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40 Views
20:00:00 12/06/11
A Conversation with Microfinance Pioneer Susan Davis
[LESS INFO] 40 VIEWS | ADDED 20:00:00 12/06/11
Microfinance started as a movement for social justice and women's equality and gave birth to an industry, says Davis. This gave rise to scale, efficiency, and large numbers of people being served--over 150 million of the world's poorest households.
3 Views
17:51:26 10/12/11
More Jobs for Americans: Stand with President Obama to Continue the Fight for Jobs
[LESS INFO] 3 VIEWS | ADDED 17:51:26 10/12/11
Stand with President Obama, join the fight now: http://my.barackobama.com/potusjobsvid The fight for jobs goes on. Senate Republicans have blocked a critical jobs bill that would put Americans back to work right now. But President Obama isn't taking no for an answer from Congress on jobs. Watch a video message from him, laying out what's next in this fight—then say you'll stand with him as we continue to fight for jobs. "Hello everybody, right now there's nothing more important than getting the economy moving and putting Americans back to work. That's why I sent Congress the American Jobs Act, a bill that independent economists have said would grow the economy and lead to nearly two million jobs over the next few years. Last night a majority of United States Senators voted to advance this jobs bill. But even though the American Jobs Act contains the kind of proposals Republicans have supported in the past their party used Senate maneuvers to block this jobs bill from moving forward. They said no to more jobs for teachers, no to more jobs for cops and firefighters, no to more jobs for construction workers and veterans, no to tax cuts for small business owners and middle class Americans. Now a lot of folks in Washington and the media will look at last night's vote and say, "Well that's it, the bill is dead. Let's move on to the next fight." I've got news for them: not this time. Not with so many Americans out of work not with so many families struggling to get ahead. I will not take "no" for an answer and I hope you won't either. This fight will go on. In the coming days we will force members of Congress to vote on the individual proposals in the American Jobs Act. They'll have a chance to vote on whether they believe we should keep teachers out of work or whether we should put them back in the classroom where they belong. They'll get to vote on whether they believe construction workers should stay unemployed while our roads and bridges fall apart. Or whether we should put these men and women back to work rebuilding America. They'll be forced to decide whether we should cut taxes for middle class Americans or let them go up next year. In fact that's exactly what one of the leading Republican Presidential candidates suggested we do during last night's debate: allow taxes to rise by up to a thousand dollars next year for struggling middle class families. That's not how you build an economy where middle class families can get ahead. That's not how we put people to work. And we don't have to except that future. I certainly won't. Last night I had a chance to sit down and have a beer with some construction workers in Orlando, Florida. These are the people this fight is about: proud Americans who want the chance to work hard and get ahead. There are construction projects all across this country that they could be working on right now. The only thing standing in their way is this Congress. We can change this. We have to change this but it's up to you. Already so many of you have done so much to fight for this jobs bill, and I want to thank you for that. But now we need to push even harder. It's your voice that will make a difference to those Senators and Congressmen. You're their boss and only you can make them do their jobs. So if you want action on jobs make yourself heard: make a call, write a letter, send an email --just don't give up. After all we're Americans and we don't quit. We stand up for what we believe in and we get through the tough times together. With your help we can do that right now. We can put people back to work. Give this economy the jolt that it needs and start building an America with a growing, thriving middle class. So let's get busy. Thanks."
0 Views
17:51:26 10/12/11
More Jobs for Americans: Stand with President Obama to Continue the Fight for Jobs
[LESS INFO] 0 VIEWS | ADDED 17:51:26 10/12/11
Stand with President Obama, join the fight now: http://my.barackobama.com/potusjobsvid The fight for jobs goes on. Senate Republicans have blocked a critical jobs bill that would put Americans back to work right now. But President Obama isn't taking no for an answer from Congress on jobs. Watch a video message from him, laying out what's next in this fight—then say you'll stand with him as we continue to fight for jobs. "Hello everybody, right now there's nothing more important than getting the economy moving and putting Americans back to work. That's why I sent Congress the American Jobs Act, a bill that independent economists have said would grow the economy and lead to nearly two million jobs over the next few years. Last night a majority of United States Senators voted to advance this jobs bill. But even though the American Jobs Act contains the kind of proposals Republicans have supported in the past their party used Senate maneuvers to block this jobs bill from moving forward. They said no to more jobs for teachers, no to more jobs for cops and firefighters, no to more jobs for construction workers and veterans, no to tax cuts for small business owners and middle class Americans. Now a lot of folks in Washington and the media will look at last night's vote and say, "Well that's it, the bill is dead. Let's move on to the next fight." I've got news for them: not this time. Not with so many Americans out of work not with so many families struggling to get ahead. I will not take "no" for an answer and I hope you won't either. This fight will go on. In the coming days we will force members of Congress to vote on the individual proposals in the American Jobs Act. They'll have a chance to vote on whether they believe we should keep teachers out of work or whether we should put them back in the classroom where they belong. They'll get to vote on whether they believe construction workers should stay unemployed while our roads and bridges fall apart. Or whether we should put these men and women back to work rebuilding America. They'll be forced to decide whether we should cut taxes for middle class Americans or let them go up next year. In fact that's exactly what one of the leading Republican Presidential candidates suggested we do during last night's debate: allow taxes to rise by up to a thousand dollars next year for struggling middle class families. That's not how you build an economy where middle class families can get ahead. That's not how we put people to work. And we don't have to except that future. I certainly won't. Last night I had a chance to sit down and have a beer with some construction workers in Orlando, Florida. These are the people this fight is about: proud Americans who want the chance to work hard and get ahead. There are construction projects all across this country that they could be working on right now. The only thing standing in their way is this Congress. We can change this. We have to change this but it's up to you. Already so many of you have done so much to fight for this jobs bill, and I want to thank you for that. But now we need to push even harder. It's your voice that will make a difference to those Senators and Congressmen. You're their boss and only you can make them do their jobs. So if you want action on jobs make yourself heard: make a call, write a letter, send an email --just don't give up. After all we're Americans and we don't quit. We stand up for what we believe in and we get through the tough times together. With your help we can do that right now. We can put people back to work. Give this economy the jolt that it needs and start building an America with a growing, thriving middle class. So let's get busy. Thanks."
5 Views
21:44:13 12/04/10
David Rovics - Saint Patrick Battalion
[LESS INFO] 5 VIEWS | ADDED 21:44:13 12/04/10
Described by Amy Goodman as the "musical version of Democracy Now!," Rovics is an internationally celebrated political folks musician. David has traveled the world as a professional flat-picking rabble-rouser, and regularly tours on four continents, playing for audiences large and small at cafes, pubs, universities, churches, union halls and protest rallies. He has shared the stage with a veritable of who's who of the left in two dozen countries, and has had his music featured on Democracy Now!, BBC, Al-Jazeera and other networks. His essays are published regularly on CounterPunch elsewhere, and the 200+ songs he makes available for free on the web have been downloaded more than a million times. Most importantly, he's really good. He will make you laugh, he will make you cry, he will make the revolution irresistible.Palestine Online Store (http://www.palestineonlinestore.com) is the web's leading website marketing products from or about Palestine.This was filmed at MonkeyWrench Books (http://www.monkeywrenchbooks.org).This is a zgraphix production. Produced by Jeff Zavala. http://zgraphix.orgLyrics to Saint Patrick Battalion:My name is John RileyI'll have your ear only a whileI left my dear home in IrelandIt was death, starvation or exileAnd when I got to AmericaIt was my duty to goEnter the Army and slog across TexasTo join in the war against MexicoIt was there in the pueblos and hillsidesThat I saw the mistake I had madePart of a conquering armyWith the morals of a bayonet bladeSo in the midst of these poor, dying CatholicsScreaming children, the burning stench of it allMyself and two hundred IrishmenDecided to rise to the call(Chorus)From Dublin City to San DiegoWe witnessed freedom deniedSo we formed the Saint Patrick BattalionAnd we fought on the Mexican sideWe marched 'neath the green flag of Saint PatrickEmblazoned with "Erin Go Bragh"Bright with the harp and the shamrockAnd "Libertad para la Republica"Just fifty years after WolftoneFive thousand miles awayThe Yanks called us a Legion of StrangersAnd they can talk as they may(Chorus)We fought them in MatamorosWhile their volunteers were raping the nunsIn Monterey and Cerro GordoWe fought on as Ireland's sonsWe were the red-headed fighters for freedomAmidst these brown-skinned women and menSide by side we fought against tyrannyAnd I daresay we'd do it again(Chorus)We fought them in five major battlesChurobusco was the lastOverwhelmed by the cannons from BostonWe fell after each mortar blastMost of us died on that hillsideIn the service of the Mexican stateSo far from our occupied homelandWe were heroes and victims of fate(Chorus)
8 Views
22:54:00 06/29/10
War Crimes: Vanguard Trailer
[LESS INFO] 8 VIEWS | ADDED 22:54:00 06/29/10
Correspondent Kaj Larsen investigates the alarming rise in the number of soldiers who have been traumatized by war and are now accused of bringing the violence home. Of the more than 2 million men and women who have served in the recent wars in Iraq and Afghanistan, as many as a third of them may now have post-traumatic stress disorder, or PTSD. A growing number of these vets are being charged with violent crimes, and Kaj travels to prisons and mental health facilities in Arizona, Colorado and Oregon to hear their stories.
27 Views
22:54:00 06/29/10
War Crimes: Vanguard Trailer
[LESS INFO] 27 VIEWS | ADDED 22:54:00 06/29/10
Correspondent Kaj Larsen investigates the alarming rise in the number of soldiers who have been traumatized by war and are now accused of bringing the violence home. Of the more than 2 million men and women who have served in the recent wars in Iraq and Afghanistan, as many as a third of them may now have post-traumatic stress disorder, or PTSD. A growing number of these vets are being charged with violent crimes, and Kaj travels to prisons and mental health facilities in Arizona, Colorado and Oregon to hear their stories.
3 Views
21:58:58 04/19/10
Unstacking The Deck Ep 04 Censorship
[LESS INFO] 3 VIEWS | ADDED 21:58:58 04/19/10
Unstacking the Deck-Episode 4 Censorshipwith Jason Robo and Kyle BeattieIntroduction: Episode 4 of Unstacking the Deck discusses censorship as a mode of political,economic, and social control. Also the hosts cover the best and worst news stories concerning liberty and tyranny in the world. Interview subjects are the hosts themselves for this episode, explaining some of the difficulties in producing a show and discussing plans for future projects and episodes.Word of the Week: Censor -- (Merriam-Webster) Etymology:Latin, Roman magistrate, from censēre to give as one's opinion, assess; perhaps akin to Sanskrit śaṁsati he praises Date: 1526 1 : a person who supervises conduct and morals: as a : an official who examines materials (as publications or films) for objectionable matter b : an official (as in time of war) who reads communications (as letters) and deletes material considered sensitive or harmful 2 : one of two magistrates of early Rome acting as census takers, assessors, and inspectors of morals and conductDocumentary of the Week: The Revolution Will Not Be TelevisedBook of the Week: Our Unfree Press Compiled by: Robert McChesney and Ben ScottHistory Segment: 1996 Telecommunications Act and its repercussions for our media and the information that we all receive and act on daily. Also the host discuss how it has been a series of moves such as this which have brought about a final circumstance where there are 2-5 corporations that run ALL our news media. This has terrible consequences for everyone in society, to read more about this and other acts which have increased censorship, research here. Also here is more information to read.Quote of the Week: "To prohibit the reading of certain books is to declare the inhabitants to be either fools or slaves" -Claude Adrien HelvetiusFreedom Preservation Tip: Exercise your free speech/expression ie. Write to editors, make a tv show, write letters, knock on doors, talk to people daily/social interactions, make music, write poetry, DON'T BE AFRAID TO SPEAK YOUR MIND!!!News Links:Local:Arkley bank failThe House that Arkley builtNorCal Woman To Be Jailed Over Medical PotState:Undercover booze bust at Nob Hill clubThe $10,000 traffic stopGun rights activists take up arms at Baker BeachCalifornia Assembly speaker OKs $132,000 in staff pay hikes, promotionsNational:Huffington Post Sends Ventura Article to Memory HoleWyoming Governor Signs Sovereignty ResolutionRep. Patrick Kennedy: National Media is Despicable Right NowThe Video That Will Put Geithner Behind BarsAP Exclusive: Pentagon gun was from Tenn. policeMassachusetts SJC rules 2nd Amendment does not apply to statesMonica Conyers gets 37 months in prison in Synagro bribery scandalHave You Received Your Unconstitutional Census Form Yet?Campaign stunt launches a corporate 'candidate' for CongressU.S.paediatrician faces 471 sex charges against 103 child patients after police discover 13 hours of video at his surgery At climaxof healthcare talks, Senate employees told to avoid the Drudge report for virus dangers that don't existH1N1 to be included in next years flu shotsHuffington Post Kills Jesse Ventura’s Piece On 9/11 Ventura's edited remnantsFailed Banks May Get State Pension-Fund Backing as FDIC Seeks Cash Reality Reversals Continue: Scientists Now Propose That Ritalin Boosts LearningUS Judge upholds case implicating RumsfeldTo Stop Crime, Share Your GenesVisualizing obamas budget cutsWorlds billionaires gates in second on the fixed list from forbesReality Reversals Continue: Scientists Now Propose That Ritalin Boosts LearningCould Lehman be Ernst & Young's Enron?Congressman Ron Paul returns a whopping $100,000 of his office budget to the US TreasuryVirginia First State to Pass Health Care Freedom Act: 38 States Lining Up Against ObamaCareUtah to Challenge Federal Land Ownership — Henry LambUtah Governor signs into law a bill that claims total state control over firearms and ammunition production and sales within the state'sborders.Colorado State University imposes gun ban, but County Sheriff James Alderdenrefuses to enforce it,DEMINT: White House land grab : Proposal to seize land would favor animalsover Americans“Coffee Party” Founder Is Obama Campaign OperativeFood Security Threat: Goverment Set to Ban Public Fishing, Individual Food ProductionObama sides with MPAA, RIAA, backs ACTAClassmates.com to pay 9.5 over phantom friendsOn Social networks you are who you knowFCC wants you to test your broadband speedsFCC speed tools have 50-85% disparityFormer TSA analyst charged with computer tamperingInternational:Security industry faces attacks it can't stopPhone allows bosses to spy on staffgvnt internet filter live in NZIsrael says `bad options' for Iran getting closerPeople needed to watch for the suns coronal mass ejectionsCIA filled French bread with LSD in experiment during 1950sMan fined over Facebook insult to ex-girlfriendYour Neighbour Is a Terrorist According to talkSport UKLED lights a wireless internet sourceVitamin D better than vaccines at preventing flu, report claimsInternet threatens rare species, conservationists warnChina denounces Google 'US ties'Green fuels cause more harm than fossil fuels, according to reportChinese granny buried alive by property developersAU Filter vendor skeptical of effectivenessChavez Calls for Net ControlsGoogle 99% likely to leave China, no censorship compromise1 in 3 Killed by U.S. Drone Attacks In Pakistan Are CiviliansUse Cash And Enjoy Privacy? You’re A Terrorist Spy chips hidden in 2.5 MILLION dustbins: 60pc rise in electronic bugs as council snoopers plan pay-as-you-throw taxUK may requires competence test to own dogsBill Gates: Use Vaccines To Lower Population U.N.hypocrisy on women’s rightsGovernment demands thicker chips to help Britain's obesity crisis Bankof America warrants sale raises $1.54 billionPope under fireMuslim women who refused to take 'naked' full-body scan are barred from Manchester to Pakistan flight Themind-reading machine: 'Psychic' computer invented that can tell what you're thinkingAcknowledging Climate-Gate, U.N. to Announce Review of Climate Panel PR MoveUS Senate's top climate sceptic accused of waging 'McCarthyite witch-hunt'Argentinian Couple Shoot Kids, Kill Themselves Over Global Warming Stunning pictures of a solar corona where temperatures around Sun reach 2,000,000c MEPs vote overwhelmingly for an EU Tobin Tax10-year-old child was added to the registry after he called a friend a "gay boy." Israel,Syria pursue nuclear-powered MideastLandslide vote in Iceland renounces debt repaymentSaffron could save your eyesightNewly Discovered Old Russian Folk Remedy Prevents and May Cure CancerThe virtual battles where soldiers can't die: MoD trains Army to fight using sophisticated video games
9 Views
17:46:49 04/11/10
Date Night starring - Steve Carell and Tina Fey
[LESS INFO] 9 VIEWS | ADDED 17:46:49 04/11/10
Action-comedy maestro Shawn Levy, the director of the blockbuster “Night at the Museum” franchise, teams up with two of the comedy world’s biggest talents, Steve Carell (“The 40 Year Old Virgin,” “The Office”) and Tina Fey (“Baby Mama,” “30 Rock,” “SNL”) for an adventure that turns a run-of-the-mill married couple’s date upside down – way upside down, in DATE NIGHT.
Phil (Carell) and Claire Foster (Fey) are a sensible, loving couple with two kids and a house in suburban New Jersey. The Fosters have their weekly “date night” – an attempt at re-experiencing the spice of the dates of yesteryear, involving the same weekly night out at the local Teaneck Tavern. Their conversations quickly drift from barely-date talk to the same chore-chat they have at the dinner table at home. Exhausted from their jobs and kids, their dates rarely end in fore- or any other kind of play, let alone romance.
After seeing two of their best friends – another married couple with kids in suburban New Jersey – split apart from living the same life they themselves lead, Phil and Claire begin to fear what may lie ahead: a state of bland indifference and eventual separation.
In an attempt to take date night off auto-pilot, and hopefully inject a little spice into their lives, Phil decides a change of plans is in order: take Claire into Manhattan to the city’s hottest new restaurant. The Fosters, however, don’t have reservations. Hoping to be seated sometime before the clock strikes twelve, they steal a no-show couple’s reservations. What could it hurt? Phil and Claire are now the Tripplehorns.
The real Tripplehorns, however, it turns out, are a thieving couple who are being hunted down by a pair of corrupt cops for having stolen property from some very dangerous people. Forced on the run before they’ve even finished their risotto, Phil and Claire soon realize that their play-date-for-parents has gone hilariously awry, as they embark on a wild and dangerous series of crazy adventures to save their lives. . . and their marriage.
The ritual “date night” dinner is something all too familiar to most married couples – even directors of blockbuster movies. “I was in the process of making the second Night at the Museum film,” recalls filmmaker Shawn Levy, “and, as is kind of our ritual, once a week, my wife and I go out to dinner.”
At one such dinner, the Levys found themselves sitting at the restaurant they frequented, ordering the same food, talking about the kids, what’s coming up that weekend, who’s going to buy the gift for which birthday party, etc., etc. “In the middle of all that, I said to my wife, ‘Wouldn’t it be cool to do a movie about a date night, where you just did one thing differently? And, from there, you have an unraveling of everything, to the point of it threatening your life and your marriage, with all kinds of crazy stuff going on. But, in the midst of all that crazy stuff, you end up recapturing the vitality that date night was invented in the first place to preserve.’”
The next morning, Levy came in to his production company office and told his staff, “Okay, we’re going to do a movie called DATE NIGHT, and here’s what it’s about, and let’s get a writer. Let’s go.”
Levy’s search for a writer didn’t take very long. “I had written a small, quirky film, called ‘(Saint) Peter,’ which Shawn had read and fell in love with, recalls screenwriter Josh Klausner. “Shawn was determined to find something for us to work on together. He very graciously took a big chance and had me fly out, and we started brainstorming.”
Levy and Klausner met at Levy’s bungalow on the Fox lot, where they quickly broke the story. “We are both in the same stage of life,” Klausner says. “We both have children and go out on date nights, knowing what they’re supposed to be, but realizing they never end up being that anymore because there are so many other things that get in the way. So we started talking about those experiences.”
“We talked about our marriages,” Levy adds. “And we found that there are certain commonalities in trying to sustain a vibrant, romantic relationship,” and not simply becoming roommates. “It’s the question of in the midst of grownup life, how do you keep couple-hood fresh?”
DATE NIGHT was originally conceived as more of a suburban story centered around a parent-teacher conference night, but quickly evolved into, as Klausner calls it, “the perfect ‘North by Northwest’ setup” of mistaken identity.
“Shawn and I really wanted what spurs on the evening to be something that we all might do,” Klausner continues. “Phil and Claire simply can’t get a seat at a restaurant, and, since nobody’s answering the call for a reservation, they just decide, ‘What’s the harm in taking it?’ And it leads them down the rabbit hole. From there, they end up on the worst night of their lives, which ends up being the best night for their relationship.”
Levy describes the film as being “in the spirit of action comedies I remember fondly, like ‘Beverly Hills Cop’ or ‘48 Hrs.’ DATE NIGHT has a real hybrid tone, because it’s first and foremost a comedy. It also has a hefty dose of action, as well as a lot of heart, because it’s about the things that people deal with in relationships.”
For Levy, DATE NIGHT is a change from the family-friendly hits he’s helmed, like “Cheaper by the Dozen,” “Pink Panther” and “Night at the Museum.” DATE NIGHT is more of an adult-skewing comedy,” Levy points out. “In a way, it’s the other side of the movies I’ve done, which have been focused on the child-parent relationships. DATE NIGHT is focused on the marriage side – what happens after the children go to sleep.”
Levy was keen to keep the emotional side of the story intact through the mayhem experienced by the characters. “If you’re making a movie about relationships and being a married couple, it must be more than just funny, because life doesn’t work that way,” the director explains. “This movie has some surprising moments of poignancy.”
“A lot of comedies these days feel like a compendium of gags tied together to follow a narrative story,” notes Klausner. “DATE NIGHT, at its heart, is about marriage and being in love with somebody, but at the same time, life gets in the way. It’s honest, which is something Steve and Tina wanted, too. I’m proud that this movie has preserved that soul.”
When Levy learned that Steve Carell and Tina Fey were hoping to find a project on which they could work together, he knew he had found his DATE NIGHT duo. “We got an early draft of the screenplay to Tina and Steve, who always struck me as the dream pairing for a movie about marriage,” Levy says. “They said, ‘Yeah, we relate to this, we want to do an action comedy that’s also honest about relationships.’ So they said they were in.”
While Levy usually takes a break between completing one feature and beginning the next, he found himself prepping DATE NIGHT while editing “Night at the Museum: Battle of the Smithsonian,” in order to take advantage of his stars’ availability. “Steve’s and Tina’s series commitments [on, respectively, “The Office” and “30 Rock”] provides only a limited window for feature film work,” Levy explains. “They told us, ‘Look, we want to do this, but we’re free now, and we’re not going to be free in six months – what do we do?’ I said, ‘Well, we make the movie right now!’ I didn’t get a break between films, but I got a comedy with Steve Carell and Tina Fey, who are two of the most intelligent, interesting people working in comedy today. So a lot of my job was to come up with the idea, get the two perfect actors for the movie, and then get the hell out of the way.”
While slight alterations to the script were made to match the stars’ comedic voices, DATE NIGHT was essentially tailor-made for the pair. “It felt like the film was written for them,” says Klausner. Adds Levy: “Three minutes into this movie, you buy Steve and Tina as a married couple. They have a powerful chemistry together. They clicked completely on screen.”
Phil, says Carell, “feels underappreciated by his friends and family, but he sort of keeps that feeling close to his chest. He’s a very loving guy, but he and Claire have reached a plateau in their relationship. He needs to snap himself out of it, if possible. And the night that he and Claire experience together is a defibrillator for their marriage.”
Carell’s comedic skills, along with his ability to stir audiences’ hearts, made him the perfect choice for the role, Levy says. “Steve is super funny, and his chops as an actor are fantastic. He not only carries entire comedy sequences on his back, but three scenes later, he’s moving you to an emotional place with such sincerity and nuance. There’s no end to what he can do.”
Carell says his own date nights, like Phil Foster’s (and Levy’s and Klausner’s), leave much to be desired. “Sometimes the worst part of date night is actually leaving for the date – when you see your babysitter sitting down, getting all cozy, turning on the TV. That sometimes seems much better than the night that lies ahead.”
Fey, like Carell, has the ability to be riotously funny while still portraying the emotional side of her character realistically – to turn down the volume on jokes and simply allow them to happen. For example, in response to a nudge for sex from her husband, Fey’s Claire offers a very normal, ‘Yeah, hang on a minute” moment as she pulls out her dental mouth guard in preparation for sex with her husband, with enough drool to instantly turn off her mate.
“Besides being obviously really pretty and intelligent, Tina has a complete willingness to make an ass out of herself,” says Levy. She’s completely up for goofing on herself and being the butt of the joke, and that’s very charming.”
Fey describes Claire as “a working mom of two kids, who, like almost everyone I know, is just a little worn out by the day-to-day life of raising your kids, getting them out the door, getting them to school, having a job, keeping a house clean. She’s a good person who is just kind of worn into the ground a little bit. I certainly identify with how just physically tiring it is to be a parent and have a job – sometimes it feels like a real effort to just be present for your spouse.”
So which would be scarier – being in a boring marriage or being chased by the mob (both of which the Fosters experience in the film)? “I would say that being married to a person in the mob would be the scariest,” Fey jokes.
Along their night-from-hell journey, Phil and Claire encounter a cavalcade of characters on both sides of the law. Levy’s casting choices for these roles was sometimes unexpected – and always spot-on. His intent was to provide the story with a “Wizard of Oz”-like experience. “You’re with your heroes, but along the way, they’re being affected and changed by the people they meet, and I just thought wouldn’t it be fun if at every turn of the road, you’re surprised all over again by who has suddenly appeared in this movie. And the cast members fit the roles perfectly.”
The surprise apparently wasn’t limited to the audience. “I read the script,” says Fey,” and I thought, ‘Oh, these are really good parts for somebody.’ I never thought we would get this lucky to have that caliber of people in all these different parts.” Having what otherwise would have appeared to be small roles portrayed by big name actors only helps bring them alive, Carell notes. “When you see them acted out, they’re even better than they were on the page.”
And getting high-powered stars to join the DATE NIGHT team wasn’t just a matter of coincidence. “So many people were so keen to find a way to work with Steve and Tina – they just found a way to make it work,” says Levy.
Mark Wahlberg portrays a former real estate client of Claire’s the pair turns to in the middle of the night. “I play a guy named Holbrooke Grant, who is a security expert who Claire and Phil come to for help,” Wahlberg explains. “They just catch Holbrooke at a bad time – he’s with his beautiful Israeli girlfriend.” The pair ends up turning Holbrooke’s night upside down, as well.
Wahlberg had the simplest costume in the entire cast. “There is no wardrobe – just a pair of silk genie pants,” he recalls, noting that he regularly found himself freezing on the air-conditioned set. That the top half of his costume was missing (except for an ample supply of makeup covering Wahlberg’s countless tattoos), was a fact not lost on the female members of the cast and crew. “Mark was shirtless for three or four days,” Fey says, prompting a noticeable increase in the number of women who suddenly had additional tasks to address on set on the days he was on the job. “I had friends texting me, ‘Can I get on the Fox lot and visit you today?’” Fey laughs.
Also coming to the aid of the beleaguered couple is Taraji P. Henson, an Oscar® nominee for her work in “The Curious Case of Benjamin Button,” who plays NYPD Detective Arroyo, who, though she doesn’t exactly believe the Fosters “chased by bad guys” story, begins to become suspicious of a couple of her colleagues. “She’s sort of a hero,” the actress says.
Playing thugs Collins and Armstrong, who are after the Fosters (whom they believe are the Tripplehorns) are Common and Jimmi Simpson. Common is a familiar face to audiences for his role as a murderous cop in “Street Kings” and for his work as a musical artists (his hits include “Love of My Life” and “Testify”). Simpson has made occasional appearances as Lyle the Intern on “The Late Show with David Letterman.”
Common describes the duo as “one of the many catalysts to get this mundane couple out of their comfort zone – mainly by shooting guns at them.” The two are essentially hunters, he adds, noting, “I’m the muscle.”
Collins and Armstrong’s formidable boss is gangster Joe Miletto, from whom the Tripplehorns have apparently stolen something of importance that he wants back. The casting of acclaimed actor Ray Liotta as Miletto delighted Carell and Fey. “We were shooting a scene with Ray one night,” recalls Carell, “and Tina looked over and said, ‘I feel like I am in a 3D version of ‘Goodfellas. Ray Liotta is actually walking up and talking to me.’ It was like a ride at a theme park.”
Playing a heavy in a comedy, particularly for actors used to appearing in dramatic films, requires a special knack, one which DATE NIGHT’s group of toughs embraced with gusto.
“It’s really in the writing, so it’s dependent on your commitment to it,” explains Liotta. “If the situation’s just a little more heightened, you’re going to laugh.” Common agrees: “Shawn expressed to us from the beginning – you’ve got to keep it real. The more real it becomes – because you’re playing off Steve and Tina – the funnier it becomes.”
Portraying the “real” Tripplehorns – actually a drug dealer named Taste and his wacky stripper girlfriend, Whippit – are James Franco and Mila Kunis. Despite their different life circumstances, the pair has much in common with the Fosters, being in the same spot in their relationship as their clean-cut counterparts. Notes Josh Klausner: “Whether you’re a drug dealer or a suburban husband, you still feel the pangs of ‘You never look at me the way you used to’ and ‘You don’t have time for me.’ What the two couples are going through is exactly the same,” making the exchanges between the two couples both hilarious and poignant at the same time.
Kunis describes the pair as “very passionate – when they’re angry, they’re very angry, and when they’re happy, they’re madly in love.” Whippit, specifically, she describes as a “psycho, who is very up and down. She goes through three different emotions within two and a half script pages.”
The name “Taste,” Franco says, is left over from an earlier concept of the character – a 6 ft. 7 in. bald man with “TASTE” tattooed on his forehead. “So when they asked me to be in the movie, I said, ‘Well, I’m certainly not that.’” The character’s description was then rewritten, but the name stuck. “I was up for facial tattoos, too,” Franco says with a laugh. “We just went for the cheesy ‘Grim Reaper.’”
Kristen Wiig and Mark Ruffalo play the Fosters soon-to-be-splitting couple friends, Haley and Brad Sullivan. “Their parting brings up the question about getting bored with your spouse and moving on, or just sticking it out,” says Wiig. “I think Haley plants the seeds in Claire’s mind.”
Also taking on key roles are “Gossip Girl’s” Leighton Meester as the Fosters’ babysitter Katy, and “The Dark Knight’s” William Fichtner as district attorney Frank Crenshaw.
All the cast members appreciated Levy’s ability to balance action and comedy, which in turn allowed his actors the freedom to come up with their own gags. “That’s the only way you can afford to have time to play around or to improvise and do extra takes,” notes Fey. “That only happens if everyone – especially your director – really knows what they’re doing.”
For Levy, there’s a method to the potential madness of improv. “Sometimes, after we’d get what I want, Steve and Tina would come to me and say, ‘You know what? Could I get one more take? I’ve got an idea that might lead somewhere.’ Sometimes we couldn’t use it, but more often than not, it was gold and it ended up in the movie,” such as the duo’s restaurant shenanigans game of guessing what’s up with the couple sitting across the way.
“Every person in any field wants to go to work and feel respected for what they do,” says the director. “So when you say to an actor, ‘We’re going to do the script that I’ve written for you, but I want to hear what’s in your head. I actually think that the ideas you come up with might be as legitimate or better than what we scripted,’ it makes your actors feel like partners and collaborators, and not mouthpieces. It makes them feel like part of the creative team, rather than a piece of machinery.”
MEET THE TWINS
While attempting to escape their pursuers, the Fosters “borrow” Holbrooke Grant’s car, the much-too-powerful-for-Phil Audi R8. When Phil inadvertently smashes into a taxi cab, the two vehicles’ bumpers become hopelessly locked together. Nonetheless, the chase continues, the conjoined twin automobiles smashing their way down Manhattan streets.
The complicated sequence came about when Levy and Klausner were brainstorming ideas for a chase scene. Concerned about repeating the oft-used, cliché urban car chase, Klausner recalls, “I remember sitting in a room with Shawn, telling him, ‘You know, do we really have to do a car chase, because how many times have we seen a car chase in these movies? How interesting can that be?’”
Levy then related to his writer a story from his teenage years. “He was just learning to drive, and was trying to park, but he ended up smashing into another car in front of him and getting stuck on that car. His father just drove by and shook his head.” Thus was born the idea of conjoined cars.
But just having two cars barreling down the street wasn’t enough. “Shawn wanted to do something that nobody had ever seen before,” says 2nd unit director and stunt coordinator Jack Gill, who planned and executed the sequence. “Once we got the basic idea of conjoining the cars, we began figuring out not only how to build the cars, but how to make it work comically. I then started adding eccentricities, like spinning them around in circles and having characters fire guns at them.”
Besides having six different cars that, each of which handled a specific aspect of the chase stunts, Gill built a 40 foot frame, upon which the Audi and cab bodies were placed. “So there’s just one rigid frame,” he explains. The stunt driver was situated at the leading end of the conjoined vehicles. “So when the cab is facing forwards, with the Audi ahead of it facing the wrong way, the stunt driver is actually driving from inside the Audi’s trunk, looking out the back so he can see where he’s going and drive around corners.” In addition, for most shots, the rig’s rear wheels – those under the rear end of the conjoined vehicles – could also steer, in the same manner as those of a hook-and-ladder fire truck.
Needless to say, don’t try this at home on your own Manhattan street.
New York City ordinances limited the production to the types of stunts that could be filmed on Manhattan streets. So following a week of night work in New York, the stunt team moved to downtown Los Angeles to complete the sequence.
“We had about six blocks to work with on Broadway, which was great,” Gill recalls. “We needed a long stretch locked down, because when you conjoin two cars together, you’ve got a thing that’s forty feet long – getting it up to speed and shutting it all down can be tough. You can’t just do it in two blocks.” The sequence was filmed with up to six cameras, including a special “balloon cam,” with wheeled buoys on each corner, which allowed the camera to be sent into the path of the speeding car pair and getting hit head-on, without damaging expensive camera equipment.
Carell did actually drive the R8 himself for a number of shots. “We wanted the car to have way too much power for a guy like Phil to handle,” says Gill. “So I asked Audi to disconnect the all-wheel drive, which meant putting all 560 horsepower into the rear wheels.” So what was Carell’s impression? “He said it felt like somebody hitting him in the back of the head with a shovel when he stepped on the gas.”
In one shot, Phil must make his way to the cab while Claire is driving the Audi at high speed. “We did all the transfers across the hood with doubles – that was all real,” notes Gill.
Close-ups of Carell and Fey were done against a green screen set at Twentieth Century Fox. Since the chase acrobatics had already been filmed, besides their scripted lines, Carell and Fey filled in the gaps with their gut-busting ad-libs. “I’d show them footage and explain to them, ‘Here’s what we did last week downtown with the real cars – what do you think?’” Gill says. “And we’d bounce off ideas until something really clicked. And then Shawn was always there to say, ‘You’re right on track here – that’s really funny!’ It really helps when you have a collaboration where everybody can talk ideas out.”
Even with all the excitement, Levy kept the scene’s theme on track. “Once we had the concept of having the two cars stuck together, then we could find a way to thematically tie it in to what the movie’s about, which is this couple that has to learn to communicate to survive,” he explains.
Indeed, even with all that happens to them on this fateful night, the Fosters achieve their goal: to reinvigorate their relationship and reconnect with the love and excitement that brought them together in the first place.
“DATE NIGHT is kind of like a fable,” says Levy. “It takes place over a very short period of time, but in some way, it’s timeless, because it’s a story about a journey two people make in their relationship. And we leave the night feeling like they will go back to their lives and no one except for the people involved that night might ever know what happened. We’ve watched them experience this crazy night, but the real adventure of their married life, now that they’ve found each other again, is just about to begin.”
“They’re comfortable enough again with each other to be able to say ‘Knock it off’ and ‘I love you’ within the same five minutes,” says Steve Carell.
Tina Fey has just one last piece of relationship advice: “Go on a date night and see DATE NIGHT.”
ABOUT THE CAST
STEVE CARELL (Phil Foster) has emerged as one of the most sought-after comedic actors in Hollywood. First gaining recognition for his contributions as a correspondent on Comedy Central’s Emmy® Award-winning “The Daily Show with Jon Stewart,” Carell has successfully segued into primetime television and above-the-title status in the film world with equal aplomb.
Carell currently stars as Michael Scott, the pompous and deluded boss of a Pennsylvania paper company, in the Americanized adaptation of Ricky Gervais’ acclaimed British television series “The Office.” Now in its sixth season, the show continues to flourish in ratings and has earned Carell three Emmy Award nominations and four Golden Globe® nominations for his work on the show, and earned the Golden Globe in 2006. In the last two years, the show has won the Screen Actors Guild Award® for Outstanding Performance by an Ensemble in a Comedy Series.
Carell opened his first lead feature, “The 40-Year-Old Virgin,” which he co-wrote with director Judd Apatow, at #1, a spot it remained in for two straight weekends. The surprise hit of 2005 went on to gross more than $175 million worldwide and had #1 openings in 12 countries. The film generated over $100 million in DVD sales in North America alone. On an award level, the film was honored with an AFI Award® named one of 10 Most Outstanding Motion Pictures of the Year and took home Best Comedy Movie at the 11th annual Critics’ Choice Awards®. The film also earned Carell and Apatow a co-nomination for Best Original Screenplay by the Writers Guild Association.
In 2008, Carell starred as Maxwell Smart in the much-anticipated action-comedy “Get Smart,” opposite Anne Hathaway and Alan Arkin. The film grossed over $230 million worldwide. A sequel is due in 2011. He also lent his voice as “The Mayor of Whoville” in Twentieth Century Fox’s animated film “Dr. Seuss’ Horton Hears a Who!” based on the children’s book written by Dr. Seuss. Directed by Jimmy Hayward (“Finding Nemo,” “Monsters, Inc.”), Carell played opposite Jim Carrey, and helped launch the film as an international success earning over $295 million worldwide.
In 2006, as part of an ensemble, he starred in “Little Miss Sunshine,” which earned an Academy Award® nomination for Best Picture and won the SAG Award™ for Outstanding Performance by a Cast in a Motion Picture. The black comedy also starred Greg Kinnear and Toni Collette. Previous film credits for the actor include “Anchorman: The Legend of Ron Burgundy,” “Bewitched, and “Dan in Real Life.” Carell’s feature film breakout role in “Bruce Almighty,” opposite Jim Carrey, led to a sequel starring Carell in 2007, “Evan Almighty.”
Carell recently announced the start of his new production company, Carousel Productions. Carell’s endeavors and successes in acting, writing and producing were an organic segue in the creation of Carousel Productions. Born in Massachusetts, Carell now resides in Los Angeles with his wife, actress Nancy Walls (NBC’s “Saturday Night Live”), whom he met while at the Second City Theater Group in Chicago, where both were members. He is the proud father of a daughter and a son.
TINA FEY (Claire Foster), one of the most visible and popular figures in television today, writes, executive produces and stars in NBC's three-time Emmy Award-winning comedy series “30 Rock,” a workplace comedy which takes place behind-the-scenes of a live variety show. Her performance as head writer Liz Lemon on the fictional “TGS with Tracy Jordan” has earned Fey an Emmy, two Golden Globes, three SAG Awards, and a People’s Choice Award®. This year alone, “30 Rock” won five Emmy Awards and was nominated for many others.
Prior to creating “30 Rock,” Fey completed nine seasons as head writer, cast member and co-anchor of the “Weekend Update” segment on NBC’s “Saturday Night Live.” Fey is an Emmy winner and two-time Writers Guild Award winner for her writing on SNL, also receiving an Emmy for her spoof of vice-presidential candidate Sarah Palin.
Since her transition to being in front of the camera, Fey has won much acclaim, including being named one of Entertainment Weekly’s Entertainers of the Year, People Magazine’s Most Beautiful People (three times), and one of Time magazine’s Prestigious Time 100.
Other awards include, in 2008, a Producers Guild Award and a Writers Guild Award for Outstanding Comedy Series for “30 Rock.” She has also won two Gracie Awards and a Made in New York Award and has been nominated for a People’s Choice Award for Choice Comedy Actress and a SAG Award for Outstanding Performance by an Ensemble in a Comedy Series
Fey expanded to feature films in spring 2004 as both a screenwriter and an actress opposite Lindsay Lohan in the hit comedy “Mean Girls,” which earned her a nomination for a Writers Guild Award for Best Adapted Screenplay. Most recently she starred alongside “Saturday Night Live’s” Amy Poehler in the film “Baby Mama” for Universal Pictures, which exceed the $50 million dollar mark at the U.S. box office. Fey also starred in the Ricky Gervais comedy “The Invention of Lying,” released in 2009.
MARK WAHLBERG (“Holbrooke Grant”) earned Academy Award and Golden Globe nominations for his standout performance in Martin Scorsese’s acclaimed drama “The Departed.”
Wahlberg’s remarkable film career began with Penny Marshall’s “Renaissance Man” and “The Basketball Diaries” with Leonardo DiCaprio, followed by a star turn opposite Reese Witherspoon in the thriller “Fear.” He has enjoyed playing diverse characters for visionary filmmakers such as David O. Russell, Tim Burton and Paul Thomas Anderson.
Wahlberg’s breakout role in “Boogie Nights” established him as one of Hollywood’s most sought-after talents. He later headlined “Three Kings” and “The Perfect Storm” with George Clooney, and “The Italian Job” with Charlize Theron. He followed those with “I ♥ Huckabees,” “Four Brothers” and the football biography, “Invincible.” He then appeared in “Shooter,” based on the best-selling novel Point of Impact. Wahlberg reunited with “The Yards” director James Gray and co-star Joaquin Phoenix in “We Own the Night,” which Wahlberg produced.
In 2008, Wahlberg starred in M. Night Shyamalan’s “The Happening,” and in “Max Payne.” He recently appeared in director Peter Jackson’s adaptation of “The Lovely Bones.” Due out this year is “The Fighter” for director David O. Russell and “The Other Guys,” with Will Ferrell.
Wahlberg is an executive producer on “The Fighter” and “We Own the Night,” as well as on the HBO series “Entourage” and “In Treatment,” which have received six Golden Globe and three Emmy nominations.
Future projects include the new HBO series, “Boardwalk Empire,” with Martin Scorsese and “How to Make it in America,” along with other feature film projects. A committed philanthropist, he founded The Mark Wahlberg Youth Foundation in 2001 to benefit inner city children and teens.
TARAJI P. HENSON (“Detective Arroyo”) earned an Academy Award nomination for Best Supporting Actress portraying Brad Pitt’s mother in David Fincher’s highly acclaimed “The Curious Case of Benjamin Button.” Most recently, she starred in Tyler Perry’s “I Can Do Bad All By Myself,” which opened to number one at the box office.
For three years, Henson starred as Raina Washington, the youngest female detective on Lifetime’s “The Division.” She was also a regular on David E. Kelly’s “Boston Legal” and had a recurring role on ABC’s “Eli Stone.” Henson appeared in featured roles on “ER,” “Strong Medicine,” “CSI,” “House,” among others.
Henson received rave reviews for her role in Focus Features’ “Talk to Me” opposite Don Cheadle. Henson was named Outstanding Supporting Actress in a Feature Film at the 2005 Black Movie Awards and received the Best Actress nod at the 2006 BET Awards for her performance as Shug in the gutsy drama “Hustle & Flow,” produced by Oscar-nominated filmmaker John Singleton. She received two nominations at the 2006 MTV Movie Awards™ including Best Breakthrough Performance.
Upcoming films include “Karate Kid” opposite Jaden Smith and Jackie Chan, which filmed on location in Beijing for Columbia. Henson plays Rainn Wilson’s love interest in the upcoming indie comedy “Peep World,» also starring Sarah Silverman. In the indie drama “Once Fallen,” Henson stars with Ed Harris and Brian Presley. She starred in Sony’s “Not Easily Broken” opposite Morris Chestnut, and opposite Forest Whitaker in “Hurricane Season.” She starred in Tyler Perry’s “The Family That Preys” with Kathy Bates and Alfre Woodard.
Born and raised in Washington, D.C., the Howard University grad has a strong passion for helping disabled and less fortunate children and reveals, “I always stress to kids to have faith in themselves—the greatest recipe for success is self confidence.”
COMMON (Collins), a Grammy Award® winning artist, made his big screen debut as a musical performer in “Dave Chappelle’s Block Party,” in 2006. In January 2007, he made his acting debut co-starring opposite Jeremy Piven, Ben Affleck, Alicia Keys and Ryan Reynolds in “Smokin’ Aces.” Since then he’s co-starred opposite Denzel Washington in “American Gangster,” directed by Ridley Scott; David Ayer’s “Street Kings,” starring Keanu Reeves and Forest Whitaker; and “Terminator Salvation,” directed by McG, starring Christian Bale.
ABOUT THE FILMMAKERS
SHAWN LEVY (Director/Producer) is one of the most commercially successful film directors of the past decade. To date, his films have grossed over 1.5 billion dollars worldwide. Levy has honed his craft, seamlessly weaving comedy and heart into captivating stories that resonate with audiences. His youthfully enthusiastic approach to filmmaking is evident in the storylines and characters he creates – reflecting his joyful intensity for each project at hand.
Levy is currently developing several films to produce through his production company, 21 Laps, which is housed at Twentieth Century Fox. These projects include “The Ten Best Days of My Life” (with Amy Adams), “Neighborhood Watch,” “The Devil You Know” and “How to Talk to Girls” for Fox; “Factracker” for MGM; “The Extraordinary Adventures of Alfred Kropp” and “The Cutlass Islands” for New Regency, “Men of Magic” for Universal; “The Berenstain Bears” for Walden; and “The Spectacular Now” and “Table 19” for Fox Searchlight.
Currently, Levy is in pre-production on the futuristic father-son boxing drama, “Real Steel,” starring Hugh Jackman, for Steven Spielberg’s Dreamworks.
Levy’s 21 Laps recently produced the 2008 comedy «What Happens in Vegas,» starring Cameron Diaz and Ashton Kutcher, which went on to earn over $200 million worldwide.
Levy both produced and directed the blockbuster “Night at the Museum,” starring Ben Stiller, Robin Williams, Owen Wilson, Ricky Gervais, Dick Van Dyke and Mickey Rooney, which grossed over $580 million worldwide and “Night at the Museum: Battle of the Smithsonian,” starring a wide array of today’s most notable comedic talent including Ben Stiller, Amy Adams, Jonah Hill, Bill Hader, Hank Azaria, Owen Wilson, Ricky Gervais and Steve Coogan, which grossed over $400 million worldwide.
He directed the successful 2006 comedy, “The Pink Panther,” starring Steve Martin, Kevin Kline, Beyoncé Knowles, and Jean Reno and served as the executive producer of “Pink Panther 2.” Levy also directed “Cheaper By The Dozen” starring Steve Martin, Bonnie Hunt, Ashton Kutcher and Hilary Duff, which went on to gross more than $200 million worldwide.
In 2002, Levy directed both the hit romantic comedy “Just Married,” starring Ashton Kutcher and Brittany Murphy, which grossed over $100 million and the family comedy “Big Fat Liar,” for Universal Pictures, with Frankie Muniz, Paul Giamatti and Amanda Bynes.
Levy graduated at the age of 20 from the Drama Department of Yale University. He later studied film in the Masters Film Production Program at USC, where he produced and directed the short film Broken Record. This film won the Gold Plaque at the Chicago Film Festival, in addition to being selected to screen at the Director’s Guild of America.
JOSH KLAUSNER (Screenwriter) attended Princeton University, where he was involved in the theater community as an actor, playwright and director, and studied theater luminaries Bobby Lewis and Albert Innaurato. Klausner’s thesis play, “Scratch,” received the Francis LeMoyne Page Prize for Excellence in Theater. After graduation, Klausner co-created the short “Season of the Lifterbees,” which premiered at the Sundance Film Festival in 1992, and won the Time Warner Grand Prize at the Aspen Shortsfest and a regional AMPAS Student Academy Award for Best Dramatic Short.
In 1994, Klausner began working as an assistant to the Farrelly Brothers, on their first film, “Dumb & Dumber,” moving on to work as 2nd unit director on the Farrellys’ hit 1998 film, “There’s Something About Mary” and again in 2001’s “Shallow Hal.”
In 2000, Klausner wrote and directed HBO’s “The 4th Floor,” starring William Hurt, Juliette Lewis, Austin Pendleton and Shelley Duvall. He did additional screenplay work on “Shrek the Third,” and wrote the original screenplay and storyline for DreamWorks
Animation’s upcoming “Shrek Forever After,” to be released later this year.
Klausner is currently working on a number of feature film projects, including a live action adaptation of “Thomas the Tank Engine,” and an adaptation of Adena Hapern’s The Ten Best Days of My Life for Shawn Levy’s 21 Laps, which will star Amy Adams. He is also collaborating with Sir Paul McCartney on “High in the Clouds,” an upcoming animated feature film based on the former Beatle’s children’s book.
JOE CARACCIOLO, JR. (Executive Producer) began his career in film as a production manager on director Sidney Lumet’s “Running on Empty” and “The Verdict.”
Caracciolo executive produced the hit comedies “Marley & Me” starring Owen Wilson and Jennifer Aniston, “What Happens in Vegas” starring Cameron Diaz and Ashton Kutcher (for 21 Laps), and “The Devil Wears Prada” starring Meryl Streep and Anne Hathaway. His other executive producing credits include “Just My Luck,” starring Lindsay Lohan, “Hide & Seek,” a psychological thriller starring Robert De Niro and Dakota Fanning, and “Uptown Girls,” a comedic New York fairy tale starring Brittany Murphy and Dakota Fanning. Additionally, he produced the teen thriller “Swimfan,” directed by John Polson.
Caracciolo’s other feature film credits include James Foley’s “Glengarry Glen Ross,” Jon Amiel’s “Copycat,” and “The Man Who Knew Too Little,” and writer-director John Waters’ “Serial Mom,” “Pecker,” and “Cecil B. Demented.”
JOSH McLAGLEN (Executive Producer) has worked as an assistant director on dozens of blockbuster films alongside some of Hollywood’s top directors. He has been 1st AD on “Tango and Cash,” “Alien 3,” James Cameron’s “Titanic,” “The X-Files,” “Cast Away,” “The Polar Express, and “Beowulf,” the latter three for director Robert Zemeckis, and again for Cameron on “Avatar.”
In 2002, McLaglen began wearing a producer’s hat, working his way from associate producer (“The Polar Express”) to co-producer (“Beowulf,” “Avatar”) to executive producer. In 2006, he began working with director Shawn Levy, as both 1st AD and co-producer on “Night at the Museum,” becoming executive producer for that film’s sequel, “Night at the Museum: Battle of the Smithsonian,” as well as for “Date Night” and the upcoming “Real Steel.”
TOM McNULTY (Executive Producer) is the president of production at 21 Laps, a production company based at Twentieth Century Fox in Los Angeles. McNulty joined 21 Laps at its inception with the company’s principal, director Shawn Levy and has set up over a dozen film projects at Fox, Universal, Warner Brothers and New Line. 21 Laps films include “Cheaper By The Dozen 2,” as well as the hit comedy “What Happens In Vegas” starring Cameron Diaz and Ashton Kutcher, “St. Peter” starring Elizabeth Banks and Sam Rockwell, and “The Rocker,” the latter marking their first producing effort together.
Prior to joining Levy, McNulty was the executive vice president of production at Adam Sandler’s Happy Madison Productions for over six years. There, he oversaw the development of the entire slate of films, notably “Mr. Deeds,” “Anger Management,” “50 First Dates,” “Are We There Yet,” “Click” and “Dickie Roberts Former Child Star.”
Prior to joining Happy Madison, McNulty was an executive at Out Of The Blue Entertainment, where he was an executive on “Big Daddy” and “Deuce Bigalow Male Gigolo.”
McNulty arrived in Hollywood as an actor, appearing in “Boys on the Side” opposite Whoopi Goldberg and “Escape from L.A.” with Kurt Russell. McNulty grew up on Long Island and attended The Catholic University of America in Washington DC.
DEAN SEMLER, ACS/ASC (Director of Photography) began his career in his native Australia, lensing “Mad Max 2” (aka “The Road Warrior” in North America) in 1982 for George Miller, for which Semler received an Australian Film Institute (AFI) nomination. Semler reteamed with Miller for “Mad Max Beyond Thunderdome.” Semler won both the AFI and Australian Cinematographers Society awards for the Aussie thriller “Razorback.”
By the late ‘80s, Semler was serving as director of photography on several U.S. productions, including “Cocktail” with Tom Cruise and Bryan Brown, and the western “Young Guns.” The following year, he returned to Australia for “Dead Calm,” starring Nicole Kidman and Sam Neill, for which Semler won the AFI award.
After filming the “Young Guns” sequel in 1990, Semler shot Kevin Costner’s “Dances With Wolves,” for which Semler received multiple honors, including an Academy Award and American Society of Cinematographers (ASC) Award. He reteamed with Costner in 1995 for “Waterworld.”
Throughout the ‘90s and into the following decade, Semler shot the comedies “City Slickers,” “Nutty Professor II: The Klumps,” “Bruce Almighty,” and “Get Smart.” He also filmed Mel Gibson’s epic “Apocalypto.”
Most recently, Semler was director of photography on Roland Emmerich’s “2012,” and on “Secretariat,” starring Diane Lane and Scott Glenn.
DAVID GROPMAN (Production Designer), after working in television and independent films, designed the studio features “Of Mice and Men,” “Waiting to Exhale,” and “The Cider House Rules,” for which he was nominated for an Oscar.
Gropman received an Art Directors Guild award and BAFTA nomination for his design for “Chocolat.” Gropman worked on John Waters’ “Hairspray,” for which Gropman was nominated for a Satellite Award. The Art Directors Guild once again recognized Gropman with a nomination for period film design for “Doubt,” which takes place in the 1960s.
CHRISTOPHE BECK (Composer) reunites with Shawn Levy, after composing the scores for the Levy-helmed projects “Just Married,” “Cheaper by the Dozen,” “The Pink Panther. Recently, Beck reteamed with director Chris Columbus on “Percy Jackson & The Olympians: The Lightning Thief,” after composing the score for Columbus’ “I Love You, Beth Cooper.”
The Montreal native started piano lessons at age five and was writing music for his first-ever band, Chris and The Cupcakes, before his teen years. During high school, Beck studied flute, saxophone, trombone and drums, and performed in rock bands. While studying music at Yale University, Beck had an epiphany, discovering that his talent for composing exceeded that for performing. He wrote two musicals with his brother Jason (a.k.a. Chilly Gonzales, the Berlin-based hip-hop recording artist), as well as an opera based on The Tell-Tale Heart by Edgar Allen Poe
Upon graduation from Yale in 1992, he moved to Los Angeles to attend USC's prestigious film scoring program, where he studied with Oscar winner Jerry Goldsmith, among others. Beck was immediately attracted to the creative challenges unique to the marriage of music and picture, and a personal recommendation from the head of the USC Music Department led to his first professional assignment, the Canadian TV series “White Fang.” Soon thereafter, he was asked to score a new TV series (then in its second season), “Buffy, the Vampire Slayer,” based on the 1992 cult classic film, for which he received the Emmy for Outstanding Music Composition during his three seasons with the show.
The prolific talent has scored 40+ feature films and nearly twenty television shows since 1993. His film compositions include a wide array of projects and genres including the action films “The Sentinel” and “Elektra,” the comedies “The Hangover,” “Drillbit Taylor,” “What Happens in Vegas,” “Charlie Bartlett,” “Pink Panther 2,” and “Bring It On,” and the dramas “Under the Tuscan Sun,” “Year of the Dog,” “Phoebe in Wonderland” and the Sundance Film Festival Grand Jury nominee “The Greatest.”
Beck has also composed scores for “The Seeker: The Dark is Rising,” “School for Scoundrels,” “License to Wed,” “Fred Claus,” “We Are Marshall,” “Confidence,” “Yours, Mine and Ours,” “Taxi,” “A Cinderella Story,” “Saved!,” “Garfield” and its sequel, “Garfield: A Tail of Two Kitties” “Cheaper by the Dozen,” “American Wedding,” “Post Grad,” and “All About Steve.”
MARLENE STEWART (Costume Designer) earned her first credits working on music videos, including memorable designs for fashion-forward pop superstar Madonna. Stewart created image-shaping costumes for 11 Madonna videos, including “Vogue,” “Material Girl,” “Like a Prayer” and “Express Yourself.”
Stewart’s film work spans a wide variety of genres, periods and looks. She has collaborated with an intriguing array of directors, ranging from Alejandro González Iñárritu on “21 Grams” to Oliver Stone on “The Doors” and “JFK” to Michael Mann on “Ali” and Beeban Kidron on “To Wong Foo Thanks for Everything, Julie Newmar.”
Most recently, Stewart designed the costumes for Ben Stiller’s “Tropic Thunder,” Nancy Meyers’s romantic comedy “The Holiday” and Kimberly Peirce’s drama “Stop-Loss.”
Her credits also include Andy Tennant’s “Hitch,” James Cameron’s “Terminator 2: Judgment Day” and “True Lies,” Mary Lambert’s “Siesta,” Joel Schumacher’s “Falling Down,” James L. Brooks’s “I’ll Do Anything,” Curtis Hanson’s “The River Wild,” Joe Pytka’s “Space Jam,” Rob Bowman’s “The X Files,” Tony Scott’s “Enemy of the State,” Dominic Sena’s “Gone in 60 Seconds,” David McNally’s “Coyote Ugly,” and Antoine Fuqua’s “Tears of the Sun.”
After earning a degree in History at the University of California, Berkeley, Stewart studied at the Fashion Institute of Design and Merchandising in Los Angeles. She received the Bob Mackie Award for Design for her student work and began her design career by launching her own women’s clothing line, Covers. A Boston native, Stewart designed the costumes for three Madonna tours as well as tours for Cher, Paula Abdul, and Gloria Estefan. She created music video looks for Janet Jackson, Rod Stewart, Bette Midler, Debbie Harry, Smashing Pumpkins, the Bangles, and the Eurythmics, and was the first recipient of the American Music Awards’ Best Costume Design Award for the video “Material Girl.”
20 Views
15:40:50 12/30/09
The Book of Eli- DENZEL WASHINGTON's stunt work
[LESS INFO] 20 VIEWS | ADDED 15:40:50 12/30/09
Synopsis
In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth--all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water...or for nothing at all.
But they're no match for this traveler.
A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue.
Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegie's adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfather's domain.
But neither will find it easy to deter him. Nothing--and no one--can stand in his way. Eli must keep moving to fulfill his destiny and bring help to a ravaged humanity.
Alcon Entertainment presents a Silver Pictures production, a Hughes Brothers Film: "The Book of Eli." The film stars two-time Academy Award winner® Denzel Washington ("Training Day," "Glory"), Gary Oldman ("The Dark Knight," the "Harry Potter" films), Mila Kunis ("Forgetting Sarah Marshall"), Ray Stevenson ("Punisher: War Zone"), Jennifer Beals (Showtime's "The L Word"), Frances de la Tour and Michael Gambon (both of "Harry Potter and the Goblet of Fire").
"The Book of Eli" is directed by the Hughes Brothers ("Menace II Society," "Dead Presidents") from a screenplay by Gary Whitta. It is produced by Joel Silver, Denzel Washington, Broderick Johnson, Andrew A. Kosove and David Valdes. Steve Richards, Susan Downey and Erik Olsen serve as executive producers, with co-producers Steven P. Wegner, Yolanda T. Cochran and John David Washington.
The creative team includes director of photography Don Burgess, production designer Gae Buckley, editor Cindy Mollo and costume designer Sharen Davis. Jon Farhat is the visual effects supervisor. Music is composed by Atticus Ross, and the music supervisor is Deva Anderson. The Cast
DENZEL WASHINGTON (Eli/Producer) has been honored with five Academy Award® nominations, winning the Oscar® twice: in 1989 for his performance in "Glory" and again in 2001 for "Training Day." He has earned numerous additional awards and accolades throughout his acting career as well as recognition for his work as a director.
Currently, Washington is in production on director Tony Scott's action thriller "Unstoppable," which is scheduled for a 2010 release. In Spring 2010, he will also star on Broadway in the revival of August Wilson's Pulitzer Prize-winning drama "Fences."
He most recently starred with John Travolta in Tony Scott's remake of "The Taking of Pelham One, Two, Three"; directed and starred in, with Forest Whitaker, "The Great Debaters'; starred with Russell Crowe in Ridley Scott's "American Gangster," which grossed $43.6M in its first weekend to mark Washington's largest opening weekend to date; starred in Spike Lee's "Inside Man," with Clive Owen and Jodie Foster; and starred in Tony Scott's romantic thriller "Deja Vu." His other recent film work includes roles in Tony Scott's "Man on Fire," Jonathan Demme's "The Manchurian Candidate," Carl Franklin's mystery thriller "Out of Time" and Antoine Fuqua's "Training Day," for which Washington earned an Academy Award® for his critically acclaimed performance as a grizzled LAPD veteran who shows a rookie narcotics cop the ropes on his first day.
December 2002 marked Washington's feature film directorial debut with "Antwone Fisher." Inspired by the best-selling autobiography Finding Fish , the film won critical praise and earned the Stanley Kramer Award from the Producers Guild of America, as well as NAACP Image Awards for Outstanding Motion Picture and Outstanding Supporting Actor for Washington. Also in 2002, Washington earned an NAACP Image Award for Outstanding Actor in a Motion Picture for his role as a down-on-his-luck father in "John Q," which established a Presidents Day weekend opening record.
In 2000 he starred in Jerry Bruckheimer's box office sensation "Remember the Titans," a fact-based film about the integration of a high school football team, and in "The Hurricane," which re-teamed him with "A Soldier's Story" director Norman Jewison. Washington received a Golden Globe Award for Best Actor and an Academy Award® nomination for his portrayal of Rubin "Hurricane" Carter, the 1960s world middleweight champion boxer wrongfully imprisoned of murder.
Washington's feature film credits include "The Bone Collector"; Gregory Hoblit's crime thriller "Fallen"; Spike Lee's "He Got Game"; the terrorist thriller "The Siege" and the critically acclaimed military drama "Courage Under Fire" for director Ed Zwick; Penny Marshall's romantic comedy "The Preacher's Wife," opposite Whitney Houston; Tony Scott's underwater action adventure "Crimson Tide," with Gene Hackman; the futuristic thriller "Virtuosity"; and the 1940s romantic thriller "Devil in a Blue Dress," co-produced by the actor's Mundy Lane Entertainment. Another critically acclaimed, Oscar® -nominated performance was his portrayal of the complex and controversial 1960s black activist Malcolm X in director Spike Lee's biographical epic "Malcolm X," hailed by critics and audiences alike as one of the best films of 1992.
Washington took on a different role in 2000, producing the HBO documentary "Half Past Autumn: The Life and Works of Gordon Parks," nominated for two Emmy Awards. He also served as executive producer on the Emmy-nominated "Hank Aaron: Chasing the Dream," a biography for TBS. Additionally, he narrated "John Henry," which was nominated for a 1996 Grammy Award for Best Spoken Word Album for Children, and he was awarded the 1996 NAACP Image Award for his performance in the animated children's special "Happily Ever After: Rumpelstiltskin."
A native of Mt. Vernon, New York, Washington originally had his career sights set on medicine at Fordham University when a theatrical production during a summer camp counseling job introduced him to the stage. Upon graduation from Fordham, Washington attended the theater program at San Francisco's prestigious American Conservatory Theater and began his professional New York theater career with Joseph Papp's Shakespeare in the Park. This was quickly followed by numerous off-Broadway productions including "Ceremonies in Dark Old Men"; "When the Chickens Came Home to Roost," in which he portrayed Malcolm X"; "One Tiger to a Hill"; "Man and Superman"; "Othello"; and "A Soldier's Play," for which he won an Obie Award. Washington's more recent stage appearances include the Broadway production of "Checkmates" and "Richard III," which was produced as part of the 1990 Free Shakespeare in the Park series hosted by Joseph Papp's Public Theatre in New York City, and in 2005 he returned again to his theatre roots with a Broadway starring role as Marcus Brutus in "Julius Caesar." The show was well-received by critics and fans alike.
He made his Hollywood debut in the 1979 television film "Flesh and Blood," but it was Washington's award-winning stage performance in "A Soldier's Play" that captured the attention of the producers of the NBC series "St. Elsewhere," and he was soon cast in that long-running hit series as Dr. Phillip Chandler. His other television credits include "The George McKenna Story," "License to Kill," and "Wilma."
In 1982, Washington recreated his role from "A Soldier's Play" for Norman Jewison's well-received film version, re-titled "A Soldier's Story," and went on to star in Sidney Lumet's "Power"; Richard Attenborough's "Cry Freedom," for which he received his first Oscar® nomination; "For Queen and Country"; "The Mighty Quinn"; "Heart Condition"; "Glory," for which he won the Academy Award® for Best Supporting Actor; and Spike Lee's "Mo' Better Blues." He also starred in the action adventure "Ricochet," Mira Nair's bittersweet comedy "Mississippi Masala," Kenneth Branagh's "Much Ado About Nothing," Jonathan Demme's controversial "Philadelphia," and "The Pelican Brief."
GARY OLDMAN (Carnegie) is known to millions as Harry Potter's godfather Sirius Black and Batman's crime-fighting partner Commissioner Gordon, as well as Dracula, Beethoven, Lee Harvey Oswald and Sid Vicious, to name just a few of the memorable roles he has created in nearly 20 years as a worldwide presence in motion pictures.
Oldman reprised the role of Commissioner Gordon in 2008's top-grossing film "The Dark Knight," having first portrayed Gordon in "Batman Begins." In 2007 he appeared for the third time as Sirius Black in "Harry Potter and the Order of the Phoenix," following "Harry Potter and the Prisoner of Azkaban" and "Harry Potter and the Goblet of Fire." He most recently starred with Jim Carrey in Robert Zemeckis' adaptation of Charles Dickens' holiday classic "A Christmas Carol."
Oldman began his career in 1979 on the London stage. Between 1985 and 1989 he acted exclusively at London's Royal Court Theatre and, in 1985, was named Best Newcomer by London's Time Out for his work in "The Pope's Wedding." That same year he shared the London Critics' Circle Best Actor Award with Anthony Hopkins.
In 1986, Oldman made his major feature film debut in "Sid & Nancy," winning the Evening Standard British Film Award for Most Promising Newcomer for his portrayal of punk rock legend Sid Vicious. The following year, he starred in Stephen Frears' "Prick Up Your Ears," winning the Best Actor Award from the London Film Critics Circle for his portrayal of doomed British playwright Joe Orton. He has since become one of the industry's most respected actors, appearing in both mainstream hits and acclaimed independent films. Oldman's early film credits also include Nicolas Roeg's "Track 29"; "Criminal Law"; "Chattahoochee"; Tom Stoppard's "Rosencrantz & Guildenstern Are Dead," for which he received an Independent Spirit Award nomination for Best Actor; "State of Grace"; "Henry & June"; Oliver Stone's "JFK," playing Lee Harvey Oswald; and the title role in Francis Ford Coppola's "Dracula."
Oldman's subsequent film work includes memorable roles in Tony Scott's "True Romance"; "Romeo is Bleeding"; the Luc Besson films "The Professional" and "The Fifth Element"; "Immortal Beloved"; "Murder in the First"; Roland Joffe's "The Scarlet Letter"; Julian Schnabel's "Basquiat"; Wolfgang Petersen's "Air Force One"; the big screen version of "Lost in Space"; and Ridley Scott's "Hannibal."
In 1995, Oldman and manager/producing partner Douglas Urbanski formed the production company The SE8 Group, which produced Oldman's directorial debut feature "Nil by Mouth," which Oldman also wrote. The film was invited to open the 1997 50th Cannes Film Festival in the main competition, where Kathy Burke won the Best Actress Award for her role. In addition, Oldman won two BAFTA Awards for Best British Film and Best Screenplay; the Channel 4 Director's Award at the 1997 Edinburgh International Film Festival; and the Empire Award for Best Debut Film. He also executive produced and starred in the SE8 Group film "The Contender," which received two Oscar® nominations and brought Oldman a Screen Actors Guild Award® nomination for Best Supporting Actor.
On the small screen, Oldman earned an Emmy nomination for his guest appearance as an alcoholic actor on the hit comedy series "Friends." His earlier television work includes the telefilms "Meantime," directed by Mike Leigh, and "The Firm," directed by Alan Clarke.
MILA KUNIS (Solara) most recently starred in the Mike Judge comedy "Extract," opposite Jason Bateman and Ben Affleck. In 2008 she starred in Judd Apatow's hit comedy "Forgetting Sarah Marshall" as Rachel, opposite Jason Segel, Kirsten Bell, and Jonah Hill, and in the action thriller "Max Payne," with Mark Wahlberg.
Kunis will next be seen in the upcoming feature comedy "Date Night," with Ray Liotta, Mark Ruffalo, Tina Fey, and Steve Carell as one of the characters Fey and Carell encounter as a couple on a date gone awry. She will also star in Darren Aronofsky's supernatural drama "Black Swan," opposite Natalie Portman, as the rival character Lilly. Both films are set for a 2010 release.
The Russian-born actress started her entertainment career by landing several television commercials. She is best known for her roles on two of the Fox Network's most successful shows: as Jackie Burkhart in "That 70's Show," for which she earned two YoungStar Awards for Best Actress in a Television Series, and as the voice of Meg on the hit show "Family Guy."
RAY STEVENSON (Redridge) is perhaps best known for his starring role in the HBO/BBC television series "Rome," portraying the legionary Titus Pullo to both critical and public acclaim. Since the series wrapped, he has been working non-stop in a wide variety of feature films.
Stevenson most recently starred in the fantasy thriller "Cirque de Freak: The Vampire's Assistant," directed by Paul Weitz and based on the best-selling children's series by Darren Shan. In 2008, he was seen as the lead in "Punisher: War Zone," about the Marvel comics anti-hero Frank Castle and his quest to rid the world of evil after the death of his wife and daughter.
He will next be seen in director Jonathan Hensleigh's "The Irishman," as the title character in a true crime story of notorious mobster Danny Greene, with Christopher Walken, Vincent D'Onofrio and Val Kilmer, set for 2010. Hensleigh & Jeremy Walters wrote the screenplay based on the book To Kill the Irishman: The War That Crippled the Mafia, by Rick Porello. Also set for 2010 is Adam McKay's action comedy "The Other Guys," set in the world of the New York City cops, in which Stevenson stars with Will Ferrell and Mark Wahlberg. Among his upcoming projects, Stevenson will play Volstagg, one of the leads in Marvel Comics' "Thor," inspired by the Shakespeare's Falstaff and described as being over 1,000 pounds of muscle and the life of the party. This will reunite him with director Kenneth Branagh, who acted opposite him in "Theory of Flight" for director Paul Greengrass.
Stevenson's film work includes Antoine Fuqua's "King Arthur," for producer Jerry Bruckheimer; the cult favorite "Outpost," for director Steven Barker; "The Return of the Native," opposite Catherine Zeta Jones; and "Some Kind of Life."
His stage work includes playing Christ in the York Mystery Plays in 2000 at York Minster. In 2001, he played Roger in "Mouth to Mouth," by Kevin Ely, at the Albery Theatre in London, and, in 2003, appeared as Cardinal in "The Duchess of Malfi," by John Webster with Janet McTeer, at the Royal National Theatre.
Born in Northern Ireland, Stevenson grew up in England. He studied acting at the Bristol Old Vic Theatre School.
JENNIFER BEALS (Claudia) most recently appeared in the French film "Joueuse," which made its American premiere at the Tribeca Film Festival.
Beals was twice nominated for Outstanding Actress in a Drama Series by the NAACP Image Awards for her role in the acclaimed Showtime series "The L Word," which wrapped its sixth and final season in 2009. Her work on "The L Word" has earned numerous accolades and appreciation from groups including the Power Up Award, the GLAAD Golden Gate Award and the Golden Satellite Award for Outstanding Actress. The L Word Book , Beals' highly anticipated photographic journal, takes an unprecedented, behind-the-scenes look at the groundbreaking Showtime series and is set for release in January 2010. More information is available at www.lwordbook.com.
Beals recently joined the cast of the Fox Network series "Lie to Me," in a recurring role as the ex-wife of series lead Tim Roth.
Among her most memorable roles, Beals starred opposite Campbell Scott in the critically acclaimed film "Roger Dodger," winner of the 2002 Best Narrative Feature at the Tribeca Film Festival and Best First Film at the Venice Film Festival. She earned rave reviews for her role in VH-1's "They Shoot Divas, Don't They?" and was seen in the acclaimed "The Anniversary Party," written and directed by Jennifer Jason Leigh and Alan Cummings. In 2001, Beals starred in two Showtime features: the adaptation of Anne Rice's praised "A Feast of All Saints" and the WGA-nominated "A House Divided," in which she starred opposite Sam Waterston and Lisa Gay Hamilton and earned a Golden Satellite nomination as Best Actress in a Movie/Miniseries. For her extensive research for the film in Sparta, Georgia, where the story is based, she received an honorary Key to the City.
Originally from Chicago, Beals began her career after high school with a role in "Flashdance" that earned her a Golden Globe nomination and an NAACP Image Award for Best Actress. She then entered Yale University to study American Literature and graduated with honors. Beals went on to make an indelible impression in Carl Franklin's drama "Devil in a Blue Dress," opposite Denzel Washington, and in Alan Rudolph's "Mrs. Parker and the Vicious Circle."
In recent years, she has starred in a myriad of film roles, including the lead in "Twilight of the Golds," for which she earned a Golden Satellite Award. Her film credits include "The Grudge 2"; "My Name is Sarah"; "Runaway Jim"; "Catch That Kid"; Whit Stillman's "The Last Days of Disco"; Alexandre Rockwell's "In the Soup," which won the 1992 Grand Jury Prize at the Sundance Film Festival and the Audience Award at Deauville; "Four Rooms"; "Vampire's Kiss," with Nicolas Cage; Claude Chabrol's "Doctor M"; Nanni Moretti's "Caro Diario," which won the Director's Prize at the 1994 Cannes Film Festival; and Samuel Fuller's "The Madonna and the Dragon." On the small screen, she has appeared in the critically acclaimed ABC series "Nothing Sacred."
Beals is a winner of the 1999 Maverick Award from the San Jose Film Festival and, in 2004, was named one of People Magazine's 50 Most Beautiful People.
FRANCES DE LA TOUR (Martha) won a Tony Award for her performance as Mrs. Lintott in Alan Bennett's multi award-winning play "The History Boys," directed by Nicholas Hytner, and was also nominated for a BAFTA in the 2006 screen version of the stage play. She has earned three Olivier Awards: in 1980 for Best Actress in Tom Kempinski's "Duet for One," for which she also won the Evening Standard Best Actress Award; in 1984 for Best Actress in a Revival for "A Moon for the Misbegotten"; and in 1992 for Best Actress in a Supporting Role for "When She Danced."
De la Tour trained at the Drama Centre in London in the 1960s before joining the Royal Shakespeare Company. Through 1971, her work there included the roles of Hoyden in "The Relapse" and Helena in Peter Brook's production of "A Midsummer Night's Dream." For the National Theatre, her credits include "Brighton Beach Memoirs," "Les Parents Terribles," the title role in "St Joan" and "The Good Hope." Her additional theater work includes Matthew Warchus's "Boeing-Boeing," Tennessee Williams' "Small Craft Warnings," "Hamlet," Edward Albee's "Three Tall Women," "Anthony and Cleopatra" for the RSC and Noel Coward's "Fallen Angels," for which she received a Variety Club Best Actress Award. De la Tour can currently be seen on stage at the National in the limited engagement world premiere of "The Habit of Art," which reunites her with playwright Alan Bennett and director Nicholas Hytner and also stars Michael Gambon.
De la Tour's filmography includes the comedy "Rising Damp," based on the popular television series, for which she won the Evening Standard's Best Actress Award. She more recently appeared as Madame Olympe Maxime in "Harry Potter and the Goblet of Fire" and as Frau Eva in Andrei Konchalovsky's fantasy "Nutcracker: The Untold Story." She will next be seen alongside an all-star cast including Johnny Depp and Anne Hathaway in Tim Burton's "Alice in Wonderland," set for a 2010 release.
Her television appearances include the 1970s sitcom "Rising Damp," "Duet for One," for which she received a BAFTA Best Actress nomination, the BBC's "Waking the Dead," "Poirot: Death on the Nile," "Miss Marple: The Moving Finger," BBC's "Sensitive Skin" and, most recently, the CBS-TV series "3 lbs."
MICHAEL GAMBON (George) started his career with the Edwards/ Macliammoir Gate Theatre in Dublin. He joined the National Theatre for its inaugural season under Laurence Olivier at the Old Vic in 1963 and appeared there in "Hamlet," "Saint Joan," "The Recruiting Officer," "Andorra," "Philoctetes," "Othello," "The Royal Hunt of the Sun," "The Crucible," "Mother Courage," "Love for Love," "Juno and the Paycock" and "The Storm."
In repertory, principally at Birmingham Rep, Gambon played title roles in "Othello," "Macbeth" and "Coriolanus."
In the West End, he has appeared in Simon Gray's "Otherwise Engaged"; Alan Ayckbourn's "The Norman Conquest"; "Just Between Ourselves"; "Alice's Boys," with Ralph Richardson; Harold Pinter's "Old Times; the title role in "Uncle Vanya"; "Tom and Clem" and "No Man's Land."
With the Royal Shakespeare Company, he spent a season at the Aldwych and later played the title part in "King Lear" and Antony in "Antony and Cleopatra," opposite Helen Mirren, both at Stratford and the Barbican.
For the National Theatre, Gambon has appeared in the premieres of Harold Pinter's "Betrayal," Simon Gray's "Close of Play," Christopher Hampton's "Tales From Hollywood," Alan Ayckbourn's "Sisterly Feelings," and "A Chorus of Disapproval," for which he won an Olivier Award, as well as "A Small Family Business," "Richard III," "Othello," "Tons of Money," the title role in "The Life of Galileo," "Volpone" and "Skylight." He recreated his starring role in the latter on Broadway in 1996 for which he was nominated for a Tony Award. Also for the National Theatre, Gambon played Eddie Carbone in Arthur Miller's "A View From the Bridge," which transferred to the Aldwych Theatre and for which he won all the major drama awards of 1987.
He was in Harold Pinter's "Mountain Language," "Cressida," at the Almeida, and Pinter's "The Caretaker," for which he earned an Olivier Award nomination. Gambon also directed the Platford Performance of Richard Harris' "Visiting Hour."
His television appearances include the BBC's first adventure series in color, "The Borderers," "Eyeless in Gaza," the series "The Other One," with Richard Briers, "The Seagull," "The Holy Experiment," Oscar," "Ghosts" and the Dennis Potter series "The Singing Detective," for which he won a BAFTA Award, a Broadcasting Press Guild Award and a Royal Television Society Award. He also starred in "The Heat of the Day," scripted by Harold Pinter from Elizabeth Bowen's novel, and was Archie Rice in John Osborne's "The Entertainer." More recently, he portrayed Lyndon Johnson in the HBO film "Path to War" and starred in HBO's "Angels in America," directed by Mike Nichols.
Gambon's film credits include "Turtle Diary," David Hare's "Paris By Night," "A Dry White Season," with Marlon Brando, "The Rachel Papers," Peter Greenaway's "The Cook, The Thief, His Wife and Her Lover," "The Gambler," "Mobsters," "Clean Slate," "Toys," "Indian Warrior," "Wings of the Dove," "The Innocent Sleep," "Dancing at Lughnasa," "Sleepy Hollow," "The Insider," "Gosford Park," Open Range" and four of the Harry Potter films: "Harry Potter and the Prisoner of Azkaban," "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix" and 2009's "Harry Potter and the Half-Blood Prince."
In 1998, Gambon was awarded a KBE in the Queen's Honour List.
Genres: Epic Adventure Starring: Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver Directed By: James Cameron Produced By: James Cameron, Jon Landau
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19 Views
15:40:50 12/30/09
The Book of Eli- DENZEL WASHINGTON's stunt work
[LESS INFO] 19 VIEWS | ADDED 15:40:50 12/30/09
Synopsis
In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth--all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water...or for nothing at all.
But they're no match for this traveler.
A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue.
Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegie's adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfather's domain.
But neither will find it easy to deter him. Nothing--and no one--can stand in his way. Eli must keep moving to fulfill his destiny and bring help to a ravaged humanity.
Alcon Entertainment presents a Silver Pictures production, a Hughes Brothers Film: "The Book of Eli." The film stars two-time Academy Award winner® Denzel Washington ("Training Day," "Glory"), Gary Oldman ("The Dark Knight," the "Harry Potter" films), Mila Kunis ("Forgetting Sarah Marshall"), Ray Stevenson ("Punisher: War Zone"), Jennifer Beals (Showtime's "The L Word"), Frances de la Tour and Michael Gambon (both of "Harry Potter and the Goblet of Fire").
"The Book of Eli" is directed by the Hughes Brothers ("Menace II Society," "Dead Presidents") from a screenplay by Gary Whitta. It is produced by Joel Silver, Denzel Washington, Broderick Johnson, Andrew A. Kosove and David Valdes. Steve Richards, Susan Downey and Erik Olsen serve as executive producers, with co-producers Steven P. Wegner, Yolanda T. Cochran and John David Washington.
The creative team includes director of photography Don Burgess, production designer Gae Buckley, editor Cindy Mollo and costume designer Sharen Davis. Jon Farhat is the visual effects supervisor. Music is composed by Atticus Ross, and the music supervisor is Deva Anderson. The Cast
DENZEL WASHINGTON (Eli/Producer) has been honored with five Academy Award® nominations, winning the Oscar® twice: in 1989 for his performance in "Glory" and again in 2001 for "Training Day." He has earned numerous additional awards and accolades throughout his acting career as well as recognition for his work as a director.
Currently, Washington is in production on director Tony Scott's action thriller "Unstoppable," which is scheduled for a 2010 release. In Spring 2010, he will also star on Broadway in the revival of August Wilson's Pulitzer Prize-winning drama "Fences."
He most recently starred with John Travolta in Tony Scott's remake of "The Taking of Pelham One, Two, Three"; directed and starred in, with Forest Whitaker, "The Great Debaters'; starred with Russell Crowe in Ridley Scott's "American Gangster," which grossed $43.6M in its first weekend to mark Washington's largest opening weekend to date; starred in Spike Lee's "Inside Man," with Clive Owen and Jodie Foster; and starred in Tony Scott's romantic thriller "Deja Vu." His other recent film work includes roles in Tony Scott's "Man on Fire," Jonathan Demme's "The Manchurian Candidate," Carl Franklin's mystery thriller "Out of Time" and Antoine Fuqua's "Training Day," for which Washington earned an Academy Award® for his critically acclaimed performance as a grizzled LAPD veteran who shows a rookie narcotics cop the ropes on his first day.
December 2002 marked Washington's feature film directorial debut with "Antwone Fisher." Inspired by the best-selling autobiography Finding Fish , the film won critical praise and earned the Stanley Kramer Award from the Producers Guild of America, as well as NAACP Image Awards for Outstanding Motion Picture and Outstanding Supporting Actor for Washington. Also in 2002, Washington earned an NAACP Image Award for Outstanding Actor in a Motion Picture for his role as a down-on-his-luck father in "John Q," which established a Presidents Day weekend opening record.
In 2000 he starred in Jerry Bruckheimer's box office sensation "Remember the Titans," a fact-based film about the integration of a high school football team, and in "The Hurricane," which re-teamed him with "A Soldier's Story" director Norman Jewison. Washington received a Golden Globe Award for Best Actor and an Academy Award® nomination for his portrayal of Rubin "Hurricane" Carter, the 1960s world middleweight champion boxer wrongfully imprisoned of murder.
Washington's feature film credits include "The Bone Collector"; Gregory Hoblit's crime thriller "Fallen"; Spike Lee's "He Got Game"; the terrorist thriller "The Siege" and the critically acclaimed military drama "Courage Under Fire" for director Ed Zwick; Penny Marshall's romantic comedy "The Preacher's Wife," opposite Whitney Houston; Tony Scott's underwater action adventure "Crimson Tide," with Gene Hackman; the futuristic thriller "Virtuosity"; and the 1940s romantic thriller "Devil in a Blue Dress," co-produced by the actor's Mundy Lane Entertainment. Another critically acclaimed, Oscar® -nominated performance was his portrayal of the complex and controversial 1960s black activist Malcolm X in director Spike Lee's biographical epic "Malcolm X," hailed by critics and audiences alike as one of the best films of 1992.
Washington took on a different role in 2000, producing the HBO documentary "Half Past Autumn: The Life and Works of Gordon Parks," nominated for two Emmy Awards. He also served as executive producer on the Emmy-nominated "Hank Aaron: Chasing the Dream," a biography for TBS. Additionally, he narrated "John Henry," which was nominated for a 1996 Grammy Award for Best Spoken Word Album for Children, and he was awarded the 1996 NAACP Image Award for his performance in the animated children's special "Happily Ever After: Rumpelstiltskin."
A native of Mt. Vernon, New York, Washington originally had his career sights set on medicine at Fordham University when a theatrical production during a summer camp counseling job introduced him to the stage. Upon graduation from Fordham, Washington attended the theater program at San Francisco's prestigious American Conservatory Theater and began his professional New York theater career with Joseph Papp's Shakespeare in the Park. This was quickly followed by numerous off-Broadway productions including "Ceremonies in Dark Old Men"; "When the Chickens Came Home to Roost," in which he portrayed Malcolm X"; "One Tiger to a Hill"; "Man and Superman"; "Othello"; and "A Soldier's Play," for which he won an Obie Award. Washington's more recent stage appearances include the Broadway production of "Checkmates" and "Richard III," which was produced as part of the 1990 Free Shakespeare in the Park series hosted by Joseph Papp's Public Theatre in New York City, and in 2005 he returned again to his theatre roots with a Broadway starring role as Marcus Brutus in "Julius Caesar." The show was well-received by critics and fans alike.
He made his Hollywood debut in the 1979 television film "Flesh and Blood," but it was Washington's award-winning stage performance in "A Soldier's Play" that captured the attention of the producers of the NBC series "St. Elsewhere," and he was soon cast in that long-running hit series as Dr. Phillip Chandler. His other television credits include "The George McKenna Story," "License to Kill," and "Wilma."
In 1982, Washington recreated his role from "A Soldier's Play" for Norman Jewison's well-received film version, re-titled "A Soldier's Story," and went on to star in Sidney Lumet's "Power"; Richard Attenborough's "Cry Freedom," for which he received his first Oscar® nomination; "For Queen and Country"; "The Mighty Quinn"; "Heart Condition"; "Glory," for which he won the Academy Award® for Best Supporting Actor; and Spike Lee's "Mo' Better Blues." He also starred in the action adventure "Ricochet," Mira Nair's bittersweet comedy "Mississippi Masala," Kenneth Branagh's "Much Ado About Nothing," Jonathan Demme's controversial "Philadelphia," and "The Pelican Brief."
GARY OLDMAN (Carnegie) is known to millions as Harry Potter's godfather Sirius Black and Batman's crime-fighting partner Commissioner Gordon, as well as Dracula, Beethoven, Lee Harvey Oswald and Sid Vicious, to name just a few of the memorable roles he has created in nearly 20 years as a worldwide presence in motion pictures.
Oldman reprised the role of Commissioner Gordon in 2008's top-grossing film "The Dark Knight," having first portrayed Gordon in "Batman Begins." In 2007 he appeared for the third time as Sirius Black in "Harry Potter and the Order of the Phoenix," following "Harry Potter and the Prisoner of Azkaban" and "Harry Potter and the Goblet of Fire." He most recently starred with Jim Carrey in Robert Zemeckis' adaptation of Charles Dickens' holiday classic "A Christmas Carol."
Oldman began his career in 1979 on the London stage. Between 1985 and 1989 he acted exclusively at London's Royal Court Theatre and, in 1985, was named Best Newcomer by London's Time Out for his work in "The Pope's Wedding." That same year he shared the London Critics' Circle Best Actor Award with Anthony Hopkins.
In 1986, Oldman made his major feature film debut in "Sid & Nancy," winning the Evening Standard British Film Award for Most Promising Newcomer for his portrayal of punk rock legend Sid Vicious. The following year, he starred in Stephen Frears' "Prick Up Your Ears," winning the Best Actor Award from the London Film Critics Circle for his portrayal of doomed British playwright Joe Orton. He has since become one of the industry's most respected actors, appearing in both mainstream hits and acclaimed independent films. Oldman's early film credits also include Nicolas Roeg's "Track 29"; "Criminal Law"; "Chattahoochee"; Tom Stoppard's "Rosencrantz & Guildenstern Are Dead," for which he received an Independent Spirit Award nomination for Best Actor; "State of Grace"; "Henry & June"; Oliver Stone's "JFK," playing Lee Harvey Oswald; and the title role in Francis Ford Coppola's "Dracula."
Oldman's subsequent film work includes memorable roles in Tony Scott's "True Romance"; "Romeo is Bleeding"; the Luc Besson films "The Professional" and "The Fifth Element"; "Immortal Beloved"; "Murder in the First"; Roland Joffe's "The Scarlet Letter"; Julian Schnabel's "Basquiat"; Wolfgang Petersen's "Air Force One"; the big screen version of "Lost in Space"; and Ridley Scott's "Hannibal."
In 1995, Oldman and manager/producing partner Douglas Urbanski formed the production company The SE8 Group, which produced Oldman's directorial debut feature "Nil by Mouth," which Oldman also wrote. The film was invited to open the 1997 50th Cannes Film Festival in the main competition, where Kathy Burke won the Best Actress Award for her role. In addition, Oldman won two BAFTA Awards for Best British Film and Best Screenplay; the Channel 4 Director's Award at the 1997 Edinburgh International Film Festival; and the Empire Award for Best Debut Film. He also executive produced and starred in the SE8 Group film "The Contender," which received two Oscar® nominations and brought Oldman a Screen Actors Guild Award® nomination for Best Supporting Actor.
On the small screen, Oldman earned an Emmy nomination for his guest appearance as an alcoholic actor on the hit comedy series "Friends." His earlier television work includes the telefilms "Meantime," directed by Mike Leigh, and "The Firm," directed by Alan Clarke.
MILA KUNIS (Solara) most recently starred in the Mike Judge comedy "Extract," opposite Jason Bateman and Ben Affleck. In 2008 she starred in Judd Apatow's hit comedy "Forgetting Sarah Marshall" as Rachel, opposite Jason Segel, Kirsten Bell, and Jonah Hill, and in the action thriller "Max Payne," with Mark Wahlberg.
Kunis will next be seen in the upcoming feature comedy "Date Night," with Ray Liotta, Mark Ruffalo, Tina Fey, and Steve Carell as one of the characters Fey and Carell encounter as a couple on a date gone awry. She will also star in Darren Aronofsky's supernatural drama "Black Swan," opposite Natalie Portman, as the rival character Lilly. Both films are set for a 2010 release.
The Russian-born actress started her entertainment career by landing several television commercials. She is best known for her roles on two of the Fox Network's most successful shows: as Jackie Burkhart in "That 70's Show," for which she earned two YoungStar Awards for Best Actress in a Television Series, and as the voice of Meg on the hit show "Family Guy."
RAY STEVENSON (Redridge) is perhaps best known for his starring role in the HBO/BBC television series "Rome," portraying the legionary Titus Pullo to both critical and public acclaim. Since the series wrapped, he has been working non-stop in a wide variety of feature films.
Stevenson most recently starred in the fantasy thriller "Cirque de Freak: The Vampire's Assistant," directed by Paul Weitz and based on the best-selling children's series by Darren Shan. In 2008, he was seen as the lead in "Punisher: War Zone," about the Marvel comics anti-hero Frank Castle and his quest to rid the world of evil after the death of his wife and daughter.
He will next be seen in director Jonathan Hensleigh's "The Irishman," as the title character in a true crime story of notorious mobster Danny Greene, with Christopher Walken, Vincent D'Onofrio and Val Kilmer, set for 2010. Hensleigh & Jeremy Walters wrote the screenplay based on the book To Kill the Irishman: The War That Crippled the Mafia, by Rick Porello. Also set for 2010 is Adam McKay's action comedy "The Other Guys," set in the world of the New York City cops, in which Stevenson stars with Will Ferrell and Mark Wahlberg. Among his upcoming projects, Stevenson will play Volstagg, one of the leads in Marvel Comics' "Thor," inspired by the Shakespeare's Falstaff and described as being over 1,000 pounds of muscle and the life of the party. This will reunite him with director Kenneth Branagh, who acted opposite him in "Theory of Flight" for director Paul Greengrass.
Stevenson's film work includes Antoine Fuqua's "King Arthur," for producer Jerry Bruckheimer; the cult favorite "Outpost," for director Steven Barker; "The Return of the Native," opposite Catherine Zeta Jones; and "Some Kind of Life."
His stage work includes playing Christ in the York Mystery Plays in 2000 at York Minster. In 2001, he played Roger in "Mouth to Mouth," by Kevin Ely, at the Albery Theatre in London, and, in 2003, appeared as Cardinal in "The Duchess of Malfi," by John Webster with Janet McTeer, at the Royal National Theatre.
Born in Northern Ireland, Stevenson grew up in England. He studied acting at the Bristol Old Vic Theatre School.
JENNIFER BEALS (Claudia) most recently appeared in the French film "Joueuse," which made its American premiere at the Tribeca Film Festival.
Beals was twice nominated for Outstanding Actress in a Drama Series by the NAACP Image Awards for her role in the acclaimed Showtime series "The L Word," which wrapped its sixth and final season in 2009. Her work on "The L Word" has earned numerous accolades and appreciation from groups including the Power Up Award, the GLAAD Golden Gate Award and the Golden Satellite Award for Outstanding Actress. The L Word Book , Beals' highly anticipated photographic journal, takes an unprecedented, behind-the-scenes look at the groundbreaking Showtime series and is set for release in January 2010. More information is available at www.lwordbook.com.
Beals recently joined the cast of the Fox Network series "Lie to Me," in a recurring role as the ex-wife of series lead Tim Roth.
Among her most memorable roles, Beals starred opposite Campbell Scott in the critically acclaimed film "Roger Dodger," winner of the 2002 Best Narrative Feature at the Tribeca Film Festival and Best First Film at the Venice Film Festival. She earned rave reviews for her role in VH-1's "They Shoot Divas, Don't They?" and was seen in the acclaimed "The Anniversary Party," written and directed by Jennifer Jason Leigh and Alan Cummings. In 2001, Beals starred in two Showtime features: the adaptation of Anne Rice's praised "A Feast of All Saints" and the WGA-nominated "A House Divided," in which she starred opposite Sam Waterston and Lisa Gay Hamilton and earned a Golden Satellite nomination as Best Actress in a Movie/Miniseries. For her extensive research for the film in Sparta, Georgia, where the story is based, she received an honorary Key to the City.
Originally from Chicago, Beals began her career after high school with a role in "Flashdance" that earned her a Golden Globe nomination and an NAACP Image Award for Best Actress. She then entered Yale University to study American Literature and graduated with honors. Beals went on to make an indelible impression in Carl Franklin's drama "Devil in a Blue Dress," opposite Denzel Washington, and in Alan Rudolph's "Mrs. Parker and the Vicious Circle."
In recent years, she has starred in a myriad of film roles, including the lead in "Twilight of the Golds," for which she earned a Golden Satellite Award. Her film credits include "The Grudge 2"; "My Name is Sarah"; "Runaway Jim"; "Catch That Kid"; Whit Stillman's "The Last Days of Disco"; Alexandre Rockwell's "In the Soup," which won the 1992 Grand Jury Prize at the Sundance Film Festival and the Audience Award at Deauville; "Four Rooms"; "Vampire's Kiss," with Nicolas Cage; Claude Chabrol's "Doctor M"; Nanni Moretti's "Caro Diario," which won the Director's Prize at the 1994 Cannes Film Festival; and Samuel Fuller's "The Madonna and the Dragon." On the small screen, she has appeared in the critically acclaimed ABC series "Nothing Sacred."
Beals is a winner of the 1999 Maverick Award from the San Jose Film Festival and, in 2004, was named one of People Magazine's 50 Most Beautiful People.
FRANCES DE LA TOUR (Martha) won a Tony Award for her performance as Mrs. Lintott in Alan Bennett's multi award-winning play "The History Boys," directed by Nicholas Hytner, and was also nominated for a BAFTA in the 2006 screen version of the stage play. She has earned three Olivier Awards: in 1980 for Best Actress in Tom Kempinski's "Duet for One," for which she also won the Evening Standard Best Actress Award; in 1984 for Best Actress in a Revival for "A Moon for the Misbegotten"; and in 1992 for Best Actress in a Supporting Role for "When She Danced."
De la Tour trained at the Drama Centre in London in the 1960s before joining the Royal Shakespeare Company. Through 1971, her work there included the roles of Hoyden in "The Relapse" and Helena in Peter Brook's production of "A Midsummer Night's Dream." For the National Theatre, her credits include "Brighton Beach Memoirs," "Les Parents Terribles," the title role in "St Joan" and "The Good Hope." Her additional theater work includes Matthew Warchus's "Boeing-Boeing," Tennessee Williams' "Small Craft Warnings," "Hamlet," Edward Albee's "Three Tall Women," "Anthony and Cleopatra" for the RSC and Noel Coward's "Fallen Angels," for which she received a Variety Club Best Actress Award. De la Tour can currently be seen on stage at the National in the limited engagement world premiere of "The Habit of Art," which reunites her with playwright Alan Bennett and director Nicholas Hytner and also stars Michael Gambon.
De la Tour's filmography includes the comedy "Rising Damp," based on the popular television series, for which she won the Evening Standard's Best Actress Award. She more recently appeared as Madame Olympe Maxime in "Harry Potter and the Goblet of Fire" and as Frau Eva in Andrei Konchalovsky's fantasy "Nutcracker: The Untold Story." She will next be seen alongside an all-star cast including Johnny Depp and Anne Hathaway in Tim Burton's "Alice in Wonderland," set for a 2010 release.
Her television appearances include the 1970s sitcom "Rising Damp," "Duet for One," for which she received a BAFTA Best Actress nomination, the BBC's "Waking the Dead," "Poirot: Death on the Nile," "Miss Marple: The Moving Finger," BBC's "Sensitive Skin" and, most recently, the CBS-TV series "3 lbs."
MICHAEL GAMBON (George) started his career with the Edwards/ Macliammoir Gate Theatre in Dublin. He joined the National Theatre for its inaugural season under Laurence Olivier at the Old Vic in 1963 and appeared there in "Hamlet," "Saint Joan," "The Recruiting Officer," "Andorra," "Philoctetes," "Othello," "The Royal Hunt of the Sun," "The Crucible," "Mother Courage," "Love for Love," "Juno and the Paycock" and "The Storm."
In repertory, principally at Birmingham Rep, Gambon played title roles in "Othello," "Macbeth" and "Coriolanus."
In the West End, he has appeared in Simon Gray's "Otherwise Engaged"; Alan Ayckbourn's "The Norman Conquest"; "Just Between Ourselves"; "Alice's Boys," with Ralph Richardson; Harold Pinter's "Old Times; the title role in "Uncle Vanya"; "Tom and Clem" and "No Man's Land."
With the Royal Shakespeare Company, he spent a season at the Aldwych and later played the title part in "King Lear" and Antony in "Antony and Cleopatra," opposite Helen Mirren, both at Stratford and the Barbican.
For the National Theatre, Gambon has appeared in the premieres of Harold Pinter's "Betrayal," Simon Gray's "Close of Play," Christopher Hampton's "Tales From Hollywood," Alan Ayckbourn's "Sisterly Feelings," and "A Chorus of Disapproval," for which he won an Olivier Award, as well as "A Small Family Business," "Richard III," "Othello," "Tons of Money," the title role in "The Life of Galileo," "Volpone" and "Skylight." He recreated his starring role in the latter on Broadway in 1996 for which he was nominated for a Tony Award. Also for the National Theatre, Gambon played Eddie Carbone in Arthur Miller's "A View From the Bridge," which transferred to the Aldwych Theatre and for which he won all the major drama awards of 1987.
He was in Harold Pinter's "Mountain Language," "Cressida," at the Almeida, and Pinter's "The Caretaker," for which he earned an Olivier Award nomination. Gambon also directed the Platford Performance of Richard Harris' "Visiting Hour."
His television appearances include the BBC's first adventure series in color, "The Borderers," "Eyeless in Gaza," the series "The Other One," with Richard Briers, "The Seagull," "The Holy Experiment," Oscar," "Ghosts" and the Dennis Potter series "The Singing Detective," for which he won a BAFTA Award, a Broadcasting Press Guild Award and a Royal Television Society Award. He also starred in "The Heat of the Day," scripted by Harold Pinter from Elizabeth Bowen's novel, and was Archie Rice in John Osborne's "The Entertainer." More recently, he portrayed Lyndon Johnson in the HBO film "Path to War" and starred in HBO's "Angels in America," directed by Mike Nichols.
Gambon's film credits include "Turtle Diary," David Hare's "Paris By Night," "A Dry White Season," with Marlon Brando, "The Rachel Papers," Peter Greenaway's "The Cook, The Thief, His Wife and Her Lover," "The Gambler," "Mobsters," "Clean Slate," "Toys," "Indian Warrior," "Wings of the Dove," "The Innocent Sleep," "Dancing at Lughnasa," "Sleepy Hollow," "The Insider," "Gosford Park," Open Range" and four of the Harry Potter films: "Harry Potter and the Prisoner of Azkaban," "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix" and 2009's "Harry Potter and the Half-Blood Prince."
In 1998, Gambon was awarded a KBE in the Queen's Honour List.
Genres: Epic Adventure Starring: Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver Directed By: James Cameron Produced By: James Cameron, Jon Landau
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1st Look Edited by Steve Samblis
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23 Views
17:17:39 06/30/08
Cake Walk or Humiliation? Bridezillas' Latest Promo Stunt
[LESS INFO] 23 VIEWS | ADDED 17:17:39 06/30/08
NEW YORK (AdAge.com) -- To promote its fifth season of "Bridezillas," the Women's Entertainment Network staged a giant cake climbing race in Times Square yesterday. Decked out in crash helmets and wedding dresses, competitors scrambled up a ten-foot-high ramp surfaced with layer cake and thick frosting in an effort to win the $25,000 prize. In other news in this 3 Minute Ad Age, McDonald's franchisees rise in revolt against a $100 million national marketing campaign. And, an IAB panel trys to visualize the future structure of social media marketing.
1 Views
21:48:51 08/18/06
Collaborate!!!
[LESS INFO] 1 VIEWS | ADDED 21:48:51 08/18/06
Watch the Video
This is a collaborative effort of 35 different vloggers who all sent video content to KityKity and she edited this video together. There are other vlogger collaborations going on right now so get involved with this one from Galacticast.com
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We are looking for a few good men and women to submit about 1-2 minutes of video footage of themselves after the apocalypse. All you need to do is read the below background story and film yourself all disheveled and in a messy place telling your own personal story. (If you do not want to be disheveled, you should explain why everything in your area looks so normal – why you are unaffected by the apocalypse, etc.).
Node 666 (Background Story)
It began August 22nd, 2006. Escalating tensions in the Middle East resulted in Iran dropping a nuclear weapon unto Israel.
Into the valley of ARMAGEDDON!! !
This unearths a hidden portal to hell from which a demon army rises up to conquer the earth.
Seeing that the time has come, the alien overlords who have been watching over us as Angels initiate the Rapture protocol to save the human genetic code, randomly transporting a few million of us into their ships, to train for their final battle.
The rest of us are left behind, to face the final apocalypse. A world filled with roving biker gangs, zombie hordes, radiation fallout, and other fun things.
Many die. Some survive. And some …
Form a videoblogging network, to keep in touch during these grim times. They are the members of Node 666.
And so are you!!!
Tell us what happened to you during this apocalypse. Recreate an event during that day; show us your radioactive vegetable garden. Your mutant cat. Your pet zombie. Your freak children. Whatever.
You have a month. We will help with special effects and final editing between segment to segment. You can either send us your video at galacticast [at] gmail.com or send us the link to your file online.
Please note that this work will be released under our usual CC license (attribution, non-commercial, share-alike) . If you have any questions or concerns, please let me know.
Good luck and godspeed…
Casey
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Casey McKinnon
Producer, Galacticast
http://www.galactic ast.com/
