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01:00:36 05/26/12
Pots and Pans Protest in Québec
[LESS INFO] 0 VIEWS | ADDED 01:00:36 05/26/12
Each night in Montréal, and now in other cities and towns in Québec, the locals are treated to the loud din of thousands of protesters taking to the streets. The video above is from last night, and was relatively peaceful with only a handful of arrests but so far a staggering 2500 have been arrested in the standoff over student tuition and now draconian law enforcement. The Pots Protest ("Manif de casseroles") began earlier this month in response to the Student protests, which are now over 100 days old, see no sign of abating any time soon, and in fact are only growing in numbers -- and volume.
via The Canadian Press >
MONTREAL - The clanging pots of student unrest that have rattled Montreal and Quebec City for several nights are coming noisily to life in other parts of the province.
People took up the percussive protest Thursday night in several towns and cities including Sorel, Longueuil, Chambly, Repentigny, Trois-Rivieres and even in Abitibi — several hundred kilometres away from the hot spot of Montreal.
They were still loudest in Montreal, where a chorus of metallic clanks rang out in neighbourhoods around the city, spilling into the main demonstrations and sounding like aluminum symphonies.
The pots-and-pans protest has its roots in Chile, where people have used it for years as an effective, peaceful tool to express civil disobedience. The noisy cacerolazo tradition actually predates the Pinochet regime in Chile, but has endured there and spread to other countries as a method of showing popular defiance.
Thursday's protest in Montreal was immediately declared illegal by police, who said it violated a municipal bylaw because they hadn't been informed of the route. They allowed it to continue as long as it remained peaceful.
Although there was a massive police presence throughout the evening with the roar of a provincial police helicopter competing with the banging of the pots, there was little if any tension reported between demonstrators and police.
People tapped the pots as they walked, the sounds mingling with shouts and chants. Others leaned out of car windows to bang their pans and one protester smacked a pot right in front of one police officer who looked on indifferently.
Usually the nightly street demonstrations, which have gone on for a month, have a couple of vigorous drummers to speed them along their route. At the very least, someone clangs a cow bell.
But in the last few days, the pots and pans protest — dubbed the casseroles by observers — have acted like an alarm clock for the regular evening march, sounding at 8 p.m. on the nose in advance of the march's start.
While thousands, including children, their parents, students and the elderly, packed the streets in support, the Twitterverse exploded with reactions and observations.
"Spotted a man in an Armani suit banging a pot," tweeted Christina Stimpson on one of Thursday's participants. "Feel the love people."
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18:38:23 05/25/12
Gay teen coming out with conservative parents: marriage soon ?
[LESS INFO] 0 VIEWS | ADDED 18:38:23 05/25/12
Gay teen coming out with conservative parents: marriage soon ?
If you don't know how to say it just sing it, they'll understand. A Belgian ad long before gay marriage was in the news... Say it with a song / Better get rhythm Country: Belgium Brand: Radio donna Year: 2004 Agency: Lg%f Director: Matthijs VAN HEIJNINGEN More commercials : www.youtube.com .. All rights reserved. For all inquiries, please mail to culturepub@wizdeo.com From: CulturePub Views: 838 22 ratings Time: 01:12 More in Entertainment
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13:12:03 05/25/12
euronews right on - Diversity and discrimination at work
[LESS INFO] 0 VIEWS | ADDED 13:12:03 05/25/12
euronews right on - Diversity and discrimination at work
www.euronews.com Diversity is important to companies. It's a source of creativity and innovation. It recognises that different points of view are important in a growing multi-cultural world. Studies show that this idea is gaining momentum around Europe, but studies also show that discrimination is still widespread in the work place. Euronews spoke to a man who, between 1993 and 2004, was a victim of discrimination in France. Because of what happened he wants to remain anonymous; we'll call him Marc. He said: "I was met with great hostility because of my homosexuality. You would come back from lunch and on your desktop would be a note reading 'Death to the faggot' or 'Dirty faggot'. You're working and you receive anonymous phone calls - death threats. And you're put down all the time, given the worst jobs and you can, as happened with me, end up for months and months in a room, completely isolated, without being given any work, without seeing anyone." In 2000, two EU directives were introduced, they provided a legal framework to fight against discrimination at work. These guidelines recognised Marc's sexuality and gave him the legal rights to protect himself. "Europe showed that homosexuals had the right to respect too. Europe allowed us to defend ourselves in the workplace. I learned very quickly and I used what I had learned," Marc added. After a long, hard fight, Marc won the battle against his tormentors. They were demoted and he received compensation. Anne Devineaux ... From: Euronews Views: 80 6 ratings Time: 08:36 More in Shows
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13:12:03 05/25/12
euronews right on - Diversity and discrimination at work
[LESS INFO] 0 VIEWS | ADDED 13:12:03 05/25/12
euronews right on - Diversity and discrimination at work
www.euronews.com Diversity is important to companies. It's a source of creativity and innovation. It recognises that different points of view are important in a growing multi-cultural world. Studies show that this idea is gaining momentum around Europe, but studies also show that discrimination is still widespread in the work place. Euronews spoke to a man who, between 1993 and 2004, was a victim of discrimination in France. Because of what happened he wants to remain anonymous; we'll call him Marc. He said: "I was met with great hostility because of my homosexuality. You would come back from lunch and on your desktop would be a note reading 'Death to the faggot' or 'Dirty faggot'. You're working and you receive anonymous phone calls - death threats. And you're put down all the time, given the worst jobs and you can, as happened with me, end up for months and months in a room, completely isolated, without being given any work, without seeing anyone." In 2000, two EU directives were introduced, they provided a legal framework to fight against discrimination at work. These guidelines recognised Marc's sexuality and gave him the legal rights to protect himself. "Europe showed that homosexuals had the right to respect too. Europe allowed us to defend ourselves in the workplace. I learned very quickly and I used what I had learned," Marc added. After a long, hard fight, Marc won the battle against his tormentors. They were demoted and he received compensation. Anne Devineaux ... From: Euronews Views: 80 6 ratings Time: 08:36 More in Shows
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02:01:26 05/25/12
Myth McConnell
[LESS INFO] 0 VIEWS | ADDED 02:01:26 05/25/12
In the wake of the debt-ceiling crisis he helped manufacture last summer, Senate Minority Leader Mitch McConnell boasted it was "a hostage that's worth ransoming" which "also is a new template" for the future. As it turns out, those threats were among the few true words McConnell has uttered. Because while he's promising once again to blackmail the White House over the debt ceiling, the Kentucky Republican claimed it's because "we'd like to do something about the nation's biggest problem, spending and debt, which of course is the reason for this economic malaise." Of course, as the data show, it's the very austerity policies here and in Europe which are costing jobs and hurting growth.
But Mitch McConnell's myth-making hardly ends there. On the economy, taxes, deficits, health care and so much else, virtually all of McConnell's talking points are tried - and untrue.
( Click a link to jump to the details for each below ):
* "Obama Made the Economy Worse"
* "No Evidence Whatsoever That the Bush Tax Cuts Actually Diminished Revenue"
* "Punishing Job Creators"
* "We Look a Lot Like Greece Already"
* Public Sector Layoffs Are a "Local" Problem
* 47 Million Uninsured Americans "Don't Go Without Health Care"
* The Public Option "May Cost You Your Life"
* Democrats Are "Sticking It to Seniors with Cuts to Medicare"
"Obama Made the Economy Worse"
For months, Mitch McConnell (for example, here , here and here ) regurgitated the GOP talking point that President Obama " made the economy worse ." Sadly for the trickle-down mythmakers of the Republican Party , the facts and the overwhelming consensus of economists - including John McCain's 2008 brain trust - prove otherwise. President Obama not only did not make the American economy worse; no thanks to obstructionist Republicans in Congress he saved the United States from "Great Depression 2.0" and put the nation on the path to recovery.
Start, for example, with the conclusions of the nonpartisan Congressional Budget Office (CBO). Despite Republican mythmaking that the American Recovery and Reinvestment Act (ARRA) "created zero jobs," in November the CBO reported that the stimulus added up to 2.4 million jobs and boosted GDP by as much as 1.9 points in the previous quarter. As The Hill explained, the CBO has found that "President Obama's 2009 stimulus package continues to benefit the struggling economy": >
The agency said the measure raised gross domestic product by between 0.3 and 1.9 percent in the third quarter of 2011, which ended Sept. 30. The Commerce Department said Tuesday that GDP in that quarter was only 2 percent total...
By CBO's numbers, the $800 billion stimulus added up to 0.9 million jobs in 2009, 3.3 million jobs in 2010 and 2.6 million jobs in 2011.
Mark Zandi , an adviser to John McCain in 2008, was adamant on positive role of the stimulus. Federal intervention, he and Princeton economist Alan Blinder argued in August 2010, literally saved the United States from a second Great Depression. In " How the Great Recession Was Brought to an End ," Blinder and Zandi's models confirmed the impact of the Obama recovery program and other federal interventions dating back to 2008, concluding that "laissez faire was not an option": >
We find that its effects on real GDP, jobs, and inflation are huge, and probably averted what could have been called Great Depression 2.0. For example, we estimate that, without the government's response, GDP in 2010 would be about 11.5% lower, payroll employment would be less by some 8½ million jobs, and the nation would now be experiencing deflation.
"No Evidence Whatsoever That the Bush Tax Cuts Actually Diminished Revenue"
In his version of the Republican myth that " tax cuts pay for themselves ," President Bush confidently proclaimed, "You cut taxes and the tax revenues increase." As it turned out, not so much.
After Ronald Reagan tripled the national debt with his supply-side tax cuts, George W. Bush doubled it again with his own. (Reagan's performance would have been much worse, had he not raised taxes 11 times to help make up the shocking shortfall.) As a share of American GDP, tax revenues peaked in 2000; that is, before the Bush tax cuts of 2001 and 2003. As the Center on Budget and Policy Priorities concluded, the Bush tax cuts accounted for half of the deficits during his tenure, and if made permanent , over the next decade would cost the U.S. Treasury more than Iraq, Afghanistan, the recession, TARP and the stimulus - combined .
Nevertheless, as the Republican Party waged its all-out attack in 2010 to preserve the Bush tax cuts for the wealthy , the GOP's number two man in the Senate provided the talking point to help sell the $70 billion annual giveaway to America's rich. "You should never," Arizona's Jon Kyl declared, "have to offset the cost of a deliberate decision to reduce tax rates on Americans." For his part, Senate Minority Leader Mitch McConnell rushed to defend Kyl's fuzzy math: >
"There's no evidence whatsoever that the Bush tax cuts actually diminished revenue. They increased revenue because of the vibrancy of these tax cuts in the economy. So I think what Senator Kyl was expressing was the view of virtually every Republican on that subject."
That may have been a view universally shared by virtually every Republican, but it happens to be wrong.
"Punishing Job Creators"
For years, Senator McConnell has been among the legions of Republicans wrongly arguing that even the slightest increase in taxes for the wealthiest Americans is tantamount to " punishing job creators ." As his colleague John Boehner put it: >
"The top one percent of wage earners in the United States...pay forty percent of the income taxes...The people he's [President Obama] is talking about taxing are the very people that we expect to reinvest in our economy."
If so, those expectations were sadly unmet under George W. Bush. After all, the last time the top tax rate was 39.6 percent during the Clinton administration , the United States enjoyed rising incomes, 23 million new jobs and budget surpluses. Under Bush? Not so much.
On January 9, 2009, the Republican-friendly Wall Street Journal summed it up with an article titled simply, " Bush on Jobs: the Worst Track Record on Record ." (The Journal's interactive table quantifies his staggering failure relative to every post-World War II president.) The meager one million jobs created under President Bush didn't merely pale in comparison to the 23 million produced during Bill Clinton's tenure. In September 2009, the Congressional Joint Economic Committee charted Bush's job creation disaster, the worst since Hoover.
That dismal performance prompted David Leonhardt of the New York Times to ask last fall, "Why should we believe that extending the Bush tax cuts will provide a big lift to growth?" His answer was unambiguous: >
Those tax cuts passed in 2001 amid big promises about what they would do for the economy. What followed? The decade with the slowest average annual growth since World War II. Amazingly, that statement is true even if you forget about the Great Recession and simply look at 2001-7... >
Is there good evidence the tax cuts persuaded more people to join the work force (because they would be able to keep more of their income)? Not really. The labor-force participation rate fell in the years after 2001 and has never again approached its record in the year 2000. >
Is there evidence that the tax cuts led to a lot of entrepreneurship and innovation? Again, no. The rate at which start-up businesses created jobs fell during the past decade.
The data are clear: lower taxes for America's so called job-creators don't mean either faster economic growth or more jobs for Americans .
As Jared Bernstein aptly put it earlier this month: >
"Tax cuts and job growth? They're just not that into each other."
"We Look a Lot Like Greece Already"
As their last round of hostage-taking of the debt heated up last summer, Republicans including Mitch McConnell warned, "We look a lot like Greece."
hile FactCheck.org was quick to conclude that "whatever it 'looks like' through Sen. McConnell's eyes -- the fact is that the U.S. is not yet a fiscal wreck of Greek proportions," its analysis hardly does justice to the scale of the Republican myth-making. The Washington Monthly's Steve Benen summed it up quite succinctly: >
New rule: every time a confused Republican lawmakers compare the United States' fiscal conditions to that of Greece, an angel loses its wings.
Look, the very idea is just crazy. The U.S. has extremely low interest rates and foreign investor are happy to loan us money; Greece has extremely high interest rates and no one is eager to loan the country money. The U.S. has our own currency; Greece has the Euro. We have a great credit rating (for now); Greece has an awful credit rating. We have a manageable debt; Greece has a debt crisis. We're a large country with an enormous economy; Greece is a small country with a small economy. We have one of the world's most stable systems of government (at least until six months ago); Greece's government structure is a little shaky.
For his part, Nobel Prize-winning economist and New York Times columnist Paul Krugman has been decrying the " Hellenization of economic discourse " for months. "Greece -- with a long history of fiscal irresponsibility, very high public debt, and a country without a currency -- doesn't bear much resemblance even to the other peripheral Europeans, let alone the United States."
>
Here's debt levels (if you ask me the IMF projections for Greece are too optimistic). >
Plus there's the having your own currency thing, and the fact that the interest rate on US 10-year bonds is 3.11 percent, on Greek bonds 16.82 percent. >
Otherwise we're exactly the same.
Public Sector Layoffs a "Local" Problem
Last fall, Minority Leader McConnell led the GOP opposition to President Obama's proposed $400 billion American Jobs Act. The loss of hundreds of thousands of police, firefighter, teacher and other public sector jobs, he insisted, was a "local" problem.
As it turns out, the 600,000 state and local government jobs already lost since December 2008 is very much a national issue. That " anti-stimulus ," it turns out, has added a full point to America's unemployment rate .
Last month, the Economic Policy Institute noted that the private sector had gained 2.8 million jobs while federal, state and local governments shed 584,000 just since June 2009. EPI concluded that the public sector job losses constituted "an unprecedented drag on the recovery": >
"The current recovery is the only one that has seen public-sector losses over its first 31 months."
Back in March, Paul Krugman expressed the same point , but with some inconvenient historical context for the Party of Reagan. "In fact, if it weren't for this destructive fiscal austerity," Krugman explained, "Our unemployment rate would almost certainly be lower now than it was at a comparable stage of the 'Morning in America' recovery during the Reagan era." >
We're talking big numbers here. If government employment under Mr. Obama had grown at Reagan-era rates, 1.3 million more Americans would be working as schoolteachers, firefighters, police officers, etc., than are currently employed in such jobs. >
And once you take the effects of public spending on private employment into account, a rough estimate is that the unemployment rate would be 1.5 percentage points lower than it is, or below 7 percent -- significantly better than the Reagan economy at this stage.
47 Million Uninsured Americans "Don't Go Without Health Care"
McConnell the " strict obstructionist " was naturally in the forefront of the all-out Republican effort to block health care reform at any cost. As he repeatedly put it in June 2009 , "all of us want reform, but not reform that denies, delays, or rations health care." To prove his point, McConnell didn't merely trot out a Canadian patient who came to the U.S. for special treatment, but insisted to NBC's David Gregory that no American does without health care now. >
GREGORY: Do you think it's a moral issue that 47 million Americans go without health insurance? >
McCONNELL: Well, they don't go without health care. It's not the most efficient way to provide it. As we know, the doctors in the hospitals are sworn to provide health care. We all agree it is not the most efficient way to provide health care to find somebody only in the emergency room and then pass those costs on to those who are paying for insurance. So it is important, I think, to reduce the number of uninsured. The question is, what is the best way to do that?
That President George W. Bush, Tom Delay and Paul Broun among other Republicans also claimed "people have access to health care in America...after all, you just go to an emergency room" doesn't make it any more true. As the numbers show -- 50 million uninsured, another 25 million uninsured, 45,000 unnecessary deaths, one in five Americans "self-rationing" care and 62 percent of all personal bankruptcies being related to medical bills -- the crisis is far worse than the one Mitch McConnell pretends doesn't exist.
The Public Option "May Cost You Your Life"
While Mitch McConnell insisted that the lack of insurance doesn't prevent anyone from getting health care, in 2009 he suggested having coverage could prove fatal . Months before the passage of the Affordable Care Act without the so-called "public option," Minority Leader McConnell said it would be deadly.
That irresponsible fear-mongering came during an appearance on Dennis Miller's radio show in October 2009. Blasting the "opt-out" version of the public option then being considered in the Senate bill, the Senator from the state ranked 45th in health care performance insisted access to coverage could kill you : >
MCCONNELL: Well, it doesn't make any difference frankly whether you opt-in or you opt-out, it's still a government plan. You know, Medicaid, the program for the poor now, states can opt-out of that, but none of them have. I think if you have any kind of government insurance program, you're going to be stuck with it and it will lead us in the direction of the European style, you know, sort of British-style, single payer, government run system. And those systems are known for delays, denial of care and, you know, if your particular malady doesn't fit the government regulation, you don't get the medication. >
MILLER: Right. >
MCCONNELL: And it may cost you your life. I mean, we don't want to go down that path.
As a Harvard Medical School study found, each year the path of no health insurance leads 45,000 Americans to the grave.
Democrats Are "Sticking It to Seniors with Cuts to Medicare"
For two years running, Mitch McConnell has been among the 40 GOP Senator voting for Paul Ryan's House budget plan to privatize and inevitably ration Medicare now used by 46 million American seniors. In the late 1990's, McConnell joined in Newt Gingrich's effort to slash almost 15 percent from the Medicare budget so that the program would "wither on the vine." But when the Affordable Care Act called for savings from the private Medicare Advantage program used by only 15 percent of elderly beneficiaries, it was Mitch McConnell who warned seniors about the mythical danger.
In July 2009, McConnell tried to scare America's 46 million Medicare beneficiaries by declaring, "The administration plans to use Medicare cuts to fund yet another new government program." Hoping to build on the momentum of the GOP's disgusting and demonstrably false " euthanasia " talking point, McConnell cautioned: >
"Some in Congress seem to be in such a rush to pass just any reform, rather than the right reform, that they're looking everywhere for the money to pay for it -- even if it means sticking it to seniors with cuts to Medicare."
That salvo comes just two weeks after McConnell promised to defeat health care reform in the Senate, warning America's highest turnout voting block: >
"They are going to pay for this plan by cutting Medicare, that is cutting seniors."
Those claims, the New York Times pointed out the day after the Republicans' overwhelming triumph in the 2010 midterms elections were misleading at best and false at worst. But, sadly, they worked .
And so it goes.
As Joshua Green documented last year in the Atlantic , "Mitch McConnell is a master manipulator and strategist" whose "relentless tactics have made his party victorious." But that doesn't make him a truth-teller, except on those rare occasions when he reveals his true motivations. During the debt ceiling stand-off last summer , McConnell briefly got weak in the knees at the prospect of U.S. sovereign default not because it would be a disaster for the nation, but because it could damage his Republican Party : >
"I refuse to help Barack Obama get re-elected by marching Republicans into a position where we have co-ownership of a bad economy. ... If we go into default, he will say that Republicans are making the economy worse and try to convince the public -- maybe with some merit, if people stop getting their Social Security checks and military families start getting letters saying service people overseas don't get paid. It's an argument he could have a good chance of winning, and all of the sudden we have co-ownership of a bad economy," he said. "That is very bad positioning going into an election."
Especially an election which marks the culmination of Mitch McConnell's work over the past three and a half years: >
"The single most important thing we want to achieve is for President Obama to be a one-term president."
(This piece also appears at Perrspectives .)
0 Views
20:28:01 05/23/12
Jamaican Ice Hockey coming to the Olympics? - BR5
[LESS INFO] 0 VIEWS | ADDED 20:28:01 05/23/12
Jamaican Ice Hockey coming to the Olympics? - BR5
The tropical paradise of Jamaica has long been known for beaches and Bob Marley, but ice hockey? All that & more on this daily edition of BR5. Follow @Bleacher5 on Twitter: www.twitter.com Follow @DesiSanchez on Twitter: www.twitter.com Like BR5 on Facebook: www.facebook.com Subscribe to BR5 on YouTube: goo.gl Source: olympics.yardbarker.com www.youtube.com From: BleacherReport Views: 503 6 ratings Time: 00:47 More in Sports
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03:00:00 05/23/12
Aliens Gets Delayed and 007 Release Date - Press Pause Daily
[LESS INFO] 1 VIEWS | ADDED 03:00:00 05/23/12
Aliens get pushed back to next year and 007 is coming back this fall.
SHOW NOTES:
Story 1:
It’s been a long tough road for the Gearbox developed, Sega published game based on the classic sci-fi movie series Alien. And it just got a bit longer.
Gearbox announced on Monday that the game would be delayed...again. The game will now come out at the beginning of next year. New new release date will fall on February 12 for the PS3, Xbox 360, and PC versions of the game. There is still no word on when the Wii U version of the game will release.
In a post on the Sega Blog, Gearbox CEO Randy Pitchford said that “Because the game was 'announced' with that original press release, it might feel, to those of you who have been waiting for the game since then, that it has been in development a long time. In fact, with the release date now set, it turns out that the total development time we have spent creating Aliens: Colonial Marines is about the same length of time as we had spent creating the original Borderlands or the original Brothers in Arms”
To help sooth the pain a little, Gearbox has released a new trailer to hopefully tide gamers over until next year.
I know a few gamers have really been looking forward to this, but hopefully the extra time till let them make the best game they can. Fingers crossed.
http://www.shacknews.com/article/73882/aliens-colonial-marines-delayed-to-feb-12
Story 2:
I was announced awhile back that Activision would be making a new game to celebrate the 50th anniversary of the James Bond franchise, and we now have a release date.
007 Legends will release on October 16th, just month month ahead of the next film in the long running franchise: Skyfall.
They have also released a brand new trailer that shows off the level based on the 1979 Roger Moore Bond film Moonraker. This will be just one of the six classic Bond films that will make up the narrative of the game.
This is the only Bond film we know about yet, but since we still have several months until release, I’m sure we will find out more soon.
The game is being developed by Eurocom, who were the developers of the PS2 version of Quantum of Solace as well as last year’s remake of Goldeneye 007.
We heard good things about that remake, and it should be fun to go back into Bond’s long history in game form. Definitely on my to watch list.
http://www.gamespot.com/news/james-bond-returns-october-16-6377773
That will do it for your daily dose of Press Pause. You can always find all our episodes over at presspause.mevio.com . You can also check them out over at our Youtube channel: youtube.com/presspausemevio .
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22:08:06 05/19/12
Evil Minecraft : Frozen Morning Wood ! #1 (Gameplay/Commentary)
[LESS INFO] 0 VIEWS | ADDED 22:08:06 05/19/12
Evil Minecraft : Frozen Morning Wood ! #1 (Gameplay/Commentary)
www.youtube.com Click here to watch Minecraft The Movie - Trailer (Minecraft Machinima) Evil Minecraft : Frozen Morning Wood ! #1 (Gameplay/Commentary) Come join me on another beautiful adventure in Minecraft...erm I mean Evil Minecraft ! (Que Evil Music) Created by Evil Notch it is one very interesting recreation of Minecraft, From the Title Menu to your death ! An Like and a Comment would go a LONG Way Link to Evil Minecraft : www.evil-minecraft.net The music in this video: Beyond the Winding Road By : BananaPieLord www.youtube.com Director's Channel : www.youtube.com - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ThisRealm video will show you: How to play Evil Minecraft How to Create Items in evil minecraft How to stack up on resources in minecraft How to play Minecraft - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - FOR MORE MACHINIMA, GO TO: www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com FOR MORE ANIMATIONS & SHORTS, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com Tags: yt:quality=high Minecraft "Mine Craft" online multiplayer Markus Persson sandbox Alpha beta notch spider skeleton zombie lumber wood coal stone torch workbench crafting square pickaxe pick wood stone night machinima tutorial guide sandbox RPG undead video gaming food cooking pigs sheep apple mushroom diamond machinima ... From: MachinimaRealm Views: 14016 298 ratings Time: 16:27 More in Gaming
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17:22:06 05/19/12
Blink 182 "Dammit" (Dave Days)
[LESS INFO] 1 VIEWS | ADDED 17:22:06 05/19/12
Blink 182 "Dammit" (Dave Days)
Get a physical copy of "We're Just Kids" & bundle pack! I'll hug you alot. www.westaspenmerch.com SONG ON iTUNES! Thanks for the support. itunes.apple.com Twitter: www.twitter.com Like meh! www.facebook.com Lyrics to "Dammit" It's alright to tell me what you think about me I won't try to argue or hold it against you I know that you're leaving you must have your reasons The season is calling and your pictures are falling down The steps that I retrace the sad look on your face The timing and structure did you hear he ****ed her? A day late a buck short I'm writing the report On losing and failing when I move I'm flailing now And it's happened once again I'll turn to a friend Someone that understands Sees through the master plan But everybody's gone And I've been here for too long To face this on my own Well I guess this is growing up Well I guess this is growing up And maybe I'll see you at a movie sneak preview You'll show up and walk by on the arm of that guy And I'll smile and you'll wave we'll pretend it's okay The charade it won't last when he's gone I won't come back And it'll happen once again You'll turn to a friend Someone that understands And sees through the master plan But everybody's gone And you've been there for too long To face this on your own Well I guess this is growing up PS I love Blink. I feel I owe them a lot because they got me into guitar and music. So here's a cover! Hope you like it. Watch the original here: www.youtube.com Thanks to my awesome ... From: davedays Views: 203911 8332 ratings Time: 02:44 More in Entertainment
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15:00:11 05/19/12
Android: Battle Lines - $1.99 - Games
[LESS INFO] 1 VIEWS | ADDED 15:00:11 05/19/12
How long can you hold the line? Air Lane is back but this time it's on the battle field. After directing hundreds of aircraft to the runway, it’s time that you take your skills to the next level. Welcome to Battle Lines. It’s air traffic control in the middle of a battle field. You’re not the innocent traffic controller anymore. You’re part of the battle and how long your airport survives will depend on how quickly you can get friend and foe to the ground. The latter being in pieces of course. As the battle rages on you’ll need to up your game and that’s where the the store comes in(don’t worry. No IAP here). Get upgrades for your weapons and airport. At the end of the day however it all come down to your traffic control skills.
1 Views
15:00:11 05/19/12
Android: Battle Lines - $1.99 - Games
[LESS INFO] 1 VIEWS | ADDED 15:00:11 05/19/12
How long can you hold the line? Air Lane is back but this time it's on the battle field. After directing hundreds of aircraft to the runway, it’s time that you take your skills to the next level. Welcome to Battle Lines. It’s air traffic control in the middle of a battle field. You’re not the innocent traffic controller anymore. You’re part of the battle and how long your airport survives will depend on how quickly you can get friend and foe to the ground. The latter being in pieces of course. As the battle rages on you’ll need to up your game and that’s where the the store comes in(don’t worry. No IAP here). Get upgrades for your weapons and airport. At the end of the day however it all come down to your traffic control skills.
2 Views
03:00:11 05/19/12
Android: Battle Lines - $1.99 - Games
[LESS INFO] 2 VIEWS | ADDED 03:00:11 05/19/12
How long can you hold the line? Air Lane is back but this time it's on the battle field. After directing hundreds of aircraft to the runway, it’s time that you take your skills to the next level. Welcome to Battle Lines. It’s air traffic control in the middle of a battle field. You’re not the innocent traffic controller anymore. You’re part of the battle and how long your airport survives will depend on how quickly you can get friend and foe to the ground. The latter being in pieces of course. As the battle rages on you’ll need to up your game and that’s where the the store comes in(don’t worry. No IAP here). Get upgrades for your weapons and airport. At the end of the day however it all come down to your traffic control skills.
0 Views
03:00:11 05/19/12
Android: Battle Lines - $1.99 - Games
[LESS INFO] 0 VIEWS | ADDED 03:00:11 05/19/12
How long can you hold the line? Air Lane is back but this time it's on the battle field. After directing hundreds of aircraft to the runway, it’s time that you take your skills to the next level. Welcome to Battle Lines. It’s air traffic control in the middle of a battle field. You’re not the innocent traffic controller anymore. You’re part of the battle and how long your airport survives will depend on how quickly you can get friend and foe to the ground. The latter being in pieces of course. As the battle rages on you’ll need to up your game and that’s where the the store comes in(don’t worry. No IAP here). Get upgrades for your weapons and airport. At the end of the day however it all come down to your traffic control skills.
0 Views
18:36:49 05/18/12
![The Words Trailer Official 2012 [HD] - Bradley Cooper, Zoe Saldana](http://static1.channels.com/thumbnails/assets/youtube-com/feeds/192-2240/394423/episodes/16309941_clevvermovies-The-Words-Trailer-Official-2012--HD----Bradley-Cooper--Zoe-Saldana--jpg)
The Words Trailer Official 2012 [HD] - Bradley Cooper, Zoe Saldana
![The Words Trailer Official 2012 [HD] - Bradley Cooper, Zoe Saldana](http://i.ytimg.com/vi/xXuMXsjfS-w/default.jpg)
[LESS INFO] 0 VIEWS | ADDED 18:36:49 05/18/12
The Words Trailer Official 2012 [HD] - Bradley Cooper, Zoe Saldana
bit.ly - Click to Subscribe! Facebook.com - Become a Fan! Twitter.com - Follow Us! The Words hits theaters on September 21st, 2012. Cast: Bradley Cooper, Zoe Saldana, Jeremy Irons, Dennis Quaid, Olivia Wilde, Ben Barnes Starring Bradley Cooper, Oscar%reg-winner Jeremy Irons, Dennis Quaid, Olivia Wilde and Zo%euml Saldana, the layered romantic drama The Words follows young writer Rory Jansen who finally achieves long sought after literary success after publishing the next great American novel. There's only one catch - he didn't write it. As the past comes back to haunt him and his literary star continues to rise, Jansen is forced to confront the steep price that must be paid for stealing another man's work, and for placing ambition and success above life's most fundamental three words. The Words trailer courtesy CBS Films. From: ClevverMovies Views: 7112 109 ratings Time: 02:40 More in Film & Animation
2 Views
22:48:30 05/17/12
It's Casual - Live in Studio B - Part 1 - The New Los Angeles
[LESS INFO] 2 VIEWS | ADDED 22:48:30 05/17/12
Part 1 of It's Casual performing live at Mevio Studios in San Francisco
For the entire performance CLICK HERE
WEBSITE FACEBOOK TWITTER MYSPACE YOUTUBE
BIO:
Like most Angelenos, Eddie Solis is pissed about the traffic on the 101. Unlike most Angelenos, Eddie Solis writes songs about being pissed about the traffic on the 101.
Solis’ band, an impossibly loud punk/hardcore duo called It’s Casual, addresses transit issues with an urgency hitherto unmatched in the realm of urban planning. Imagine Henry Rollins at a City Council Transportation Committee meeting, all neck veins and municipal outrage, and you get the picture.
Onstage, Solis’ eyes bulge amid a shock of curly hair, his throat emitting the collective war cry of a million frustrated commuters: “Los Angeles! There’s too many people! I want them to go away!”
His isn’t the Los Angeles of Priuses, Pilates and brunch, but the L.A. of undocumented immigrants, hardcore music and bus-stop delays. After nearly 10 years of ceaseless yelling, It’s Casual have a busy year ahead of them, what with slots on Fu Manchu’s North American tour, a forthcoming sequel to their ’08 ode to the city, The New Los Angeles, and, maybe, a European tour.
“We’ve been working at it and believing in this kind of music — which I call L.A. hardcore or L.A. skate rock — every day,” says Solis. His gaze is unflinching, and his voice is smog-raspened. He calls It’s Casual “L.A.’s only two-piece hardcore band” and is serious about his art. “I don’t take it lightly. It all comes from deep within.”
It’s Casual formed in 2001, the name inspired by a line in Cameron Crowe’s obscure follow-up to Fast Times at Ridgemont High, called The Wild Life. In it, a character played by the late Christopher Penn replies with “It’s casual” every time he is asked a question. Solis currently has a similar relationship with drummers — he’s between them. As far as a third member? “We kept trying to find a bassist, and they kept flaking,” Solis says.
The band’s sonic boom is amazing, considering there are only two of them. The secret to their sound is a unique pedal and mic’ing system. Solis’ guitar is actually wired to two amps for added punch. The results are so thunderous that fellow musicians have been known to come early to shows to watch him set up. (“There is a special formula with different pedals,” he explains of his sound. He’s trying to register it as intellectual property.)
It’s Casual’s first record, The New Los Angeles, came out in fall 2007, and was inspired by Solis’ commute from Pico Rivera to Hollywood. Tracks include “EZ Pass,” about the public transit ticket, and “The Red Line” (the handy subway that connects North Hollywood to Union Station). Most of It’s Casual’s songs last around two minutes and contain no more than three or four lyrics, hammering home their message with a directness most public servants and council officials have yet to master. Even Councilman Bill Rosendahl, chair of Los Angeles’ Transportation Committee, is impressed. “Music is a good way to get transportation messages across,” he says during a recent phone call, adding that he hoped It’s Casual were aware that plans for the Purple Line are afoot. “They should write a song about the Purple Line!” he enthuses, suggesting possible lyrics, singing: “The Purple Line/In my lifetime!”
It’s not all subways and off-ramps. Solis ventures into other matters. “Cholas Are Loyal,” for example, is all about the advantages of dating Latinas. And It’s Casual’s next album, The New Los Angeles II: Less Violence, More Violins, is inspired primarily by the California education budget deficit. “Do you think It’s Casual will translate in Europe?” he wonders, aware of his band’s distinctly local messages. But wherever there is a rush hour, there are people who identify with Eddie Solis.
Born and raised in East Los Angeles County, Solis is “the result of basically growing up around a gang-infested area with lots of negativity.” He turned to music and skateboarding as an escape, and was 15 when he started his first band — a Ramones cover group called Endless Vacation, which played shows in his parents’ living room. He got “the heaviness” from his father, who used to carry his young son around the house on his shoulders while listening to Black Sabbath, Led Zeppelin and the Who. “They weren’t handing me money to buy me instruments,” Solis says, “but they were, like, ‘Hey, listen, we know you wanna do this, so here’s our backyard and here’s our living room.’ Which is pretty punk.”
His parents let him build a halfpipe in the back, and Solis would “put Slayer on the radio superloud” and learn skateboarding tricks with his friends. “That would be Friday night, and then Saturday we would have a show on the ramp and take donations to keep it refurbished.” Skate videos informed his taste in music — the teenage Solis would grab a pen and paper and pause the VCR to jot down names of bands like Black Flag, Dinosaur Junior, Hüsker Dü, “… all the good stuff on SST.”
Fast-forward to 1993, when Solis started interning at metal record label Century Media, which gave him a taste of hardcore commuting. Taking the bus from Pico Rivera to the label’s headquarters in Santa Monica every day was a formative experience, but he only lasted about a month (“Well, you know, it was a long trek”). That job led to a position at Priority Records, down the street in the CNN building. That’s where he learned how to sell records, a job he still does today as sales manager at doom-metal label Southern Lord.
Solis also worked as a publicist for Black Flag at SST, under the label’s founder, Black Flag guitarist Greg Ginn. Basically it was the gig of Solis’ 15-year-old dreams. “I took the job because I thought it would be great to work for an icon, a legend,” he says. It was there that he learned the philosophy of DIY.
Three years ago, while strolling down the road near the Southern Lord offices in East Hollywood, Solis came upon the Relax Bar, a 150-person capacity Thai karaoke bar with an orange awning. Solis has single-handedly transformed it into a hub for L.A.’s heavy music scene. He’s booked more than 400 thrash, doom, noise and punk bands there in the last three years. “I was going to lunch, walking past the Relax Bar and the door was open. I saw a stage and it had this dark, musty kind of vibe. Kind of grim in terms of the atmosphere but real positive in terms of what you could do there. I thought, if I could get these owners on the same page and book any format — whether it’s satanic black metal or really avant-garde stuff — that would be great.”
The Relax Bar’s owners, despite not being fluent in English, supported Solis’ vision, prompting the most unlikely cultural union since Weezer recruited Kenny G. “They had a guy translating as I tried to describe the kinds of bands I wanted to book, using metal as my main focus. I said ‘Ozzfest, no — not those kinds of bands. Stuff that’s a little more creative, full of more soul, and more organic.” He played them some It’s Casual and High on Fire and a selection of punk and grindcore CDs, and they seemed to like it. Turns out the ballad-loving Thai karaoke bar owners, like Solis, possessed an unyielding passion for DIY. “They know how much work it is to bring your gear out, record your own stuff and self-release records,” says Solis. “They are all musicians themselves.” It’s been a happy union ever since, with some of the gnarliest underground bands in L.A., from Municipal Waste to Chingalera, rocking the Relax Bar’s tiny stage amid the perpetual aroma of green curry and ginger — and, when the door pops open, the faint smell of bus exhaust.
0 Views
22:39:27 05/17/12
It's Casual - Live in Studio B - Part 2 - The Red Line
[LESS INFO] 0 VIEWS | ADDED 22:39:27 05/17/12
Part 2 of It's Casual performing live at Mevio Studios in San Francisco
For the entire performance CLICK HERE
WEBSITE FACEBOOK TWITTER MYSPACE YOUTUBE
BIO:
Like most Angelenos, Eddie Solis is pissed about the traffic on the 101. Unlike most Angelenos, Eddie Solis writes songs about being pissed about the traffic on the 101.
Solis’ band, an impossibly loud punk/hardcore duo called It’s Casual, addresses transit issues with an urgency hitherto unmatched in the realm of urban planning. Imagine Henry Rollins at a City Council Transportation Committee meeting, all neck veins and municipal outrage, and you get the picture.
Onstage, Solis’ eyes bulge amid a shock of curly hair, his throat emitting the collective war cry of a million frustrated commuters: “Los Angeles! There’s too many people! I want them to go away!”
His isn’t the Los Angeles of Priuses, Pilates and brunch, but the L.A. of undocumented immigrants, hardcore music and bus-stop delays. After nearly 10 years of ceaseless yelling, It’s Casual have a busy year ahead of them, what with slots on Fu Manchu’s North American tour, a forthcoming sequel to their ’08 ode to the city, The New Los Angeles, and, maybe, a European tour.
“We’ve been working at it and believing in this kind of music — which I call L.A. hardcore or L.A. skate rock — every day,” says Solis. His gaze is unflinching, and his voice is smog-raspened. He calls It’s Casual “L.A.’s only two-piece hardcore band” and is serious about his art. “I don’t take it lightly. It all comes from deep within.”
It’s Casual formed in 2001, the name inspired by a line in Cameron Crowe’s obscure follow-up to Fast Times at Ridgemont High, called The Wild Life. In it, a character played by the late Christopher Penn replies with “It’s casual” every time he is asked a question. Solis currently has a similar relationship with drummers — he’s between them. As far as a third member? “We kept trying to find a bassist, and they kept flaking,” Solis says.
The band’s sonic boom is amazing, considering there are only two of them. The secret to their sound is a unique pedal and mic’ing system. Solis’ guitar is actually wired to two amps for added punch. The results are so thunderous that fellow musicians have been known to come early to shows to watch him set up. (“There is a special formula with different pedals,” he explains of his sound. He’s trying to register it as intellectual property.)
It’s Casual’s first record, The New Los Angeles, came out in fall 2007, and was inspired by Solis’ commute from Pico Rivera to Hollywood. Tracks include “EZ Pass,” about the public transit ticket, and “The Red Line” (the handy subway that connects North Hollywood to Union Station). Most of It’s Casual’s songs last around two minutes and contain no more than three or four lyrics, hammering home their message with a directness most public servants and council officials have yet to master. Even Councilman Bill Rosendahl, chair of Los Angeles’ Transportation Committee, is impressed. “Music is a good way to get transportation messages across,” he says during a recent phone call, adding that he hoped It’s Casual were aware that plans for the Purple Line are afoot. “They should write a song about the Purple Line!” he enthuses, suggesting possible lyrics, singing: “The Purple Line/In my lifetime!”
It’s not all subways and off-ramps. Solis ventures into other matters. “Cholas Are Loyal,” for example, is all about the advantages of dating Latinas. And It’s Casual’s next album, The New Los Angeles II: Less Violence, More Violins, is inspired primarily by the California education budget deficit. “Do you think It’s Casual will translate in Europe?” he wonders, aware of his band’s distinctly local messages. But wherever there is a rush hour, there are people who identify with Eddie Solis.
Born and raised in East Los Angeles County, Solis is “the result of basically growing up around a gang-infested area with lots of negativity.” He turned to music and skateboarding as an escape, and was 15 when he started his first band — a Ramones cover group called Endless Vacation, which played shows in his parents’ living room. He got “the heaviness” from his father, who used to carry his young son around the house on his shoulders while listening to Black Sabbath, Led Zeppelin and the Who. “They weren’t handing me money to buy me instruments,” Solis says, “but they were, like, ‘Hey, listen, we know you wanna do this, so here’s our backyard and here’s our living room.’ Which is pretty punk.”
His parents let him build a halfpipe in the back, and Solis would “put Slayer on the radio superloud” and learn skateboarding tricks with his friends. “That would be Friday night, and then Saturday we would have a show on the ramp and take donations to keep it refurbished.” Skate videos informed his taste in music — the teenage Solis would grab a pen and paper and pause the VCR to jot down names of bands like Black Flag, Dinosaur Junior, Hüsker Dü, “… all the good stuff on SST.”
Fast-forward to 1993, when Solis started interning at metal record label Century Media, which gave him a taste of hardcore commuting. Taking the bus from Pico Rivera to the label’s headquarters in Santa Monica every day was a formative experience, but he only lasted about a month (“Well, you know, it was a long trek”). That job led to a position at Priority Records, down the street in the CNN building. That’s where he learned how to sell records, a job he still does today as sales manager at doom-metal label Southern Lord.
Solis also worked as a publicist for Black Flag at SST, under the label’s founder, Black Flag guitarist Greg Ginn. Basically it was the gig of Solis’ 15-year-old dreams. “I took the job because I thought it would be great to work for an icon, a legend,” he says. It was there that he learned the philosophy of DIY.
Three years ago, while strolling down the road near the Southern Lord offices in East Hollywood, Solis came upon the Relax Bar, a 150-person capacity Thai karaoke bar with an orange awning. Solis has single-handedly transformed it into a hub for L.A.’s heavy music scene. He’s booked more than 400 thrash, doom, noise and punk bands there in the last three years. “I was going to lunch, walking past the Relax Bar and the door was open. I saw a stage and it had this dark, musty kind of vibe. Kind of grim in terms of the atmosphere but real positive in terms of what you could do there. I thought, if I could get these owners on the same page and book any format — whether it’s satanic black metal or really avant-garde stuff — that would be great.”
The Relax Bar’s owners, despite not being fluent in English, supported Solis’ vision, prompting the most unlikely cultural union since Weezer recruited Kenny G. “They had a guy translating as I tried to describe the kinds of bands I wanted to book, using metal as my main focus. I said ‘Ozzfest, no — not those kinds of bands. Stuff that’s a little more creative, full of more soul, and more organic.” He played them some It’s Casual and High on Fire and a selection of punk and grindcore CDs, and they seemed to like it. Turns out the ballad-loving Thai karaoke bar owners, like Solis, possessed an unyielding passion for DIY. “They know how much work it is to bring your gear out, record your own stuff and self-release records,” says Solis. “They are all musicians themselves.” It’s been a happy union ever since, with some of the gnarliest underground bands in L.A., from Municipal Waste to Chingalera, rocking the Relax Bar’s tiny stage amid the perpetual aroma of green curry and ginger — and, when the door pops open, the faint smell of bus exhaust.
