course. But much of that attitude also came from the screenwriters, Peter Berg and James Vanderbilt, who brought so much to the table, and a lot came from Sylvain, who delivered a strong, visual cinematic style that I think feels fresh and hip and cool.” Producer Akiva Goldsman was already familiar with Sylvain White’s work from the director’s feature film debut, “Stomp the Yard,” a drama centered around a step- dancing competition. “And yet,” Goldsman says, “there was a construct to the dancing in it that made it very much like martial arts, which spoke to the style he wanted to bring to this movie. Sylvain has a really good eye and a terrific sense of character and action. When he showed us what he wanted to do with ‘The Losers,’ we were all impressed.” Employing his graphic arts background, White had created a full storyboard for the film that told the producers all they needed to know. “Sylvain came in and gave us a dazzling presentation,” recalls producer Kerry Foster. “He was so passionate and had such a clear vision for the movie that we knew he was the perfect choice to direct it.” White says he not only drew inspiration from the original comic books but also from the screenplay. “It had a light tone paired with very gritty, visceral action. That can be a very difficult balance to maintain, but Peter and Jamie did it perfectly.” James Vanderbilt, who collaborated with Peter Berg on the screenplay for “The Losers,” notes, “I was raised on Joel Silver movies like ‘Die Hard,’ ‘Lethal Weapon’ and ‘48 Hrs.,’ and that is my favorite type of action film—where there are real emotions, but not everything is so dire all of the time. The stakes are high, but the characters seem to be having a good time...and we have a good time with them.” “The Losers are fun; you want to hang out with them,” White affirms. “They are not superheroes, they are real guys; in fact they’re underdogs who find themselves in what I would say is an extreme situation.” “We’re not soldiers anymore. We’re fugitives.” Despite what they are called, “The Losers” started out as anything but. Rather, they were an elite black ops unit, who were called upon for only the most perilous missions. But in the jungles of Bolivia, while on a secret mission to eliminate a powerful drug and arms dealer, they are betrayed by a shadowy government operative named Max, who has his own reasons for wanting them eliminated...and almost succeeds. “They’re left for dead and left taking the blame for the innocent lives that were lost on their mission,” White remarks. “Now they have to find their way back into the U.S. and redeem their names.” Being presumed dead does have its advantages. But, although no one may be looking for them, five “dead men” can’t exactly walk back into the country without drawing unwanted attention. They need help and they find it in an unlikely source: Aisha, who is as beautiful as she is mysterious. Before they can reclaim their lives, however, they will have to deal with Max. Each member of the team—Clay, Roque, Jensen, Pooch and Cougar—has a specialty that makes him individually strong. Together, they are unstoppable...or so they hope. CLAY – OPERATIONAL CONTROL Jeffrey Dean Morgan is Clay, The Losers’ man in command, whose entire identity had been wrapped up in being a soldier. After the team is betrayed, however, he is forced not only to fight for his country and his men but also his name. Morgan offers, “His rank is colonel and that had defined him. Without that he has to question who he is, but he still has to lead this ragtag group. The leadership thing came naturally to me. It helped that I’m older than most of the guys in this movie, so I immediately wanted to kick their butts anyway,” he deadpans. “Clay is a hardened man, but he has a definite sense of humor and I loved the dry wit of the script,” Morgan continues. “That can be difficult for a writer to capture on the page and a tricky thing for an actor to deliver. But I’m pretty sarcastic in real life,” he smiles. “In fact, I tend to be even a little dryer than Clay, so that worked well for me in playing the part.” Sylvain White says he was sure Morgan was the right man for the role even before he actually met him. “He pulled up on his Harley and I knew instantly he was the guy. He’s got this very cool, mature energy about him, a kind of old soul quality that makes him a born leader. Jeffrey is very likeable, very approachable, but there is also a bit of a dark edge to him, which was something he was able to layer very well into the character of Clay as he spirals down into his obsession to take revenge on Max.” “Jeffrey is that great combination of a tough guy with a heart of gold,” adds Goldsman about the actor, who played a very different kind of soldier in “Watchmen,” the film adaptation of the acclaimed DC Comics graphic novel. “He’s handsome and rugged and can appear dangerous, but at the same time be kind and sensitive. It’s a very mercurial quality that is hard to deliver, but he absolutely did.” JENSEN – COMMUNICATIONS & TECH Chris Evans plays Jensen, the team’s computer wizard, who can hack anything—or into anything—that comes his way. Even under cover on the other side of the world, he manages to keep up, via computer, with the standings of his niece’s 8-and- under soccer team, The Petunias.In terms of the family dynamic of the team, he is kind of the kid,” Evans admits. “He gets into mischief and cracks jokes at inappropriate times, but he cares about this group of people and loves what he does. He’s quick with a smile and has limitless energy. I enjoy playing guys like that because you can’t help but bring some of that attitude home with you.” “Jensen is the geek with a gun,” White laughs. “Every character has moments of comic relief, but Jensen is probably the funniest guy in the movie. Chris had a ball with that because he is a genuinely funny person and was able to bring his own natural humor to the role. He is such a great guy to be around; he was always making us laugh, and that’s basically who Jensen is.” “Chris was a wonderful addition to ‘The Losers’ cast,” Goldsman says of Evans, who is already a favorite of comic book genre fans for his role in the “Fantastic Four” movies and has just been announced as the new “Captain America.” “He is not only a talented and appealing actor, he also has the same sort of charm as Jensen, which is very engaging.” ROQUE – DEMO & TACTICAL Idris Elba plays Roque, an explosives expert, whose personal weapon of choice is a knife...the bigger the better. Roque has been Clay’s brother-in-arms for years, although Clay’s dogged determination to exact revenge on Max, at any and all costs, is now causing friction between the two old friends. “Roque is a no-nonsense type of character,” the actor observes. He’s a straight talker, very to the point. He’s an experienced soldier who’s not very emotional about the job; he just gets it done.” White remembers, “When I first met with Idris, he told me about his ideas for how he could bring facets to the character of Roque because his story takes an unpredictable turn. He is an amazing actor; I knew he had the capacity to make his arc believable and yet surprising.” “I liked the character of Roque, and that I had enough room to make it my own,” says Elba, who adds that there were other elements that appealed to him about the project. “The script was great—funny with a lot of larger-than-life action. And I’ve worked with Joel Silver before and am a fan of his movies, so that was another draw.” “Idris is one of those go-to actors,” notes Silver who previously worked with the actor on “RocknRolla” and “The Reaping.” “I always know he’s going to give a great performance, no matter what the role. He can do drama, he can do comedy, he can do action, and there’s all of that in this movie. This is my third film with him, and I’m sure it won’t be the last.” POOCH – TRANSPORTATION & HEAVY WEAPONS Columbus Short takes on the role of Pooch, the group’s transportation expert, who “can rig, wire, fly, drive or commandeer any vehicle, and gets to shoot some pretty sweet weapons,” states Short. Pooch also has the most personal motivation for wanting to return home. Short explains, “Pooch’s wife is about to have their first baby, and he desperately wants to get back in time to see his child be born. It makes Pooch kind of the heart of the group and adds to the guys’ individual reasons for wanting to clear their names.” Short’s motivations for taking the role involved both the script and the director. “The storyline was great and the writing was very clever and witty; I laughed out loud reading some of the dialogue and I loved the action,” he comments. The actor says he also appreciated the opportunity to reunite with Sylvain White, who had directed him in “Stomp the Yard,” which marked his first leading role. “Sylvain is a very collaborative director; he gave me the freedom to discover things about my character that weren’t necessarily in the dialogue. I couldn’t imagine a better experience than working with him again on this movie.” White states, “I knew Columbus was perfect for Pooch from the get-go; I didn’t even have to think about it. When I read the script for ‘The Losers,’ I felt that the character was the emotional anchor of the team. He’s the family man and the kind of guy you want as a friend. And Columbus has a very warm soul and this sweet innocence about him that makes you care about him the second you meet him, so I pictured him as Pooch right off the bat.” COUGAR – LONG-RANGE ELIMINATIONS Spanish actor Oscar Jaenada is cast as Cougar, the unit’s crack sniper, who can hit any target with a steady hand, a cool eye and a quiet calm. “I loved playing a character who is more about sight than sound, more visual than verbal,” Jaenada offers. “Cougar may be the quiet type, but he’s always there watching out for his team. He’s the strong, silent guy in the movie.” “Cougar is the mystery man of the crew,” says White. “I met Oscar and thought he was incredible; he has such an expressive face and an amazing presence. We needed someone who could act with his eyes, and that’s Oscar. He brought the character of Cougar to life in a way not many people could have.” Kerry Foster emphasizes, “Oscar was such a boon to the cast. He enjoyed the idea of playing the guy who doesn’t need to speak to get his point across. He came in from Spain and wasn’t able to arrive until the day before we started shooting, and I think the other guys were sad to see him because he was clearly the coolest of the bunch,” Foster teases. “But he’s just the sweetest man and everybody loved working with him.” “It’s pretty much a suicide mission.” Despite their individual and combined skills, The Losers need help to sneak back into the U.S. undetected. That’s where Aisha comes in. Zoë Saldana plays the woman who proves to be either a formidable ally or a dangerous enemy...or both. It’s hard to know whose side she’s really on—other than her own—but Clay is about to learn she usually comes out on top. “Aisha appears to them out of nowhere just when the guys think there is no hope for them to get back home,” says Saldana. “She makes them an offer that sounds too good to be true, but it’s also an offer they can’t refuse: she’ll get them back into the country, but then they have to deliver Max. They decide to take her up on it, but there is mistrust from the beginning because they don’t know what this woman is hiding up her sleeve,” the actress smiles. White, who had been a fan of Saldana’s even before her recent roles in the sci-fi blockbusters “Avatar” and “Star Trek,” recalls, “When we started discussing the role of Aisha, I instantly thought of Zoë. She has remarkable acting chops, but she also has the physicality the role demanded. Aisha is not the lady in distress; quite the contrary, she’s the badass who actually rescues the men. She’s very capable, very strong and very determined, and Zoë brought her own genuine strength to her performance. She also happens to look very much like the character in the comic book, so we were thrilled when she said yes.” Joel Silver adds, “Zoë is beautiful and sexy and exciting—all the things Aisha needed to be. We wanted Aisha to be a match for the guys and then some. She’s tough, smart, opinionated and able to mix it up, and everything we expected of the character, Zoë delivered to the role.” “You know that if we do this, we are waging a war against the Central Intelligence Agency.” The man who targeted The Losers—and who is now their target—is Max, a shadowy and ruthless government operative, who is now operating by his own set of rules to keep America on top. And if a few billion dollars end up in his pocket along the way, even better. Jason Patric, who plays the role of Max, affirms, “He has his own manifesto and a twisted sense of patriotism that I thought was funny and even a little topical today. Max has a bit of a swagger and an overconfidence, which I think he uses to hide the fact that he’s been beaten down in the past. But I just tried to have fun with it.” “Max was probably the trickiest part to cast,” White asserts. “We wanted to cast against type, and Jason has never played a true bad guy in a movie before. He came in with some great ideas for the role, and I thought he would help me create a unique character who is different from other villains we’ve seen. He brought this quirkiness to his performance that I think really sets it apart.” “Jason was terrific,” Foster agrees. “He made Max menacing and eccentric and funny all at the same time. He’s a villain you love to hate.” As do all self-respecting villains, Max also has a henchman named Wade, because, as Patric says, “Every bad guy should have a thug.” Wade is played by Holt McCallany, who offers, “Wade is a former special ops soldier, a very competent guy who has now kind of gone over to the dark side. He took all the skills he learned in the Special Forces and become a soldier of fortune. He’s a guy who’s essentially a mercenary. What makes him dangerous to The Losers is that he knows these guys. He knows their history and what they’re capable of...and what a threat they are.” Judging by appearances, you can also tell what Wade is capable of. “You know Wade could physically take Max out any time he wanted to,” White allows. “But Max is smart enough and manipulative enough to have Wade following his orders, no matter how outrageous they are. Holt played the character with just the right balance of fear, loathing and respect.” “CIA, NSA, Special Forces... We’re not them.” Before the main cast of “The Losers” could portray a Special Forces unit they had to learn to behave like one. Former Navy SEAL Harry Humphries, who has served as the military advisor on a wide range of films, recently including “Iron Man” and “Transformers,” was the film’s military advisor and “training officer.” Humphries relates, “I come from the Special Operations community and I feel a great responsibility to them, so it was very important to me that the actors, who obviously didn’t have any prior tactical experience, look correct onscreen.” He and his team put the cast of “The Losers” through a rigorous training regimen. “I didn’t try to turn them into total ninjas overnight,” says Humphries, “but I looked at what they would be required to do in the script and concentrated on those skill sets, like proper weapons handling, dynamic room entry, fire and cover, etc. They were all excellent students. I was very impressed.” The actors had equal praise for their trainer. “Harry was a great instructor,” Idris Elba states. “He taught us quite a few tactical maneuvers. He made sure we looked realistic, especially handling the gear and the weapons.” Columbus Short concurs, “Before I got there, I would not have known the first thing about dismantling or brandishing any sort of weapon. Now I feel like a weapons specialist. We were trained in the protocols known by every Special Forces operative in the world. It was very cool.” Since Oscar Jaenada was still in Spain at the time, Humphries sent a trainer based in Europe to teach the actor the rudiments of being an expert sniper. Humphries notes, “A former British SAS (Special Air Services) Operative named Tony Smith went down to see Oscar in Madrid and just immersed Oscar for a week in the mental and physical requirements of precision rifle shooting.” “It was very important for me to learn how to act like a real sniper,” Jaenada says. “Tony taught me the right way to hold the rifle and I also had to learn about precision and patience—when to know the perfect moment to take the shot.” Armorers Michael Papac and Vincent Flaherty worked closely with Humphries to select and supply the right weapons to use in each scene, including Cougar’s mammoth- scoped rifle, the Knights Armament SR-15. Chris Evans points out that the most important thing he learned about the Special Forces was “I am not cut out to be one, that’s for damn sure,” he laughs. “We were out in the jungle doing those scenes, and I’m like, ‘I need water...I need a chair...I’m sweating...I’m tired...There’s mud, and bugs are biting me...’ We’ve got a whole team of ex-Navy SEALS consultants who never even break a sweat, and I’m wondering when lunch is. Oh yeah, that’s not for me. “But seriously,” Evans adds, “it was one of the coolest experiences I’ve had making movies. Where else would a guy like me get Navy SEAL training? It was fantastic.” One important aspect of the actors’ training was learning to work together as a unit, which they all agree came naturally. “There is a shorthand between those guys, a special camaraderie, and I think we captured that,” says Jeffrey Dean Morgan. “Within one or two days, we realized it had fallen into place as far as us all feeling like one team...with Sylvain White as the maestro.” White remarks, “The first time the cast was all assembled as a group they immediately bonded, and it was pretty clear that they had great chemistry between them. That’s the kind of thing you can’t really predict or bank on, so when it happens, you feel really fortunate. And I think it makes a big difference on the screen, too.” “Welcome back to the land of the living.” The action of “The Losers” unfolds around the world—from the jungles of Bolivia to New Mexico, from Mumbai to Dubai, and from Miami to Houston to Los Angeles, with various points in-between. Despite the diversity of the settings, the filmmakers were able to accomplish almost all of the principal photography on the island of Puerto Rico. “We looked at quite a few places,” White recounts, “but when we got to Puerto Rico, we saw that the islandhas a great infrastructure and different locales. It was very convenient because we could ‘cheat’ a variety of terrains within a relatively small distance.” “It was staggering what we found when we came to Puerto Rico to scout,” Foster confirms. “There is a city, obviously gorgeous beaches, a close approximation of a desert, and a rainforest that was ideal to double for Bolivia. It’s a beautiful island and the people could not have been more wonderful.” Filming on Puerto Rico, the filmmakers also took advantage of the dramatic backdrop of the Arecibo Observatory, the world’s largest radio telescope. Jason Patric shot his first scenes there and, in the process, discovered something about himself. “I didn’t realize I have a lack of fondness for heights, but I do now,” the actor reveals. “It was a pretty daunting way to begin.” To craft the look of the film, production designer Aaron Osborne first went to the source: the original comic books. “What I noticed is that they used two or three colors to represent the tone of each setting, so I really tried to enhance that.” “Every chapter of the comic books is a new environment distinguished by different color palettes,” White observes. I really wanted to do that in the movie as well—where every time we are in a new city or country, the aesthetic of the film changes completely, so there is no homogeneous look. It’s very eclectic.” White collaborated with Osborne and cinematographer Scott Kevan to break down the images of the scenes. “We charted the whole movie with certain color schemes for each location and different shades as we moved from day to night,” Osborne explains. “We were quite meticulous about it.” Color also came into play in the work of costume designer Magali Guidasci, who deviated from tradition by dressing the main protagonist, Clay, mostly in black, while the villain, Max, mainly wore white or light pastels. “Clay is a black-and-white type of guy,” she says, “so he wears a black suit and white shirt—another type of uniform in its own way, make no mistake. Max is always in a very light color, if not pure white. We first see him in a white suit and black tie, as if to appear the opposite of Clay.” Form followed function with Cougar’s trademark cowboy hat, which was the perfect accoutrement for a sniper whose eyes needed to be shielded from the deflecting glare of the sun. His clothes are in muted colors to allow him to fade into the background and he wears gloves with the trigger finger cut out. Function was also important in costuming Zoë Saldana as Aisha, in clothes that Guidasci describes as “simple and athletic. She wears boots where she can conceal extra weapons, but no heels for that lady. She needs to be agile—able to jump and kick ass.” In keeping with Jensen’s fun-loving nature, the character wore a collection of T- shirts that were as colorful as his personality. The idea of the T-shirts began with the one Petunias shirt he wears to support his niece’s soccer team. Guidasci offers, “Then Sylvain came up with the idea for Jensen to have a different funny T-shirt for almost every scene. Some we found and some were created by our graphic designer, Eduardo Gomez, and we also tried to make some of them subtly apropos to the moment.” Osborne notes that the filmmakers adopted the term “Loser style,” which did not refer to the clothes of the characters but rather their surroundings. He elaborates, “Let me put it this way: anything we built in ‘Loser style’ either got burned, destroyed, shot up or blown apart.” For certain sets, where the action was going to be explosive, Osborne and his crew consulted with special effects coordinator John P. Cazin, as well as stunt coordinator and second unit director Garrett Warren. Clay’s hotel room in Bolivia was the most obvious example of a set that was literally designed to be demolished. “My first thought was, ‘Oh, we’re building a motel room...no big deal,’” admits Osborne. “But we had to design layer-by-layer, working everything out with John regarding the special effects, since we were going to burn down the entire room, and also with Garrett on the stunts, because people were going to be thrown around and putting their fists through the walls. So what seems to be a normal motel room was actually planned to the utmost detail. Every piece of furniture had to be replicated several times over because we were either going to burn it or smash it.” The motel room is destroyed over the course of an all-out brawl between Clay and Aisha, who, surprisingly, is more than a match for her larger opponent. “The fight scene between Clay and Aisha was amazing to create,” says Warren, who had recently worked with Saldana on “Avatar.” “They were both consummate professionals: Jeffrey is up for anything and Zoë has a dancer’s physicality and loves doing stunts. We just pulled out all the stops.” “The thing I loved about the way Garrett designed the fight is that he made it very playful,” Saldana comments. “When Clay and Aisha meet, you think they’re about to hook up for a steamy scene and they end up kicking the crap out of each other. There’s something sexy about a woman who can hold her own against a man, especially when they find each other irresistible.” “It was pretty hot,” Morgan agrees, though not necessarily referring to the attraction between the characters. “The flames in that room were real, so filming that scene really stood out for me.” Hot and steamy proved to the watchwords for the entire cast and crew while working in tropical Puerto Rico. “It’s a beautiful place, but the heat and humidity were unrelenting,” Morgan attests. “Add a black suit and about 60 pounds’ worth of guns and gear, and it made filming the action scenes a special challenge. You can’t drink enough water because no matter where or when you’re shooting, you’re drenched in sweat. But the good news is you’re bound to lose a lot of weight,” he grins. In planning the stunt sequences, Warren says, “I got my team together and we brainstormed to come up with some interesting, fun ways to shoot. I talked Sylvain into letting us fly him above one action scene on wires and he actually held the camera to film one of our guys doing Parkour-style moves, running and jumping over these large containers. That was a lot of fun...at least for us.” White also worked with Scott Kevan to film the action from a perspective that brings moviegoers right into the fray. The director emphasizes, “We want the audience to experience certain pivotal moments through the eyes of the characters. It’s about positioning the camera inside the action and staying as close as possible to the actors. Sometimes it’s limiting, and other times it opens brand new doors. It was a fine line, but I think we were able to find a good combination.” He continues, “I’m very proud of the action in this film, but what I think shines through the most is the fun tone and the great characters. I think ultimately that’s what I want to leave the audience with—having had a good time with ‘The Losers’...and wanting to do it again.” ABOUT THE CAST JEFFREY DEAN MORGAN (Clay) starred last year in the action thriller “Watchmen,” Zack Snyder’s controversial big screen adaptation of DC’s seminal graphic novel. Morgan played Edward Blake, a.k.a. The Comedian, whose murder sets off a potentially explosive investigation and reunites his former costumed colleagues, the Minutemen. Also in 2009, Morgan starred in Ang Lee’s independent feature “Taking Woodstock.” Morgan is currently at work on the crime thriller “The Fields,” in which he and Sam Worthington star as detectives investigating several unsolved murders in Texas. In November, he stars in the remake of the action hit “Red Dawn,” playing a U.S. Special Forces soldier who helps the teenage rebels, known as the Wolverines, fight back against enemy forces that have invaded the United States. Prior to “Red Dawn,” Morgan filmed the suspense thriller “The Resident,” opposite Hilary Swank, his former co-star from “P.S. I Love You,” in which he played her prospective love interest. His other upcoming films include Mikael Hafstrom’s period drama “Shanghai,” with John Cusack, and the murder mystery drama “All Good Things,” in which he stars with Kirsten Dunst, Ryan Gosling and Frank Langella under the direction of Andrew Jarecki. Morgan’s additional film credits include the independent comedy “Kabluey,” with Lisa Kudrow; the romantic comedy “The Accidental Husband,” opposite Uma Thurman; and a cameo role in David Dobkin’s holiday comedy “Fred Claus.” Morgan first gained the attention of television audiences with a recurring role in ABC’s smash hit series “Grey’s Anatomy.” His dramatic arc as heart patient Denny Duquette, who wins the heart of Katherine Heigl’s Izzie Stevens in a star-crossed romance, made him a universal fan favorite. He has also had recurring roles on the hit CW series “Supernatural” and on the award-winning Showtime series “Weeds.” ZOË SALDANA (Aisha) enjoyed a banner year in 2009, starring in back-to-back blockbusters. She capped the year starring as Neytiri in James Cameron’s history- making sci-fi epic “Avatar,” for which Saldana won an Empire Award for Best Actress. The film, which also starred Sam Worthington and Sigourney Weaver, broke numerous box office records on its way to becoming the highest-grossing motion picture of all time. Among its many honors, “Avatar” won a Golden Globe for Best Picture – Drama and earned nine Oscar® nominations, also including Best Picture. Earlier last year, Saldana played Nyoto Uhura in the sci-fi action adventure hit “Star Trek,” about the early years of the legendary crew of the U.S.S. Enterprise. Directed by J.J. Abrams, the film also starred Chris Pine, Zachary Quinto and Eric Bana. Saldana will next be seen in the Neil LaBute-directed comedy “Death at a Funeral,” in which she joins an ensemble cast that also includes James Marsden, Chris Rock, Tracy Morgan, Martin Lawrence, Columbus Short and Luke Wilson. Born and raised in New York, Saldana first gained attention with her memorable feature film debut in the starring role of Eva in “Center Stage,” directed by Nicholas Hytner. She followed with “Get Over It,” “Crossroads,” “Drumline,” “Pirates of the Caribbean: The Curse of the Black Pearl,” and Steven Spielberg’s “Terminal,” for which she won a 2004 Young Hollywood One to Watch Award from Movieline magazine. Her additional film credits include “Haven,” “Guess Who” and “Vantage Point.” In 2009, Saldana graced the cover of ELLE as one of the magazine’s “Top Women in Hollywood.” CHRIS EVANS (Jensen) stars this August in Edgar Wright’s action comedy “Scott Pilgrim vs. the World,” with Michael Cera, Anna Kendrick, Jason Schwartzman, and Mary Elizabeth Winstead. He also just wrapped production on Adam and Mark Kassen’s drama “Puncture,” in which he stars as a drug-addicted lawyer who takes on a major health supply corporation while battling his own personal demons. Evans next starts filming opposite Anna Faris in Mark Mylod’s romantic comedy “What’s Your Number?,” about a woman revisiting all her ex-boyfriends in hopes of finding the man of her dreams. This summer, Evans is set to go into production on the action adventure “The First Avenger: Captain America,” in which he will star in the title role of the Marvel Comics superhero, under the direction of Joe Johnston. Evans is also well known to moviegoers for his role in the hit “Fantastic Four” action adventures. His more recent film credits include Paul McGuigan’s sci-fi thriller “Push,” in which he starred opposite Dakota Fanning; the independent period drama “The Loss of a Teardrop Diamond,” written by Tennessee Williams and also starring Bryce Dallas Howard; and David Ayer’s crime drama “Street Kings,” with Keanu Reeves and Forest Whitaker. Raised in Massachusetts, Evans began acting in regional theatre before moving to New York, where he studied at the Lee Strasberg Institute. He made a few guest appearances on television series before landing his first feature film starring role in the comedy spoof “Not Another Teen Movie.” His early film work also includes “The Perfect Score,” with Scarlett Johansson, and “Cellular,” with Jessica Biel and Kim Basinger. In 2005, teamed with Jessica Alba, Michael Chiklis and Ioan Gruffudd as a group of astronauts who gain individual super powers after being exposed to cosmic radiation in the blockbuster hit “Fantastic Four.” Two years later, he reprised the role of Johnny Storm, a.k.a. The Human Torch, in the summer action hit “Fantastic Four: Rise of the Silver Surfer.” Among Evans’ other film credits are Danny Boyle’s critically acclaimed sci-fi thriller “Sunshine,” with Cillian Murphy and Michelle Yeoh; “The Nanny Diaries,” opposite Scarlett Johansson; the independent drama “London,” opposite Jessica Biel; and Griffin Dunne’s “Fierce People,” with Diane Lane and Donald Sutherland. IDRIS ELBA (Roque) recently starred in the hit 2009 thriller “Obsessed,” with Beyoncé Knowles and Ali Larter. Elba earned an NAACP Image Award nomination for his portrayal of a married man being stalked by a co-worker. He previously shared in a Screen Actors Guild Award® nomination as a member of the main cast of Ridley Scott’s 2007 true-life drama “American Gangster,” with Denzel Washington and Russell Crowe. Elba has several film projects upcoming, including the crime drama “Takers,” with Matt Dillon, Zoë Saldana and Hayden Christensen, and the action adventure “Thor,” in which he stars with Samuel L. Jackson, Anthony Hopkins and Natalie Portman under the direction of Kenneth Branagh. He also executive produced and stars in the independent film “Legacy,” which was chosen to close the 2010 Glasgow Film Festival, and has also been selected to screen at this year’s Tribeca Film Festival. Elba’s additional film credits include David S. Goyer’s horror thriller “The Unborn”; Guy Ritchie’s “RocknRolla,” as part of an ensemble cast that also included Gerard Butler, Thandie Newton and Tom Wilkinson; and the hit horror thriller “28 Weeks Later,” to name only a few. On the small screen, Elba had a recurring role last season on the hit NBC series “The Office.” In his native England, he next stars in the title role of the BBC crime drama series “Luther,” set to debut in the UK in May. He first gained attention with his starring role as the de facto leader of a Baltimore drug empire in HBO’s acclaimed original series “The Wire,” for which he received an Image Award nomination. Additionally, he starred in the Channel 4 telefilm “All in the Game,” and gained another Image Award nod for his performance in the HBO movie “Sometimes in April,” as a Hutu soldier who tries to save his Tutsi wife and family during the 1994 Rwandan genocide. Elba has also worked on the stage, including leading roles in several plays produced in London. Additionally, in New York, he starred in Sir Peter Hall’s off- Broadway production of “Troilus and Cressida,” receiving rave reviews for his portrayal of Achilles. COLUMBUS SHORT (Pooch) previously collaborated with director Sylvain White as the star of the 2007 hit “Stomp the Yard,” which topped the box office in its first two weeks in release and brought Short an NAACP Image Award nomination for Best Actor. He more recently won an Image Award for Best Supporting Actor for his performance in the true-life drama “Cadillac Records,” about the birth of rock n’ roll in Chicago, in which Short starred with Beyoncé Knowles, Jeffrey Wright and Adrien Brody. He next stars in the ensemble comedy “Death at a Funeral,” alongside Chris Rock, Tracy Morgan, Martin Lawrence, James Marsden, Luke Wilson and Zoë Saldana. Born in Kansas City, Missouri, Short relocated with his family to Los Angeles at a young age and, by his early teens, had landed work in television commercials. He was a senior at Orange County School of the Arts when he was offered a part in Broadway‘s hit show “STOMP!” He went on to choreograph Britney Spears’ “In the Zone” tour. Short began his film acting career in 2006 with starring roles in “Save the Last Dance: 2” and the comedy “Accepted,” with Jonah Hill and Justin Long. His subsequent film credits include “This Christmas,” opposite Idris Elba, Regina King and Chris Brown; the horror remake “Quarantine”; the thriller “Whiteout,” with Kate Beckinsale; and “Armored,” with Matt Dillon and Laurence Fishburne. On television, he played the young writer Darius on Aaron Sorkin’s acclaimed drama series “Studio 60 on the Sunset Strip.” Short is also working behind the camera through his production company, Great Picture Show Productions. He most recently executive produced “Stomp the Yard 2: Homecoming.” OSCAR JAENADA (Cougar) is an award-winning actor in his native Spain, who is quickly becoming well known in the U.S. In 2005, he starred in the title role of “Camarón: When Flamenco Became Legend,” the true story of Camarón de la Isla. Jaenada earned a number of acting honors, including Spain’s prestigious Goya Award, for his portrayal of the legendary flamenco cantaor. He more recently starred in “Todos Estamos Invitados,” for which he won the Málaga Spanish Film Festival’s Award for Best Supporting Actor and the Toulouse Cinespaña Award for Best Actor. American film audiences have also seen Jaenada in Jim Jarmusch’s thriller “The Limits of Control,” in which he co-starred with Bill Murray and Tilda Swinton, and Steven Soderbergh’s biopic “Che: Part Two,” starring Benicio Del Toro. Born and raised in Barcelona, Jaenada later moved to Madrid to pursue his acting career. He started out in the local theatre and also landed roles on television. His breakthrough came in the widely acclaimed 2003 feature “November,” for which he received a Goya Award nomination and won several other awards, including a Toulouse Cinespaña Award for Best Actor. JASON PATRIC (Max) first gained attention with his starring role in Joel Schumacher’s 1987 comedy thriller hit “The Lost Boys.” He went on to earn critical acclaim for his performances in the drama “The Beast of War,” the erotic thriller “After Dark, My Sweet,” and the crime drama “Rush.” Patric subsequently starred in Walter Hill’s “Geronimo: An American Legend”; the title role in “The Journey of August King”; Barry Levinson’s “Sleepers”; and Neil LaBute’s “Your Friends and Neighbors,” which was also the first feature Patric produced under the banner of his production company, Fleece. Patric’s more recent film credits include “Narc,” “The Alamo,” “Expired,” “Downloading Nancy,” “In the Valley of Elah,” and “My Sister’s Keeper.” On Broadway, Patric starred as Brick in the revival of “Cat on a Hot Tin Roof,” opposite Ashley Judd. His other theatre work includes productions of Neil LaBute’s “Bash”; “Beirut”; “Out of Gas on Lover’s Leap”; “The Tempest”; “Henry V”; and “Love’s Labour’s Lost.”