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14 Views
05:19:00 10/18/11
Strong winds sweep through Texas
[LESS INFO] 14 VIEWS | ADDED 05:19:00 10/18/11
Oct. 18 - Major dust storm and high winds blow through the longhorn state. Julie Noce reports.
0 Views
05:19:00 10/18/11
Strong winds sweep through Texas
[LESS INFO] 0 VIEWS | ADDED 05:19:00 10/18/11
Oct. 18 - Major dust storm and high winds blow through the longhorn state. Julie Noce reports.
0 Views
11:24:47 04/28/11
Video: Raw Video: Tornado Blows Through Miss. Town
[LESS INFO] 0 VIEWS | ADDED 11:24:47 04/28/11
Storm chasers captured a tornado forming and blowing through Philadelphia, Mississippi. Storms across the South have killed at least 178 people. (April 28)
0 Views
22:04:48 04/20/11
Trailer Residents Escape Harm When Storm Blows Through
[LESS INFO] 0 VIEWS | ADDED 22:04:48 04/20/11
Trailer Residents Escape Harm When Storm Blows Through
Two men and a woman escape harm when their trailer is destroyed in Switzerland County. From: wlwttv Views: 12 0 ratings Time: 02:01 More in News & Politics
0 Views
16:00:33 04/05/11
Video: High Winds, Storms Blow Through South
[LESS INFO] 0 VIEWS | ADDED 16:00:33 04/05/11
At least seven people died in the South as fast-moving spring storms packing high winds, hail and lightning blew through the region, uprooting trees and knocking out power to hundreds of thousands from Memphis to Altanta. (April 5)
0 Views
08:27:16 04/05/11
Video: Fatal Storm Blows Through Tenn., Kentucky
[LESS INFO] 0 VIEWS | ADDED 08:27:16 04/05/11
A line of storms brought pounding rain, hail, and wind to Kentucky and Tennesee. The storm brought down trees and power lines, which fire officials in Memphis say electrocuted an 87-year-old man. (April 5)
0 Views
23:59:03 02/08/11
Video: Another storm stalls travel for much of the state
[LESS INFO] 0 VIEWS | ADDED 23:59:03 02/08/11
Blowing and drifting snow, snowy roads, low visibility, and bitter wind chills will all be a concern for northern and central New Mexico through Wednesday morning. Temperatures in the northern part of the state are expected to drop below zero overnight, with some towns like Angel Fire and Raton expecting to get to -10 below. After the demand of natural gas reached a critical point last Wednesday forcing over 30,000 residents to have their gas supply cut, the New Mexico Gas Company has announced they have restored the majority of households across the state. Recent figures of Northern New Mexico households project Taos is almost 100 percent restored; Questa, 97 percent; Espanola and the north central pueblos 85 percent restored; and Red River is at 83 percent. While frigid temperatures will keep many indoors, the Dept of Transportation has issued road advisories Tuesday afternoon asking motorists to reduce their speed or avoid these areas completely.
4 Views
19:00:58 12/30/10
Video: Winter storm makes it's way through the state
[LESS INFO] 4 VIEWS | ADDED 19:00:58 12/30/10
hard... about an inch fell in ten minutes, turning roads slick in a matter of seconds. cristina rodda continues our live team coverage near universe and paseo del norte --- with what it's like in that area, cristina?. it's cleared up a lot in just two hours-- at about ten this morning the snowfall was so intense, drivers couldn't see more than one car in front of them-- and it left behind about an inch of snow on the ground. this is the corner of universe and paseo del norte-- the snowfall is so intense you could barely see the traffic lights at the intersection. and if that wasn't bad enough, the roads got slick quickly. we saw at least one driver sliding to a stop--. "really slow down and brake quite a ways and anticipate everything slowly because i just saw someone she was going to make left turn and she was doing circles." minute thumbnail 12:02 pm this is the second time in two weeks the west side of albuquerque has seen decent snowfall. the last storm brought about five inches to this area. this time it's less than two inches of snow. live from universe and pase del norte cristina rodda eyewitness news four. here is some video of one of the many crashes that we have been seeing all morning... this one happened on i-40 near rio puerco... where the road is snowy and wet like many throughout the state. no one was hurt ... we have road conditions and closures scrolling at the bottom of your screen. as for some of the worst road conditions-- i-40 west bound near laguna is the scene of a multi car crash due to the weather. west bound lanes are closed in that area-- and there are severe driving conditions from there-- all the way to the state line. and-- along u-s 64-- from near angel fire to tierra amarilla. remember-- if you want to get minute thumbnail 12:03 pm updated road conditions any time-- go to traffic-- at k-o-b dot com. in santa fe-- it has been snowing off and on since the morning. gadi schwartz is live-- with a look at what he's seeing-- gadi. none of the snowfall that was coming down earlier this morning stacks up to the flurries that really picked up in the last half hour. here is some video that we shot about an hour o- you can see it starting to come down but the roads were still manageable- then around 1130 things went from conditions went instantly bad. visibility dropping- snow freezing when on less traveled road - and the wind has really picked up. small accidents have been popping up all around town- and reports that the interstate is getting icy are starting to come in. back out here live you can see- it doesnt look like its letting up anytime soon- back to you. further north-- los alamos had a snowy scene. the web camera minute thumbnail 12:04 pm atop the bradbury science museum this morning shows the reduced visibility. and here's what it looked like in taos. the web cam from the plaza shows streets pretty clear-- but you can see the new snow on the ground nearby. fierce winds and heavsnow have been hitting western new mexico since yesterday afternoon. snowplows have worked all day to try and clear i-40. jeff maher has been there since the beginning of the storm. he's live in gallup with the latest. jeff. that second round of this winter storm stopped around seven-thirty this morning. since then -- it's been quiet out here, finally giving people in gallup a chance to start digging out. the blowing snow from this morning kept snowplows busy up and down i-40. the highway is minute thumbnail 12:05 pm not icy, but slick -- because of hard packed snow -- same goes for the rest of gallup. it appears the city got close to five inches of snow overall. surprisingly there were not many accidents. the only one we could find is a car that slid off i-40 and ended up stuck in the median. drivers we talked to who are heading out back on the highway are hoping things stay calm. we couldn't even make it last night because of the weather so we slowed down, stopped here and hung out for the night and we're going to go eastbound today hopefully some of the worst-hit parts of i-40 were from gallup west to the state line. several accidents were reported there -- and because of major road closures in eastern arizona, a lot of travelers are still stranded here in gallup. we're told we have not seen the end of this storm. apparently another wave of snow is on the way. we'll have the minute thumbnail 12:06 pm latest for you coming up at five. live in gallup. jeff maher. kob. eyewitness news 4. be sure to stay with k-o-b eyewitness news four throughout the day as we continue to cover this winter storm. we'll have the latest conditions, watches, and warnings right here.. and on k-o-b dot com
11 Views
21:23:18 11/23/10
Patch 4.0.3a and more
[LESS INFO] 11 VIEWS | ADDED 21:23:18 11/23/10
UPDATE: Title fixed. Sorry for the confusion. Grrr...
I didn't want to post anything about the new patch until I was absolutely sure Blizzard will release it this week. Now is time to speak about it since they already start "breaking" the US live realms.
This is the patch responsible for breaking the whole Azeroth. After this goes live the world wont be the same again. This is NOT Cataclysm yet. Most of the Cataclysm features are going to be added on December 7, when the new expansion will be launched.
A while ago a player compiled the features of this patch and Cataclysm and grouped them so we can know what we can do in 4.0.3a and what we can no until Cataclysm.
If somehow you have misses our Cataclysm reviews and our Cataclysm Exploration episodes you can still find them over here and read them while you download the patch and wait for your realm to go online.
Plus, do not forget to check out the Blizzard store . If you want to make a game present or you miss any wow expansion this is the moment to buy them: WoW $5, BC $5, WotLK $10... until Nov 30th.
What IS in:
* Portals in Dalaran Removed (you have trainers instead)
* New race-class combinations (except worgen/goblin)
* Race Changing to new class combinations (check the wowhead table for them)
* New Gnome/Troll starting areas
* Changes to existing zones (the world that you know it will change forever)
* New cata load screens, cinematic, music and login screen
* City Quartermasters, with rep tabards for championing
* Class balancing and bug fixes
* Druids, paladins, priests, and shaman will have their talent trees reset
* Experience required to gain levels 71 through 80 is being reduced by 20%
* New tamable hunter pets (monkey, fox, dog, and beetle) as well as new skins for existing pet classes. (check more on wow-petopia )
* A steam powered auctioneer, similar to the engineering only one in the Like Clockwork store, has been added next to the justice point vendors in Dalaran. They are now usable by all non-engineers.
* Some mounts other items are being removed (check this for details) (thanks WarcraftPets )
What IS NOT in this patch:
* Creating worgen/goblin characters
* Worgen/Goblin start zones
* Archeology profession
* Professions past 450 (Illustrious Grand Master)
* Guild leveling
* Guild achievements
* Eastern Kingdoms/Kalimdor flight skill
* New Zones (80+)
Official 4.0.3a Patch Notes
In the frigid wastes of Northrend, the final battle against the merciless Lich King ended in victory for Azeroth's defenders. Upon returning home, veterans of the unforgiving conflict against the Scourge were showered with praise for their valiant sacrifices, while the honorable dead were mourned. Yet as hope flared anew in the wake of the Lich King's fall, Azeroth's native elemental spirits grew confused and erratic, setting off a series of deadly natural disasters. Horde and Alliance leaders scrambled for clues about the troubling state of the world, but nothing could have prepared them for what was to come.
Without warning, the corrupted Dragon Aspect, Deathwing, erupted from the stone heart of Deepholm, the domain of earth within the Elemental Plane. Jagged fissures were torn across the earth, and monstrous waves pummeled coastal regions. From Thousand Needles to the Blasted Lands, the surface of Azeroth was reforged through violent upheavals. Now, the Horde and the Alliance must defend their homes against Deathwing and his minions, burdened by the unsettling fact that the world as they know it has changed…forever.
General
* Azeroth Shattered
* Deathwing's return has had an immeasurable impact throughout the Eastern Kingdoms and Kalimdor. Players will notice drastically altered terrain, thousands of new quests from levels 1-60, and updated level ranges for some zones to improve the questing flow.
* New Race/Class Combinations
* In the wake of a world on the brink of destruction, members of the Horde and Alliance have taken to new cultures and studies, mastering crafts previously foreign to them. Many existing playable races now have new class combinations. Check the official World of Warcraft: Cataclysm website for a breakdown of the new combinations.
* The World of Warcraft: Cataclysm cinematic trailer and login screen have been added to the game.
* Experience required to gain levels 71 through 80 has been reduced by 20%, which increases leveling rate by 25%.
* Many quests in zones on Eastern Kingdoms and Kalimdor have been removed from the game to make way for new adventures. These quests have been automatically removed from players' Quest Logs.
Classes: General
* Due to several talent revisions for select classes, druids, paladins, priests, and shaman have had their talent trees reset.
* The damage and healing done by players from levels 1-79 has been retuned, with the base points of almost all spells and abilities reduced. This was done to bring combat times at low levels to a more reasonable length. For most abilities that deal weapon damage, the weapon damage percent now rises per level until level 80, and starts at a lower percent.
* Healing Rain, Efflorescence, Holy Radiance, Holy Word: Sanctuary now have a diminished effect when healing more than 6 players at once.
* Mortal Strike, Furious Attacks, Wound Poison, Widow Venom, Permafrost, Improved Mind Blast, Monstrous Bite, and Legion Strike now reduce healing by 10%, down from 25%.
* Effects which are broken from taking too much damage (Fear, Frost Nova, Entangling Roots, etc.) now break automatically from about half as much damage taken as before.
Death Knight
* Death Pact now heals for 25% of maximum health, down from 40%.
* Death Strike now heals for 25% of damage taken in the last 5 seconds, down from 30%, and will heal for a minimum of 7% of maximum health, down from 10%. The tooltip may not yet be updated to reflect this change.
* Icebound Fortitude now provides 20% damage reduction, down from 30% (now 50%, down from 60% when talented), and has a 3-minute cooldown, up from 2 minutes.
* Talent Specializations
* Blood
* Rune Tap now heals for 10% of maximum health, down from 15%. The tooltip may not yet be updated to reflect this change.
* Glyphs
* Glyph of Rune Tap now heals for 5% of maximum health, down from 10%.
* Bug Fixes
* Frost Fever critical strikes now apply the correct amount of bonus damage.
* Horn of Winter will once again provide runic power when used while another Attack Power buff is already present on the death knight.
Druid
* Bear Form now provides 10% bonus health, down from 20%.
* Nourish no longer consumes Omen of Clarity.
* Rejuvenation has had its mana cost increased by 30%.
* Soothe now has a 1.5-second cast time.
* Swipe (Cat Form) can now be used even if the druid does not have a primary target selected.
* Thorns: beginner tooltip revised to no longer imply the spell could be kept up at all times. In addition, Thorns damage has been reduced by 60%.
* Talent Specializations
* Balance
* PvP set bonus redesigned. While not in an Eclipse state, critical attacks against the druid restore 5 Solar or 7 Lunar energy, whichever is more beneficial. This effect can only occur once every 6 seconds.
* Feral
* Brutal Impact now increases the mana cost of spells on the victim by 5/10% for 10 seconds, down from 15/30%.
* Leader of the Pack now heals for 4%, down from 8%.
* Survival Instincts now provides 50% damage reduction, down from 60%, and its cooldown has been lowered from 5 minutes to 3 minutes.
* Swipe (Bear Form) damage has been reduced by 20%.
* Vengeance is no longer cleared on exiting Bear Form, and instead is cleared upon entering Cat Form.
* Restoration
* Empowered Touch now procs from Healing Touch as well as Nourish.
* Heart of the Wild: the Bear Form Stamina bonus from this talent is now 2/4/6%, down from 3/7/10%.
* Malfurion’s Gift no longer has Fury of Stormrage as a prerequisite talent.
* Natural Shapeshifter now also increases Tree of Life duration by 5/10 seconds.
* Revitalize is now a 2-point talent, down from 3. It provides a 20% chance to return 1/2% of the druid's total mana on periodic heals from Lifebloom or Rejuvenation. This effect cannot occur more than once every 12 seconds.
* Swift Rejuvenation is now a 1-point talent, down from 2. The global cooldown reduction this talent provides to Rejuvenation remains 0.5 seconds.
* Symbiosis: heal-over-time spells (Rejuvenation, Regrowth, Lifebloom) can no longer benefit from this Mastery merely by refreshing themselves. A different heal-over-time spell must be present.
* Glyphs
* Glyph of Healing Touch now reduces the cooldown on Nature's Swiftness by 10 seconds after using Healing Touch, up from 5 seconds.
* Glyph of the Treant (new) allows druids to keep the original treant Tree of Life look... if they must. Must they?
* Bug Fixes
* Blood in the Water now refreshes Rip to the correct value.
* Flight Form now properly appears in the trainer window before Expert Riding is learned.
Hunter
* All special attacks based on weapon damage (except Scattershot) are now normalized.
* Scare Beast is now available at level 36, up from level 14, and has had its training cost updated.
* Deterrence is now available at level 78, up from level 36, and has had its training cost updated.
* Disengage is now available at level 14, down from level 78, and has had its training cost updated.
* Glyphs
* The level requirements for glyphs that affect Scare Beast, Deterrence, and Disengage have been altered to correspond with the level changes of these abilities.
* Bug Fixes
* The Core Hound pet ability Ancient Hysteria now places its own unique debuff on affected players that has the same effect as Sated and Exhaustion.
* Certain pets should no longer forget how to Dash.
Mage
* Arcane Blast now increases damage of the next Arcane Blast by 10% per stack, down from 20%, reduces cast time by 0.1 seconds per stack, and increases the mana cost by 150%, down from 175%. In addition, the base cast time of Arcane Blast has been lowered to 2.35 seconds.
* Arcane Explosion now costs 15% of base mana, down from 18%.
* Arcane Missiles damage has been increased by 5%.
* PvP set 4-piece bonus changed to increase damage by 5% instead of providing 5% Haste.
* Talent Specializations
* Arcane
* Arcane Barrage damage has been increased by 5% and its cooldown is now 4 seconds, down from 5 seconds.
* Arcane Concentration: Now has a much higher chance (13/27/40%) of entering a Clearcasting state. This effect cannot occur more than once every 15 seconds. The tooltip still states that there is a 3/6/10% chance, as it averages out to approximately the same chance with the internal cooldown applied.
* Arcane Specialization again increases arcane damage by 25%.
* Fire
* Blazing Speed no longer dispels movement slowing effects (it still dispels effects that totally stop movement).
* Fire Specialization again increases periodic fire damage effects by 25%.
* Molten Shields now also causes Blazing Speed to dispel movement slowing effects in addition to its current functionality.
* Pyroblast base mana cost is now 17%, down from 22%.
* Frost
* Deep Freeze: the cooldown on this ability is no longer reduced by Haste.
* Early Frost now reduces Frostbolt cast time by 0.3/0.6 seconds, down from 0.35/0.70 seconds.
* Fingers of Frost proc chance is now 7/14/20%, down from 10/20/30%.
* Frost Specialization again increases all damage against frozen target by 25%.
* Reactive Barrier is now triggered by any damage which causes the mage's health to be below 50%, even if the mage was already below 50%.
* Shatter now also increases Frostbolt damage by 10/20% against frozen targets.
* Shattered Barrier duration is now 2/4 seconds, down from 3/6 seconds.
* Glyphs
* Glyph of Evocation now heals for 40%, down from 60%.
* Glyph of Deep Freeze now increases damage done by Deep Freeze by 20% (no longer increases Frostbolt damage against Deep Frozen targets).
* Bug Fixes
* Improved Polymorph now correctly shares diminishing returns with controlled stuns.
Paladin
* Exorcism damage has been increased by approximately 50%.
* Holy Radiance now has reduced effectiveness on targets over 8 yards away from the paladin.
* Seal of Truth: periodic damage from Censure reduced by 25%.
* Talent Specializations
* Holy
* Beacon of Light now lasts 5 minutes, up from 60 seconds.
* Blessed Life: the effects of this talent cannot occur more than once every 8 seconds, up from every 2 seconds.
* Illuminated Healing absorb shield now absorbs 10% of the total amount healed, up from 8%. Each point of Mastery increases the effect by an additional 1.25%, up from 1%.
* Light of dawn has been redesigned. It no longer has an enforced cooldown, now costs Holy Power instead of mana, and scale in direct proportion to the amount of Holy Power used. In addition, it now heals the 5 most injured group targets (including self) in a 30-yard frontal cone.
* Protector of the Innocent no longer triggers from self-heals.
* Protection
* Divine Bulwark now grants 2.25% less block chance per point of Mastery, up from 2%.
* Holy shield no longer increases chance to block. Instead, it increases the amount blocked by an additional 10%, for a total of 40% damage blocked.
* Shield of the Righteous: Contribution of attack power halved (now 60% with full Holy Power) and base damage brought up so that a level 85 paladin in Heroic dungeon gear deals the same damage with no Vengeance, but Vengeance has less impact.
* Shield of the Templar now reduces the cooldown of Guardian of Ancient Kings by 40/80/120 seconds, down from 1/2/3 minutes.
* Wrath of the Lightbringer now increases Crusader Strike and Judgement damage by 50/100%, up from 30/60%.
* Retribution
* Crusade now also has a proc on kill to increase the healing done by the paladin's next Holy Light by 100/200/300% for 15 seconds, in addition to its current effects.
* Divine Storm: This ability has been redesigned. It no longer consumes Holy Power and instead costs 5% of base mana. It shares a cooldown with Crusader Strike and hits all nearby enemies for 60% weapon damage.
* Pursuit of Justice now has an 8-second internal cooldown, shared with Blessed Life.
* Rebuke no longer initiates Auto Attack.
* Sanctity of Battle now also causes Divine Storm’s cooldown to be reduced by Haste effects.
* Zealotry no longer consumes 3 Holy Power, but still requires 3 Holy Power to use.
* Glyphs
* Glyph of Beacon of Light now makes Beacon of Light free, instead of increasing the duration by 30 seconds.
* Glyph of Divinity has been redesigned. It now grants the paladin 10% of maximum mana upon use.
* Glyph of Light of Dawn now increases the total number of most injured targets healed by 1.
Priest
* Binding Heal now provides roughly double the amount of healing.
* Prayer of Healing has had its mana cost reduced by nearly 30%, and its base points and Spell Power coefficient increased by 20%.
* Talent Specializations
* Discipline
* Divine Aegis is now always triggered by Prayer of Healing, in addition to critical heals from all other spells.
* Grace has been increased to 4/8% stacking 3 times, up from 2/4% stacking.
* Inner Focus now works with Binding Heal, but no longer works with Heal.
* Power Word: Barrier has been redesigned. It no longer acts as a shared absorb shield. Instead, all affected friendly targets take 30% reduced damage for the duration of the shield, which is now 10 seconds, down from 25 seconds.
* Shadow
* Shadow Orbs: redesigned slightly. The Shadow Orbs continue to increase damage done by Mind Blast and Mind Spike and stack up to 3 times, but now when the priest casts Mind Blast or Mind Spike (consuming the orbs), the priest gains a 15-second duration buff (Empowered Shadow), which increases the damage done by all Shadow periodic spells. Empowered Shadow does not stack. Mastery increases the damage bonus of Shadow Orbs and Empowered Shadow by the same amount, 10% with the base 8 Mastery, and an additional 1.25% per Mastery.
* Vampiric Embrace healing to the caster has been reduced to 6%, down from 12% (there was a tooltip error which stated that the self-healing amount was 15%). Party members still receive 3% healing.
* Bug Fixes
* Dark Archangel now correctly increases the damage done of certain abilities by 4%.
Rogue
* Deadly Poison base damage and attack power coefficient have been increased by 30%.
* Recuperate now restores 2% of maximum health, down from 3%.
* Venomous Wounds base damage and attack power coefficient have been increased by 30%.
* Talent Specializations
* Combat
* Aggression now increases damage of Sinister Strike, Backstab, and Eviscerate by 7/14/20%, up from 5/10/15%.
* Bandit’s Guile now gives 10/20/30% increased damage as the rogue gains greater insight, up from 5/10/15%.
* Subtlety
* Executioner no longer affects Recuperate.
* Bug Fixes
* Bandit's Guile now applies more consistently to all of the abilities it's supposed to modify.
* Player guardians and temporary pets now stop attacking when a rogue uses Vanish, but city guards will not.
Shaman
* Chain Heal mana cost increased from 17% to 20% of base mana.
* Earthliving Weapon now only has 25% of its full chance to proc from a single hop of Chain Heal.
* Talent Specializations
* Elemental
* Elemental Reach now also increases Searing Totem range by 7/15 yards.
* Fulmination now has a Spell Alert visual associated with it, which appears when the shaman gets to 9 Lightning Shield charges.
Warlock
* Bane of Agony damage has been reduced by approximately 12%.
* Bane of Doom damage has been reduced by approximately 12%.
* Corruption damage has been reduced by approximately 12%.
* Death Coil damage has been reduced by approximately 12%.
* Drain Life damage has been reduced by approximately 12%.
* Drain Soul damage has been reduced by approximately 12%.
* Immolate damage has been reduced by approximately 12%.
* Incinerate damage has been reduced by approximately 12%.
* Rain of Fire damage has been increased to be more comparable to other area-of-effect abilities.
* Searing Pain damage has been reduced by approximately 12%.
* Seed of Corruption damage has been reduced to be more comparable to other area-of-effect abilities.
* Shadowbolt damage has been reduced by approximately 12%.
* Soul Fire damage has been reduced by approximately 12%.
* Talent Specializations
* Demonology
* Hand of Gul'dan damage has been reduced by approximately 12%.
* Destruction
* Chaos Bolt damage has been reduced by approximately 12%.
* Conflagrate damage has been reduced by approximately 12%.
* Shadowburn damage has been reduced by approximately 12%.
* Bug Fixes
* Drain Life: The Soulburn version of this was charging 17% of base mana instead of 12% like the normal version. This has been corrected.
Warrior
* Cleave damage has been reduced by approximately 17%.
* Execute damage has been reduced by approximately 17%.
* Heroic Strike damage has been reduced by approximately 17%.
* Overpower now does 125% weapon damage, down from 150%.
* Rend base damage has been reduced by approximately 17% and percent of weapon damage per tick lowered to 25%, from 30%.
* Shield Block now only increases block chance by 25%, but excess block that pushes avoidance plus block to over 100% is now converted to critical block chance.
* Slam now costs 15 rage, down from 20, and now does 125% weapon damage, down from 150%.
* Victory Rush damage has been reduced by approximately 17%.
* Whirlwind now does 65% weapon damage, down from 75%.
* Talent Specializations
* Arms
* Mortal Strike now does 150% weapon damage, down from 185%.
* Second Wind now heals for 2/5% of total health, down from 5/10%.
* Strikes of Opportunity now does 100% weapon damage, down from 115%.
* Fury
* Blood Craze now heals for 1/2/3% of total health, down from 2.5/5/7.5%.
* Bloodthirst damage has been reduced by approximately 17%.
* Raging Blow now does 110% weapon damage, down from 150%.
* Unshackled Fury now gains approximately 50% more benefit per point of Mastery.
* Protection
* Critical Block now grants an equal amount of block chance and critical block chance (1.5% each per point of Mastery).
* Devastate no longer provides bonus threat.
* Shield Slam: Contribution of attack power reduced to 60%, down from 75%, and base damage brought up so that a level 85 warrior in Heroic dungeon gear deals the same damage with no Vengeance, but Vengeance has less impact. In addition, Shield Slam no longer generates 30% bonus threat from its damage.
* Vigilance no longer provides 3% damage reduction, but still refreshes Taunt and provides Vengeance.
* Glyphs
* Glyph of Bloody Healing increases the healing received from Bloodthirst by 40%, down from 100%.
* Glyph of Intimidating Shout no longer causes targets to flee slowly, but roots them instead.
* Glyph of Shield Wall increases damage reduction to 60%, but increases the cooldown from 2 minutes to 4 minutes (talented).
* Bug Fixes
* Taste for Blood should once again proc on every other tick of Rend.
Achievements
* The Gladiator reward mounts now award Master Riding.
* What A Long, Strange Trip It's Been now awards Master Riding.
Items
* Mysterious Egg now takes only 3 days to turn into a Cracked Egg and has a slightly greater chance of awarding the Reins of the Green Proto-Drake.
* PvP set bonuses now provide 70 of stats such as Agility, Intellect, and Strength (down from 100) at 2 pieces, and 180 of these stats (down from 300) at 4 pieces.
Professions
* Perfect Gem Cutting and Mixology have been removed as trainable skills and are instead passives profession abilities. When players reach the appropriate skill levels, they will start getting bonuses from Mixology (they must know the recipe to gain the benefit) and/or cutting perfect gems (depending on their profession, of course).
* Alchemy
* Alchemy recipes now require Crystal Vials. Deathwing broke all the others because he’s mean (or because he didn’t want alchemists to carry 5 different vials around with them).
* Engineering
* The Engineering Tinkering enchants will no longer provide their bonus stats, but the activated effects will stack with other enchants. In 4.0.1 the stats were there (but hidden) and are now removed.
* Bug Fixes
* Several epic gem transmutes that were missing from the trainer have been added back.
Bug Fixes
* Certain area-of-effect abilities are no longer ignoring the area-of-effect damage cap.
* Mobs and NPCs should no longer appear to randomly gain or lose health during combat.
* Re-summoning pets in Battlegrounds should no longer count towards a player’s total healing done.
Known Issues
* Some tooltips may not reflect the most recent changes to certain abilities.
* Worgen hunters are currently unable to learn Dual Wield.
* The achievement Explore Tol Barad will not be possible to complete upon release of World of Warcraft: Cataclysm.
9 Views
20:15:07 04/22/10
The Losers -starring Jeffrey Dean Morgan, Zoë Saldana, Chris Evans, Idris Elba, Columbus Short, Oscar Jaenada and Jason Patric
[LESS INFO] 9 VIEWS | ADDED 20:15:07 04/22/10
An explosive action tale of betrayal and revenge, “The Losers” centers around the members of an elite Special Forces unit sent to the Bolivian jungle on a search and destroy mission. But the team—Clay, Jensen, Roque, Pooch and Cougar—soon find that they have become the target of a deadly double cross, instigated from the inside by a powerful enemy known only as Max.
Making good use of the fact that they are now presumed dead, the group goes deep undercover in a dangerous plot to clear their names and even the score with Max. They are joined by the mysterious Aisha, a beautiful operative with her own agenda, who is more than capable of scoring a few points of her own. Working together, when they’re not arguing amongst themselves, they have to stay one step ahead of the globetrotting Max—a ruthless man bent on embroiling the world in a new high-tech global war for his own benefit. If they can take down Max and save the world at the same time, it’ll be a win-win for the team now known as The Losers.
“The Losers” stars Jeffrey Dean Morgan (“Watchmen”) as Clay; Zoë Saldana (“Avatar,” “Star Trek”) as Aisha; Chris Evans (the “Fantastic Four” films) as Jensen; Idris Elba (“Obsessed”) as Roque; Columbus Short (“Stomp the Yard”) as Pooch; Oscar Jaenada (“Che: Part Two”) as Cougar; and Jason Patric (“In the Valley of Elah”) as Max.
Sylvain White (“Stomp the Yard”) directed the film from a screenplay by Peter Berg and James Vanderbilt, based upon the comic book series written by Andy Diggle, illustrated by Jock and published by DC Comics/Vertigo. “The Losers” is produced by Joel Silver, Akiva Goldsman and Kerry Foster, with Steve Richards, Andrew Rona, Sarah Aubrey and Stuart Besser serving as executive producers and Richard Mirisch co- producing.
The behind-the-scenes creative team was led by director of photography Scott Kevan (“Stomp the Yard”), production designer Aaron Osborne (“Kiss Kiss, Bang Bang”), editor David Checel (“Stomp the Yard”), visual effects supervisor Richard Yuricich (“Orphan”), and costume designer Magali Guidasci (“Zombieland”). The music is by John Ottman (“Orphan,” “Valkyrie”).
Warner Bros. Pictures presents, in association with Dark Castle Entertainment, a Weed Road Pictures production, “The Losers,” to be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film has been rated PG-13 by the MPAA for scenes of intense action and violence, a scene of sensuality, and language.
ABOUT THE PRODUCTION
Anyone else would be dead by now.
“The Losers have fun while they kick butt.” Director Sylvain White succinctly sums up the appeal of the ex-special forces unit that comes to the big screen from the pages of the popular DC/Vertigo comic book series, by the team of writer Andy Diggle and artist Jock.
As a fan of the original comics, White wanted to capture the same irreverent style in the film “The Losers.” He relates, “When I read the comics, the first thing that really struck me was the sense of humor Diggle and Jock were able to inject into a very action- driven story. It was such good source material, and I wanted to stay true to it by reflecting that tone in the movie.”
Producer Joel Silver agrees. “The great thing about ‘The Losers’ is that it doesn’t take itself too seriously, which originated with the comics, of course. But much of that attitude also came from the screenwriters, Peter Berg and James Vanderbilt, who brought so much to the table, and a lot came from Sylvain, who delivered a strong, visual cinematic style that I think feels fresh and hip and cool.”
Producer Akiva Goldsman was already familiar with Sylvain White’s work from the director’s feature film debut, “Stomp the Yard,” a drama centered around a step- dancing competition. “And yet,” Goldsman says, “there was a construct to the dancing in it that made it very much like martial arts, which spoke to the style he wanted to bring to this movie. Sylvain has a really good eye and a terrific sense of character and action. When he showed us what he wanted to do with ‘The Losers,’ we were all impressed.”
Employing his graphic arts background, White had created a full storyboard for the film that told the producers all they needed to know. “Sylvain came in and gave us a dazzling presentation,” recalls producer Kerry Foster. “He was so passionate and had such a clear vision for the movie that we knew he was the perfect choice to direct it.”
White says he not only drew inspiration from the original comic books but also from the screenplay. “It had a light tone paired with very gritty, visceral action. That can be a very difficult balance to maintain, but Peter and Jamie did it perfectly.”
James Vanderbilt, who collaborated with Peter Berg on the screenplay for “The Losers,” notes, “I was raised on Joel Silver movies like ‘Die Hard,’ ‘Lethal Weapon’ and ‘48 Hrs.,’ and that is my favorite type of action film—where there are real emotions, but not everything is so dire all of the time. The stakes are high, but the characters seem to be having a good time...and we have a good time with them.”
“The Losers are fun; you want to hang out with them,” White affirms. “They are not superheroes, they are real guys; in fact they’re underdogs who find themselves in what I would say is an extreme situation.”
“We’re not soldiers anymore. We’re fugitives.”
Despite what they are called, “The Losers” started out as anything but. Rather, they were an elite black ops unit, who were called upon for only the most perilous missions.
But in the jungles of Bolivia, while on a secret mission to eliminate a powerful drug and arms dealer, they are betrayed by a shadowy government operative named Max, who has his own reasons for wanting them eliminated...and almost succeeds.
“They’re left for dead and left taking the blame for the innocent lives that were lost on their mission,” White remarks. “Now they have to find their way back into the U.S. and redeem their names.”
Being presumed dead does have its advantages. But, although no one may be looking for them, five “dead men” can’t exactly walk back into the country without drawing unwanted attention. They need help and they find it in an unlikely source: Aisha, who is as beautiful as she is mysterious. Before they can reclaim their lives, however, they will have to deal with Max.
Each member of the team—Clay, Roque, Jensen, Pooch and Cougar—has a specialty that makes him individually strong. Together, they are unstoppable...or so they hope.
CLAY – OPERATIONAL CONTROL
Jeffrey Dean Morgan is Clay, The Losers’ man in command, whose entire identity had been wrapped up in being a soldier. After the team is betrayed, however, he is forced not only to fight for his country and his men but also his name.
Morgan offers, “His rank is colonel and that had defined him. Without that he has to question who he is, but he still has to lead this ragtag group. The leadership thing came naturally to me. It helped that I’m older than most of the guys in this movie, so I immediately wanted to kick their butts anyway,” he deadpans.
“Clay is a hardened man, but he has a definite sense of humor and I loved the dry wit of the script,” Morgan continues. “That can be difficult for a writer to capture on the page and a tricky thing for an actor to deliver. But I’m pretty sarcastic in real life,” he smiles. “In fact, I tend to be even a little dryer than Clay, so that worked well for me in playing the part.”
Sylvain White says he was sure Morgan was the right man for the role even before he actually met him. “He pulled up on his Harley and I knew instantly he was the guy. He’s got this very cool, mature energy about him, a kind of old soul quality that makes him a born leader. Jeffrey is very likeable, very approachable, but there is also a bit of a dark edge to him, which was something he was able to layer very well into the character of Clay as he spirals down into his obsession to take revenge on Max.”
“Jeffrey is that great combination of a tough guy with a heart of gold,” adds Goldsman about the actor, who played a very different kind of soldier in “Watchmen,” the film adaptation of the acclaimed DC Comics graphic novel. “He’s handsome and rugged and can appear dangerous, but at the same time be kind and sensitive. It’s a very mercurial quality that is hard to deliver, but he absolutely did.”
JENSEN – COMMUNICATIONS & TECH
Chris Evans plays Jensen, the team’s computer wizard, who can hack anything—or into anything—that comes his way. Even under cover on the other side of the world, he manages to keep up, via computer, with the standings of his niece’s 8-and- under soccer team, The Petunias.In terms of the family dynamic of the team, he is kind of the kid,” Evans admits. “He gets into mischief and cracks jokes at inappropriate times, but he cares about this group of people and loves what he does. He’s quick with a smile and has limitless energy. I enjoy playing guys like that because you can’t help but bring some of that attitude home with you.”
“Jensen is the geek with a gun,” White laughs. “Every character has moments of comic relief, but Jensen is probably the funniest guy in the movie. Chris had a ball with that because he is a genuinely funny person and was able to bring his own natural humor to the role. He is such a great guy to be around; he was always making us laugh, and that’s basically who Jensen is.”
“Chris was a wonderful addition to ‘The Losers’ cast,” Goldsman says of Evans, who is already a favorite of comic book genre fans for his role in the “Fantastic Four” movies and has just been announced as the new “Captain America.” “He is not only a talented and appealing actor, he also has the same sort of charm as Jensen, which is very engaging.”
ROQUE – DEMO & TACTICAL
Idris Elba plays Roque, an explosives expert, whose personal weapon of choice is a knife...the bigger the better. Roque has been Clay’s brother-in-arms for years, although Clay’s dogged determination to exact revenge on Max, at any and all costs, is now causing friction between the two old friends. “Roque is a no-nonsense type of character,” the actor observes. He’s a straight talker, very to the point. He’s an experienced soldier who’s not very emotional about the job; he just gets it done.”
White remembers, “When I first met with Idris, he told me about his ideas for how he could bring facets to the character of Roque because his story takes an unpredictable turn. He is an amazing actor; I knew he had the capacity to make his arc believable and yet surprising.”
“I liked the character of Roque, and that I had enough room to make it my own,” says Elba, who adds that there were other elements that appealed to him about the project. “The script was great—funny with a lot of larger-than-life action. And I’ve worked with Joel Silver before and am a fan of his movies, so that was another draw.”
“Idris is one of those go-to actors,” notes Silver who previously worked with the actor on “RocknRolla” and “The Reaping.” “I always know he’s going to give a great performance, no matter what the role. He can do drama, he can do comedy, he can do action, and there’s all of that in this movie. This is my third film with him, and I’m sure it won’t be the last.”
POOCH – TRANSPORTATION & HEAVY WEAPONS
Columbus Short takes on the role of Pooch, the group’s transportation expert, who “can rig, wire, fly, drive or commandeer any vehicle, and gets to shoot some pretty sweet weapons,” states Short.
Pooch also has the most personal motivation for wanting to return home. Short explains, “Pooch’s wife is about to have their first baby, and he desperately wants to get back in time to see his child be born. It makes Pooch kind of the heart of the group and adds to the guys’ individual reasons for wanting to clear their names.”
Short’s motivations for taking the role involved both the script and the director. “The storyline was great and the writing was very clever and witty; I laughed out loud reading some of the dialogue and I loved the action,” he comments.
The actor says he also appreciated the opportunity to reunite with Sylvain White, who had directed him in “Stomp the Yard,” which marked his first leading role. “Sylvain is a very collaborative director; he gave me the freedom to discover things about my character that weren’t necessarily in the dialogue. I couldn’t imagine a better experience than working with him again on this movie.”
White states, “I knew Columbus was perfect for Pooch from the get-go; I didn’t even have to think about it. When I read the script for ‘The Losers,’ I felt that the character was the emotional anchor of the team. He’s the family man and the kind of guy you want as a friend. And Columbus has a very warm soul and this sweet innocence about him that makes you care about him the second you meet him, so I pictured him as Pooch right off the bat.”
COUGAR – LONG-RANGE ELIMINATIONS
Spanish actor Oscar Jaenada is cast as Cougar, the unit’s crack sniper, who can hit any target with a steady hand, a cool eye and a quiet calm. “I loved playing a character who is more about sight than sound, more visual than verbal,” Jaenada offers. “Cougar may be the quiet type, but he’s always there watching out for his team. He’s the strong, silent guy in the movie.”
“Cougar is the mystery man of the crew,” says White. “I met Oscar and thought he was incredible; he has such an expressive face and an amazing presence. We needed someone who could act with his eyes, and that’s Oscar. He brought the character of Cougar to life in a way not many people could have.”
Kerry Foster emphasizes, “Oscar was such a boon to the cast. He enjoyed the idea of playing the guy who doesn’t need to speak to get his point across. He came in from Spain and wasn’t able to arrive until the day before we started shooting, and I think the other guys were sad to see him because he was clearly the coolest of the bunch,” Foster teases. “But he’s just the sweetest man and everybody loved working with him.”
“It’s pretty much a suicide mission.”
Despite their individual and combined skills, The Losers need help to sneak back into the U.S. undetected. That’s where Aisha comes in. Zoë Saldana plays the woman who proves to be either a formidable ally or a dangerous enemy...or both. It’s hard to know whose side she’s really on—other than her own—but Clay is about to learn she usually comes out on top.
“Aisha appears to them out of nowhere just when the guys think there is no hope for them to get back home,” says Saldana. “She makes them an offer that sounds too good to be true, but it’s also an offer they can’t refuse: she’ll get them back into the country, but then they have to deliver Max. They decide to take her up on it, but there is mistrust from the beginning because they don’t know what this woman is hiding up her sleeve,” the actress smiles.
White, who had been a fan of Saldana’s even before her recent roles in the sci-fi blockbusters “Avatar” and “Star Trek,” recalls, “When we started discussing the role of Aisha, I instantly thought of Zoë. She has remarkable acting chops, but she also has the physicality the role demanded. Aisha is not the lady in distress; quite the contrary, she’s the badass who actually rescues the men. She’s very capable, very strong and very determined, and Zoë brought her own genuine strength to her performance. She also happens to look very much like the character in the comic book, so we were thrilled when she said yes.” Joel Silver adds, “Zoë is beautiful and sexy and exciting—all the things Aisha needed to be. We wanted Aisha to be a match for the guys and then some. She’s tough, smart, opinionated and able to mix it up, and everything we expected of the character, Zoë delivered to the role.”
“You know that if we do this, we are waging a war against the Central Intelligence Agency.”
The man who targeted The Losers—and who is now their target—is Max, a shadowy and ruthless government operative, who is now operating by his own set of rules to keep America on top. And if a few billion dollars end up in his pocket along the way, even better.
Jason Patric, who plays the role of Max, affirms, “He has his own manifesto and a twisted sense of patriotism that I thought was funny and even a little topical today. Max has a bit of a swagger and an overconfidence, which I think he uses to hide the fact that he’s been beaten down in the past. But I just tried to have fun with it.”
“Max was probably the trickiest part to cast,” White asserts. “We wanted to cast against type, and Jason has never played a true bad guy in a movie before. He came in with some great ideas for the role, and I thought he would help me create a unique character who is different from other villains we’ve seen. He brought this quirkiness to his performance that I think really sets it apart.”
“Jason was terrific,” Foster agrees. “He made Max menacing and eccentric and funny all at the same time. He’s a villain you love to hate.”
As do all self-respecting villains, Max also has a henchman named Wade, because, as Patric says, “Every bad guy should have a thug.”
Wade is played by Holt McCallany, who offers, “Wade is a former special ops soldier, a very competent guy who has now kind of gone over to the dark side. He took all the skills he learned in the Special Forces and become a soldier of fortune. He’s a guy who’s essentially a mercenary. What makes him dangerous to The Losers is that he knows these guys. He knows their history and what they’re capable of...and what a threat they are.”
Judging by appearances, you can also tell what Wade is capable of. “You know Wade could physically take Max out any time he wanted to,” White allows. “But Max is smart enough and manipulative enough to have Wade following his orders, no matter how outrageous they are. Holt played the character with just the right balance of fear, loathing and respect.”
“CIA, NSA, Special Forces... We’re not them.”
Before the main cast of “The Losers” could portray a Special Forces unit they had to learn to behave like one. Former Navy SEAL Harry Humphries, who has served as the military advisor on a wide range of films, recently including “Iron Man” and “Transformers,” was the film’s military advisor and “training officer.” Humphries relates, “I come from the Special Operations community and I feel a great responsibility to them, so it was very important to me that the actors, who obviously didn’t have any prior tactical experience, look correct onscreen.”
He and his team put the cast of “The Losers” through a rigorous training regimen. “I didn’t try to turn them into total ninjas overnight,” says Humphries, “but I looked at what they would be required to do in the script and concentrated on those skill sets, like proper weapons handling, dynamic room entry, fire and cover, etc. They were all excellent students. I was very impressed.”
The actors had equal praise for their trainer. “Harry was a great instructor,” Idris Elba states. “He taught us quite a few tactical maneuvers. He made sure we looked realistic, especially handling the gear and the weapons.”
Columbus Short concurs, “Before I got there, I would not have known the first thing about dismantling or brandishing any sort of weapon. Now I feel like a weapons specialist. We were trained in the protocols known by every Special Forces operative in the world. It was very cool.”
Since Oscar Jaenada was still in Spain at the time, Humphries sent a trainer based in Europe to teach the actor the rudiments of being an expert sniper. Humphries notes, “A former British SAS (Special Air Services) Operative named Tony Smith went down to see Oscar in Madrid and just immersed Oscar for a week in the mental and physical requirements of precision rifle shooting.”
“It was very important for me to learn how to act like a real sniper,” Jaenada says. “Tony taught me the right way to hold the rifle and I also had to learn about precision and patience—when to know the perfect moment to take the shot.” Armorers Michael Papac and Vincent Flaherty worked closely with Humphries to select and supply the right weapons to use in each scene, including Cougar’s mammoth- scoped rifle, the Knights Armament SR-15.
Chris Evans points out that the most important thing he learned about the Special Forces was “I am not cut out to be one, that’s for damn sure,” he laughs. “We were out in the jungle doing those scenes, and I’m like, ‘I need water...I need a chair...I’m sweating...I’m tired...There’s mud, and bugs are biting me...’ We’ve got a whole team of ex-Navy SEALS consultants who never even break a sweat, and I’m wondering when lunch is.
Oh yeah, that’s not for me.
“But seriously,” Evans adds, “it was one of the coolest experiences I’ve had making movies. Where else would a guy like me get Navy SEAL training? It was fantastic.”
One important aspect of the actors’ training was learning to work together as a unit, which they all agree came naturally. “There is a shorthand between those guys, a special camaraderie, and I think we captured that,” says Jeffrey Dean Morgan. “Within one or two days, we realized it had fallen into place as far as us all feeling like one team...with Sylvain White as the maestro.”
White remarks, “The first time the cast was all assembled as a group they immediately bonded, and it was pretty clear that they had great chemistry between them. That’s the kind of thing you can’t really predict or bank on, so when it happens, you feel really fortunate. And I think it makes a big difference on the screen, too.”
“Welcome back to the land of the living.”
The action of “The Losers” unfolds around the world—from the jungles of Bolivia to New Mexico, from Mumbai to Dubai, and from Miami to Houston to Los Angeles, with various points in-between. Despite the diversity of the settings, the filmmakers were able to accomplish almost all of the principal photography on the island of Puerto Rico.
“We looked at quite a few places,” White recounts, “but when we got to Puerto Rico, we saw that the islandhas a great infrastructure and different locales. It was very convenient because we could ‘cheat’ a variety of terrains within a relatively small distance.”
“It was staggering what we found when we came to Puerto Rico to scout,” Foster confirms. “There is a city, obviously gorgeous beaches, a close approximation of a desert, and a rainforest that was ideal to double for Bolivia. It’s a beautiful island and the people could not have been more wonderful.”
Filming on Puerto Rico, the filmmakers also took advantage of the dramatic backdrop of the Arecibo Observatory, the world’s largest radio telescope. Jason Patric shot his first scenes there and, in the process, discovered something about himself. “I didn’t realize I have a lack of fondness for heights, but I do now,” the actor reveals. “It was a pretty daunting way to begin.”
To craft the look of the film, production designer Aaron Osborne first went to the source: the original comic books. “What I noticed is that they used two or three colors to represent the tone of each setting, so I really tried to enhance that.”
“Every chapter of the comic books is a new environment distinguished by different color palettes,” White observes. I really wanted to do that in the movie as well—where every time we are in a new city or country, the aesthetic of the film changes completely, so there is no homogeneous look. It’s very eclectic.”
White collaborated with Osborne and cinematographer Scott Kevan to break down the images of the scenes. “We charted the whole movie with certain color schemes for each location and different shades as we moved from day to night,” Osborne explains. “We were quite meticulous about it.”
Color also came into play in the work of costume designer Magali Guidasci, who deviated from tradition by dressing the main protagonist, Clay, mostly in black, while the villain, Max, mainly wore white or light pastels. “Clay is a black-and-white type of guy,” she says, “so he wears a black suit and white shirt—another type of uniform in its own way, make no mistake. Max is always in a very light color, if not pure white. We first see him in a white suit and black tie, as if to appear the opposite of Clay.”
Form followed function with Cougar’s trademark cowboy hat, which was the perfect accoutrement for a sniper whose eyes needed to be shielded from the deflecting glare of the sun. His clothes are in muted colors to allow him to fade into the background and he wears gloves with the trigger finger cut out. Function was also important in costuming Zoë Saldana as Aisha, in clothes that Guidasci describes as “simple and athletic. She wears boots where she can conceal extra weapons, but no heels for that lady. She needs to be agile—able to jump and kick ass.”
In keeping with Jensen’s fun-loving nature, the character wore a collection of T- shirts that were as colorful as his personality. The idea of the T-shirts began with the one Petunias shirt he wears to support his niece’s soccer team. Guidasci offers, “Then Sylvain came up with the idea for Jensen to have a different funny T-shirt for almost every scene. Some we found and some were created by our graphic designer, Eduardo Gomez, and we also tried to make some of them subtly apropos to the moment.”
Osborne notes that the filmmakers adopted the term “Loser style,” which did not refer to the clothes of the characters but rather their surroundings. He elaborates, “Let me put it this way: anything we built in ‘Loser style’ either got burned, destroyed, shot up or blown apart.”
For certain sets, where the action was going to be explosive, Osborne and his crew consulted with special effects coordinator John P. Cazin, as well as stunt coordinator and second unit director Garrett Warren. Clay’s hotel room in Bolivia was the most obvious example of a set that was literally designed to be demolished.
“My first thought was, ‘Oh, we’re building a motel room...no big deal,’” admits Osborne. “But we had to design layer-by-layer, working everything out with John regarding the special effects, since we were going to burn down the entire room, and also with Garrett on the stunts, because people were going to be thrown around and putting their fists through the walls. So what seems to be a normal motel room was actually planned to the utmost detail. Every piece of furniture had to be replicated several times over because we were either going to burn it or smash it.”
The motel room is destroyed over the course of an all-out brawl between Clay and Aisha, who, surprisingly, is more than a match for her larger opponent. “The fight scene between Clay and Aisha was amazing to create,” says Warren, who had recently worked with Saldana on “Avatar.” “They were both consummate professionals: Jeffrey is up for anything and Zoë has a dancer’s physicality and loves doing stunts. We just pulled out all the stops.”
“The thing I loved about the way Garrett designed the fight is that he made it very playful,” Saldana comments. “When Clay and Aisha meet, you think they’re about to hook up for a steamy scene and they end up kicking the crap out of each other. There’s something sexy about a woman who can hold her own against a man, especially when they find each other irresistible.”
“It was pretty hot,” Morgan agrees, though not necessarily referring to the attraction between the characters. “The flames in that room were real, so filming that scene really stood out for me.”
Hot and steamy proved to the watchwords for the entire cast and crew while working in tropical Puerto Rico. “It’s a beautiful place, but the heat and humidity were unrelenting,” Morgan attests. “Add a black suit and about 60 pounds’ worth of guns and gear, and it made filming the action scenes a special challenge. You can’t drink enough water because no matter where or when you’re shooting, you’re drenched in sweat. But the good news is you’re bound to lose a lot of weight,” he grins.
In planning the stunt sequences, Warren says, “I got my team together and we brainstormed to come up with some interesting, fun ways to shoot. I talked Sylvain into letting us fly him above one action scene on wires and he actually held the camera to film one of our guys doing Parkour-style moves, running and jumping over these large containers. That was a lot of fun...at least for us.”
White also worked with Scott Kevan to film the action from a perspective that brings moviegoers right into the fray. The director emphasizes, “We want the audience to experience certain pivotal moments through the eyes of the characters. It’s about positioning the camera inside the action and staying as close as possible to the actors. Sometimes it’s limiting, and other times it opens brand new doors. It was a fine line, but I think we were able to find a good combination.”
He continues, “I’m very proud of the action in this film, but what I think shines through the most is the fun tone and the great characters. I think ultimately that’s what I want to leave the audience with—having had a good time with ‘The Losers’...and wanting to do it again.”
ABOUT THE CAST
JEFFREY DEAN MORGAN (Clay) starred last year in the action thriller “Watchmen,” Zack Snyder’s controversial big screen adaptation of DC’s seminal graphic novel. Morgan played Edward Blake, a.k.a. The Comedian, whose murder sets off a potentially explosive investigation and reunites his former costumed colleagues, the Minutemen. Also in 2009, Morgan starred in Ang Lee’s independent feature “Taking Woodstock.”
Morgan is currently at work on the crime thriller “The Fields,” in which he and Sam Worthington star as detectives investigating several unsolved murders in Texas. In November, he stars in the remake of the action hit “Red Dawn,” playing a U.S. Special Forces soldier who helps the teenage rebels, known as the Wolverines, fight back against enemy forces that have invaded the United States. Prior to “Red Dawn,” Morgan filmed the suspense thriller “The Resident,” opposite Hilary Swank, his former co-star from “P.S. I Love You,” in which he played her prospective love interest.
His other upcoming films include Mikael Hafstrom’s period drama “Shanghai,” with John Cusack, and the murder mystery drama “All Good Things,” in which he stars with Kirsten Dunst, Ryan Gosling and Frank Langella under the direction of Andrew Jarecki. Morgan’s additional film credits include the independent comedy “Kabluey,” with Lisa Kudrow; the romantic comedy “The Accidental Husband,” opposite Uma Thurman; and a cameo role in David Dobkin’s holiday comedy “Fred Claus.”
Morgan first gained the attention of television audiences with a recurring role in ABC’s smash hit series “Grey’s Anatomy.” His dramatic arc as heart patient Denny Duquette, who wins the heart of Katherine Heigl’s Izzie Stevens in a star-crossed romance, made him a universal fan favorite. He has also had recurring roles on the hit CW series “Supernatural” and on the award-winning Showtime series “Weeds.”
ZOË SALDANA (Aisha) enjoyed a banner year in 2009, starring in back-to-back blockbusters. She capped the year starring as Neytiri in James Cameron’s history- making sci-fi epic “Avatar,” for which Saldana won an Empire Award for Best Actress. The film, which also starred Sam Worthington and Sigourney Weaver, broke numerous box office records on its way to becoming the highest-grossing motion picture of all time. Among its many honors, “Avatar” won a Golden Globe for Best Picture – Drama and earned nine Oscar® nominations, also including Best Picture.
Earlier last year, Saldana played Nyoto Uhura in the sci-fi action adventure hit “Star Trek,” about the early years of the legendary crew of the U.S.S. Enterprise. Directed by J.J. Abrams, the film also starred Chris Pine, Zachary Quinto and Eric Bana.
Saldana will next be seen in the Neil LaBute-directed comedy “Death at a Funeral,” in which she joins an ensemble cast that also includes James Marsden, Chris Rock, Tracy Morgan, Martin Lawrence, Columbus
Short and Luke Wilson.
Born and raised in New York, Saldana first gained attention with her memorable feature film debut in the starring role of Eva in “Center Stage,” directed by Nicholas Hytner. She followed with “Get Over It,” “Crossroads,” “Drumline,” “Pirates of the Caribbean: The Curse of the Black Pearl,” and Steven Spielberg’s “Terminal,” for which she won a 2004 Young Hollywood One to Watch Award from Movieline magazine. Her additional film credits include “Haven,” “Guess Who” and “Vantage Point.”
In 2009, Saldana graced the cover of ELLE as one of the magazine’s “Top Women in Hollywood.”
CHRIS EVANS (Jensen) stars this August in Edgar Wright’s action comedy “Scott Pilgrim vs. the World,” with Michael Cera, Anna Kendrick, Jason Schwartzman, and Mary Elizabeth Winstead. He also just wrapped production on Adam and Mark Kassen’s drama “Puncture,” in which he stars as a drug-addicted lawyer who takes on a major health supply corporation while battling his own personal demons.
Evans next starts filming opposite Anna Faris in Mark Mylod’s romantic comedy “What’s Your Number?,” about a woman revisiting all her ex-boyfriends in hopes of finding the man of her dreams. This summer, Evans is set to go into production on the action adventure “The First Avenger: Captain America,” in which he will star in the title role of the Marvel Comics superhero, under the direction of Joe Johnston.
Evans is also well known to moviegoers for his role in the hit “Fantastic Four” action adventures. His more recent film credits include Paul McGuigan’s sci-fi thriller “Push,” in which he starred opposite Dakota Fanning; the independent period drama “The Loss of a Teardrop Diamond,” written by Tennessee Williams and also starring Bryce Dallas Howard; and David Ayer’s crime drama “Street Kings,” with Keanu Reeves and Forest Whitaker.
Raised in Massachusetts, Evans began acting in regional theatre before moving to New York, where he studied at the Lee Strasberg Institute. He made a few guest appearances on television series before landing his first feature film starring role in the comedy spoof “Not Another Teen Movie.” His early film work also includes “The Perfect Score,” with Scarlett Johansson, and “Cellular,” with Jessica Biel and Kim Basinger.
In 2005, teamed with Jessica Alba, Michael Chiklis and Ioan Gruffudd as a group of astronauts who gain individual super powers after being exposed to cosmic radiation in the blockbuster hit “Fantastic Four.” Two years later, he reprised the role of Johnny Storm, a.k.a. The Human Torch, in the summer action hit “Fantastic Four: Rise of the Silver Surfer.”
Among Evans’ other film credits are Danny Boyle’s critically acclaimed sci-fi thriller “Sunshine,” with Cillian Murphy and Michelle Yeoh; “The Nanny Diaries,” opposite Scarlett Johansson; the independent drama “London,” opposite Jessica Biel; and Griffin Dunne’s “Fierce People,” with Diane Lane and Donald Sutherland.
IDRIS ELBA (Roque) recently starred in the hit 2009 thriller “Obsessed,” with Beyoncé Knowles and Ali Larter. Elba earned an NAACP Image Award nomination for his portrayal of a married man being stalked by a co-worker. He previously shared in a Screen Actors Guild Award® nomination as a member of the main cast of Ridley Scott’s 2007 true-life drama “American Gangster,” with Denzel Washington and Russell Crowe.
Elba has several film projects upcoming, including the crime drama “Takers,” with Matt Dillon, Zoë Saldana and Hayden Christensen, and the action adventure “Thor,” in which he stars with Samuel L. Jackson, Anthony Hopkins and Natalie Portman under the direction of Kenneth Branagh. He also executive produced and stars in the independent film “Legacy,” which was chosen to close the 2010 Glasgow Film Festival, and has also been selected to screen at this year’s Tribeca Film Festival.
Elba’s additional film credits include David S. Goyer’s horror thriller “The Unborn”; Guy Ritchie’s “RocknRolla,” as part of an ensemble cast that also included Gerard Butler, Thandie Newton and Tom Wilkinson; and the hit horror thriller “28 Weeks Later,” to name only a few.
On the small screen, Elba had a recurring role last season on the hit NBC series “The Office.” In his native England, he next stars in the title role of the BBC crime drama series “Luther,” set to debut in the UK in May. He first gained attention with his starring role as the de facto leader of a Baltimore drug empire in HBO’s acclaimed original series “The Wire,” for which he received an Image Award nomination. Additionally, he starred in the Channel 4 telefilm “All in the Game,” and gained another Image Award nod for his performance in the HBO movie “Sometimes in April,” as a Hutu soldier who tries to save his Tutsi wife and family during the 1994 Rwandan genocide.
Elba has also worked on the stage, including leading roles in several plays produced in London. Additionally, in New York, he starred in Sir Peter Hall’s off- Broadway production of “Troilus and Cressida,” receiving rave reviews for his portrayal of Achilles.
COLUMBUS SHORT (Pooch) previously collaborated with director Sylvain White as the star of the 2007 hit “Stomp the Yard,” which topped the box office in its first two weeks in release and brought Short an NAACP Image Award nomination for Best Actor. He more recently won an Image Award for Best Supporting Actor for his performance in the true-life drama “Cadillac Records,” about the birth of rock n’ roll in Chicago, in which Short starred with Beyoncé Knowles, Jeffrey Wright and Adrien Brody. He next stars in the ensemble comedy “Death at a Funeral,” alongside Chris Rock, Tracy Morgan, Martin Lawrence, James Marsden, Luke Wilson and Zoë Saldana.
Born in Kansas City, Missouri, Short relocated with his family to Los Angeles at a young age and, by his early teens, had landed work in television commercials. He was a senior at Orange County School of the Arts when he was offered a part in Broadway‘s hit show “STOMP!” He went on to choreograph Britney Spears’ “In the Zone” tour.
Short began his film acting career in 2006 with starring roles in “Save the Last Dance: 2” and the comedy “Accepted,” with Jonah Hill and Justin Long. His subsequent film credits include “This Christmas,” opposite Idris Elba, Regina King and Chris Brown; the horror remake “Quarantine”; the thriller “Whiteout,” with Kate Beckinsale; and “Armored,” with Matt Dillon and Laurence Fishburne. On television, he played the young writer Darius on Aaron Sorkin’s acclaimed drama series “Studio 60 on the Sunset Strip.”
Short is also working behind the camera through his production company, Great Picture Show Productions. He most recently executive produced “Stomp the Yard 2: Homecoming.”
OSCAR JAENADA (Cougar) is an award-winning actor in his native Spain, who is quickly becoming well known in the U.S. In 2005, he starred in the title role of “Camarón: When Flamenco Became Legend,” the true story of Camarón de la Isla. Jaenada earned a number of acting honors, including Spain’s prestigious Goya Award, for his portrayal of the legendary flamenco cantaor. He more recently starred in “Todos Estamos Invitados,” for which he won the Málaga Spanish Film Festival’s Award for Best Supporting Actor and the Toulouse Cinespaña Award for Best Actor.
American film audiences have also seen Jaenada in Jim Jarmusch’s thriller “The Limits of Control,” in which he co-starred with Bill Murray and Tilda Swinton, and Steven Soderbergh’s biopic “Che: Part Two,” starring Benicio Del Toro.
Born and raised in Barcelona, Jaenada later moved to Madrid to pursue his acting career. He started out in the local theatre and also landed roles on television. His breakthrough came in the widely acclaimed 2003 feature “November,” for which he received a Goya Award nomination and won several other awards, including a Toulouse Cinespaña Award for Best Actor.
JASON PATRIC (Max) first gained attention with his starring role in Joel Schumacher’s 1987 comedy thriller hit “The Lost Boys.” He went on to earn critical acclaim for his performances in the drama “The Beast of War,” the erotic thriller “After Dark, My Sweet,” and the crime drama “Rush.”
Patric subsequently starred in Walter Hill’s “Geronimo: An American Legend”; the title role in “The Journey of August King”; Barry Levinson’s “Sleepers”; and Neil LaBute’s “Your Friends and Neighbors,” which was also the first feature Patric produced under the banner of his production company, Fleece.
Patric’s more recent film credits include “Narc,” “The Alamo,” “Expired,” “Downloading Nancy,” “In the Valley of Elah,” and “My Sister’s Keeper.”
On Broadway, Patric starred as Brick in the revival of “Cat on a Hot Tin Roof,” opposite Ashley Judd. His other theatre work includes productions of Neil LaBute’s “Bash”; “Beirut”; “Out of Gas on Lover’s Leap”; “The Tempest”; “Henry V”; and “Love’s Labour’s Lost.”
