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17:34:09 02/02/12
Wesley Bray - "Mother's Prayer": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 17:34:09 02/02/12
Wesley Bray - "Mother's Prayer": SXSW 2012 Showcasing Artist
Surrendering all Praises, Glory, and Honor to God almighty! Through His Son, and my Lord and Savior, Jesus Christ for allowing me, Wesley Bray, to be used as an instrument of Praise. I have been working in the Gospel Music Ministry for many years. At the age of 16, I developed a love for Gospel Music, after walking through the house one day, and hearing for the first time, my mother and my sisters trying to form a family quartet. At that time, the Lord put in my spirit that I could do this. Well, needless to say, my mother and sisters did not see it that way. But the seed was planted. I was given my first chance to play with a Gospel Group not long after. The Group was called the Soul Revivers. God gave me such a love for music, that within the three years that I stayed with the group, I learned to play a guitar, sing, and write songs. Before I left the Group I had become the Music Director. I didn't realize at the time, that God was preparing me for things to come. In 1985 I moved to Austin, Texas. I became co-founder of a Gospel Group called Malachi. I worked with this Music Ministry until 1999. Within that time we recorded a 45 single, an Album, a CD, a 10 song cassette tape, and a video. Our first Album was chosen as Album of the week on the nationally syndicated Bobby Jones show. Our last CD in 1998 was put in the running for a Grammy Award. Malachi disbanded in 1999. By this time, my wife, Cynthia Bray, who had sung with me in the Group Malachi, was expecting our ... From: sxsw Views: 40 0 ratings Time: 04:20 More in Entertainment
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17:34:09 02/02/12
Wesley Bray - "Mother's Prayer": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 17:34:09 02/02/12
Wesley Bray - "Mother's Prayer": SXSW 2012 Showcasing Artist
Surrendering all Praises, Glory, and Honor to God almighty! Through His Son, and my Lord and Savior, Jesus Christ for allowing me, Wesley Bray, to be used as an instrument of Praise. I have been working in the Gospel Music Ministry for many years. At the age of 16, I developed a love for Gospel Music, after walking through the house one day, and hearing for the first time, my mother and my sisters trying to form a family quartet. At that time, the Lord put in my spirit that I could do this. Well, needless to say, my mother and sisters did not see it that way. But the seed was planted. I was given my first chance to play with a Gospel Group not long after. The Group was called the Soul Revivers. God gave me such a love for music, that within the three years that I stayed with the group, I learned to play a guitar, sing, and write songs. Before I left the Group I had become the Music Director. I didn't realize at the time, that God was preparing me for things to come. In 1985 I moved to Austin, Texas. I became co-founder of a Gospel Group called Malachi. I worked with this Music Ministry until 1999. Within that time we recorded a 45 single, an Album, a CD, a 10 song cassette tape, and a video. Our first Album was chosen as Album of the week on the nationally syndicated Bobby Jones show. Our last CD in 1998 was put in the running for a Grammy Award. Malachi disbanded in 1999. By this time, my wife, Cynthia Bray, who had sung with me in the Group Malachi, was expecting our ... From: sxsw Views: 36 0 ratings Time: 04:20 More in Entertainment
2 Views
22:41:28 01/25/12
Mirel Wagner - "No Death": SXSW 2012 Showcasing Artist
[LESS INFO] 2 VIEWS | ADDED 22:41:28 01/25/12
Mirel Wagner - "No Death": SXSW 2012 Showcasing Artist
The great Townes Van Zandt once said there are two kinds of music: "The blues and zip-a-dee-doo-dah." According to this, Mirel Wagner's self-titled debut falls solidly into the blues category. "Songwriting can hardly be more minimalistic, no-frills, more strict as Mirel Wagner's sparse music," according to German magazine Spex; we agree. Mirel Wagner was born in Ethiopia, and grew up in peaceful conditions in Espoo, the second-largest city in Finland. At age 7 she was given violin lessons, at 13 she switched to guitar and at 16 she wrote her first songs ("To The Bone", the opening song from her album, is one of those early tunes). Jean Ramsay, an American music journalist living in Finland, came across Mirel at an open mic session in Helsinki. He was particularly convinced of her talent, raved about her in an early article and recommended her to others. So, without producing a demo or contacting any record labels, Mirel found herself sitting in a real recording studio. Over two days she recorded 12 songs straight. Nine of them can be found on her debut, which was first released in Finland through the indie label Kioski Recs and mainland Europe through Bone Voyage, and is now seeing a wider release across North America through Friendly Fire Recordings. Whether in Finland, France or Germany, journalists who have listened closely are full of praise for this unique young talent who has appeared, seemingly out of the blue, with her otherworldly gloomy folk. This debut is quiet ... From: sxsw Views: 173 16 ratings Time: 03:10 More in Entertainment
0 Views
22:41:28 01/25/12
Mirel Wagner - "No Death": SXSW 2012 Showcasing Artist
[LESS INFO] 0 VIEWS | ADDED 22:41:28 01/25/12
Mirel Wagner - "No Death": SXSW 2012 Showcasing Artist
The great Townes Van Zandt once said there are two kinds of music: "The blues and zip-a-dee-doo-dah." According to this, Mirel Wagner's self-titled debut falls solidly into the blues category. "Songwriting can hardly be more minimalistic, no-frills, more strict as Mirel Wagner's sparse music," according to German magazine Spex; we agree. Mirel Wagner was born in Ethiopia, and grew up in peaceful conditions in Espoo, the second-largest city in Finland. At age 7 she was given violin lessons, at 13 she switched to guitar and at 16 she wrote her first songs ("To The Bone", the opening song from her album, is one of those early tunes). Jean Ramsay, an American music journalist living in Finland, came across Mirel at an open mic session in Helsinki. He was particularly convinced of her talent, raved about her in an early article and recommended her to others. So, without producing a demo or contacting any record labels, Mirel found herself sitting in a real recording studio. Over two days she recorded 12 songs straight. Nine of them can be found on her debut, which was first released in Finland through the indie label Kioski Recs and mainland Europe through Bone Voyage, and is now seeing a wider release across North America through Friendly Fire Recordings. Whether in Finland, France or Germany, journalists who have listened closely are full of praise for this unique young talent who has appeared, seemingly out of the blue, with her otherworldly gloomy folk. This debut is quiet ... From: sxsw Views: 173 16 ratings Time: 03:10 More in Entertainment
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04:41:56 12/24/11
crosswayokc Kelly Greene, TRINITY Baby-Song 4 u
[LESS INFO] 0 VIEWS | ADDED 04:41:56 12/24/11
As long as you believe the Bible, it doesn't matter if you call yourself "Trinitarian" or "Oneness". Nursery song for crosswayokc: this video mocks crosswayokc's logical fallacies that he presents about Amightywind Ministry and specifically Prophecy 90 found @ almightywind.com We give YAHUSHUA/JESUS MESSIAH all Praise Honor and Glory and we lead souls to HIM alone. YAHUSHUA (יהושוע), a Hebrew Name, is the original Name of JESUS. We are still saved now in the Name JESUS but the antichrist will use the name Jesus Christ for himself in the Tribulation, so learn YAHUSHUA's NAME for then. YAHUVEH/YAHWEH is the Name of GOD as Father. YAH is the NAME of GOD as Father, Son and Spirit for example HalleluYAH means Praise YAH. We expose wolves in sheep's clothing such as crosswayokc: According to crosswayokc's FALSE logic... John 1:1 is a polytheistic verse because it says that JESUS is GOD but is also with GOD and John 3:16 teaches JESUS is a created being because it calls HIM the Begotten Son of GOD and Acts 17:23 is proof the Apostle Paul was a pagan because he quoted a pagan poet to make a valid point. Well that ain't true; the devil is a LIAR and so is crosswayokc. Here is AMIGHTYWIND Statement of Faith: http://www.amightywind.com/elisabeth/welcomefaith.htm Salvation Info Pages http://www.amightywind.com/salvation/salvation.htm The truth is crosswayokc is an occultist who worships his "horned god" and, yes, that has a double meaning. Proof of his various forms of occultism coming very very soon...stay tuned crosswayokc isn't deserving of the time of day because he is a reprobate spawn of satan. (Before judging that last statement, make sure you know the definition of reprobate). We mock him as Elijah mocked the false prophets of Ba'al. See Youtube user jarofclay9 for more info.
29 Views
01:09:13 09/12/11
Hamdulillah (Featuring Shadia Mansour) The Narcicyst Live At Swu In Texas
[LESS INFO] 29 VIEWS | ADDED 01:09:13 09/12/11
LYRICS Bismillah, like the feeling when I miss Falah, then wish to God in clouds to lift us all Hamdulilah, wonder if Bibi can ever see me, and if I back to Basrah will it ever receive me, Bismillah, homies that have the time to talk, Now I wish to stars that angel find Nawaf. Hamdulillah, I stand awed at the strength of my sister Kiss her and thank God our mission is planned for us. Bismillah, mamati inti hayati, moms the best one, hold her close to heart like my left lung Hamdulillah, for the truth in a being as beaming the moon queen you blessed my future to be with Bismillah, for the souls anguish, love, and the moment my brothers programmed these drums, Hamdulillah, We put the truth to the test, proof that we're blessed students of this music at best. Bismillah, Before I spit this bar, way Before Militants tried to split this law Hamdulillah, for every living day that we spend in the rays of the Shams, why we praise the condemned... Bismillah, wish I could take it back and lift the harm, make a track erase the past that we miss and gone... Hamdulillah, He Spoke So Right we listening wrong living raw, more than a livid song Give it all Bismillah, So I don't rely on an image or Man made divisions for land slave prison fraud, Hamdulillah, Excuse Me, If I use it loosely, forget to bow down and pray, how proud are they? Bismillah, hope you hear the whispers lil nas which stance should i sway when betrayed by wiswases.... forever hope this lasts and we live classic.... Bismillah, means to will in God's name, without the ball and the chain a slave falling to claim, Bismillah, will forever hold inner peace, Wicked streets cripple little being rippling through the middle east Hamdulillah, may God bless the dead and gone, forever strong a better song, breaking bitter bonds Hamdulillah, for this world, in this spot to this song with these words for hip-hop say Bismilllah, stay humble in rhymes in eyes that hate your hunger its like a jungle sometimes it makes you wonder. Filmed and produced by Jeff Zavala. A ZGraphix production. http://zgraphix.org Visit Narcy's website at: http://iraqisthebomb.com My TIP JAR
1 Views
01:09:13 09/12/11
Hamdulillah (Featuring Shadia Mansour) The Narcicyst Live At Su In Texas
[LESS INFO] 1 VIEWS | ADDED 01:09:13 09/12/11
LYRICS Bismillah, like the feeling when I miss Falah, then wish to God in clouds to lift us all Hamdulilah, wonder if Bibi can ever see me, and if I back to Basrah will it ever receive me, Bismillah, homies that have the time to talk, Now I wish to stars that angel find Nawaf. Hamdulillah, I stand awed at the strength of my sister Kiss her and thank God our mission is planned for us. Bismillah, mamati inti hayati, moms the best one, hold her close to heart like my left lung Hamdulillah, for the truth in a being as beaming the moon queen you blessed my future to be with Bismillah, for the souls anguish, love, and the moment my brothers programmed these drums, Hamdulillah, We put the truth to the test, proof that we're blessed students of this music at best. Bismillah, Before I spit this bar, way Before Militants tried to split this law Hamdulillah, for every living day that we spend in the rays of the Shams, why we praise the condemned... Bismillah, wish I could take it back and lift the harm, make a track erase the past that we miss and gone... Hamdulillah, He Spoke So Right we listening wrong living raw, more than a livid song Give it all Bismillah, So I don't rely on an image or Man made divisions for land slave prison fraud, Hamdulillah, Excuse Me, If I use it loosely, forget to bow down and pray, how proud are they? Bismillah, hope you hear the whispers lil nas which stance should i sway when betrayed by wiswases.... forever hope this lasts and we live classic.... Bismillah, means to will in God's name, without the ball and the chain a slave falling to claim, Bismillah, will forever hold inner peace, Wicked streets cripple little being rippling through the middle east Hamdulillah, may God bless the dead and gone, forever strong a better song, breaking bitter bonds Hamdulillah, for this world, in this spot to this song with these words for hip-hop say Bismilllah, stay humble in rhymes in eyes that hate your hunger its like a jungle sometimes it makes you wonder. Filmed and produced by Jeff Zavala. A ZGraphix production. http://zgraphix.org Visit Narcy's website at: http://iraqisthebomb.com
21 Views
01:33:49 11/03/10
Due Date Starring Robert Downey Jr. and Zach Galifian
[LESS INFO] 21 VIEWS | ADDED 01:33:49 11/03/10
Due Date Starring Robert Downey Jr. and Zach Galifianakis This 1sr Look brought to you by Stevn Samblis www.icPlaces.com
THE IDEA
From director Todd Phillips, “Due Date” stars Robert Downey Jr. and Zach Galifianakis as two unlikely companions thrown together on a road trip that turns out to be as life-changing as it is outrageous.
Downey plays Peter Highman, an expectant first-time father whose wife's due date is only days away. As he hurries to catch a flight home to Los Angeles from Atlanta to be at her side for the birth, his best intentions go completely awry when a chance encounter with aspiring actor and disaster-magnet Ethan Tremblay (Galifianakis) leads to the two of them being tossed off the plane and placed on a no-fly list...while Peter's luggage, wallet and ID take off without him.
With no alternatives in sight, Peter is forced to hitch a ride with Ethan and his canine traveling companion on what turns out to be a cross-country road trip that will destroy several cars, numerous friendships and Peter's last nerve.
The comedy “Due Date” also stars Michelle Monaghan (“Made of Honor”), Juliette Lewis (“The Switch”) and Academy Award® winner Jamie Foxx (“Ray”).
Directed by Todd Phillips (“The Hangover”), the film is produced by Phillips and Dan Goldberg (“The Hangover,” “Old School”), from a screenplay by Alan R. Cohen & Alan Freedland and Adam Sztykiel & Todd Phillips, story by Alan R. Cohen & Alan Freedland. Thomas Tull, Susan Downey and Scott Budnick serve as executive producers.
“Due Date” reunites Phillips with key members of his filmmaking team from “The Hangover,” including director of photography Lawrence Sher, production designer Bill Brzeski, editor Debra Neil-Fisher, composer Christophe Beck and costume designer Louise Mingenbach.
ABOUT THE PRODUCTION
“If you're going to travel with me to Los Angeles I have to give you a couple of guidelines. Number one: don't ask me a single question.” - Peter Highman
“It's a simple idea—two mismatched guys forced to go on a road trip together,” declares “Due Date” director and co-writer Todd Phillips. “Robert Downey Jr. is Peter Highman, an architect on his way back to L.A. from a business trip in Atlanta. He's on a tight schedule because his wife is expecting their first child and the date is all set. Everything is fine until he gets tangled up at the airport with a wannabe actor named Ethan Tremblay, who somehow gets the both of them booted off the plane and grounded for the foreseeable future.”
At that point, “simple” flies right out the window.
Stranded without cash, credit, ID or time, Peter finds himself in the galling position of having to hitch a ride home with a guy he'd rather take a swing at—Ethan. The person he holds responsible for his predicament in the first place is now behind the wheel of a rental car and offering him the passenger seat.
Though clearly not his best option, it's Peter's only option.
At first grateful for the company, Ethan soon learns that his tightly wound traveling companion is not going to be any fun at 20 Questions, nor generally receptive to the concept of going with the flow. Meanwhile, Peter realizes he's just joined forces with a guy who can casually ruin his life in more ways than he could ever imagine.
“If there really was somebody like Ethan around, he'd have been strangled in his sleep long ago,” Downey attests. “He's like a laser beam that focuses on the one thing that will drive you crazy the most, the kind of guy who will eat a whole plate of waffles before mentioning he's allergic to waffles. I'm sure a lot of people know someone like this, someone who is perfectly wired to activate all of their irritation buttons.”
Granted, Peter has a short fuse to begin with. “He's kind of an edgy, controlling, judgmental guy with some anger-management issues. And who better to help him explore those issues than Ethan Tremblay? High-strung as he is normally, Peter is now facing the birth of his first child and is thrown into this nightmare, so it's all amped up,” Downey adds.
Ethan, by comparison, gives new meaning to the term laid-back. Zach Galifianakis, who stars as the human lightning rod for trouble, observes, “Nothing affects him, no insult seems to penetrate. Ethan lives in his own head. He has no talent, and he's on his way to Hollywood to capitalize on that. These two guys meet through a series of unfortunate circumstances that are entirely Ethan's fault, to which he is completely oblivious. And every bad thing that happens from that point on is Ethan's fault. Everything.”
Says Phillips, “People always cite chemistry in these kinds of movies. They say it's the chemistry between the two lead actors that make it work. I believe what makes ‘Due Date' work is anti-chemistry; it's two guys with zero connection and zero rapport, constantly butting heads, that generates both the tension and the comedy.”
Dan Goldberg, who has produced all of Phillips' feature films since their 2000 collaboration on the hit comedy “Road Trip,” says, “The ride develops its own momentum as one thing after another happens to impede their progress.”
At the same time, their cross-country trek takes Peter and Ethan on another, more unpredictable journey than what they face geographically—one that leads them to discover as much about themselves as each other.
Provided that they survive it.
Scott Budnick, an executive producer on the film, says, “There's real emotional substance to the story and real issues, and Robert and Zach do a phenomenal job in delivering both the humor and the emotional stakes. My favorite comedies are always the ones that have heart.”
As infuriating as Ethan can be, whether mismanaging his funds, missing potty breaks or launching their car off an overpass, Phillips concedes he has his good points, citing “honesty, innocence and a humanity that makes you connect with him and root for him despite it all. Ethan is a complex character. He has just lost his father, who was his best friend, and is having a tough time dealing with that. There's an underlying desperation in everything he does and an eagerness to please to the point where just making friends means trying too hard.”
“A lot of what he does is to avoid being lonely,” says Galifianakis.
Peter, on the other hand, may come across like a self-assured, aggressive control freak but, says Phillips' “Due Date” screenwriting partner Adam Sztykiel, “You sense that his behavior comes from an emotional place and from issues he has yet to work out, that are revealed in the story. Not far beneath the alpha male posture is his own vulnerability and how terrified he is to be responsible for a child.”
“As a parent,” Downey offers, “I know the big question is how are you going to manage and protect something that you have no experience with?”
Playing on that theme were screenwriters Alan R. Cohen and Alan Freedland, who also have story credit on “Due Date.” “Peter's comfort zone is when he's in control. And everything that happens in this movie is about losing control; from his inability to get back home to the larger issue of his impending fatherhood—and whether or not he's ready for it,” Cohen says.
“We wanted to put him into a situation where he had to travel across the country with someone who was effectively a child,” adds Freedland.
Not that it would lessen Peter's pain, stress and frustration if he knew it might be pain, stress and frustration with a purpose. Still...
“When I read the script, I was moved,” recalls executive producer Susan Downey. “It's so funny and yet so human. You want a comedy to have that grounding, in the way that you want a drama to have some humor. In ‘Due Date,' though his experience with Ethan, Peter finds his human side and gets ready for the birth of his own child. It's about him becoming a man before becoming a father.”
“Guess who's got the Subaru Impreza? Me! Guess who's got the winning personality? Me! What do you have? You have a nice hairline. Fine. You have a strong jaw. But I gotta tell you, mister, your personality needs some work.” - Ethan Tremblay
Despite the “anti-chemistry” Phillips had in mind for their characters, Galifianakis and Downey generated some genuine positive chemistry from the start.
Downey vividly recalls their first meeting. “I was in Venice, California, and some weird guy walks by and says, ‘Hi, I think I'm doing a movie with you.' And I was thinking, ‘I might have to punch this guy.' Then I realized, ‘Oh my God...that's Zach.'
“Later, he came over for dinner so we could talk about the script,” Downey continues. “I asked if he had any dietary restrictions and he sent me a note detailing everything he'd need, like bottled water flown in from Barstow. It's one of my favorite things. I read it to people at parties.”
“We kind of took care of each other on the set—very different from what was going on in the movie. We'd talk every morning about how to make a scene work. It was great. Funny how hanging out with a legitimate actor raises your game,” Galifianakis returns.
“I always respond to projects based on the casting potential,” says Phillips. “I immediately start seeing a movie from the standpoint of casting it. For ‘Due Date,' I knew that if I could get Robert and Zach we could go full out.”
Phillips marks his second collaboration with Galifianakis on “Due Date,” following the comedian's breakout starring role in last year's international blockbuster hit “The Hangover,” that became the highest-grossing R-rated comedy of all time. He says, “Zach and I click because he knows I really get his humor, which can be pretty outrageous.”
In “Due Date,” however, Galifianakis creates a character that calls for a great deal of subtlety. Notes Budnick, “Every little nuance of personality and each detail—the way he walks, the way he talks, the way he thinks—Zach has figured out how Ethan Tremblay would do these things and it's reflected in every single moment he's on screen.”
At the same time, there is a core of unpredictability to the performance. “Zach brings a sense of spontaneity and danger and I think comedy is best with an undercurrent of danger so that you never know exactly what's going to happen or what someone will say or do. In that sense, he's the perfect comedic actor,” says Phillips.
And “Due Date” gives him a worthy antagonist in Downey.
“Not only is Robert a world-class actor but he's naturally funny. I wouldn't think of casting Robert Downey Jr. as anyone's straight-man,” says Phillips. “In ‘Due Date' there is no straight-man because they're both screwed up in their own ways. And the beauty of Zach and Robert playing off each other is that they're both funny but their humor comes from such different places and their styles are so different that you're not mining the same vein.”
Downey, Galifianakis, Phillips and Sztykiel “took the script apart and put it back together,” says Goldberg. “Every day there were new things that touched me and made me laugh. I believe ‘Due Date' audiences will see aspects of Robert and Zach that they haven't seen before and things that will surprise them. As a filmmaker, I'm always looking for that.”
It's a philosophy and a process that Phillips respects. “So much of comedy happens on the day you shoot,” he says, and offers the example of the airplane luggage bin scene. “It just happened as we were looking at the seating and the overhead bin and realized how that could bring them really close in a small space. Zach said, ‘What if I rub up against him while I'm reaching into the bin?' And I said, ‘What if you pull your shirt up first to wipe your glasses so it's just your bare stomach?' Comedy isn't math; it's jazz.”
Says Robert Downey Jr., “I start every day thinking here's what will happen if you do it by the book and here's what can happen if you bend yourself over backwards and forwards again and try to invite the unimagined into the situation. The set had energy like a living being; it was evolving all the time. And what's great and so funny about Todd is that sometimes, with him, it's so wrong, it's right.”
That point of view resonates with Galifianakis, who admits to being right alongside the director in appreciating “the inappropriate,” adding, “Todd and I have the same sense of humor. We like stuff that has a bit of a taboo element—things that are funny specifically because you're not supposed to laugh at them. As a stand-up comic, I love it when audiences laugh before they realize maybe they shouldn't have, and then start to question themselves.
“That's not to say that you can't be offended by something Todd or I do in a film,” he continues with mock concern. “I'm often offended by the things I do in movies.”
“You'd better check yourself before you wreck yourself.” - Ethan
“What I like about road trip movies is that essentially your characters are working without a net. You just throw them out into the elements and say, ‘Deal with it,'” says Phillips. “You don't have the support system of friends and family. People come in and out of your life for intense but fleeting moments.”
To help facilitate that, ‘Due Date' features a stellar supporting cast of characters who offer Peter and Ethan a range of memorable and often thought-provoking encounters along the way.
The first of these is Heidi, a freelance medical supplier with questionable parenting skills, tracked down by Ethan at her Birmingham home to restock his supply of “glaucoma medication.” It's one of many detours that takes them miles out of their way.
Heidi is played by Juliette Lewis, in her third screen role for Phillips. Lewis was touring in London with her band when the director called. “We worked it out so that between London and Helsinki I made a pit stop in a place I didn't even know existed—Las Vegas, New Mexico—for a couple of days, to play a pot dealer,” she recounts. “When Todd calls it's a game of trust. I don't know the role, I don't know what he wants me to do, but I know it's going to be good and it's going to be funny.”
Oscar® winner Jamie Foxx, who recently starred with Downey in “The Soloist,” comes aboard in the role of Peter's old college buddy, Darryl, now living in Dallas.
“It was a real coup to get Jamie to come in as Peter's friend—and, according to Ethan, possibly the real father of his soon-to-be-born child,” says Robert Downey Jr., alluding to yet another way in which Ethan manages to get under Peter's skin.
Within minutes of entering Darryl's home, Ethan spots a few photos, asks a few questions, adds two and two, and comes up with five. “He learns that Darryl is very close with Peter's wife and jumps to all kinds of conclusions. Then, he plants the seed of doubt in Peter's mind,” says Phillips.
“Darryl comes into the picture to do these guys a favor and it's all great...until it's not. Then things get very weird, very fast,” Foxx says of the ensuing scene that lands Peter and Ethan back on the pavement. “Working with Robert, Zach and Todd, you'd never know what to expect, but you could always count on it being a crazy, creative, collaborative experience.”
The travelers also run afoul of an ill-tempered Western Union clerk, played by Danny McBride; a paragon of Airport Security, played by Grammy Award-winning hip hop producer/musician and actor Rza; and an exceptionally indifferent TSA agent, played by Matt Walsh, the ER doc from “The Hangover.”
Meanwhile, back home anxiously awaiting Peter's return is his wife, Sarah, played by Michele Monaghan, reuniting with Downey for the first time since they teamed in the 2005 comedy thriller “Kiss Kiss Bang Bang.”
“Sarah is just about 8 months and 29 days pregnant with her first baby and obviously very anxious,” Monaghan offers. “Her husband is not only m.i.a but is also traveling cross- country with a wild man whose only concern is if she has any ‘recommendations for someone who could give him a perm'?!? Clearly, the baby's arrival looks more promising than daddy's.”
“Sonny, stop. Sonny...No. Stop. Good boy.” - Ethan
Before circumstances force these two to share a rental car, Ethan already has a traveling companion: a French Bulldog named Sonny, who becomes the pair's third wheel and a point of calm amidst the escalating mayhem.
The role of Sonny, though indisputably male, was played almost entirely by a young female Frenchie trained by Mark Harden, of Boone's Animals for Hollywood.
The introduction of a dog into the script came about as Phillips sought to further ratchet up the tension between his two leads and decided that one of them should be a dog person and the other...not so much. After perusing renowned animal trainer Boone Narr's company website, he spotted what he was looking for in Bodie, an adult male French Bulldog with the big ears and wide-eyed comical expression typical of the breed.
Unfortunately, at 26 pounds, Bodie was too heavy to be constantly toted around on one arm, so, with only weeks before filming started, Harden launched a full-scale and very specific search for a six-to-10-month-old, cream-colored, slightly undersized French Bulldog. He first tried the rescue agencies, then tapped into a nationwide network of breeders before finding someone who had a full-grown female weighing in at 15 pounds.
Though Galifianakis jokes that Sonny was trained to fall asleep at the word ‘action,' Harden takes no credit for the animal's relaxed demeanor, conceding, “She's just a very settled and well-adjusted dog. She doesn't get worked up. I think she just learned early on that most of her scenes were going to take awhile and she might as well catch a nap.”
Galifianakis, who bonded with his canine co-star despite an allergy to dogs, says, “I was kind of envious at her ability to fall asleep at work. And she snores like me.”
But as much as the camera loved Sonny, there was one special trick she just couldn't manage, that required a one-day command performance from Bodie.
Harden carefully describes how the trick serendipitously made its way into the story. “French Bulldogs are unable to groom themselves in certain areas as other dogs do. I don't know if it's a combination of their short neck and wide shoulders, but they can't twist backwards.”
Consequently, some of them use their paws, “a natural behavior that Bodie spontaneously offered in front of Todd at that first meeting, while we were talking,” the trainer recalls. “As soon as he saw it, there was no turning back. He said, ‘Oh my God, can you train him to do that?”
“Am I okay? Do I look okay? I have a broken arm. I have three cracked ribs. I have seven stitches in my armpit. Does that answer your question? - Peter
“I love physical comedy,” says Phillips, who happily extends the parameters of physical comedy in “Due Date” to include a multi-vehicle freeway chase, an end-over-end car flip and a shoot-out with some seriously t'd-off border security agents.
“For me,” Phillips continues, “It's fun to include shocking moments that make you say, ‘Whoa, where did that come from?' We shot the car sequence in Las Cruces, New Mexico. They let us break through the overpass and land on the road below. We closed the highway for several days to prepare and execute it but, frankly, you never know how a stunt is going to land, so we set up four or five cameras and let it happen. The car flipped back up on its wheels, but we were prepared for it to do anything.” Filming “Due Date” was a road trip in itself. Location shooting began in and around Atlanta and moved generally westward with the story, touching upon Dallas and the Texas interior and various locations in New Mexico, including Las Vegas and Santa Fe, which the filmmakers covered from a base of operations in Albuquerque, before touching down in California.
“The way the script breaks down, they have to get across the country. in a couple of days so you really need to take the southern route, which is not as long as the northern, so it makes sense in terms of driving time,” says production designer Bill Brzeski.
A separate helicopter unit covered the Grand Canyon for a key scene with Peter and Ethan perched on its rim, overlooking the Colorado River snaking its way through, far below. Between takes, busloads of visitors from all over the world arrived to tour the area and there was some concern on the part of the crew that they might forget to watch where they were going once they caught sight of Downey and Galifianakis.
The film's opening airport scenes were a combination of several elements. The plane cabin mockup was constructed on Stage 11 at Warner Bros. Studios; the curb where Peter's and Ethan's cars pull up was shot at Ontario Airport in California; and the screening area and other terminal interiors were built inside the Georgia World Congress Center in Atlanta.
Other practical locations in Georgia included a construction site in Atlanta's Buckhead neighborhood; a Waffle House and portions of Highway 27 in Bremen; various locations along I-75 and I-675, GA-route 20 and the Metropolitan Parkway; the Gwinnett Medical Center in Lawrenceville; the 1010 Condos on Atlanta's historic Peachtree Street; and a recently closed rest stop along I-985.
Darryl's home in Dallas was an amalgam of exteriors captured in Buckland, Georgia, and interiors shot in Encino, California. “You're never really anywhere you're supposed to be,” Brzeski says. “Las Vegas, New Mexico was built around the turn of the century and doesn't look like what you'd expect to see in New Mexico. There's a lot of Victorian architecture that doesn't match the typical Santa Fe look so buildings can substitute for almost any American small town, be it Texas or Ohio. We used it as Alabama for Heidi's house.”
The southwestern city also provided the site for one of the film's larger set pieces; a checkpoint at the U.S./Mexico border that was constructed on a bridge spanning a portion of Route 25 in Las Vegas, under which Brzeski and his team formed an encampment of Federali trailers based on actual Mexican Customs vehicles. Interiors of the office and a trailer, as well as a gimbal rig that figures into the action, were built on stage and another rotating rig, dubbed “car-on-a-spit” by one crew member, was designed for the scene in which Peter and Alan take their rented Subaru for a real spin.
All this action takes its toll on the luggage-deprived Peter, forced to spend the entire journey in one increasingly rumpled, torn, stained and slept-in suit. For costume designer Louise Mingenbach, that meant maintaining 20 versions of the suit in five basic stages of deterioration. “Definitely, the story evolves through Peter's clothes,” she says.
With Ethan's wardrobe she was able to have more fun, brainstorming with Galifianakis, who, she says, “has no vanity. Some actors want to look beautiful all the time but that's not Zach. He will wear whatever works for his character, even if it's acid-washed jeans two sizes too small.”
“I really like to look bad in movies,” Galifianakis agrees. “Originally Ethan was dressed like a hippie but I wanted him to be more arty—or, what he would think is arty. He has a perm, he has his dance shoes and his really bad tight jeans and the scarf as an accessory; he wants to be an actor and this is how he thinks actors dress.”
“Due Date” marks Mingenbach's fifth collaboration with Phillips, who says, “I have a great team. I've worked with essentially the same people throughout my career. We write some crazy thing and then I turn to my guys and say, ‘Can we pull this off?'”
Among those previous colleagues rejoining the director on “Due Date” were cinematographer Lawrence Sher, editor Debra Neil-Fisher and composer Christophe Beck.
Scott Budnick points out, “‘Due Date' marks the 10-year anniversary of ‘Road Trip,' Todd's first movie and my first job out of college. We filmed ‘Road Trip' from September to December 1999, and ‘Due Date' from September to December of 2009.”
For Phillips, it's a genre full of possibilities.
“I've been in some strange situations on the road,” confesses screenwriter Sztykiel, a Los Angelino who identified in some ways with Peter. “Here's a guy who's a little sheltered and doesn't have exposure to the 3,000 miles that exist east of his home, and it was fun to force him out of his bubble. It's uncomfortable, but you come away with a better sense of your place in the world. My advice for travelers? Go to the bathroom. Make sure your traveling partner has gone to the bathroom. Don't spend all your money on illegal substances. Don't say ‘bomb' on an airplane. Don't open your car door in traffic. Pretty simple stuff.” Sure. In hindsight.
“There's something about a road trip that brings out the extremes of human reactions and emotions,” says Phillips. “It's a great opportunity for surprises and for people to learn things about themselves or each other that they'd never see if they weren't being pushed to their limits, or having to make the kinds of quick, instinctive decisions you have to make on the road.”
At the same time, the road itself can be almost incidental. “No matter where we are in ‘Due Date,' no matter what's kind of chaos they're going through,” he concludes, “it all comes down to these two guys working out their issues.”
ABOUT THE CAST
ROBERT DOWNEY JR. (Peter Highman), a two-time Academy Award® nominee, earned his most recent Oscar® nomination, for Best Supporting Actor, for his work in Ben Stiller's comedy hit “Tropic Thunder.” His performance as Kirk Lazarus, a white Australian actor playing a black American character, also brought him Golden Globe, BAFTA Award and Screen Actors Guild (SAG) Award® nominations. Downey was honored with his first Oscar® nomination, in the category of Best Actor, for his portrayal of Charlie Chaplin in Richard Attenborough's acclaimed 1992 biopic “Chaplin,” for which he also won BAFTA Award and London Film Critics Awards and received a Golden Globe Award nomination.
Earlier this year, Downey received another Golden Globe nomination for his performance in the title role of the 2009 hit “Sherlock Holmes,” under the direction of Guy Ritchie. Downey returns to the role of the legendary detective in a new Sherlock Holmes adventure, currently slated for release in December 2011.
In summer 2008, Downey received praise from critics and audiences for his performance in the title role of the blockbuster hit “Iron Man,” under the direction of Jon Favreau. Bringing the Marvel Comics superhero to the big screen, “Iron Man” earned more than $585 million worldwide, making it one of the year's biggest hits. Downey reprised his role in the successful sequel, which was released this past spring. He returns to the role in Josh Whedon's upcoming actioner “The Avengers,” which teams Iron Man with other Marvel Comics superheroes.
Downey's other recent films include “The Soloist,” opposite Jamie Foxx; “Charlie Bartlett”; David Fincher's “Zodiac,” alongside Jake Gyllenhaal and Mark Ruffalo; Richard Linklater's “A Scanner Darkly,” with Keanu Reeves, Winona Ryder and Woody Harrelson; “Fur,” opposite Nicole Kidman in a film inspired by the life of revered photographer Diane Arbus; and “Kiss Kiss, Bang Bang.” He also shared in a SAG Award® nomination as a member of the ensemble cast of George Clooney's true-life drama “Good Night, and Good Luck,” and in a Special Jury Prize won by the ensemble cast of “A Guide to Recognizing Your Saints,” presented at the 2006 Sundance Film Festival.
Downey's long list of film credits also includes “Gothika”; “The Singing Detective”; Curtis Hanson's “Wonder Boys”; “U.S. Marshals”; Mike Figgis' “One Night Stand”; Jodie Foster's “Home for the Holidays”; “Richard III”; Oliver Stone's “Natural Born Killers”; Robert Altman's “The Gingerbread Man” and “Short Cuts,” sharing in a Golden Globe Award for Best Ensemble for the latter; “Heart and Souls,” “Soapdish,” “Air America,” “Chances Are,” “True Believer,” “Less Than Zero,” “Weird Science,” “Firstborn,” and “Pound,” in which he made his debut under the direction of Robert Downey Sr.
On the small screen, Downey made his primetime debut in 2001 when he joined the cast of the series “Ally McBeal.” For his work on the show, he won the Golden Globe Award for Best Supporting Actor in a Series, Miniseries or Motion Picture Made for Television and a Screen Actors Guild Award® for Outstanding Actor in a Comedy Series. In addition, Downey was nominated for an Emmy for Outstanding Supporting Actor in a Comedy Series.
On November 23, 2004, Robert Downey Jr. released his debut album, “The Futurist,” on the Sony Classics label. The album, containing eight original songs, showcased his singing talents.
Downey and his wife, Susan, just formed Team Downey, a production company based at Warner Bros.
ZACH GALIFIANAKIS (Ethan Tremblay) moved to New York City after failing his last college course by one point at North Carolina State University. He got his start performing his brand of humor in the back of a hamburger joint in Times Square, graduating to doing stand-up at night in clubs and coffee houses in the city. While working as a bus boy, he got his first acting job on the NBC sitcom “Boston Common.”
Galifianakis' breakout role came in Todd Phillips' blockbuster hit “The Hangover,” the highest-grossing R-rated comedy of all time. He will reunite with Phillips and cast-mates Bradley Cooper, Ed Helms and Justin Bartha in “The Hangover 2,” slated for a 2011 release.
He also stars in “It's Kind of a Funny Story,” which premieres at the 2010 Toronto Film Festival and opens this fall. Recently, he also co-starred with Steve Carell and Paul Rudd in Jay Roach's comedy “Dinner for Schmucks.” Galifianakis' additional film credits include the Jerry Bruckheimer-produced hit “G-Force”; the indie feature “Youth in Revolt,” with Michael Cera, Steve Buscemi and Ray Liotta; a cameo in Jason Reitman's Oscar®- nominated film “Up in the Air”; “What Happens in Vegas,” with Cameron Diaz and Ashton Kutcher; and the critically acclaimed true-life drama “Into the Wild,” from director Sean Penn.
On the small screen, Galifianakis just started the second season of the HBO comedy “Bored to Death,” with Jason Schwartzman and Ted Danson. In addition, he hosted the critically acclaimed VH1 talk show “Late World with Zach,” and also wrote and starred in “Dog Bites Man” for Comedy Central.
Zach also has an internet talk show entitled “Between Two Ferns.” He has interviewed such guests as Steve Carell, Natalie Portman, Conan O'Brien and Charlize Theron.
When not filming, Galifianakis lives on his farm in North Carolina.
MICHELLE MONAGHAN (Sarah Highman) most recently starred to great critical acclaim in the independent film “Trucker,” which world premiered at the Tribeca Film Festival. She received the Best Actress Awards from the San Diego Film Critics Society, Ft. Lauderdale International Film Festival and Vail Film Festival. Monaghan also served as executive producer on the film.
She will next been seen in Sofia Coppola's “Somewhere,” “Source Code,” opposite Jake Gyllenhaal for director Duncan Jones and “Machine Gun Preacher,” opposite Gerard Butler for director Marc Forster.
Monaghan made her feature film debut in “Perfume,” directed by Michael Rymer, then played Richard Gere's secretary in Adrian Lyne's “Unfaithful.” She followed with supporting roles in Fred Schepisi's “It Runs in the Family,” with Michael Douglas; “Winter Solstice,” with Anthony LaPaglia; Paul Greengrass' “The Bourne Supremacy”; and Doug Liman's “Mr. & Mrs. Smith.”
It was her starring role in “Kiss Kiss, Bang Bang,” opposite Robert Downey Jr. and Val Kilmer, which brought Monaghan to the attention of audiences around the world. She also received rave reviews for her performance in the film, directed by Shane Black. Next, Monaghan joined Charlize Theron and Frances McDormand in “North Country” for director Niki Caro. She then starred in “Gone Baby Gone,” with Casey Affleck and Morgan Freeman; “The Heartbreak Kid,” opposite Ben Stiller; “Mission: Impossible III,” with Tom Cruise and Philip Seymour Hoffman for director J.J. Abrams; opposite Patrick Dempsey in the romantic comedy “Made of Honor”; and in D.J. Caruso's hit thriller “Eagle Eye,” alongside Shia LaBeouf.
JULIETTE LEWIS (Heidi) received Best Supporting Actress Oscar® and Golden Globe nominations for her layered performance as adolescent Danielle, opposite Robert De Niro, in Martin Scorsese's thriller “Cape Fear.”
She reunites with Todd Phillips on “Due Date,” having previously collaborated on “Old School” and “Starsky & Hutch.”
Lewis was most recently seen alongside Hilary Swank, Melissa Leo, Minnie Driver and Sam Rockwell in the independent drama “Conviction,” which premiered at the Toronto Film Festival and opened in October. Prior to that, Lewis appeared in the romantic comedy “The Switch,” alongside Jennifer Aniston, Jason Bateman and Patrick Wilson. She also starred alongside Orlando Bloom, Mark Ruffalo and Laura Linney in Ruffalo's directorial debut, “Sympathy for Delicious,” which took home the US Dramatic Special Jury Prize at this year's Sundance Film Festival. Last year, she played roller derby girl Dinah Might opposite Ellen Page, Marcia Gay Harden, Kristen Wiig, Jimmy Fallon and Eve in Drew Barrymore's directorial debut, “Whip It.”
Among Lewis' many other films are Gary Marshall's “The Other Sister”; “Evening Star,” with Shirley MacLaine; Quentin Tarantino's vampire tale “From Dusk Till Dawn,” opposite George Clooney; the sci-fi actioner “Strange Days,” alongside Ralph Fiennes and Angela Bassett; Nora Ephron's comedy “Mixed Nuts,” opposite Steve Martin and Adam Sandler; Oliver Stone's controversial “Natural Born Killers”; “What's Eating Gilbert Grape,” with Johnny Depp and Leonardo DiCaprio”; “Romeo Is Bleeding”; “Kalifornia”; Woody Allen's “Husbands and Wives”; “Crooked Hearts” and “National Lampoon's Christmas Vacation,” with Chevy Chase.
At 12, Lewis landed her first leading role in the Showtime miniseries “Home Fires.” At 16, her performance in the critically acclaimed longform “Too Young to Die?” led to film roles. Lewis' other television credits include Showtime's “My Louisiana Sky,” for which she received an Emmy Award nomination for Outstanding Performer in a Children's Special, and Mira Nair's HBO film “Hysterical Blindness,” alongside Uma Thurman and Gena Rowlands. She also had recurring roles in several series.
In addition to film and television, Lewis's music career continues to evolve. Her third studio album, Terra Incognito, was released in fall 2009.
JAMIE FOXX (Darryl) won an Academy Award® for Best Actor in 2005 for his portrayal of the legendary Ray Charles in the Taylor Hackford-directed biopic “Ray.” Foxx also won a Golden Globe Award, a Screen Actors Guild (SAG) Award®, a BAFTA Award, and an NAACP Image Award, as well as numerous critics' association awards, and shared in a SAG Award® nomination received by the film's ensemble cast.
Also in 2005, Foxx garnered Oscar®, Golden Globe Award, SAG Award®, BAFTA Award, and Image Award nominations, in the Best Supporting Actor category, for his work in Michael Mann's dramatic thriller “Collateral,” in which he starred with Tom Cruise. That same year, Foxx also earned Golden Globe Award and SAG Award® nominations and won an Image Award for Best Actor in a Television Movie for his portrayal of condemned gang member-turned-Nobel Peace Prize nominee Stan “Tookie” Williams in the FX Network movie “Redemption.”
Foxx has a number of films upcoming, including the Seth Gordon-directed comedy “Horrible Bosses”; F. Gary Gray's action thriller “Kane & Lynch,” opposite Bruce Willis; and the comedy “Skank Robbers,” which he also wrote and is producing. His recent film credits also include Garry Marshall's hit ensemble romantic comedy “Valentine's Day,” the thriller “Law Abiding Citizen,” Joe Wright's drama “The Soloist,” the thriller “The Kingdom” and Bill Condon's screen adaptation of the Broadway musical “Dreamgirls.” Foxx also executive produced the film “Life Support,” starring Queen Latifah, which closed the 2007 Sundance Film Festival.
Foxx's big-screen break came in 1999 when Oliver Stone cast him as a star quarterback in “Any Given Sunday.” In 2001, he co-starred with Will Smith in Michael Mann's acclaimed biopic “Ali.” His additional film credits include Michael Mann's “Miami Vice,” with Colin Farrell; Sam Mendes' Gulf War drama “Jarhead,” with Jake Gyllenhaal; “Stealth”; Antoine Fuqua's “Bait”; “Booty Call”; “The Truth about Cats & Dogs”; and “The Great White Hype.”
Foxx first came to fame as a comedian. After spending time on the comedy circuit, he joined Keenan Ivory Wayans, Jim Carrey, Damon Wayans and Tommy Davidson in the landmark Fox sketch comedy series “In Living Color.” In 1996, he launched his own series, “The Jamie Foxx Show,” which was one of the top-rated shows on The WB Network during its five-year run. Foxx also served as co-creator and executive producer, and directed several episodes. His first HBO Comedy Special, “Jamie Foxx: I Might Need Security,” premiered in February 2002.
In addition to his acting success, Foxx has also achieved a thriving music career. His first album, Unpredictable, topped the charts in late 2005 and early 2006 and spawned the NBC special “Unpredictable,” in which he performed with such artists as Mary J. Blige, Common, Snoop Dogg, The Game and Angie Stone. He has been nominated for eight Billboard Music Awards, three Grammy Awards, a Soul Train Music Award, and two American Music Awards, winning for Favorite Male Artist. Foxx's latest album, 2008's Intuition, debuted at number three on the Billboard 200 chart and spawned the chart-topping single “Blame It.” Foxx recently wrapped up his “Blame It Tour” in support of the album. On January 31, 2010 Jamie Foxx and T-Pain's “Blame It” won in the category of Best R%B performance by a duo/group with vocals at the 52nd Annual Grammy Awards.
ABOUT THE FILMMAKERS
TODD PHILLIPS (Director/Screenwriter/Producer) most recently directed and produced the 2009 blockbuster hit comedy “The Hangover,” starring Bradley Cooper, Ed Helms, Zach Galifianakis and Justin Bartha. The film became the highest grossing R-rated comedy of all time and won a Golden Globe for Best Motion Picture – Comedy or Musical. He is currently in production on the much-anticipated sequel, “The Hangover 2,” which reunites the cast.
Phillips started his career as a documentary filmmaker, inspired by humor taken from everyday reality and the belief that the truth is often stranger than fiction.
His first film, “Hated,” portrayed the revolting antics of extreme punk rocker G.G. Allin and became an instant underground sensation. It was released in the summer of 1994 and went on to become the highest grossing student film of its time.
He followed that in 1998 with “Frat House,” a documentary that he produced and directed for HBO's popular “America Undercover” series. “Frat House” premiered at the 1998 Sundance Film Festival and won the Grand Jury Prize for documentary features. The unflinching exposé of life in fraternities created a public controversy that eventually caused the film to be shelved by HBO. Phillips still hopes to release it in the future.
After meeting producer Ivan Reitman at Sundance, Phillips made his crossover to features with 2000's “Road Trip,” which established him as a new force in comedy. He simultaneously produced and directed “Bittersweet Motel,” a documentary on musical cult phenomenon Phish.
In one way or another, Phillips' films explore the nature of male relationships, and in doing so he has worked with some of Hollywood's biggest comedic actors, writing and directing such films as “Old School” in 2003, “Starsky & Hutch” in 2004, and “School for Scoundrels” in 2006. Phillips was nominated for a 2006 Academy Award® for Best Adapted Screenplay for his work on “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan.”
DAN GOLDBERG (Producer) marks his fifth film collaboration with Todd Phillips on “Due Date.” Previously, he served as producer on Phillips' “Old School,” “Road Trip,” “School for Scoundrels” and most recently, “The Hangover,” which won a Golden Globe Award for Best Motion Picture – Musical or Comedy and is the highest grossing R-rated comedy of all time. Goldberg will next produce “The Hangover 2” with Phillips, releasing in 2011.
Goldberg also produced the outrageous comedy “Howard Stern's Private Parts” and the animated comedy adventure “Space Jam,” starring Michael Jordan, and was an executive producer on Ivan Reitman's romantic adventure “Six Days Seven Nights,” starring Harrison Ford.
His screenwriting credits include the classic comedies “Stripes” and “Meatballs,” both of which he also produced; “Feds,” which he also directed; and the enduring cult favorite “Heavy Metal.”
ALAN R. COHEN & ALAN FREEDLAND (Screenwriters, Story) are best known as Emmy Award-winning writers from the Fox animated show “King of the Hill” and often referred to as “the Alans.”
Among numerous other writing and producing credits, the duo also co-created the Comedy Central cult hit “Kid Notorious,” starring Robert Evans. They are currently co- executive producers on Seth MacFarlane's “American Dad.”
Prior to “Due Date,” the Alans wrote feature scripts for various studios. They currently have several television and film projects in development, including the feature comedy “The Reunion,” for producer Brian Grazer.
A George Washington University graduate, Cohen originally hails from Pittsburgh and worked for several years as a reporter in The Baltimore Sun's Washington, D.C. bureau.
Freedland graduated from the University of Michigan. He grew up in the Detroit area and worked in advertising in Chicago.
ADAM SZTYKIEL (Screenwriter)'s most recent writing credit was the comedy “Made of Honor,” starring Patrick Dempsey and Michelle Monaghan.
He is currently working on a film adaptation of the best-selling memoir “The Game” by Neil Strauss, and has numerous other film and television projects in development.
Sztykiel is a graduate of the University of Southern California School of Cinematic Arts.
THOMAS TULL (Executive Producer), Chairman and CEO of Legendary Pictures, has achieved great success in the co-production and co-financing of event movies. Since its inception in 2004, Legendary Pictures has teamed with Warner Bros. Pictures on such hits as Bryan Singer's “Superman Returns”; Zack Snyder's “300” and “Watchmen”; and Christopher Nolan's “Batman Begins” and award-winning phenomenon “The Dark Knight,” which earned in excess of $1 billion worldwide.
More recently, this highly successful partnership produced Ben Affleck's “The Town”; Christopher Nolan's summer blockbuster “Inception”; the worldwide hit “Clash of the Titans”; Todd Phillips' “The Hangover,” which is the highest-grossing R-rated comedy of all time; and Spike Jonze's “Where the Wild Things Are.” Legendary's upcoming releases include Bryan Singer's “Jack the Giant Killer,” Todd Phillips' “The Hangover 2,” and Zack Snyder's “Sucker Punch.” Legendary is also developing a number of promising film projects in-house, including “Warcraft,” “Godzilla,” “Gravel,” “Paradise Lost,” and a sequel to “300.”
Before forming Legendary, Tull was President of The Convex Group, a media and entertainment holding company headquartered in Atlanta, on whose Board of Directors he also served.
SUSAN DOWNEY (Executive Producer) is a principal partner of Team Downey, the production company she formed with her husband, Robert Downey Jr. A prolific film producer, she has collaborated with some of the industry's most noted talents on films ranging from action blockbusters to dramas to comedies to horror thrillers.
Downey also produced the global hit “Sherlock Holmes,” which opened on Christmas Day 2009 and grossed more than $516 million worldwide. Directed by Guy Ritchie, the film starred Robert Downey Jr., Jude Law, Rachel McAdams and Mark Strong in an action adventure mystery that brought Arthur Conan Doyle's legendary detective to the big screen as never before. She is currently producing the sequel, which again stars Downey Jr. and Law under the direction of Ritchie.
Downey also recently served as an executive producer on the action hit “Iron Man 2,” which earned more than $620 million at the worldwide box office. The follow up to “Iron
Man” reunited director Jon Favreau with returning stars Robert Downey Jr. and Gwyneth Paltrow, and also starred Don Cheadle, Mickey Rourke and Scarlett Johansson.
Previously, Downey held the dual posts of Co-President of Dark Castle Entertainment and Executive Vice President of Production at Silver Pictures. Joining Silver Pictures in 1999, she oversaw the development and production of feature films released under both banners, including “Thir13en Ghosts” and “Swordfish.”
In 2002, she made her producing debut as a co-producer on “Ghost Ship” and then co- produced the 2003 release “Cradle 2 the Grave.” Downey went on to produce the features “Gothika” and “House of Wax,” and also served as an executive producer on the critically acclaimed comedic thriller “Kiss Kiss, Bang Bang.”
Downey later produced Neil Jordan's acclaimed psychological drama “The Brave One,” starring Jodie Foster and Terrence Howard; Guy Ritchie's widely praised crime comedy “RocknRolla,” starring Gerard Butler, Tom Wilkinson, Thandie Newton, Idris Elba, Chris Bridges and Jeremy Piven; the horror thriller “Orphan,” starring Vera Farmiga and Peter Sarsgaard; and the thriller “Whiteout,” starring Kate Beckinsale. She was also an executive producer on the Hughes brothers' post-apocalyptic drama “The Book of Eli,” starring Denzel Washington and Gary Oldman.
Prior to her tenure at Dark Castle and Silver Pictures, Downey worked on the hit films “Mortal Kombat” and “Mortal Kombat: Annihilation.”
Downey is a graduate of the University of Southern California's School of Cinema- Television.
SCOTT BUDNICK (Executive Producer) is Executive Vice President of Production for Green Hat Films, overseeing the development and production of a varied slate of projects including the upcoming “Project X,” set for release in 2011. He most recently executive produced the blockbuster hit “The Hangover,” which won a Golden Globe for Best Motion Picture – Musical or Comedy and is the highest grossing R-rated comedy of all time.
Budnick began his entertainment career in local casting while at Emory University in his hometown of Atlanta, Georgia. Upon graduation, he relocated to Los Angeles, serving as casting assistant on Todd Phillips' “Road Trip” and then as associate to the director on “Old School,” starring Vince Vaughn, Luke Wilson, Will Ferrell and Jeremy Piven. Budnick served associate producer on Phillips' following films, “Starsky & Hutch,” starring Owen Wilson and Ben Stiller and “All The King's Men,” starring Sean Penn and Jude Law, which Phillips executive produced; and was co-producer on “School for Scoundrels,” starring Billy Bob Thornton.
LAWRENCE SHER (Director of Photography) reunites with Todd Phillips on “Due Date,” having previously collaborated on the Golden Globe-winning blockbuster comedy “The Hangover.” His work will next be seen in Greg Mottola's sci-fi comedy “Paul,” with Jason Bateman and Seth Rogan, and David Frankel's comedy “The Big Year,” based on Mark Obmascik's book and starring Owen Wilson, both releasing in 2011.
Sher's other recent credits include “I Love You, Man,” “Trucker,” “The Promotion,” “Dan in Real Life,” “The Dukes of Hazzard” and “The Chumscrubber.”
He worked as director of photography on several smaller films and music videos earlier in his career, coming to the fore in 2001 with the award-winning independent film “Kissing Jessica Stein,” followed by director Zach Braff's “Garden State.”
Born and raised in New York City, Sher studied economics at Wesleyan University where, in his junior year, he turned an interest in still photography into a fascination with motion pictures. Upon graduation, he moved to Los Angeles and began his career as a camera assistant.
BILL BRZESKI (Production Designer) previously collaborated with Todd Phillips on the 2009 Golden Globe Award-winning blockbuster comedy “The Hangover,” for which he received an Art Director's Guild Award nomination for Excellence in Production Design. Brzeski re-teams again with Phillips for “The Hangover 2,” releasing in 2011.
Brzeski's other recent credits include “Flipped,” which reunited him with Rob Reiner, having previously served as production designer on Reiner's “The Bucket List”; and re- teaming with Rob Minkoff' on “The Forbidden Kingdom,” having previously worked on the director's groundbreaking CGI movie “Stuart Little” and its sequel, “Stuart Little 2.” Some of the designer's additional credits include “Deck the Halls,” “Blue Streak,” James L. Brooks' Oscar®-winning “As Good As It Gets” and “Matilda.”
Brzeski received his undergraduate degree from Miami University and his MFA in Design from New York University's Tisch School of the Arts. Originally interested in designing for the ballet and opera, he began his career in the theatre before moving to Los Angeles from New York City and designing more than 800 episodes of television series.
Brzeski also designs commercial spaces, most notably the award-winning Susina Bakery in Los Angeles.
His production design workshops at graduate and undergraduate levels have been hosted by New York University School of the Arts, Miami University, Clemson University and Loyola University Film School.
DEBRA NEIL-FISHER (Editor) re-teams with Todd Phillips on “Due Date,” having served as editor on his blockbuster hit “The Hangover,” the number one R-rated comedy of all time. The film won a Golden Globe for Best Motion Picture - Musical or Comedy and Fisher was honored with an Eddie Award by the American Cinema Editors for Best Edited Feature Film.
Among Neil-Fisher's other feature credits are the hit comedies “Baby Mama,” “Semi- Pro,” “Role Models,” “You, Me and Dupree,” “Without a Paddle,” “Saving Silverman,” and two hugely successful Austin Powers films, “Austin Powers: International Man of Mystery” and “Austin Powers: The Spy Who Shagged Me.” She has collaborated three times with director Donald Petrie on “Just My Luck,” “Welcome to Mooseport” and “How to Lose a Guy in 10 Days.” Her work also extends to other genres, including the dramas “Fried Green Tomatoes,” “The War” and “Up Close and Personal,” as well as the thrillers “Teaching Mrs. Tingle” and “Dr. Giggles.”
In 1991 Neil-Fisher won a CableACE Award for her work on TNT's telefilm “Heat Wave,” for director Kevin Hooks. Among her earlier television credits are “The Amy Fisher Story,” “The Case of the Hillside Strangler” and the TNT thriller “Breaking Point.”
LOUISE MINGENBACH (Costume Designer) marks her fifth project with director Todd Phillips on “Due Date,” a collaboration that began on the feature film “Starsky & Hutch,” followed by “School for Scoundrels” and the 2008 telefilm “The More Things Change...” In 2009, her designs were seen in Phillips' mega-blockbuster “The Hangover,” which won a Golden Globe for Best Motion Picture – Musical or Comedy and is the highest R-rated comedy of all time.
The upcoming actioner “Battleship,” based on the classic board game, reunites Mingenbach with Peter Berg, with whom she worked on “Hancock,” starring Will Smith.
Mingenbach also designed costumes for the 2009 action epic ““X-Men: Wolverine.” Previously, she earned a Saturn Award and a Costume Designers Guild Award nomination for her work on Bryan Singer's “X-Men.” She has teamed with Singer on four other films, including the 1995 thriller “The Usual Suspects,” “X2,” “Apt Pupil” and “Superman Returns,” as well as the pilot for “House M.D.”
Mingenbach's additional feature credits include the Farrelly Brothers' “The Heartbreak Kid,” “Spanglish,” “The Rundown,” “K-PAX,” “Gossip,” “Permanent Midnight,” “Nightwatch,” “The Spitfire Grill” and “One Night Stand.”
CHRISTOPHE BECK (Composer) previously collaborated with Todd Phillips on “The Hangover,” which won a Golden Globe for Best Motion Picture – Comedy or Musical.
He has composed scores for 50 feature films and nearly 20 television shows. With more than 15 years of experience, Beck has scored a wide array of projects, including such action films as “Percy Jackson & The Olympians: The Lightning Thief,” “The Sentinel” and “Elektra”; the comedies “Date Night,” “Charlie Bartlett,” “The Pink Panther” and “Bring It On”; and such dramas as “We Are Marshall,” “Under the Tuscan Sun” and “Year of the Dog”; as well as the Davis Guggenheim documentary, “Waiting For Superman.”
Beck most recently composed music for the comedies “Death at a Funeral,” starring Chris Rock, Martin Lawrence and Tracy Morgan; “Date Night,” with Steve Carell and Tina Fey; “Hot Tub Time Machine,” starring John Cusack; and Chris Columbus' fantasy adventure “Percy Jackson & The Olympians: The Lightning Thief.”
His additional credits include “All About Steve,” “The Greatest,” “What Happens in Vegas,” “Phoebe in Wonderland,” “The Seeker: The Dark is Rising,” “Saved!,” “American Wedding” and “Just Married.”
Beck began his scoring career on the Canadian television series “White Fang,” and from there went on to score three seasons of the hit television series “Buffy the Vampire Slayer,” for which he won an Emmy Award for Outstanding Music Composition.
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Due Date Starring Robert Downey Jr. and Zach Galifian
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THE IDEA
From director Todd Phillips, “Due Date” stars Robert Downey Jr. and Zach Galifianakis as two unlikely companions thrown together on a road trip that turns out to be as life-changing as it is outrageous.
Downey plays Peter Highman, an expectant first-time father whose wife's due date is only days away. As he hurries to catch a flight home to Los Angeles from Atlanta to be at her side for the birth, his best intentions go completely awry when a chance encounter with aspiring actor and disaster-magnet Ethan Tremblay (Galifianakis) leads to the two of them being tossed off the plane and placed on a no-fly list...while Peter's luggage, wallet and ID take off without him.
With no alternatives in sight, Peter is forced to hitch a ride with Ethan and his canine traveling companion on what turns out to be a cross-country road trip that will destroy several cars, numerous friendships and Peter's last nerve.
The comedy “Due Date” also stars Michelle Monaghan (“Made of Honor”), Juliette Lewis (“The Switch”) and Academy Award® winner Jamie Foxx (“Ray”).
Directed by Todd Phillips (“The Hangover”), the film is produced by Phillips and Dan Goldberg (“The Hangover,” “Old School”), from a screenplay by Alan R. Cohen & Alan Freedland and Adam Sztykiel & Todd Phillips, story by Alan R. Cohen & Alan Freedland. Thomas Tull, Susan Downey and Scott Budnick serve as executive producers.
“Due Date” reunites Phillips with key members of his filmmaking team from “The Hangover,” including director of photography Lawrence Sher, production designer Bill Brzeski, editor Debra Neil-Fisher, composer Christophe Beck and costume designer Louise Mingenbach.
ABOUT THE PRODUCTION
“If you're going to travel with me to Los Angeles I have to give you a couple of guidelines. Number one: don't ask me a single question.” - Peter Highman
“It's a simple idea—two mismatched guys forced to go on a road trip together,” declares “Due Date” director and co-writer Todd Phillips. “Robert Downey Jr. is Peter Highman, an architect on his way back to L.A. from a business trip in Atlanta. He's on a tight schedule because his wife is expecting their first child and the date is all set. Everything is fine until he gets tangled up at the airport with a wannabe actor named Ethan Tremblay, who somehow gets the both of them booted off the plane and grounded for the foreseeable future.”
At that point, “simple” flies right out the window.
Stranded without cash, credit, ID or time, Peter finds himself in the galling position of having to hitch a ride home with a guy he'd rather take a swing at—Ethan. The person he holds responsible for his predicament in the first place is now behind the wheel of a rental car and offering him the passenger seat.
Though clearly not his best option, it's Peter's only option.
At first grateful for the company, Ethan soon learns that his tightly wound traveling companion is not going to be any fun at 20 Questions, nor generally receptive to the concept of going with the flow. Meanwhile, Peter realizes he's just joined forces with a guy who can casually ruin his life in more ways than he could ever imagine.
“If there really was somebody like Ethan around, he'd have been strangled in his sleep long ago,” Downey attests. “He's like a laser beam that focuses on the one thing that will drive you crazy the most, the kind of guy who will eat a whole plate of waffles before mentioning he's allergic to waffles. I'm sure a lot of people know someone like this, someone who is perfectly wired to activate all of their irritation buttons.”
Granted, Peter has a short fuse to begin with. “He's kind of an edgy, controlling, judgmental guy with some anger-management issues. And who better to help him explore those issues than Ethan Tremblay? High-strung as he is normally, Peter is now facing the birth of his first child and is thrown into this nightmare, so it's all amped up,” Downey adds.
Ethan, by comparison, gives new meaning to the term laid-back. Zach Galifianakis, who stars as the human lightning rod for trouble, observes, “Nothing affects him, no insult seems to penetrate. Ethan lives in his own head. He has no talent, and he's on his way to Hollywood to capitalize on that. These two guys meet through a series of unfortunate circumstances that are entirely Ethan's fault, to which he is completely oblivious. And every bad thing that happens from that point on is Ethan's fault. Everything.”
Says Phillips, “People always cite chemistry in these kinds of movies. They say it's the chemistry between the two lead actors that make it work. I believe what makes ‘Due Date' work is anti-chemistry; it's two guys with zero connection and zero rapport, constantly butting heads, that generates both the tension and the comedy.”
Dan Goldberg, who has produced all of Phillips' feature films since their 2000 collaboration on the hit comedy “Road Trip,” says, “The ride develops its own momentum as one thing after another happens to impede their progress.”
At the same time, their cross-country trek takes Peter and Ethan on another, more unpredictable journey than what they face geographically—one that leads them to discover as much about themselves as each other.
Provided that they survive it.
Scott Budnick, an executive producer on the film, says, “There's real emotional substance to the story and real issues, and Robert and Zach do a phenomenal job in delivering both the humor and the emotional stakes. My favorite comedies are always the ones that have heart.”
As infuriating as Ethan can be, whether mismanaging his funds, missing potty breaks or launching their car off an overpass, Phillips concedes he has his good points, citing “honesty, innocence and a humanity that makes you connect with him and root for him despite it all. Ethan is a complex character. He has just lost his father, who was his best friend, and is having a tough time dealing with that. There's an underlying desperation in everything he does and an eagerness to please to the point where just making friends means trying too hard.”
“A lot of what he does is to avoid being lonely,” says Galifianakis.
Peter, on the other hand, may come across like a self-assured, aggressive control freak but, says Phillips' “Due Date” screenwriting partner Adam Sztykiel, “You sense that his behavior comes from an emotional place and from issues he has yet to work out, that are revealed in the story. Not far beneath the alpha male posture is his own vulnerability and how terrified he is to be responsible for a child.”
“As a parent,” Downey offers, “I know the big question is how are you going to manage and protect something that you have no experience with?”
Playing on that theme were screenwriters Alan R. Cohen and Alan Freedland, who also have story credit on “Due Date.” “Peter's comfort zone is when he's in control. And everything that happens in this movie is about losing control; from his inability to get back home to the larger issue of his impending fatherhood—and whether or not he's ready for it,” Cohen says.
“We wanted to put him into a situation where he had to travel across the country with someone who was effectively a child,” adds Freedland.
Not that it would lessen Peter's pain, stress and frustration if he knew it might be pain, stress and frustration with a purpose. Still...
“When I read the script, I was moved,” recalls executive producer Susan Downey. “It's so funny and yet so human. You want a comedy to have that grounding, in the way that you want a drama to have some humor. In ‘Due Date,' though his experience with Ethan, Peter finds his human side and gets ready for the birth of his own child. It's about him becoming a man before becoming a father.”
“Guess who's got the Subaru Impreza? Me! Guess who's got the winning personality? Me! What do you have? You have a nice hairline. Fine. You have a strong jaw. But I gotta tell you, mister, your personality needs some work.” - Ethan Tremblay
Despite the “anti-chemistry” Phillips had in mind for their characters, Galifianakis and Downey generated some genuine positive chemistry from the start.
Downey vividly recalls their first meeting. “I was in Venice, California, and some weird guy walks by and says, ‘Hi, I think I'm doing a movie with you.' And I was thinking, ‘I might have to punch this guy.' Then I realized, ‘Oh my God...that's Zach.'
“Later, he came over for dinner so we could talk about the script,” Downey continues. “I asked if he had any dietary restrictions and he sent me a note detailing everything he'd need, like bottled water flown in from Barstow. It's one of my favorite things. I read it to people at parties.”
“We kind of took care of each other on the set—very different from what was going on in the movie. We'd talk every morning about how to make a scene work. It was great. Funny how hanging out with a legitimate actor raises your game,” Galifianakis returns.
“I always respond to projects based on the casting potential,” says Phillips. “I immediately start seeing a movie from the standpoint of casting it. For ‘Due Date,' I knew that if I could get Robert and Zach we could go full out.”
Phillips marks his second collaboration with Galifianakis on “Due Date,” following the comedian's breakout starring role in last year's international blockbuster hit “The Hangover,” that became the highest-grossing R-rated comedy of all time. He says, “Zach and I click because he knows I really get his humor, which can be pretty outrageous.”
In “Due Date,” however, Galifianakis creates a character that calls for a great deal of subtlety. Notes Budnick, “Every little nuance of personality and each detail—the way he walks, the way he talks, the way he thinks—Zach has figured out how Ethan Tremblay would do these things and it's reflected in every single moment he's on screen.”
At the same time, there is a core of unpredictability to the performance. “Zach brings a sense of spontaneity and danger and I think comedy is best with an undercurrent of danger so that you never know exactly what's going to happen or what someone will say or do. In that sense, he's the perfect comedic actor,” says Phillips.
And “Due Date” gives him a worthy antagonist in Downey.
“Not only is Robert a world-class actor but he's naturally funny. I wouldn't think of casting Robert Downey Jr. as anyone's straight-man,” says Phillips. “In ‘Due Date' there is no straight-man because they're both screwed up in their own ways. And the beauty of Zach and Robert playing off each other is that they're both funny but their humor comes from such different places and their styles are so different that you're not mining the same vein.”
Downey, Galifianakis, Phillips and Sztykiel “took the script apart and put it back together,” says Goldberg. “Every day there were new things that touched me and made me laugh. I believe ‘Due Date' audiences will see aspects of Robert and Zach that they haven't seen before and things that will surprise them. As a filmmaker, I'm always looking for that.”
It's a philosophy and a process that Phillips respects. “So much of comedy happens on the day you shoot,” he says, and offers the example of the airplane luggage bin scene. “It just happened as we were looking at the seating and the overhead bin and realized how that could bring them really close in a small space. Zach said, ‘What if I rub up against him while I'm reaching into the bin?' And I said, ‘What if you pull your shirt up first to wipe your glasses so it's just your bare stomach?' Comedy isn't math; it's jazz.”
Says Robert Downey Jr., “I start every day thinking here's what will happen if you do it by the book and here's what can happen if you bend yourself over backwards and forwards again and try to invite the unimagined into the situation. The set had energy like a living being; it was evolving all the time. And what's great and so funny about Todd is that sometimes, with him, it's so wrong, it's right.”
That point of view resonates with Galifianakis, who admits to being right alongside the director in appreciating “the inappropriate,” adding, “Todd and I have the same sense of humor. We like stuff that has a bit of a taboo element—things that are funny specifically because you're not supposed to laugh at them. As a stand-up comic, I love it when audiences laugh before they realize maybe they shouldn't have, and then start to question themselves.
“That's not to say that you can't be offended by something Todd or I do in a film,” he continues with mock concern. “I'm often offended by the things I do in movies.”
“You'd better check yourself before you wreck yourself.” - Ethan
“What I like about road trip movies is that essentially your characters are working without a net. You just throw them out into the elements and say, ‘Deal with it,'” says Phillips. “You don't have the support system of friends and family. People come in and out of your life for intense but fleeting moments.”
To help facilitate that, ‘Due Date' features a stellar supporting cast of characters who offer Peter and Ethan a range of memorable and often thought-provoking encounters along the way.
The first of these is Heidi, a freelance medical supplier with questionable parenting skills, tracked down by Ethan at her Birmingham home to restock his supply of “glaucoma medication.” It's one of many detours that takes them miles out of their way.
Heidi is played by Juliette Lewis, in her third screen role for Phillips. Lewis was touring in London with her band when the director called. “We worked it out so that between London and Helsinki I made a pit stop in a place I didn't even know existed—Las Vegas, New Mexico—for a couple of days, to play a pot dealer,” she recounts. “When Todd calls it's a game of trust. I don't know the role, I don't know what he wants me to do, but I know it's going to be good and it's going to be funny.”
Oscar® winner Jamie Foxx, who recently starred with Downey in “The Soloist,” comes aboard in the role of Peter's old college buddy, Darryl, now living in Dallas.
“It was a real coup to get Jamie to come in as Peter's friend—and, according to Ethan, possibly the real father of his soon-to-be-born child,” says Robert Downey Jr., alluding to yet another way in which Ethan manages to get under Peter's skin.
Within minutes of entering Darryl's home, Ethan spots a few photos, asks a few questions, adds two and two, and comes up with five. “He learns that Darryl is very close with Peter's wife and jumps to all kinds of conclusions. Then, he plants the seed of doubt in Peter's mind,” says Phillips.
“Darryl comes into the picture to do these guys a favor and it's all great...until it's not. Then things get very weird, very fast,” Foxx says of the ensuing scene that lands Peter and Ethan back on the pavement. “Working with Robert, Zach and Todd, you'd never know what to expect, but you could always count on it being a crazy, creative, collaborative experience.”
The travelers also run afoul of an ill-tempered Western Union clerk, played by Danny McBride; a paragon of Airport Security, played by Grammy Award-winning hip hop producer/musician and actor Rza; and an exceptionally indifferent TSA agent, played by Matt Walsh, the ER doc from “The Hangover.”
Meanwhile, back home anxiously awaiting Peter's return is his wife, Sarah, played by Michele Monaghan, reuniting with Downey for the first time since they teamed in the 2005 comedy thriller “Kiss Kiss Bang Bang.”
“Sarah is just about 8 months and 29 days pregnant with her first baby and obviously very anxious,” Monaghan offers. “Her husband is not only m.i.a but is also traveling cross- country with a wild man whose only concern is if she has any ‘recommendations for someone who could give him a perm'?!? Clearly, the baby's arrival looks more promising than daddy's.”
“Sonny, stop. Sonny...No. Stop. Good boy.” - Ethan
Before circumstances force these two to share a rental car, Ethan already has a traveling companion: a French Bulldog named Sonny, who becomes the pair's third wheel and a point of calm amidst the escalating mayhem.
The role of Sonny, though indisputably male, was played almost entirely by a young female Frenchie trained by Mark Harden, of Boone's Animals for Hollywood.
The introduction of a dog into the script came about as Phillips sought to further ratchet up the tension between his two leads and decided that one of them should be a dog person and the other...not so much. After perusing renowned animal trainer Boone Narr's company website, he spotted what he was looking for in Bodie, an adult male French Bulldog with the big ears and wide-eyed comical expression typical of the breed.
Unfortunately, at 26 pounds, Bodie was too heavy to be constantly toted around on one arm, so, with only weeks before filming started, Harden launched a full-scale and very specific search for a six-to-10-month-old, cream-colored, slightly undersized French Bulldog. He first tried the rescue agencies, then tapped into a nationwide network of breeders before finding someone who had a full-grown female weighing in at 15 pounds.
Though Galifianakis jokes that Sonny was trained to fall asleep at the word ‘action,' Harden takes no credit for the animal's relaxed demeanor, conceding, “She's just a very settled and well-adjusted dog. She doesn't get worked up. I think she just learned early on that most of her scenes were going to take awhile and she might as well catch a nap.”
Galifianakis, who bonded with his canine co-star despite an allergy to dogs, says, “I was kind of envious at her ability to fall asleep at work. And she snores like me.”
But as much as the camera loved Sonny, there was one special trick she just couldn't manage, that required a one-day command performance from Bodie.
Harden carefully describes how the trick serendipitously made its way into the story. “French Bulldogs are unable to groom themselves in certain areas as other dogs do. I don't know if it's a combination of their short neck and wide shoulders, but they can't twist backwards.”
Consequently, some of them use their paws, “a natural behavior that Bodie spontaneously offered in front of Todd at that first meeting, while we were talking,” the trainer recalls. “As soon as he saw it, there was no turning back. He said, ‘Oh my God, can you train him to do that?”
“Am I okay? Do I look okay? I have a broken arm. I have three cracked ribs. I have seven stitches in my armpit. Does that answer your question? - Peter
“I love physical comedy,” says Phillips, who happily extends the parameters of physical comedy in “Due Date” to include a multi-vehicle freeway chase, an end-over-end car flip and a shoot-out with some seriously t'd-off border security agents.
“For me,” Phillips continues, “It's fun to include shocking moments that make you say, ‘Whoa, where did that come from?' We shot the car sequence in Las Cruces, New Mexico. They let us break through the overpass and land on the road below. We closed the highway for several days to prepare and execute it but, frankly, you never know how a stunt is going to land, so we set up four or five cameras and let it happen. The car flipped back up on its wheels, but we were prepared for it to do anything.” Filming “Due Date” was a road trip in itself. Location shooting began in and around Atlanta and moved generally westward with the story, touching upon Dallas and the Texas interior and various locations in New Mexico, including Las Vegas and Santa Fe, which the filmmakers covered from a base of operations in Albuquerque, before touching down in California.
“The way the script breaks down, they have to get across the country. in a couple of days so you really need to take the southern route, which is not as long as the northern, so it makes sense in terms of driving time,” says production designer Bill Brzeski.
A separate helicopter unit covered the Grand Canyon for a key scene with Peter and Ethan perched on its rim, overlooking the Colorado River snaking its way through, far below. Between takes, busloads of visitors from all over the world arrived to tour the area and there was some concern on the part of the crew that they might forget to watch where they were going once they caught sight of Downey and Galifianakis.
The film's opening airport scenes were a combination of several elements. The plane cabin mockup was constructed on Stage 11 at Warner Bros. Studios; the curb where Peter's and Ethan's cars pull up was shot at Ontario Airport in California; and the screening area and other terminal interiors were built inside the Georgia World Congress Center in Atlanta.
Other practical locations in Georgia included a construction site in Atlanta's Buckhead neighborhood; a Waffle House and portions of Highway 27 in Bremen; various locations along I-75 and I-675, GA-route 20 and the Metropolitan Parkway; the Gwinnett Medical Center in Lawrenceville; the 1010 Condos on Atlanta's historic Peachtree Street; and a recently closed rest stop along I-985.
Darryl's home in Dallas was an amalgam of exteriors captured in Buckland, Georgia, and interiors shot in Encino, California. “You're never really anywhere you're supposed to be,” Brzeski says. “Las Vegas, New Mexico was built around the turn of the century and doesn't look like what you'd expect to see in New Mexico. There's a lot of Victorian architecture that doesn't match the typical Santa Fe look so buildings can substitute for almost any American small town, be it Texas or Ohio. We used it as Alabama for Heidi's house.”
The southwestern city also provided the site for one of the film's larger set pieces; a checkpoint at the U.S./Mexico border that was constructed on a bridge spanning a portion of Route 25 in Las Vegas, under which Brzeski and his team formed an encampment of Federali trailers based on actual Mexican Customs vehicles. Interiors of the office and a trailer, as well as a gimbal rig that figures into the action, were built on stage and another rotating rig, dubbed “car-on-a-spit” by one crew member, was designed for the scene in which Peter and Alan take their rented Subaru for a real spin.
All this action takes its toll on the luggage-deprived Peter, forced to spend the entire journey in one increasingly rumpled, torn, stained and slept-in suit. For costume designer Louise Mingenbach, that meant maintaining 20 versions of the suit in five basic stages of deterioration. “Definitely, the story evolves through Peter's clothes,” she says.
With Ethan's wardrobe she was able to have more fun, brainstorming with Galifianakis, who, she says, “has no vanity. Some actors want to look beautiful all the time but that's not Zach. He will wear whatever works for his character, even if it's acid-washed jeans two sizes too small.”
“I really like to look bad in movies,” Galifianakis agrees. “Originally Ethan was dressed like a hippie but I wanted him to be more arty—or, what he would think is arty. He has a perm, he has his dance shoes and his really bad tight jeans and the scarf as an accessory; he wants to be an actor and this is how he thinks actors dress.”
“Due Date” marks Mingenbach's fifth collaboration with Phillips, who says, “I have a great team. I've worked with essentially the same people throughout my career. We write some crazy thing and then I turn to my guys and say, ‘Can we pull this off?'”
Among those previous colleagues rejoining the director on “Due Date” were cinematographer Lawrence Sher, editor Debra Neil-Fisher and composer Christophe Beck.
Scott Budnick points out, “‘Due Date' marks the 10-year anniversary of ‘Road Trip,' Todd's first movie and my first job out of college. We filmed ‘Road Trip' from September to December 1999, and ‘Due Date' from September to December of 2009.”
For Phillips, it's a genre full of possibilities.
“I've been in some strange situations on the road,” confesses screenwriter Sztykiel, a Los Angelino who identified in some ways with Peter. “Here's a guy who's a little sheltered and doesn't have exposure to the 3,000 miles that exist east of his home, and it was fun to force him out of his bubble. It's uncomfortable, but you come away with a better sense of your place in the world. My advice for travelers? Go to the bathroom. Make sure your traveling partner has gone to the bathroom. Don't spend all your money on illegal substances. Don't say ‘bomb' on an airplane. Don't open your car door in traffic. Pretty simple stuff.” Sure. In hindsight.
“There's something about a road trip that brings out the extremes of human reactions and emotions,” says Phillips. “It's a great opportunity for surprises and for people to learn things about themselves or each other that they'd never see if they weren't being pushed to their limits, or having to make the kinds of quick, instinctive decisions you have to make on the road.”
At the same time, the road itself can be almost incidental. “No matter where we are in ‘Due Date,' no matter what's kind of chaos they're going through,” he concludes, “it all comes down to these two guys working out their issues.”
ABOUT THE CAST
ROBERT DOWNEY JR. (Peter Highman), a two-time Academy Award® nominee, earned his most recent Oscar® nomination, for Best Supporting Actor, for his work in Ben Stiller's comedy hit “Tropic Thunder.” His performance as Kirk Lazarus, a white Australian actor playing a black American character, also brought him Golden Globe, BAFTA Award and Screen Actors Guild (SAG) Award® nominations. Downey was honored with his first Oscar® nomination, in the category of Best Actor, for his portrayal of Charlie Chaplin in Richard Attenborough's acclaimed 1992 biopic “Chaplin,” for which he also won BAFTA Award and London Film Critics Awards and received a Golden Globe Award nomination.
Earlier this year, Downey received another Golden Globe nomination for his performance in the title role of the 2009 hit “Sherlock Holmes,” under the direction of Guy Ritchie. Downey returns to the role of the legendary detective in a new Sherlock Holmes adventure, currently slated for release in December 2011.
In summer 2008, Downey received praise from critics and audiences for his performance in the title role of the blockbuster hit “Iron Man,” under the direction of Jon Favreau. Bringing the Marvel Comics superhero to the big screen, “Iron Man” earned more than $585 million worldwide, making it one of the year's biggest hits. Downey reprised his role in the successful sequel, which was released this past spring. He returns to the role in Josh Whedon's upcoming actioner “The Avengers,” which teams Iron Man with other Marvel Comics superheroes.
Downey's other recent films include “The Soloist,” opposite Jamie Foxx; “Charlie Bartlett”; David Fincher's “Zodiac,” alongside Jake Gyllenhaal and Mark Ruffalo; Richard Linklater's “A Scanner Darkly,” with Keanu Reeves, Winona Ryder and Woody Harrelson; “Fur,” opposite Nicole Kidman in a film inspired by the life of revered photographer Diane Arbus; and “Kiss Kiss, Bang Bang.” He also shared in a SAG Award® nomination as a member of the ensemble cast of George Clooney's true-life drama “Good Night, and Good Luck,” and in a Special Jury Prize won by the ensemble cast of “A Guide to Recognizing Your Saints,” presented at the 2006 Sundance Film Festival.
Downey's long list of film credits also includes “Gothika”; “The Singing Detective”; Curtis Hanson's “Wonder Boys”; “U.S. Marshals”; Mike Figgis' “One Night Stand”; Jodie Foster's “Home for the Holidays”; “Richard III”; Oliver Stone's “Natural Born Killers”; Robert Altman's “The Gingerbread Man” and “Short Cuts,” sharing in a Golden Globe Award for Best Ensemble for the latter; “Heart and Souls,” “Soapdish,” “Air America,” “Chances Are,” “True Believer,” “Less Than Zero,” “Weird Science,” “Firstborn,” and “Pound,” in which he made his debut under the direction of Robert Downey Sr.
On the small screen, Downey made his primetime debut in 2001 when he joined the cast of the series “Ally McBeal.” For his work on the show, he won the Golden Globe Award for Best Supporting Actor in a Series, Miniseries or Motion Picture Made for Television and a Screen Actors Guild Award® for Outstanding Actor in a Comedy Series. In addition, Downey was nominated for an Emmy for Outstanding Supporting Actor in a Comedy Series.
On November 23, 2004, Robert Downey Jr. released his debut album, “The Futurist,” on the Sony Classics label. The album, containing eight original songs, showcased his singing talents.
Downey and his wife, Susan, just formed Team Downey, a production company based at Warner Bros.
ZACH GALIFIANAKIS (Ethan Tremblay) moved to New York City after failing his last college course by one point at North Carolina State University. He got his start performing his brand of humor in the back of a hamburger joint in Times Square, graduating to doing stand-up at night in clubs and coffee houses in the city. While working as a bus boy, he got his first acting job on the NBC sitcom “Boston Common.”
Galifianakis' breakout role came in Todd Phillips' blockbuster hit “The Hangover,” the highest-grossing R-rated comedy of all time. He will reunite with Phillips and cast-mates Bradley Cooper, Ed Helms and Justin Bartha in “The Hangover 2,” slated for a 2011 release.
He also stars in “It's Kind of a Funny Story,” which premieres at the 2010 Toronto Film Festival and opens this fall. Recently, he also co-starred with Steve Carell and Paul Rudd in Jay Roach's comedy “Dinner for Schmucks.” Galifianakis' additional film credits include the Jerry Bruckheimer-produced hit “G-Force”; the indie feature “Youth in Revolt,” with Michael Cera, Steve Buscemi and Ray Liotta; a cameo in Jason Reitman's Oscar®- nominated film “Up in the Air”; “What Happens in Vegas,” with Cameron Diaz and Ashton Kutcher; and the critically acclaimed true-life drama “Into the Wild,” from director Sean Penn.
On the small screen, Galifianakis just started the second season of the HBO comedy “Bored to Death,” with Jason Schwartzman and Ted Danson. In addition, he hosted the critically acclaimed VH1 talk show “Late World with Zach,” and also wrote and starred in “Dog Bites Man” for Comedy Central.
Zach also has an internet talk show entitled “Between Two Ferns.” He has interviewed such guests as Steve Carell, Natalie Portman, Conan O'Brien and Charlize Theron.
When not filming, Galifianakis lives on his farm in North Carolina.
MICHELLE MONAGHAN (Sarah Highman) most recently starred to great critical acclaim in the independent film “Trucker,” which world premiered at the Tribeca Film Festival. She received the Best Actress Awards from the San Diego Film Critics Society, Ft. Lauderdale International Film Festival and Vail Film Festival. Monaghan also served as executive producer on the film.
She will next been seen in Sofia Coppola's “Somewhere,” “Source Code,” opposite Jake Gyllenhaal for director Duncan Jones and “Machine Gun Preacher,” opposite Gerard Butler for director Marc Forster.
Monaghan made her feature film debut in “Perfume,” directed by Michael Rymer, then played Richard Gere's secretary in Adrian Lyne's “Unfaithful.” She followed with supporting roles in Fred Schepisi's “It Runs in the Family,” with Michael Douglas; “Winter Solstice,” with Anthony LaPaglia; Paul Greengrass' “The Bourne Supremacy”; and Doug Liman's “Mr. & Mrs. Smith.”
It was her starring role in “Kiss Kiss, Bang Bang,” opposite Robert Downey Jr. and Val Kilmer, which brought Monaghan to the attention of audiences around the world. She also received rave reviews for her performance in the film, directed by Shane Black. Next, Monaghan joined Charlize Theron and Frances McDormand in “North Country” for director Niki Caro. She then starred in “Gone Baby Gone,” with Casey Affleck and Morgan Freeman; “The Heartbreak Kid,” opposite Ben Stiller; “Mission: Impossible III,” with Tom Cruise and Philip Seymour Hoffman for director J.J. Abrams; opposite Patrick Dempsey in the romantic comedy “Made of Honor”; and in D.J. Caruso's hit thriller “Eagle Eye,” alongside Shia LaBeouf.
JULIETTE LEWIS (Heidi) received Best Supporting Actress Oscar® and Golden Globe nominations for her layered performance as adolescent Danielle, opposite Robert De Niro, in Martin Scorsese's thriller “Cape Fear.”
She reunites with Todd Phillips on “Due Date,” having previously collaborated on “Old School” and “Starsky & Hutch.”
Lewis was most recently seen alongside Hilary Swank, Melissa Leo, Minnie Driver and Sam Rockwell in the independent drama “Conviction,” which premiered at the Toronto Film Festival and opened in October. Prior to that, Lewis appeared in the romantic comedy “The Switch,” alongside Jennifer Aniston, Jason Bateman and Patrick Wilson. She also starred alongside Orlando Bloom, Mark Ruffalo and Laura Linney in Ruffalo's directorial debut, “Sympathy for Delicious,” which took home the US Dramatic Special Jury Prize at this year's Sundance Film Festival. Last year, she played roller derby girl Dinah Might opposite Ellen Page, Marcia Gay Harden, Kristen Wiig, Jimmy Fallon and Eve in Drew Barrymore's directorial debut, “Whip It.”
Among Lewis' many other films are Gary Marshall's “The Other Sister”; “Evening Star,” with Shirley MacLaine; Quentin Tarantino's vampire tale “From Dusk Till Dawn,” opposite George Clooney; the sci-fi actioner “Strange Days,” alongside Ralph Fiennes and Angela Bassett; Nora Ephron's comedy “Mixed Nuts,” opposite Steve Martin and Adam Sandler; Oliver Stone's controversial “Natural Born Killers”; “What's Eating Gilbert Grape,” with Johnny Depp and Leonardo DiCaprio”; “Romeo Is Bleeding”; “Kalifornia”; Woody Allen's “Husbands and Wives”; “Crooked Hearts” and “National Lampoon's Christmas Vacation,” with Chevy Chase.
At 12, Lewis landed her first leading role in the Showtime miniseries “Home Fires.” At 16, her performance in the critically acclaimed longform “Too Young to Die?” led to film roles. Lewis' other television credits include Showtime's “My Louisiana Sky,” for which she received an Emmy Award nomination for Outstanding Performer in a Children's Special, and Mira Nair's HBO film “Hysterical Blindness,” alongside Uma Thurman and Gena Rowlands. She also had recurring roles in several series.
In addition to film and television, Lewis's music career continues to evolve. Her third studio album, Terra Incognito, was released in fall 2009.
JAMIE FOXX (Darryl) won an Academy Award® for Best Actor in 2005 for his portrayal of the legendary Ray Charles in the Taylor Hackford-directed biopic “Ray.” Foxx also won a Golden Globe Award, a Screen Actors Guild (SAG) Award®, a BAFTA Award, and an NAACP Image Award, as well as numerous critics' association awards, and shared in a SAG Award® nomination received by the film's ensemble cast.
Also in 2005, Foxx garnered Oscar®, Golden Globe Award, SAG Award®, BAFTA Award, and Image Award nominations, in the Best Supporting Actor category, for his work in Michael Mann's dramatic thriller “Collateral,” in which he starred with Tom Cruise. That same year, Foxx also earned Golden Globe Award and SAG Award® nominations and won an Image Award for Best Actor in a Television Movie for his portrayal of condemned gang member-turned-Nobel Peace Prize nominee Stan “Tookie” Williams in the FX Network movie “Redemption.”
Foxx has a number of films upcoming, including the Seth Gordon-directed comedy “Horrible Bosses”; F. Gary Gray's action thriller “Kane & Lynch,” opposite Bruce Willis; and the comedy “Skank Robbers,” which he also wrote and is producing. His recent film credits also include Garry Marshall's hit ensemble romantic comedy “Valentine's Day,” the thriller “Law Abiding Citizen,” Joe Wright's drama “The Soloist,” the thriller “The Kingdom” and Bill Condon's screen adaptation of the Broadway musical “Dreamgirls.” Foxx also executive produced the film “Life Support,” starring Queen Latifah, which closed the 2007 Sundance Film Festival.
Foxx's big-screen break came in 1999 when Oliver Stone cast him as a star quarterback in “Any Given Sunday.” In 2001, he co-starred with Will Smith in Michael Mann's acclaimed biopic “Ali.” His additional film credits include Michael Mann's “Miami Vice,” with Colin Farrell; Sam Mendes' Gulf War drama “Jarhead,” with Jake Gyllenhaal; “Stealth”; Antoine Fuqua's “Bait”; “Booty Call”; “The Truth about Cats & Dogs”; and “The Great White Hype.”
Foxx first came to fame as a comedian. After spending time on the comedy circuit, he joined Keenan Ivory Wayans, Jim Carrey, Damon Wayans and Tommy Davidson in the landmark Fox sketch comedy series “In Living Color.” In 1996, he launched his own series, “The Jamie Foxx Show,” which was one of the top-rated shows on The WB Network during its five-year run. Foxx also served as co-creator and executive producer, and directed several episodes. His first HBO Comedy Special, “Jamie Foxx: I Might Need Security,” premiered in February 2002.
In addition to his acting success, Foxx has also achieved a thriving music career. His first album, Unpredictable, topped the charts in late 2005 and early 2006 and spawned the NBC special “Unpredictable,” in which he performed with such artists as Mary J. Blige, Common, Snoop Dogg, The Game and Angie Stone. He has been nominated for eight Billboard Music Awards, three Grammy Awards, a Soul Train Music Award, and two American Music Awards, winning for Favorite Male Artist. Foxx's latest album, 2008's Intuition, debuted at number three on the Billboard 200 chart and spawned the chart-topping single “Blame It.” Foxx recently wrapped up his “Blame It Tour” in support of the album. On January 31, 2010 Jamie Foxx and T-Pain's “Blame It” won in the category of Best R%B performance by a duo/group with vocals at the 52nd Annual Grammy Awards.
ABOUT THE FILMMAKERS
TODD PHILLIPS (Director/Screenwriter/Producer) most recently directed and produced the 2009 blockbuster hit comedy “The Hangover,” starring Bradley Cooper, Ed Helms, Zach Galifianakis and Justin Bartha. The film became the highest grossing R-rated comedy of all time and won a Golden Globe for Best Motion Picture – Comedy or Musical. He is currently in production on the much-anticipated sequel, “The Hangover 2,” which reunites the cast.
Phillips started his career as a documentary filmmaker, inspired by humor taken from everyday reality and the belief that the truth is often stranger than fiction.
His first film, “Hated,” portrayed the revolting antics of extreme punk rocker G.G. Allin and became an instant underground sensation. It was released in the summer of 1994 and went on to become the highest grossing student film of its time.
He followed that in 1998 with “Frat House,” a documentary that he produced and directed for HBO's popular “America Undercover” series. “Frat House” premiered at the 1998 Sundance Film Festival and won the Grand Jury Prize for documentary features. The unflinching exposé of life in fraternities created a public controversy that eventually caused the film to be shelved by HBO. Phillips still hopes to release it in the future.
After meeting producer Ivan Reitman at Sundance, Phillips made his crossover to features with 2000's “Road Trip,” which established him as a new force in comedy. He simultaneously produced and directed “Bittersweet Motel,” a documentary on musical cult phenomenon Phish.
In one way or another, Phillips' films explore the nature of male relationships, and in doing so he has worked with some of Hollywood's biggest comedic actors, writing and directing such films as “Old School” in 2003, “Starsky & Hutch” in 2004, and “School for Scoundrels” in 2006. Phillips was nominated for a 2006 Academy Award® for Best Adapted Screenplay for his work on “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan.”
DAN GOLDBERG (Producer) marks his fifth film collaboration with Todd Phillips on “Due Date.” Previously, he served as producer on Phillips' “Old School,” “Road Trip,” “School for Scoundrels” and most recently, “The Hangover,” which won a Golden Globe Award for Best Motion Picture – Musical or Comedy and is the highest grossing R-rated comedy of all time. Goldberg will next produce “The Hangover 2” with Phillips, releasing in 2011.
Goldberg also produced the outrageous comedy “Howard Stern's Private Parts” and the animated comedy adventure “Space Jam,” starring Michael Jordan, and was an executive producer on Ivan Reitman's romantic adventure “Six Days Seven Nights,” starring Harrison Ford.
His screenwriting credits include the classic comedies “Stripes” and “Meatballs,” both of which he also produced; “Feds,” which he also directed; and the enduring cult favorite “Heavy Metal.”
ALAN R. COHEN & ALAN FREEDLAND (Screenwriters, Story) are best known as Emmy Award-winning writers from the Fox animated show “King of the Hill” and often referred to as “the Alans.”
Among numerous other writing and producing credits, the duo also co-created the Comedy Central cult hit “Kid Notorious,” starring Robert Evans. They are currently co- executive producers on Seth MacFarlane's “American Dad.”
Prior to “Due Date,” the Alans wrote feature scripts for various studios. They currently have several television and film projects in development, including the feature comedy “The Reunion,” for producer Brian Grazer.
A George Washington University graduate, Cohen originally hails from Pittsburgh and worked for several years as a reporter in The Baltimore Sun's Washington, D.C. bureau.
Freedland graduated from the University of Michigan. He grew up in the Detroit area and worked in advertising in Chicago.
ADAM SZTYKIEL (Screenwriter)'s most recent writing credit was the comedy “Made of Honor,” starring Patrick Dempsey and Michelle Monaghan.
He is currently working on a film adaptation of the best-selling memoir “The Game” by Neil Strauss, and has numerous other film and television projects in development.
Sztykiel is a graduate of the University of Southern California School of Cinematic Arts.
THOMAS TULL (Executive Producer), Chairman and CEO of Legendary Pictures, has achieved great success in the co-production and co-financing of event movies. Since its inception in 2004, Legendary Pictures has teamed with Warner Bros. Pictures on such hits as Bryan Singer's “Superman Returns”; Zack Snyder's “300” and “Watchmen”; and Christopher Nolan's “Batman Begins” and award-winning phenomenon “The Dark Knight,” which earned in excess of $1 billion worldwide.
More recently, this highly successful partnership produced Ben Affleck's “The Town”; Christopher Nolan's summer blockbuster “Inception”; the worldwide hit “Clash of the Titans”; Todd Phillips' “The Hangover,” which is the highest-grossing R-rated comedy of all time; and Spike Jonze's “Where the Wild Things Are.” Legendary's upcoming releases include Bryan Singer's “Jack the Giant Killer,” Todd Phillips' “The Hangover 2,” and Zack Snyder's “Sucker Punch.” Legendary is also developing a number of promising film projects in-house, including “Warcraft,” “Godzilla,” “Gravel,” “Paradise Lost,” and a sequel to “300.”
Before forming Legendary, Tull was President of The Convex Group, a media and entertainment holding company headquartered in Atlanta, on whose Board of Directors he also served.
SUSAN DOWNEY (Executive Producer) is a principal partner of Team Downey, the production company she formed with her husband, Robert Downey Jr. A prolific film producer, she has collaborated with some of the industry's most noted talents on films ranging from action blockbusters to dramas to comedies to horror thrillers.
Downey also produced the global hit “Sherlock Holmes,” which opened on Christmas Day 2009 and grossed more than $516 million worldwide. Directed by Guy Ritchie, the film starred Robert Downey Jr., Jude Law, Rachel McAdams and Mark Strong in an action adventure mystery that brought Arthur Conan Doyle's legendary detective to the big screen as never before. She is currently producing the sequel, which again stars Downey Jr. and Law under the direction of Ritchie.
Downey also recently served as an executive producer on the action hit “Iron Man 2,” which earned more than $620 million at the worldwide box office. The follow up to “Iron
Man” reunited director Jon Favreau with returning stars Robert Downey Jr. and Gwyneth Paltrow, and also starred Don Cheadle, Mickey Rourke and Scarlett Johansson.
Previously, Downey held the dual posts of Co-President of Dark Castle Entertainment and Executive Vice President of Production at Silver Pictures. Joining Silver Pictures in 1999, she oversaw the development and production of feature films released under both banners, including “Thir13en Ghosts” and “Swordfish.”
In 2002, she made her producing debut as a co-producer on “Ghost Ship” and then co- produced the 2003 release “Cradle 2 the Grave.” Downey went on to produce the features “Gothika” and “House of Wax,” and also served as an executive producer on the critically acclaimed comedic thriller “Kiss Kiss, Bang Bang.”
Downey later produced Neil Jordan's acclaimed psychological drama “The Brave One,” starring Jodie Foster and Terrence Howard; Guy Ritchie's widely praised crime comedy “RocknRolla,” starring Gerard Butler, Tom Wilkinson, Thandie Newton, Idris Elba, Chris Bridges and Jeremy Piven; the horror thriller “Orphan,” starring Vera Farmiga and Peter Sarsgaard; and the thriller “Whiteout,” starring Kate Beckinsale. She was also an executive producer on the Hughes brothers' post-apocalyptic drama “The Book of Eli,” starring Denzel Washington and Gary Oldman.
Prior to her tenure at Dark Castle and Silver Pictures, Downey worked on the hit films “Mortal Kombat” and “Mortal Kombat: Annihilation.”
Downey is a graduate of the University of Southern California's School of Cinema- Television.
SCOTT BUDNICK (Executive Producer) is Executive Vice President of Production for Green Hat Films, overseeing the development and production of a varied slate of projects including the upcoming “Project X,” set for release in 2011. He most recently executive produced the blockbuster hit “The Hangover,” which won a Golden Globe for Best Motion Picture – Musical or Comedy and is the highest grossing R-rated comedy of all time.
Budnick began his entertainment career in local casting while at Emory University in his hometown of Atlanta, Georgia. Upon graduation, he relocated to Los Angeles, serving as casting assistant on Todd Phillips' “Road Trip” and then as associate to the director on “Old School,” starring Vince Vaughn, Luke Wilson, Will Ferrell and Jeremy Piven. Budnick served associate producer on Phillips' following films, “Starsky & Hutch,” starring Owen Wilson and Ben Stiller and “All The King's Men,” starring Sean Penn and Jude Law, which Phillips executive produced; and was co-producer on “School for Scoundrels,” starring Billy Bob Thornton.
LAWRENCE SHER (Director of Photography) reunites with Todd Phillips on “Due Date,” having previously collaborated on the Golden Globe-winning blockbuster comedy “The Hangover.” His work will next be seen in Greg Mottola's sci-fi comedy “Paul,” with Jason Bateman and Seth Rogan, and David Frankel's comedy “The Big Year,” based on Mark Obmascik's book and starring Owen Wilson, both releasing in 2011.
Sher's other recent credits include “I Love You, Man,” “Trucker,” “The Promotion,” “Dan in Real Life,” “The Dukes of Hazzard” and “The Chumscrubber.”
He worked as director of photography on several smaller films and music videos earlier in his career, coming to the fore in 2001 with the award-winning independent film “Kissing Jessica Stein,” followed by director Zach Braff's “Garden State.”
Born and raised in New York City, Sher studied economics at Wesleyan University where, in his junior year, he turned an interest in still photography into a fascination with motion pictures. Upon graduation, he moved to Los Angeles and began his career as a camera assistant.
BILL BRZESKI (Production Designer) previously collaborated with Todd Phillips on the 2009 Golden Globe Award-winning blockbuster comedy “The Hangover,” for which he received an Art Director's Guild Award nomination for Excellence in Production Design. Brzeski re-teams again with Phillips for “The Hangover 2,” releasing in 2011.
Brzeski's other recent credits include “Flipped,” which reunited him with Rob Reiner, having previously served as production designer on Reiner's “The Bucket List”; and re- teaming with Rob Minkoff' on “The Forbidden Kingdom,” having previously worked on the director's groundbreaking CGI movie “Stuart Little” and its sequel, “Stuart Little 2.” Some of the designer's additional credits include “Deck the Halls,” “Blue Streak,” James L. Brooks' Oscar®-winning “As Good As It Gets” and “Matilda.”
Brzeski received his undergraduate degree from Miami University and his MFA in Design from New York University's Tisch School of the Arts. Originally interested in designing for the ballet and opera, he began his career in the theatre before moving to Los Angeles from New York City and designing more than 800 episodes of television series.
Brzeski also designs commercial spaces, most notably the award-winning Susina Bakery in Los Angeles.
His production design workshops at graduate and undergraduate levels have been hosted by New York University School of the Arts, Miami University, Clemson University and Loyola University Film School.
DEBRA NEIL-FISHER (Editor) re-teams with Todd Phillips on “Due Date,” having served as editor on his blockbuster hit “The Hangover,” the number one R-rated comedy of all time. The film won a Golden Globe for Best Motion Picture - Musical or Comedy and Fisher was honored with an Eddie Award by the American Cinema Editors for Best Edited Feature Film.
Among Neil-Fisher's other feature credits are the hit comedies “Baby Mama,” “Semi- Pro,” “Role Models,” “You, Me and Dupree,” “Without a Paddle,” “Saving Silverman,” and two hugely successful Austin Powers films, “Austin Powers: International Man of Mystery” and “Austin Powers: The Spy Who Shagged Me.” She has collaborated three times with director Donald Petrie on “Just My Luck,” “Welcome to Mooseport” and “How to Lose a Guy in 10 Days.” Her work also extends to other genres, including the dramas “Fried Green Tomatoes,” “The War” and “Up Close and Personal,” as well as the thrillers “Teaching Mrs. Tingle” and “Dr. Giggles.”
In 1991 Neil-Fisher won a CableACE Award for her work on TNT's telefilm “Heat Wave,” for director Kevin Hooks. Among her earlier television credits are “The Amy Fisher Story,” “The Case of the Hillside Strangler” and the TNT thriller “Breaking Point.”
LOUISE MINGENBACH (Costume Designer) marks her fifth project with director Todd Phillips on “Due Date,” a collaboration that began on the feature film “Starsky & Hutch,” followed by “School for Scoundrels” and the 2008 telefilm “The More Things Change...” In 2009, her designs were seen in Phillips' mega-blockbuster “The Hangover,” which won a Golden Globe for Best Motion Picture – Musical or Comedy and is the highest R-rated comedy of all time.
The upcoming actioner “Battleship,” based on the classic board game, reunites Mingenbach with Peter Berg, with whom she worked on “Hancock,” starring Will Smith.
Mingenbach also designed costumes for the 2009 action epic ““X-Men: Wolverine.” Previously, she earned a Saturn Award and a Costume Designers Guild Award nomination for her work on Bryan Singer's “X-Men.” She has teamed with Singer on four other films, including the 1995 thriller “The Usual Suspects,” “X2,” “Apt Pupil” and “Superman Returns,” as well as the pilot for “House M.D.”
Mingenbach's additional feature credits include the Farrelly Brothers' “The Heartbreak Kid,” “Spanglish,” “The Rundown,” “K-PAX,” “Gossip,” “Permanent Midnight,” “Nightwatch,” “The Spitfire Grill” and “One Night Stand.”
CHRISTOPHE BECK (Composer) previously collaborated with Todd Phillips on “The Hangover,” which won a Golden Globe for Best Motion Picture – Comedy or Musical.
He has composed scores for 50 feature films and nearly 20 television shows. With more than 15 years of experience, Beck has scored a wide array of projects, including such action films as “Percy Jackson & The Olympians: The Lightning Thief,” “The Sentinel” and “Elektra”; the comedies “Date Night,” “Charlie Bartlett,” “The Pink Panther” and “Bring It On”; and such dramas as “We Are Marshall,” “Under the Tuscan Sun” and “Year of the Dog”; as well as the Davis Guggenheim documentary, “Waiting For Superman.”
Beck most recently composed music for the comedies “Death at a Funeral,” starring Chris Rock, Martin Lawrence and Tracy Morgan; “Date Night,” with Steve Carell and Tina Fey; “Hot Tub Time Machine,” starring John Cusack; and Chris Columbus' fantasy adventure “Percy Jackson & The Olympians: The Lightning Thief.”
His additional credits include “All About Steve,” “The Greatest,” “What Happens in Vegas,” “Phoebe in Wonderland,” “The Seeker: The Dark is Rising,” “Saved!,” “American Wedding” and “Just Married.”
Beck began his scoring career on the Canadian television series “White Fang,” and from there went on to score three seasons of the hit television series “Buffy the Vampire Slayer,” for which he won an Emmy Award for Outstanding Music Composition.
9 Views
19:28:00 07/18/10
Firestarter Bible Study: John 4:1-26
[LESS INFO] 9 VIEWS | ADDED 19:28:00 07/18/10
READ: John 4:1-26
THINK: What does worship mean to you? Is it a solemn, subdued experience, or an exuberant, exhilarating experience? Does it make you feel awkward, inspired, or nothing at all? The fact is that true worship is not just an experience; it%rsquos a way of life. And true worship is not about you and your feelings; its about God and His worthiness. He deserves honor regardless of your mood or situation. True worship involves more than singing songs, reciting prayers or verbalizing words of praise in a worship service. It involves a lifestyle that truly honors God and brings positive attention to Him. True, godly worship is a heartfelt expression of God%rsquos %ldquoworth-ship,%rdquo from your spirit to His. It is the appropriate response to God%rsquos powerful presence and matchless character. (See article on Worship, p. 608.)
RESPOND: What can we identify about Jesus and His purpose from His conversation with the Samaritan woman? (See 4:7 note.) Why do you think Jesus started the conversation? What%rsquos the %ldquoliving water%rdquo Jesus talked about (vv. 10-11)? (See 4:14 note.) What does it mean to drink that water, and what does that have to do with your personal relationship with Jesus? Why does a person who drinks the living water no longer thirst? What did Jesus mean about Samaritans worshiping %ldquowhat you do not know%rdquo? (See 4:22 note.) What does it mean to worship God %ldquoin spirit and in truth%rdquo? (See 4:23-24 note.) What other things can you can learn about worship from this passage? What%rsquos the significance of %ldquotruth%rdquo as it relates to God? How does truth relate to your life as a follower of Jesus?
PRAY: Ask Jesus to help you reach out to spiritually thirsty people, regardless of their background or your percep- tions. Ask Him to give you a thirst for a deeper relationship with Him, characterized by a lifestyle of sincere worship.
ACT: Ask God to guide you into conversations today with people who need a friend, have a need or are searching for answers. Initiate conversations by expressing sincere interest in others and what they are doing. Trust God to direct you into deeper conversations about spiritual matters. Also, take time when you%rsquore on your own throughout the day to worship God in your own words, acknowledging His attributes like love, wisdom, purity, power, justice, etc.
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01:16:20 09/14/09
Harvey's Kitchen Now You See Them Growing Older
[LESS INFO] 0 VIEWS | ADDED 01:16:20 09/14/09
It involved a tophat. I was around 11 or so. Dave Marshall's former wife, Grace, had made a lovely spread of food suitable for people over 35 and I was talked into dressing up as a punk-rocker which turned, sadly, into a rather odd looking androgynous parakeet. I'm pretty certain I wanted to dress up as a pirate, but you tend to alter details as you get older, so don't hold me to it. "Now you see them ... " Them, being 2 pigeons. With a waft of his hand flourished with an orange silk scarf the magician hypnotized us, well, with his overall creepiness. "Now you don't!" Sadly, we did. The pigeons cooed. Dulci, Chris, Shane, and jason tumbled up our stairs on another one of those blazing summer days in July, happily. Unbeknownst to them, they would be subjected to thousands of watts of tungsten light in a tiny room with no air conditioning. We did provide water and paper towels for them to wipe off the brow sweat. This band came highly recommended and once directed to their myspace page I couldn't help but replay the songs over and over and over again. They're magical. They make your heart lighter and lifted the accumulated stress from months of editing video, shooting commercials, and staying up far too late, far too often. It was quite a reward. We're happy to announce that this great band will be playing on the opening night, Oct. 1st, of the first annual Monkeywhale Festival alongside Holy Ghost Tent Revival and Eating the Invaders. Praise for Now You See Them: "Quirky-cute trio Now You See Them (folk-pop) landed a Bele Chere stage slot by beating out the competition in ?Last Band Standing,? an online contest (co-sponsored by WNC Magazine,)where Asheville music fans could vote for their favorite artists. Now You See Them burst onto the local scene just a year ago, playing streets and stages and honing their bubbly, irony-tinged and endlessly-hooky tunes. According to one music industry veteran, the sky?s the limit for this up-and-coming act." -- mountain xpress
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23:03:25 10/06/08
V Music "The Universe Bows"
[LESS INFO] 0 VIEWS | ADDED 23:03:25 10/06/08
"The Universe Bows" from the album Wait recorded live at Victory Church in Oklahoma City. Help spread the word about what God is doing through VMusic...call and request to hear this song on your local radio station and check out WWW.VC.TV for praise and worship and relevant teachings 24 hours a day! This album is available on iTunes here: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=268248532%s=143441
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22:43:49 06/26/08
"Song Of Love" Unfold
[LESS INFO] 0 VIEWS | ADDED 22:43:49 06/26/08
"Song of Love" from the album Unfold recorded live at Victory Church in Oklahoma City. Check out WWW.VC.TV for praise and worship and relevant teachings 24 hours a day! This album is available on iTunes here: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=262659713%s=143441
113 Views
03:43:16 04/28/07
Northern Michigan Residents Turn In Tens Of Thousands Of Pharmaceuticals Weighing Over One Ton
[LESS INFO] 113 VIEWS | ADDED 03:43:16 04/28/07
Narcotics Have Estimated Street Value of $500,000Third Annual Earth Keeper Clean Sweep Targeted All MedicinesEarth Day: 2007 Pharmaceutical Clean Sweep(Marquette, Michigan) - Northern Michigan residents honored Earth Day by turning in tens of thousands of pills plus narcotics with an estimated street value of half a million dollars during the third annual Earth Keeper Clean Sweep.The 2007 Pharmaceutical Clean Sweep targeted out-of-date and unwanted medications of all kinds, according to Carl Lindquist, executive director of the Superior Watershed Partnership.Earth Keeper TV will soon have an updated videos and stories about the pharmaceutical collection.Lindquist estimated that over one ton of pharmaceuticals and personal care products were turned in by the public.The "controlled substances" turned in have an estimated street value of $500,000 including narcotics in pill and liquid form, clean sweep organizers said.Several police officers estimated that each one of the narcotics and other controlled drugs had a street value ranging from $5 to $25 per pill.“We had a great public turnout, a lot of people showed up with old medications,” said Lindquist said. “We are again breaking records for the Great Lakes and maybe the nation.”Lindquist said the exact number of controlled substances turned in was still being tallied.About 2,000 people turned in items but the many had also collected pharmaceuticals from other family and friends, organizers said.The 2007 clean sweep went off without a hitch thanks to the U.P. chapter of the Michigan Pharmacists Association, and numerous law enforcement agencies including the DEA and Michigan Sheriff's Association, organizers said. Pharmacists and law enforcement officers were present at all collection sites to ensure security and proper collection of the pharmaceuticals, Lindquist said.The third annual Earth Keeper Clean Sweep was coordinated by the Superior Watershed Partnership and the Cedar Tree Institute, both Marquette-based non-profit environmental groups.The clean sweep was again sponsored by nine U.P. faith communities with 130,000 members (60 percent of U.P. residents), the Superior Watershed Partnership, the Cedar Tree Institute, and the Keweenaw Bay Indian Community.The project involves the congregations of over 140 churches and temples representing nine faith communities (Catholic, Episcopal, Lutheran, Presbyterian, United Methodist Church, Unitarian Universalist, Baha'i, Jewish, and Zen Buddhist).The clean sweep had over 400 volunteers including 150 members of Thrivent Financial and 40 Northern Michigan University (NMU) students.Financial sponsors again this year include the United States Environmental Protection Agency (EPA) and $15,000 from Thrivent Financial for Lutherans, a not-for-profit financial services membership organization and fraternal benefit society.Rev. Jon Magnuson, Earth Keeper Initiative founder, said "one of the gifts that the faith community brings to the environmental movement is that the external damage done in the environment is a reflection of what is going on in the human condition, in the human heart - so as we heal and cleanse the Earth, we are also healing the human heart.”“We are in trouble with the way we live with the Earth, we have lost our balance" but projects like the clean sweeps are one example of humans correcting man-made problems, said Rev. Magnuson, co-organizer of the clean sweeps and the head of Lutheran Campus Ministry at NMU.Lindquist said the pharmaceuticals will be taken to an EPA-licensed incinerator at Veolia Environmental Services near St. Louis, Missouri.The EPA is funding the collection of pharmaceuticals and personal care products because trace amounts of chemicals from those substances are turning up in America’s drinking water.EPA official John Perrecone from Chicago visited several of the collection sites and praised the Superior Watershed Partnership and the Earth Keeper team for its organization and success pulling off the largest geographical pharmaceutical collection in U.S. history.“From the EPA’s prospective this is an ideal approach for grassroots community members and the faith-based community to work with the federal government, American Indians and others to achieve environmental gain,” said Perrecone, Ecosystem Projects Manager at the Midwestern Region office of EPA located in Chicago.The 19 Earth Keeper sites collect “the whole gamut” of over-the-counter and prescription medications including a wide range of narcotic pain killers, sleeping pills, syringes/needles, and antibiotics.The public also turned in a wide range of personal care products like shampoo, lotions and soaps.Although an environmental project, the pharmaceutical collection had several great side-effects like removing drugs that could be accidentally consumed by children thinking the pills were candy, and preventing diversion of controlled substances such as narcotics by people addicted to prescription medications.Some of the medication was over 100 years old, including 18 large dust-covered antique bottles filled with liquids and powders that Lutheran Mary Sloan Armstrong of Harvey brought to the Messiah Lutheran Church collection site in Marquette.Armstrong said the medicines - some with Latin labels - belonged to her late father J.K. Sloan, who ran Sloan’s Pharmacy in Galva, Illinois for decades prior to his death.“These are drug bottles that were in the basement of my dad’s pharmacy,” said Armstrong. “We’ve had them for about 30 years (since her father’s death) and haven’t done anything with them. We thought this would be a good chance to get rid of the contents.”Pharmacists gathered around Armstrong’s car to get a look at the century old drugs that had a variety of deteriorating cork-like lids.“This stuff goes back about one hundred years, “ said Marquette pharmacist Dave Campana, while lifting several of the bottles out of an old wooden crate.“These are really old powders that they used to make up medications - you don’t find these in pharmacies anymore because they don’t have a need for it. But they used it years ago,” Campana said. “These powders and liquids are considered hazardous waste but they are drugs.”A member of Prince of Peace Lutheran Church in Harvey, Armstrong said some of the bottles have pre-civil war patents and her family plans to search her late father’s basement for more bottles after learning the importance of proper disposal of medicines through the clean sweep.Meanwhile at the St. Peter Catholic Cathedral collection site in Marquette, one person dropped off a “turn-of-the century” black folding case containing eight small bottles filled with powders.“This is what would have been a doctor’s traveling pharmacy,” said Marquette pharmacist Kent Jenema, while showing the leather zippered case to an EPA observer. “This has a lot of old patent type medications from mostly natural sources that predates some of the pharmacy that we know today.”The third annual Earth Keeper Clean Sweep was praised by America’s Drug Czar, law enforcement officers and prosecutors."Prescription drug abuse is a serious problem across the Nation, increasingly affecting families who have been untouched by illegal drug use," said U.S. Drug Czar John Walters, the director of the White House Office of National Drug Control Policy (ONDCP) and a member of the President's CabinetWalters cited the 2007 Pharmaceutical Clean sweep across northern Michigan as an example of “community engagement in properly disposing of pharmaceuticals (that) will help us stop and prevent prescription drug abuse, and the harm it can cause.”Remote areas like Michigan’s Upper Peninsula are not immune to prescription drug abuse.About 14 percent of students in Alger and Marquette counties admit using prescription medication to get high, according to a 2006 survey by the Great Lakes Center for Youth Development."And in our own community here in the U.P., it's an under-reported problem and a lot of times prescription drugs that are suitable for abuse can be stolen from people for whom they are prescribed,” said Paul Olson, a licensed social worker who works for the Great Lakes Center for Youth Development in Marquette.Katherine Geier removed all the narcotics from her home, delivering OxyContin and other medication to the collection site at St. John the Evangelist Catholic Church in Ishpeming.“My mother had become addicted to prescription pain killers and sleeping pills, so I ended up hiding them from her,” Geier said. “So I had all these narcotics and I did not know what to do with them.”“I did not want to flush them down the toilet,” Geier said. “So I finally found a proper was to dispose of them.”Drug addicts and burglars “will break into people’s homes and steal these narcotic drugs for their own personal gain - they will either use it themselves or sell it on the streets,” said Ishpeming Police Officer Robert Sibley, one of dozens of law enforcement officers stationed at the 19 collection sites. “This is a big problem and we are working on it all the time.”Police were pleased the clean sweep prevented lots of “controlled” drugs from possible diversion to the street.“This is great,” said Marquette Police officer Brandon Boesl, while transferring counted narcotics to a special holding container during the collection at the Messiah Lutheran Church in Marquette.“Some of the most abuse things in the area are prescription drugs and a lot of people after they get their prescription refilled don’t use them - and other family members or children can get a hold of them - and this is a great way to get rid of them,” officer Boesl said.Marquette General Hospital Pharmacist Bob Hodges said “these are controlled drugs and we are inventorying them so that we will have a better record of the drugs that are being collected - it’s required by law.” After counting pills from a dusty bottle filled with narcotics, Ishpeming pharmacist Steve Lyford said “to dispose of these medicines in a safe way is a real good idea.”Over 100 people dropped off pharmaceuticals at the First Presbyterian Church in Escanaba, MI. Including over 3,700 (controlled substance) pills.Some participants held medications "for many years after the death of a relative because they did not know what to do with it," said Jill Wiese Martin, site manager and a member of the First Presbyterian Church in Escanaba, MI."Most people were relieved to be able to bring this material in without any hassles and many were very aware that this material should not be just flushed," said Wiese Martin, adding many participants were frustrated that left over medicine goes to waste when it is replaced by new treatment."We need a systematic way to routinely and safely dispose of unused and unwanted medications," said Wiese Martin, an environmental scientist. "An organized means for collection and disposal just does not exist."Removing pharmaceuticals and personal care products is important to protect the many rivers in the Escanaba area, and on Lake Michigan bays that are world renown walleye fisheries."Little Bay de Noc is a very rich ecosystem, one of the richest due to it's complex geology, geography and the many surface water streams that discharge in to it," Wiese Martin said.In addition to being an environment professional, Wiese Martin says protecting the water is important part of her Presbyterian faith."We need to protect and preserve God's creation for all, even to the extent that future adverse outcomes can be avoided and minimized," Wiese Martin said. "It provides an another mission opportunity in God's world and hope to our children that we care about the world we are leaving them."The city of Escanaba, Bay de Noc Community College and public school educators are "actively promoting a number of issues" including "the importance of wetlands to the entire bay ecosystem," creating "a walkable community" and reducing the "human/consumer waste stream," Wiese Martin said.At the First Lutheran Church in Gladstone, about 75 people dropped off medicines and security was provided by Michigan State Police and Gladstone Public Safety Officers, including some in plain clothes."This was a wonderful event - a perfect marriage of two concerns - care of the environment and the need to remove drugs that might otherwise be abused from the community," said Pastor Jonathan Schmidt.Delta County Prosecutor Steve Parks visited the Gladstone clean sweep location and told the site manager he was pleased to see narcotics and other prescriptions drugs removed from his community.Northern Michigan University student Miranda Revere said while volunteering at the First Lutheran Church in Gladstone she learned how severe the prescription drug abuse problem is from the Delta County prosecutor and the pastor.“Delta County has a problem with teens abusing prescription drugs, so finding people to help at the pharmaceutical collection was not difficult at all,” said Revere, a 21-year-old business management major from Clio, MI.“The county prosecuting attorney discussed the committee that has been put together to help this problem,” said Revere, who has attended NMU for three years.For the year in a row, 10-year-old Eve McCowen volunteered at the Messiah Lutheran Church in Marquette and was assigned the task of taking bags full of personal care products and non-prescription medications and dumping them into large holding containers. “We came here to collect the vitamins, pills and any other medicines - so they won’t pollute the earth anymore,” said McCowen, a fourth grader, who volunteered with her parents and other members of the Marquette Baha'i Spiritual Assembly.“There has been a lot of stuff and I have been dumping them into this barrel,” said McCowen with a huge grin.The Northern Michigan University EarthKeeper (NMU EK) Student Team sent volunteers literally hundreds of miles to all 19 collections sites.NMU EK project director Jennifer Simula said the students really enjoy doing their part to protect the environment.“They are wearing green T-shirts and they all have smiles on their faces,” said Simula as three students each emptied several large shopping bags full of medicines and person care products.“The students are greeting everybody as they come in, providing hospitality and letting everyone know what’s going on and that they are involved in a great project,” said Simula, who is a student leader in Lutheran Campus Ministry at NMU.The students have many projects and are working on setting up chapters at three other U.P. universities while still keeping up with classroom assignments.“The pharmacists brought knowledge of all the things we collect, the law officers praised us for getting these drugs in a secure place and out of the potential of being abused,” said Michael Rotter, a senior majoring in botany.“The amazing thing about the clean sweep, is me being a 21-year-old Buddhist college kid can sit down and talk to a 30 year old pharmacist father and we can both relate to the 50-year-old Methodist pastor,” Rotter said.The Earth Keepers “had people from the community drop off pharmaceuticals for friends and family members” adding it was such a “beautiful day” many walked to their collection site, said NMU EK Student Team member Ashley Ormson of Negaunee, a sophomore with a double major in International Relations and French.“I was very happy that everything went smoothly for the three hours, and we didn't encounter any complications,” said Ormson, a member of Messiah Lutheran Church and student leader with Lutheran Campus Ministry at NMU.NMU EK Student Team member Matt Nordine, who volunteered at the UMC church in St. Ignace, did not mind the four-hour round trip drive because “it was good to actively participate in Earth Day.”NMU EK team member Lauren Murphy said it is easy to mix her studies and getting good grades with several environmental projects because “we keep a good balance - on the weekends we go to our projects and help out and during the week we go to the Earth Keeper meetings after class.”“We collected a lot of medicines, old suntan lotions, eye drops, cosmetics and other stuff like that,” said NMU EK team member Kristy Knutson, while going thru bags of items dropped off by Marquette residents.“Lots of controlled substances came through that won't get sold or end up in the water,” said Rev. Tari Stage-Harvey, pastor of the Zion Lutheran Church in St. Ignace and Trinity Lutheran Church in Brevort (combined 100 parishioners).Rev. Jim Balfour, pastor of United Methodist of St. Ignace, said he was “happy to see people from so many churches help” with the clean sweep."It is wonderful to work in a community where the churches come together easily to address the threats to God's world," Pastor Balfour said.Pastor Balfour thanked Earth Keepers for the clean sweeps and literature that was passed out to the public because it helps "people understand how many of the common items of our daily lives can be a threat to the environment when they have out lived their usefulness."Presbyterian Earth Keeper team member Sue Piasini of Sagola said she "saw a flock of geese when I was going to the clean sweep and I thought ‘we are going to take care of the water for you' and it was such a nice sunny day."Three pharmacists from two retail stores "never stopped counting pills during the entire three hours," said Piasini, who volunteered at the Salvation Army Bread of Life Center in Iron Mountain."One plastic bag had over 2,000 pills and they had to sort them all out," said Piasini, a member of Grace Presbyterian Church in Sagola, MI.Members of several faith communities were among the volunteers and everyone was in a great mood "joking and having a fun time," said Piasini.Earth Keeper surveys were filled out by all 94 people, mostly senior citizens, who dropped off pharmaceuticals and many brought in drugs collected from family and friends, Piasini said."One person brought a full duffel bag" of pharmaceuticals, said Piasini, who has two grandchildren and is the mother of four grown children.Bishop Alexander K. Sample, Roman Catholic Diocese of Marquette, said he is “thrilled” with the results and was especially happy about the large youth involvement in protecting the environment and taking prescription drugs off the streets.“It is wonderful to see that the younger generation is at the heart of this Earth Keepers effort,” said Bishop Sample, who oversees 97 U.P. parishes and missions with 65,400 members. “They understand better than many, the connection between faith and care for creation, God's gift to us.”“We have to be concerned about our young people and the world we will hand on to them,” Bishop Sample said.“It is a way for us, as people of faith, to show our concern for the world that our Creator has entrusted to our care and stewardship,” Bishop Sample said.Catholic Earth Keeper team member Kyra Fillmore, a 29-year-old mother of two small children, said “people were unloading medicines from deceased relatives or from past illness.”"This collection was a quieter, more personal event," said Fillmore, a member of St. Louis the King Catholic Church in Harvey. “I'm grateful that Earth Keepers could provide a comfortable place for people to - in a sense - release past pains and help keep our water clean as well.”Catholic Earth Keeper Linda of Marquette, who drove five hours round trip to volunteer at the Our Lady of Peace Catholic Church in Ironwood, MI, called the clean sweep "a most spiritual event for cleansing the soul of medicinal toxins."O'Brien believes participants "shed the reminder of pain from loved ones or oneself physical medicinal needs.""Residents were able to make their home environment safer by disposing of unused or unwanted medicines and old health care products in an ethical way," O'Brien said. "They responded knowing that they are also contributing to the health and safety beyond their own doorstep."Retired steelworker Don Flint of Ironwood said his wife, Betty, cleaned out their medicine cabinets "to get rid of medications that we don't want any more" because "we've become more aware that it's not the right thing to do to flush pharmaceuticals down the toilet."A Lutheran, Flint, 64, dropped off old antibiotics, arthritis pain medicine, aspirin, Tylenol and lotions at the Our Lady of Peace Catholic Church collection site in Ironwood.The Flints are members of the (ELCA) Salem Lutheran Church in Ironwood, which recently formed the Christ Lutheran Parish with 3 other ELCA churches in Ironwood.Episcopal Diocese of Northern Michigan (EDNM) Bishop James Kelsey, who brought several old medications to a Catholic collection site, said he hopes that others will follow the example of the Earth Keeper team and that the clean sweeps are “a catalyst for a movement much bigger than our demographics” in remote northern Michigan with a population of about 260,000 people spread across hundreds of square miles.“Care for the environment is an expression of love for God and one another," said Kelsey, who serves as Bishop for 27 Episcopal congregations with 2,500 members in the U.P.Evangelical Lutheran Church of America Lutheran Bishop Thomas A. Skrenes of the Northern Great Lakes Synod (NGLS), who volunteered at the Fortune Lake Lutheran Bible Camp in Crystal Falls, said the public was happy to participate and had an “eagerness about being a part of the solution.”“It was a morning of solutions to difficult problems and I am proud of my church," said Bishop Skrenes, the head of 91 U.P. Lutheran congregations with 40,000 members.The NGLS also includes Finlandia University in Hancock and the Northland Lutheran Retirement Community in Marinette, WI.Jewish Earth Keeper Jacob Silver of Negaunee Township said future health of the planet will depend on how youth are motivated by adults - and protecting nature is clear in the annual teachings and observations of Tikkun Olam and Passover. “It is important that adults and parents are seen by youth to be carrying out the moral obligation for Tikkun Olam,” said Silver, one of 70 members of Temple Beth Sholom in Ishpeming, MI. “This creates a reality for the youth - thus, it spreads the message to care for the environment across generations.”Silver said “for Jews, the Earth is all we have.”“There is no mention, thus no concept, of existence after death in the five books of Moses, our Torah,” Silver said. “So, the welfare of the planet is always a prime commitment for Jews.”“There is nowhere else, and if we foul the Earth, we can be left ultimately homeless,” Silver said.Silver added that “the welfare of the Earth, and its parts, is a primary commitment for Jews.”“The Earth Keepers provide, not only an opportunity to help heal the Earth, but also collaboration with members of faith communities in the area - it is a wonderful organization,” Silver said.For the third year in a row, northern Michigan Zen Buddhists volunteered at the Grace United Methodist Church in Marquette, and the head priest said it is "the beginning of a tradition and it felt good to be back there on Earth Day" with UMC Rev. Charlie West and "his hospitable crew doing something for the earth and raising consciousness about yet another hazard that is degrading and poisoning our environment.""Each year during the Clean Sweeps, I see wider involvement and more publicity, and each year I see more evidence of young people participating, which is absolutely a necessity over the long haul," said Reverend Tesshin Paul Lehmberg, leader of the Lake Superior Zendo - a Marquette Zen Buddhist temple.Rev. Lehmberg said his 15-year-old daughter, Freya, and Rev. West’s 13-year-old son, Christopher, were excited to volunteer."We're passing along our enthusiasms, and our worry" over the environmental condition of the earth and that youth concern for nature and involvement is essential to the future of the planet, Rev. Lehmberg said.Dr. Rodney Clarken, chair of the Marquette Baha'i spiritual assembly who volunteered at a Lutheran church, said "the interfaith aspect of this project has given it a unique energy and power - when you see the results over the past three years" adding that he hopes people will see the connection between protecting the Earth and their spiritual beliefs."The environmental crisis is foundationally a spiritual crisis, and until you address those spiritual issues you will not have significant impact on the environment. ," said Clarken, NMU interim associate dean of Teacher Education and director of School of Education, adding there are about 40 members of Baha'i in Marquette (about 100 in Upper Peninsula) , and 144,000 in the United States (about 6 million world wide)."In our world of rapid and accelerating change, protecting our environment, both physically and spiritually, is increasingly critical and challenging," Clarken said. "Baha'is believe that only in seeking spiritual solutions to our material problems will we be able to sustain and advance civilization."Clarken said that Baha'ullah - the Prophet-Founder of Baha'i - wrote: "The earth is but one county, and mankind its citizens."United Methodist Church (UMC) Marquette District Superintendent (DS) Grant R. Lobb said the words "cleaner water" kept popping into his mind as he stood in "the warm parking lot watching a number of individuals and couples bringing in their outdated pills, tablets and syringes" into the basement of the Grace United Methodist Church in Marquette.The clean sweep means "cleaner water for all of us," said Lobb, DS of the Marquette District of the Detroit Annual Conference UMC, which has 8,372 parishioners and 60 northern Michigan congregations.Supt. Lobb said he is "impressed by the participation of our senior citizens, who not only took the time to look through their cupboards and cabinets for outdated medicines, but also made the effort to drive to the collection sites in order to turn in their items."Catholic Earth Keeper team member Kelly Mathews of Big Bay, and her husband, Chris Mathews, 45, brought numerous medicines bottles to the collection including 18-year-old prescription sinus medication they found while recently cleaning out their medicine cabinet.Mathews said she “could not believe the amount of unused medication” adding America’s medical system needs to find a way to prevent the waste of these drugs.“Some people brought in bottles with 50 to 80 more pills,” said Mathews, a 36-year-old mother of two who says her family switched to natural remedies years ago because they believe those medications are usually safer than prescription medicines.“I found the financial waste was totally unnecessary; those drugs were paid by someone - who would have thought that there would be so much going to waste,” Mathews said. “Many people commented on how much the drugs had cost and that they never actually used them. I wonder, why the excess?”Marquette Unitarian Universalist Congregation (MUUC) Earth Keeper team member Gail Griffith of Marquette agreed with Mathews that the waste of medicine in America is sad.“The pharmacist at Grace United Methodist told me that a drug I turned in, with an expiration date in 1992, was worth over $600,” Griffith said. “It had been prescribed but not completely used.”“It's too bad that so much money is used to buy pharmaceuticals that end up as trash, but we need to insure that trash doesn't end up harming our waters,” Griffith said.Presbyterian Earth Keeper team member Lynnea Kuzak, who volunteered at the First United Methodist Church in Manistique, said she was thanked by a resident who lost her husband to cancer last September and wished that all his medication had been properly disposed."Another person told me ‘I didn't like putting them down the toilet,’ " said Kuzak, 28, the director of Christian Education at First Presbyterian Church in Marquette.Presbyterian Pastor Dave Anderson of Iron Mountain is thankful for the interfaith clean sweeps because “I worry about the legacy our generation will leave for future ones, but it is good to know that we are doing something about it through opportunities like this.”Rev. Anderson, who serves as the chaplain for the Dickinson County Health Care System, added that “we all need to realize that the pick up and disposal of polluting waste like electronic equipment and outdated pharmaceuticals is making a big difference now and for future generations.”"As God's children, we feel like we are provided a concrete, tangible way to make a difference in our environment,” said Rev. Anderson, who is pastor of the Grace Presbyterian Church in Sagola.”Lutheran Joy Ibsen said on the Sunday morning following the clean sweep her Lutheran congregation sang “We Gather at the River-- the beautiful, the beautiful river.”I couldn't help but think how perfectly that song was for us on Earth Day,” Ibsen said. "To me, there is a special symbolism in this year's Clean Sweep--preventing pharmaceuticals from entering our water systems.”Ibsen said she was struck by how many prescriptions were thrown away because of serious side effects despite advances in medical care.“So many of our environmental problems come from the side effects of our advanced society - and every prescription has side effects,” said Ibsen, the organist at Trinity Lutheran Church in Trout Creek, MI.“One woman told me she had paid $140 for a certain prescriptions which gave her nothing but welts - she could not take it because of her allergic reaction, said Ibsen, lay minister, vice president of the church council at Trinity Lutheran.Ibsen said, like people, “the earth and water is allergic to many powerful prescriptions and chemicals.”Mary Klups of Ontonagon County brought in several types of pain and blood pressure medication, including two bottles of morphine, leftover from her late husband’s cancer treatment.“I had several drugs I have kept, waiting to dispose of in the right way,” said Klups, while dropping off pharmaceuticals at the White Pine Community United Methodist Church.“I also have several of my own medications including some very expensive medicine that did not work out because I had an allergic reaction to it,” Klups said. “I really appreciate having a way to get rid of all this.”White Pine pharmacist Chuck Blezek said “for years we told people to flush old prescriptions down the toilet - it is only lately that we have found out that it is the wrong thing to do.”“This is a very worthwhile thing Earth Keepers is doing,” Blezek said.Wayne Sparks of White Pine said he dropped off drugs “because I don’t have any other good way of disposing of these medications.”UMC Earth Keeper team member Rev. Charlie West said that church members “felt really good about providing this service for the community.”“These chemicals should not be loose in the creation - we're glad they will be disposed of carefully," said Rev. West, pastor of the Grace UMC in Marquette and project director of the first clean sweep. "We had some over the counter medicine from 20 years ago - and we saw a lot of the same people we have seen over the past two years” at the previous clean sweeps.Two weeks after a lengthy blizzard that dumped over five feet of snow, those participating enjoyed sun with temperatures in the 70's, that Rev. West described as “a good day to be disposing of chemicals carefully - so the creation will continue to be healthy and wholesome.”Messiah Lutheran Church Pastor Nancy Amacher praised the police for standing watch, pharmacists “who utilized their knowledge and expertise,” NMU students that “helped wherever needed” and others for “helping out on a sunny Saturday morning when they could have been sleeping in or doing their own thing.”“As people of faith we believe the earth is God's created gift and part of our stewardship is to care for ourselves as well as the forests, waterways, and their inhabitants,” said Rev. Amacher.Munising United Methodist Church site coordinator Phil Hansen said many participants collected from family and friends and “almost all people brought in large quantities of items” filling plastic grocery bags.“We had more controlled substances turned in than we expected,” said Hansen., adding security was provided by Munising Police Chief Steven Swanberg and Lt. Mike Nettleton. “People were happy that a pharmacist was on duty and their privacy was protected.”Hansen said many people were previously “unaware that throwing away medicine or flushing it was harmful and they will not do that in the future.”Gee Petruske collected items from his community in remote Grand Marais and made an hour-long special trip to Munising to deliver the items. Background:The EPA and Lindquist said the clean sweep targeted medicines because trace amounts of pharmaceuticals are turning up in America's rivers, lakes, and drinking water.The EPA says most treatment plants are not designed to filter out these medications.When pills or liquid medicines are poured down the sink or flushed down the toilet they remain diluted in the water supply after treatment and these trace amounts are suspected of causing a range of health problems, according to the EPA.As leftover and waste pharmaceuticals get flushed down drains, research is showing that they are increasingly being detected in our lakes and rivers at levels that could be causing harm to the environment and ecosystem," said Elizabeth LaPlante, senior manager for the EPA Great Lakes National Programs Office in Chicago, Ill"Specifically, reproductive and development problems in aquatic species, hormonal disruption and antibiotic resistance are some concerns associated with pharmaceuticals in our wastewater," LaPlante said."The Earth Keeper Pharmaceutical Collection event, therefore, is an excellent opportunity to prevent the introduction of these chemicals into Lake Superior and other water bodies," LaPlante said.Lindquist said that recent national studies have documented that over 80 percent of the rivers sampled "tested positive for a range of pharmaceuticals including antibiotics, birth control hormones, antidepressants, veterinary drugs and other medications."Lindquist said some urban centers have even detected "traces of pharmaceuticals in their tap water."Pharmaceuticals in some rivers have also been linked to behavioral and sexual mutations in species of fish, amphibians and birds, according to EPA studies.Pharmaceutical compounds known as endocrine disruptors have even been linked to neurological problems in children and increased incidence of some cancers, Lindquist said.There were 19 drop off sites across a 400 mile area (and in all 15 counties) of Michigan's Upper Peninsula that open Saturday, April 21, 2007 from 9 a.m. to noon local time on Earth Day eve.In 2006, over 320 tons of electronic waste (old/broken computers, cell phones etc.) were dropped off in just three hours by an estimated 10,000 U.P. residents. It took 9 semi trucks to haul the e-waste to an EPA approved recycling centers in the Lower Peninsula.In 2005, the first clean sweep collected 45 tons of household poisons and vehicle batteries. The hazardous waste, including over two pounds of mercury, were properly disposed of in various ways according to EPA and state guidelines.Both previous clean sweeps broke EPA collection records for the Great Lakes, organizers said.Thrivent Financial for Lutherans donated $5,000 for the 2006 clean sweep.Thrivent Financial also awarded a $75,000 Youth Leadership Initiative grant to Northern Michigan University’s Lutheran Campus Ministry in 2006 for development of an on-going program for college students to become involved in the ecological stewardship of the environment. Three other universities are also involved in the program, including Michigan Tech, Finlandia University and Lake Superior State University.Partners who helped make the clean sweep a success include U.S. Senator Carl Levin's Office, U.S. Senator Debbie Stabenow, the NMU Environmental Science Program and many others.Last fall, the Earth Keeper Initiative and its partners were honored with three international awards.The Earth Keeper Initiative received several prestigious awards in 2006 including an international Environmental Stewardship award from the Lake Superior Binational Program and the State of the Lakes Ecosystem Conference (SOLEC) Award.The Earth Keeper Clean Sweep was named one of the 15 hardest working non-profit projects in America in 2006 by World Magazine, an international religious publication.The NMU EK team was created last April as the student wing of the Earth Keeper Intiative. The In addition to assisting in the annual clean sweeps, the NMU EK Student Team has numerous projects including (Adopt-A-Watershed) cleaning, testing, and developing a plan for six tributaries to three of the Great Lakes, recruiting students for chapters at three other U.P. universities, plus youth and adult outreach on practical everyday ways people can reduce human impact on the environment.The Superior Watershed Partnership has on-going programs that including Adopt-Your-Watershed, public environmental education, summer youth programs, land conservation, habitat restoration, energy conservation and numerous opportunities for volunteers to get "hands-on experience" in their communities, national parks, national forests and their local watershed, Lindquist said.For more information on the clean sweep (or the other projects) contact the Superior Watershed Partnership at 906-228-6095 and Greg at 906-475-5068, or email: earthkeeper@charter.netEarth Keeper TV:http://earthkeepers.blip.tv/Earth Keeper related website addresses are:The Superior Watershed Partnershiphttp://www.superiorwatersheds.orgThe Cedar Tree Institute:http://www.cedartreeinstitute.com/The Lake Superior Interfaith Communication Network:http://www.lakesuperiorinterfaith.com/
