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18:33:49 11/02/10
Due Date Starring Robert Downey Jr. and Zach Galifian
[LESS INFO] 40 VIEWS | ADDED 18:33:49 11/02/10
Due Date Starring Robert Downey Jr. and Zach Galifianakis This 1sr Look brought to you by Stevn Samblis www.icPlaces.com
THE IDEA
From director Todd Phillips, “Due Date” stars Robert Downey Jr. and Zach Galifianakis as two unlikely companions thrown together on a road trip that turns out to be as life-changing as it is outrageous.
Downey plays Peter Highman, an expectant first-time father whose wife's due date is only days away. As he hurries to catch a flight home to Los Angeles from Atlanta to be at her side for the birth, his best intentions go completely awry when a chance encounter with aspiring actor and disaster-magnet Ethan Tremblay (Galifianakis) leads to the two of them being tossed off the plane and placed on a no-fly list...while Peter's luggage, wallet and ID take off without him.
With no alternatives in sight, Peter is forced to hitch a ride with Ethan and his canine traveling companion on what turns out to be a cross-country road trip that will destroy several cars, numerous friendships and Peter's last nerve.
The comedy “Due Date” also stars Michelle Monaghan (“Made of Honor”), Juliette Lewis (“The Switch”) and Academy Award® winner Jamie Foxx (“Ray”).
Directed by Todd Phillips (“The Hangover”), the film is produced by Phillips and Dan Goldberg (“The Hangover,” “Old School”), from a screenplay by Alan R. Cohen & Alan Freedland and Adam Sztykiel & Todd Phillips, story by Alan R. Cohen & Alan Freedland. Thomas Tull, Susan Downey and Scott Budnick serve as executive producers.
“Due Date” reunites Phillips with key members of his filmmaking team from “The Hangover,” including director of photography Lawrence Sher, production designer Bill Brzeski, editor Debra Neil-Fisher, composer Christophe Beck and costume designer Louise Mingenbach.
ABOUT THE PRODUCTION
“If you're going to travel with me to Los Angeles I have to give you a couple of guidelines. Number one: don't ask me a single question.” - Peter Highman
“It's a simple idea—two mismatched guys forced to go on a road trip together,” declares “Due Date” director and co-writer Todd Phillips. “Robert Downey Jr. is Peter Highman, an architect on his way back to L.A. from a business trip in Atlanta. He's on a tight schedule because his wife is expecting their first child and the date is all set. Everything is fine until he gets tangled up at the airport with a wannabe actor named Ethan Tremblay, who somehow gets the both of them booted off the plane and grounded for the foreseeable future.”
At that point, “simple” flies right out the window.
Stranded without cash, credit, ID or time, Peter finds himself in the galling position of having to hitch a ride home with a guy he'd rather take a swing at—Ethan. The person he holds responsible for his predicament in the first place is now behind the wheel of a rental car and offering him the passenger seat.
Though clearly not his best option, it's Peter's only option.
At first grateful for the company, Ethan soon learns that his tightly wound traveling companion is not going to be any fun at 20 Questions, nor generally receptive to the concept of going with the flow. Meanwhile, Peter realizes he's just joined forces with a guy who can casually ruin his life in more ways than he could ever imagine.
“If there really was somebody like Ethan around, he'd have been strangled in his sleep long ago,” Downey attests. “He's like a laser beam that focuses on the one thing that will drive you crazy the most, the kind of guy who will eat a whole plate of waffles before mentioning he's allergic to waffles. I'm sure a lot of people know someone like this, someone who is perfectly wired to activate all of their irritation buttons.”
Granted, Peter has a short fuse to begin with. “He's kind of an edgy, controlling, judgmental guy with some anger-management issues. And who better to help him explore those issues than Ethan Tremblay? High-strung as he is normally, Peter is now facing the birth of his first child and is thrown into this nightmare, so it's all amped up,” Downey adds.
Ethan, by comparison, gives new meaning to the term laid-back. Zach Galifianakis, who stars as the human lightning rod for trouble, observes, “Nothing affects him, no insult seems to penetrate. Ethan lives in his own head. He has no talent, and he's on his way to Hollywood to capitalize on that. These two guys meet through a series of unfortunate circumstances that are entirely Ethan's fault, to which he is completely oblivious. And every bad thing that happens from that point on is Ethan's fault. Everything.”
Says Phillips, “People always cite chemistry in these kinds of movies. They say it's the chemistry between the two lead actors that make it work. I believe what makes ‘Due Date' work is anti-chemistry; it's two guys with zero connection and zero rapport, constantly butting heads, that generates both the tension and the comedy.”
Dan Goldberg, who has produced all of Phillips' feature films since their 2000 collaboration on the hit comedy “Road Trip,” says, “The ride develops its own momentum as one thing after another happens to impede their progress.”
At the same time, their cross-country trek takes Peter and Ethan on another, more unpredictable journey than what they face geographically—one that leads them to discover as much about themselves as each other.
Provided that they survive it.
Scott Budnick, an executive producer on the film, says, “There's real emotional substance to the story and real issues, and Robert and Zach do a phenomenal job in delivering both the humor and the emotional stakes. My favorite comedies are always the ones that have heart.”
As infuriating as Ethan can be, whether mismanaging his funds, missing potty breaks or launching their car off an overpass, Phillips concedes he has his good points, citing “honesty, innocence and a humanity that makes you connect with him and root for him despite it all. Ethan is a complex character. He has just lost his father, who was his best friend, and is having a tough time dealing with that. There's an underlying desperation in everything he does and an eagerness to please to the point where just making friends means trying too hard.”
“A lot of what he does is to avoid being lonely,” says Galifianakis.
Peter, on the other hand, may come across like a self-assured, aggressive control freak but, says Phillips' “Due Date” screenwriting partner Adam Sztykiel, “You sense that his behavior comes from an emotional place and from issues he has yet to work out, that are revealed in the story. Not far beneath the alpha male posture is his own vulnerability and how terrified he is to be responsible for a child.”
“As a parent,” Downey offers, “I know the big question is how are you going to manage and protect something that you have no experience with?”
Playing on that theme were screenwriters Alan R. Cohen and Alan Freedland, who also have story credit on “Due Date.” “Peter's comfort zone is when he's in control. And everything that happens in this movie is about losing control; from his inability to get back home to the larger issue of his impending fatherhood—and whether or not he's ready for it,” Cohen says.
“We wanted to put him into a situation where he had to travel across the country with someone who was effectively a child,” adds Freedland.
Not that it would lessen Peter's pain, stress and frustration if he knew it might be pain, stress and frustration with a purpose. Still...
“When I read the script, I was moved,” recalls executive producer Susan Downey. “It's so funny and yet so human. You want a comedy to have that grounding, in the way that you want a drama to have some humor. In ‘Due Date,' though his experience with Ethan, Peter finds his human side and gets ready for the birth of his own child. It's about him becoming a man before becoming a father.”
“Guess who's got the Subaru Impreza? Me! Guess who's got the winning personality? Me! What do you have? You have a nice hairline. Fine. You have a strong jaw. But I gotta tell you, mister, your personality needs some work.” - Ethan Tremblay
Despite the “anti-chemistry” Phillips had in mind for their characters, Galifianakis and Downey generated some genuine positive chemistry from the start.
Downey vividly recalls their first meeting. “I was in Venice, California, and some weird guy walks by and says, ‘Hi, I think I'm doing a movie with you.' And I was thinking, ‘I might have to punch this guy.' Then I realized, ‘Oh my God...that's Zach.'
“Later, he came over for dinner so we could talk about the script,” Downey continues. “I asked if he had any dietary restrictions and he sent me a note detailing everything he'd need, like bottled water flown in from Barstow. It's one of my favorite things. I read it to people at parties.”
“We kind of took care of each other on the set—very different from what was going on in the movie. We'd talk every morning about how to make a scene work. It was great. Funny how hanging out with a legitimate actor raises your game,” Galifianakis returns.
“I always respond to projects based on the casting potential,” says Phillips. “I immediately start seeing a movie from the standpoint of casting it. For ‘Due Date,' I knew that if I could get Robert and Zach we could go full out.”
Phillips marks his second collaboration with Galifianakis on “Due Date,” following the comedian's breakout starring role in last year's international blockbuster hit “The Hangover,” that became the highest-grossing R-rated comedy of all time. He says, “Zach and I click because he knows I really get his humor, which can be pretty outrageous.”
In “Due Date,” however, Galifianakis creates a character that calls for a great deal of subtlety. Notes Budnick, “Every little nuance of personality and each detail—the way he walks, the way he talks, the way he thinks—Zach has figured out how Ethan Tremblay would do these things and it's reflected in every single moment he's on screen.”
At the same time, there is a core of unpredictability to the performance. “Zach brings a sense of spontaneity and danger and I think comedy is best with an undercurrent of danger so that you never know exactly what's going to happen or what someone will say or do. In that sense, he's the perfect comedic actor,” says Phillips.
And “Due Date” gives him a worthy antagonist in Downey.
“Not only is Robert a world-class actor but he's naturally funny. I wouldn't think of casting Robert Downey Jr. as anyone's straight-man,” says Phillips. “In ‘Due Date' there is no straight-man because they're both screwed up in their own ways. And the beauty of Zach and Robert playing off each other is that they're both funny but their humor comes from such different places and their styles are so different that you're not mining the same vein.”
Downey, Galifianakis, Phillips and Sztykiel “took the script apart and put it back together,” says Goldberg. “Every day there were new things that touched me and made me laugh. I believe ‘Due Date' audiences will see aspects of Robert and Zach that they haven't seen before and things that will surprise them. As a filmmaker, I'm always looking for that.”
It's a philosophy and a process that Phillips respects. “So much of comedy happens on the day you shoot,” he says, and offers the example of the airplane luggage bin scene. “It just happened as we were looking at the seating and the overhead bin and realized how that could bring them really close in a small space. Zach said, ‘What if I rub up against him while I'm reaching into the bin?' And I said, ‘What if you pull your shirt up first to wipe your glasses so it's just your bare stomach?' Comedy isn't math; it's jazz.”
Says Robert Downey Jr., “I start every day thinking here's what will happen if you do it by the book and here's what can happen if you bend yourself over backwards and forwards again and try to invite the unimagined into the situation. The set had energy like a living being; it was evolving all the time. And what's great and so funny about Todd is that sometimes, with him, it's so wrong, it's right.”
That point of view resonates with Galifianakis, who admits to being right alongside the director in appreciating “the inappropriate,” adding, “Todd and I have the same sense of humor. We like stuff that has a bit of a taboo element—things that are funny specifically because you're not supposed to laugh at them. As a stand-up comic, I love it when audiences laugh before they realize maybe they shouldn't have, and then start to question themselves.
“That's not to say that you can't be offended by something Todd or I do in a film,” he continues with mock concern. “I'm often offended by the things I do in movies.”
“You'd better check yourself before you wreck yourself.” - Ethan
“What I like about road trip movies is that essentially your characters are working without a net. You just throw them out into the elements and say, ‘Deal with it,'” says Phillips. “You don't have the support system of friends and family. People come in and out of your life for intense but fleeting moments.”
To help facilitate that, ‘Due Date' features a stellar supporting cast of characters who offer Peter and Ethan a range of memorable and often thought-provoking encounters along the way.
The first of these is Heidi, a freelance medical supplier with questionable parenting skills, tracked down by Ethan at her Birmingham home to restock his supply of “glaucoma medication.” It's one of many detours that takes them miles out of their way.
Heidi is played by Juliette Lewis, in her third screen role for Phillips. Lewis was touring in London with her band when the director called. “We worked it out so that between London and Helsinki I made a pit stop in a place I didn't even know existed—Las Vegas, New Mexico—for a couple of days, to play a pot dealer,” she recounts. “When Todd calls it's a game of trust. I don't know the role, I don't know what he wants me to do, but I know it's going to be good and it's going to be funny.”
Oscar® winner Jamie Foxx, who recently starred with Downey in “The Soloist,” comes aboard in the role of Peter's old college buddy, Darryl, now living in Dallas.
“It was a real coup to get Jamie to come in as Peter's friend—and, according to Ethan, possibly the real father of his soon-to-be-born child,” says Robert Downey Jr., alluding to yet another way in which Ethan manages to get under Peter's skin.
Within minutes of entering Darryl's home, Ethan spots a few photos, asks a few questions, adds two and two, and comes up with five. “He learns that Darryl is very close with Peter's wife and jumps to all kinds of conclusions. Then, he plants the seed of doubt in Peter's mind,” says Phillips.
“Darryl comes into the picture to do these guys a favor and it's all great...until it's not. Then things get very weird, very fast,” Foxx says of the ensuing scene that lands Peter and Ethan back on the pavement. “Working with Robert, Zach and Todd, you'd never know what to expect, but you could always count on it being a crazy, creative, collaborative experience.”
The travelers also run afoul of an ill-tempered Western Union clerk, played by Danny McBride; a paragon of Airport Security, played by Grammy Award-winning hip hop producer/musician and actor Rza; and an exceptionally indifferent TSA agent, played by Matt Walsh, the ER doc from “The Hangover.”
Meanwhile, back home anxiously awaiting Peter's return is his wife, Sarah, played by Michele Monaghan, reuniting with Downey for the first time since they teamed in the 2005 comedy thriller “Kiss Kiss Bang Bang.”
“Sarah is just about 8 months and 29 days pregnant with her first baby and obviously very anxious,” Monaghan offers. “Her husband is not only m.i.a but is also traveling cross- country with a wild man whose only concern is if she has any ‘recommendations for someone who could give him a perm'?!? Clearly, the baby's arrival looks more promising than daddy's.”
“Sonny, stop. Sonny...No. Stop. Good boy.” - Ethan
Before circumstances force these two to share a rental car, Ethan already has a traveling companion: a French Bulldog named Sonny, who becomes the pair's third wheel and a point of calm amidst the escalating mayhem.
The role of Sonny, though indisputably male, was played almost entirely by a young female Frenchie trained by Mark Harden, of Boone's Animals for Hollywood.
The introduction of a dog into the script came about as Phillips sought to further ratchet up the tension between his two leads and decided that one of them should be a dog person and the other...not so much. After perusing renowned animal trainer Boone Narr's company website, he spotted what he was looking for in Bodie, an adult male French Bulldog with the big ears and wide-eyed comical expression typical of the breed.
Unfortunately, at 26 pounds, Bodie was too heavy to be constantly toted around on one arm, so, with only weeks before filming started, Harden launched a full-scale and very specific search for a six-to-10-month-old, cream-colored, slightly undersized French Bulldog. He first tried the rescue agencies, then tapped into a nationwide network of breeders before finding someone who had a full-grown female weighing in at 15 pounds.
Though Galifianakis jokes that Sonny was trained to fall asleep at the word ‘action,' Harden takes no credit for the animal's relaxed demeanor, conceding, “She's just a very settled and well-adjusted dog. She doesn't get worked up. I think she just learned early on that most of her scenes were going to take awhile and she might as well catch a nap.”
Galifianakis, who bonded with his canine co-star despite an allergy to dogs, says, “I was kind of envious at her ability to fall asleep at work. And she snores like me.”
But as much as the camera loved Sonny, there was one special trick she just couldn't manage, that required a one-day command performance from Bodie.
Harden carefully describes how the trick serendipitously made its way into the story. “French Bulldogs are unable to groom themselves in certain areas as other dogs do. I don't know if it's a combination of their short neck and wide shoulders, but they can't twist backwards.”
Consequently, some of them use their paws, “a natural behavior that Bodie spontaneously offered in front of Todd at that first meeting, while we were talking,” the trainer recalls. “As soon as he saw it, there was no turning back. He said, ‘Oh my God, can you train him to do that?”
“Am I okay? Do I look okay? I have a broken arm. I have three cracked ribs. I have seven stitches in my armpit. Does that answer your question? - Peter
“I love physical comedy,” says Phillips, who happily extends the parameters of physical comedy in “Due Date” to include a multi-vehicle freeway chase, an end-over-end car flip and a shoot-out with some seriously t'd-off border security agents.
“For me,” Phillips continues, “It's fun to include shocking moments that make you say, ‘Whoa, where did that come from?' We shot the car sequence in Las Cruces, New Mexico. They let us break through the overpass and land on the road below. We closed the highway for several days to prepare and execute it but, frankly, you never know how a stunt is going to land, so we set up four or five cameras and let it happen. The car flipped back up on its wheels, but we were prepared for it to do anything.” Filming “Due Date” was a road trip in itself. Location shooting began in and around Atlanta and moved generally westward with the story, touching upon Dallas and the Texas interior and various locations in New Mexico, including Las Vegas and Santa Fe, which the filmmakers covered from a base of operations in Albuquerque, before touching down in California.
“The way the script breaks down, they have to get across the country. in a couple of days so you really need to take the southern route, which is not as long as the northern, so it makes sense in terms of driving time,” says production designer Bill Brzeski.
A separate helicopter unit covered the Grand Canyon for a key scene with Peter and Ethan perched on its rim, overlooking the Colorado River snaking its way through, far below. Between takes, busloads of visitors from all over the world arrived to tour the area and there was some concern on the part of the crew that they might forget to watch where they were going once they caught sight of Downey and Galifianakis.
The film's opening airport scenes were a combination of several elements. The plane cabin mockup was constructed on Stage 11 at Warner Bros. Studios; the curb where Peter's and Ethan's cars pull up was shot at Ontario Airport in California; and the screening area and other terminal interiors were built inside the Georgia World Congress Center in Atlanta.
Other practical locations in Georgia included a construction site in Atlanta's Buckhead neighborhood; a Waffle House and portions of Highway 27 in Bremen; various locations along I-75 and I-675, GA-route 20 and the Metropolitan Parkway; the Gwinnett Medical Center in Lawrenceville; the 1010 Condos on Atlanta's historic Peachtree Street; and a recently closed rest stop along I-985.
Darryl's home in Dallas was an amalgam of exteriors captured in Buckland, Georgia, and interiors shot in Encino, California. “You're never really anywhere you're supposed to be,” Brzeski says. “Las Vegas, New Mexico was built around the turn of the century and doesn't look like what you'd expect to see in New Mexico. There's a lot of Victorian architecture that doesn't match the typical Santa Fe look so buildings can substitute for almost any American small town, be it Texas or Ohio. We used it as Alabama for Heidi's house.”
The southwestern city also provided the site for one of the film's larger set pieces; a checkpoint at the U.S./Mexico border that was constructed on a bridge spanning a portion of Route 25 in Las Vegas, under which Brzeski and his team formed an encampment of Federali trailers based on actual Mexican Customs vehicles. Interiors of the office and a trailer, as well as a gimbal rig that figures into the action, were built on stage and another rotating rig, dubbed “car-on-a-spit” by one crew member, was designed for the scene in which Peter and Alan take their rented Subaru for a real spin.
All this action takes its toll on the luggage-deprived Peter, forced to spend the entire journey in one increasingly rumpled, torn, stained and slept-in suit. For costume designer Louise Mingenbach, that meant maintaining 20 versions of the suit in five basic stages of deterioration. “Definitely, the story evolves through Peter's clothes,” she says.
With Ethan's wardrobe she was able to have more fun, brainstorming with Galifianakis, who, she says, “has no vanity. Some actors want to look beautiful all the time but that's not Zach. He will wear whatever works for his character, even if it's acid-washed jeans two sizes too small.”
“I really like to look bad in movies,” Galifianakis agrees. “Originally Ethan was dressed like a hippie but I wanted him to be more arty—or, what he would think is arty. He has a perm, he has his dance shoes and his really bad tight jeans and the scarf as an accessory; he wants to be an actor and this is how he thinks actors dress.”
“Due Date” marks Mingenbach's fifth collaboration with Phillips, who says, “I have a great team. I've worked with essentially the same people throughout my career. We write some crazy thing and then I turn to my guys and say, ‘Can we pull this off?'”
Among those previous colleagues rejoining the director on “Due Date” were cinematographer Lawrence Sher, editor Debra Neil-Fisher and composer Christophe Beck.
Scott Budnick points out, “‘Due Date' marks the 10-year anniversary of ‘Road Trip,' Todd's first movie and my first job out of college. We filmed ‘Road Trip' from September to December 1999, and ‘Due Date' from September to December of 2009.”
For Phillips, it's a genre full of possibilities.
“I've been in some strange situations on the road,” confesses screenwriter Sztykiel, a Los Angelino who identified in some ways with Peter. “Here's a guy who's a little sheltered and doesn't have exposure to the 3,000 miles that exist east of his home, and it was fun to force him out of his bubble. It's uncomfortable, but you come away with a better sense of your place in the world. My advice for travelers? Go to the bathroom. Make sure your traveling partner has gone to the bathroom. Don't spend all your money on illegal substances. Don't say ‘bomb' on an airplane. Don't open your car door in traffic. Pretty simple stuff.” Sure. In hindsight.
“There's something about a road trip that brings out the extremes of human reactions and emotions,” says Phillips. “It's a great opportunity for surprises and for people to learn things about themselves or each other that they'd never see if they weren't being pushed to their limits, or having to make the kinds of quick, instinctive decisions you have to make on the road.”
At the same time, the road itself can be almost incidental. “No matter where we are in ‘Due Date,' no matter what's kind of chaos they're going through,” he concludes, “it all comes down to these two guys working out their issues.”
ABOUT THE CAST
ROBERT DOWNEY JR. (Peter Highman), a two-time Academy Award® nominee, earned his most recent Oscar® nomination, for Best Supporting Actor, for his work in Ben Stiller's comedy hit “Tropic Thunder.” His performance as Kirk Lazarus, a white Australian actor playing a black American character, also brought him Golden Globe, BAFTA Award and Screen Actors Guild (SAG) Award® nominations. Downey was honored with his first Oscar® nomination, in the category of Best Actor, for his portrayal of Charlie Chaplin in Richard Attenborough's acclaimed 1992 biopic “Chaplin,” for which he also won BAFTA Award and London Film Critics Awards and received a Golden Globe Award nomination.
Earlier this year, Downey received another Golden Globe nomination for his performance in the title role of the 2009 hit “Sherlock Holmes,” under the direction of Guy Ritchie. Downey returns to the role of the legendary detective in a new Sherlock Holmes adventure, currently slated for release in December 2011.
In summer 2008, Downey received praise from critics and audiences for his performance in the title role of the blockbuster hit “Iron Man,” under the direction of Jon Favreau. Bringing the Marvel Comics superhero to the big screen, “Iron Man” earned more than $585 million worldwide, making it one of the year's biggest hits. Downey reprised his role in the successful sequel, which was released this past spring. He returns to the role in Josh Whedon's upcoming actioner “The Avengers,” which teams Iron Man with other Marvel Comics superheroes.
Downey's other recent films include “The Soloist,” opposite Jamie Foxx; “Charlie Bartlett”; David Fincher's “Zodiac,” alongside Jake Gyllenhaal and Mark Ruffalo; Richard Linklater's “A Scanner Darkly,” with Keanu Reeves, Winona Ryder and Woody Harrelson; “Fur,” opposite Nicole Kidman in a film inspired by the life of revered photographer Diane Arbus; and “Kiss Kiss, Bang Bang.” He also shared in a SAG Award® nomination as a member of the ensemble cast of George Clooney's true-life drama “Good Night, and Good Luck,” and in a Special Jury Prize won by the ensemble cast of “A Guide to Recognizing Your Saints,” presented at the 2006 Sundance Film Festival.
Downey's long list of film credits also includes “Gothika”; “The Singing Detective”; Curtis Hanson's “Wonder Boys”; “U.S. Marshals”; Mike Figgis' “One Night Stand”; Jodie Foster's “Home for the Holidays”; “Richard III”; Oliver Stone's “Natural Born Killers”; Robert Altman's “The Gingerbread Man” and “Short Cuts,” sharing in a Golden Globe Award for Best Ensemble for the latter; “Heart and Souls,” “Soapdish,” “Air America,” “Chances Are,” “True Believer,” “Less Than Zero,” “Weird Science,” “Firstborn,” and “Pound,” in which he made his debut under the direction of Robert Downey Sr.
On the small screen, Downey made his primetime debut in 2001 when he joined the cast of the series “Ally McBeal.” For his work on the show, he won the Golden Globe Award for Best Supporting Actor in a Series, Miniseries or Motion Picture Made for Television and a Screen Actors Guild Award® for Outstanding Actor in a Comedy Series. In addition, Downey was nominated for an Emmy for Outstanding Supporting Actor in a Comedy Series.
On November 23, 2004, Robert Downey Jr. released his debut album, “The Futurist,” on the Sony Classics label. The album, containing eight original songs, showcased his singing talents.
Downey and his wife, Susan, just formed Team Downey, a production company based at Warner Bros.
ZACH GALIFIANAKIS (Ethan Tremblay) moved to New York City after failing his last college course by one point at North Carolina State University. He got his start performing his brand of humor in the back of a hamburger joint in Times Square, graduating to doing stand-up at night in clubs and coffee houses in the city. While working as a bus boy, he got his first acting job on the NBC sitcom “Boston Common.”
Galifianakis' breakout role came in Todd Phillips' blockbuster hit “The Hangover,” the highest-grossing R-rated comedy of all time. He will reunite with Phillips and cast-mates Bradley Cooper, Ed Helms and Justin Bartha in “The Hangover 2,” slated for a 2011 release.
He also stars in “It's Kind of a Funny Story,” which premieres at the 2010 Toronto Film Festival and opens this fall. Recently, he also co-starred with Steve Carell and Paul Rudd in Jay Roach's comedy “Dinner for Schmucks.” Galifianakis' additional film credits include the Jerry Bruckheimer-produced hit “G-Force”; the indie feature “Youth in Revolt,” with Michael Cera, Steve Buscemi and Ray Liotta; a cameo in Jason Reitman's Oscar®- nominated film “Up in the Air”; “What Happens in Vegas,” with Cameron Diaz and Ashton Kutcher; and the critically acclaimed true-life drama “Into the Wild,” from director Sean Penn.
On the small screen, Galifianakis just started the second season of the HBO comedy “Bored to Death,” with Jason Schwartzman and Ted Danson. In addition, he hosted the critically acclaimed VH1 talk show “Late World with Zach,” and also wrote and starred in “Dog Bites Man” for Comedy Central.
Zach also has an internet talk show entitled “Between Two Ferns.” He has interviewed such guests as Steve Carell, Natalie Portman, Conan O'Brien and Charlize Theron.
When not filming, Galifianakis lives on his farm in North Carolina.
MICHELLE MONAGHAN (Sarah Highman) most recently starred to great critical acclaim in the independent film “Trucker,” which world premiered at the Tribeca Film Festival. She received the Best Actress Awards from the San Diego Film Critics Society, Ft. Lauderdale International Film Festival and Vail Film Festival. Monaghan also served as executive producer on the film.
She will next been seen in Sofia Coppola's “Somewhere,” “Source Code,” opposite Jake Gyllenhaal for director Duncan Jones and “Machine Gun Preacher,” opposite Gerard Butler for director Marc Forster.
Monaghan made her feature film debut in “Perfume,” directed by Michael Rymer, then played Richard Gere's secretary in Adrian Lyne's “Unfaithful.” She followed with supporting roles in Fred Schepisi's “It Runs in the Family,” with Michael Douglas; “Winter Solstice,” with Anthony LaPaglia; Paul Greengrass' “The Bourne Supremacy”; and Doug Liman's “Mr. & Mrs. Smith.”
It was her starring role in “Kiss Kiss, Bang Bang,” opposite Robert Downey Jr. and Val Kilmer, which brought Monaghan to the attention of audiences around the world. She also received rave reviews for her performance in the film, directed by Shane Black. Next, Monaghan joined Charlize Theron and Frances McDormand in “North Country” for director Niki Caro. She then starred in “Gone Baby Gone,” with Casey Affleck and Morgan Freeman; “The Heartbreak Kid,” opposite Ben Stiller; “Mission: Impossible III,” with Tom Cruise and Philip Seymour Hoffman for director J.J. Abrams; opposite Patrick Dempsey in the romantic comedy “Made of Honor”; and in D.J. Caruso's hit thriller “Eagle Eye,” alongside Shia LaBeouf.
JULIETTE LEWIS (Heidi) received Best Supporting Actress Oscar® and Golden Globe nominations for her layered performance as adolescent Danielle, opposite Robert De Niro, in Martin Scorsese's thriller “Cape Fear.”
She reunites with Todd Phillips on “Due Date,” having previously collaborated on “Old School” and “Starsky & Hutch.”
Lewis was most recently seen alongside Hilary Swank, Melissa Leo, Minnie Driver and Sam Rockwell in the independent drama “Conviction,” which premiered at the Toronto Film Festival and opened in October. Prior to that, Lewis appeared in the romantic comedy “The Switch,” alongside Jennifer Aniston, Jason Bateman and Patrick Wilson. She also starred alongside Orlando Bloom, Mark Ruffalo and Laura Linney in Ruffalo's directorial debut, “Sympathy for Delicious,” which took home the US Dramatic Special Jury Prize at this year's Sundance Film Festival. Last year, she played roller derby girl Dinah Might opposite Ellen Page, Marcia Gay Harden, Kristen Wiig, Jimmy Fallon and Eve in Drew Barrymore's directorial debut, “Whip It.”
Among Lewis' many other films are Gary Marshall's “The Other Sister”; “Evening Star,” with Shirley MacLaine; Quentin Tarantino's vampire tale “From Dusk Till Dawn,” opposite George Clooney; the sci-fi actioner “Strange Days,” alongside Ralph Fiennes and Angela Bassett; Nora Ephron's comedy “Mixed Nuts,” opposite Steve Martin and Adam Sandler; Oliver Stone's controversial “Natural Born Killers”; “What's Eating Gilbert Grape,” with Johnny Depp and Leonardo DiCaprio”; “Romeo Is Bleeding”; “Kalifornia”; Woody Allen's “Husbands and Wives”; “Crooked Hearts” and “National Lampoon's Christmas Vacation,” with Chevy Chase.
At 12, Lewis landed her first leading role in the Showtime miniseries “Home Fires.” At 16, her performance in the critically acclaimed longform “Too Young to Die?” led to film roles. Lewis' other television credits include Showtime's “My Louisiana Sky,” for which she received an Emmy Award nomination for Outstanding Performer in a Children's Special, and Mira Nair's HBO film “Hysterical Blindness,” alongside Uma Thurman and Gena Rowlands. She also had recurring roles in several series.
In addition to film and television, Lewis's music career continues to evolve. Her third studio album, Terra Incognito, was released in fall 2009.
JAMIE FOXX (Darryl) won an Academy Award® for Best Actor in 2005 for his portrayal of the legendary Ray Charles in the Taylor Hackford-directed biopic “Ray.” Foxx also won a Golden Globe Award, a Screen Actors Guild (SAG) Award®, a BAFTA Award, and an NAACP Image Award, as well as numerous critics' association awards, and shared in a SAG Award® nomination received by the film's ensemble cast.
Also in 2005, Foxx garnered Oscar®, Golden Globe Award, SAG Award®, BAFTA Award, and Image Award nominations, in the Best Supporting Actor category, for his work in Michael Mann's dramatic thriller “Collateral,” in which he starred with Tom Cruise. That same year, Foxx also earned Golden Globe Award and SAG Award® nominations and won an Image Award for Best Actor in a Television Movie for his portrayal of condemned gang member-turned-Nobel Peace Prize nominee Stan “Tookie” Williams in the FX Network movie “Redemption.”
Foxx has a number of films upcoming, including the Seth Gordon-directed comedy “Horrible Bosses”; F. Gary Gray's action thriller “Kane & Lynch,” opposite Bruce Willis; and the comedy “Skank Robbers,” which he also wrote and is producing. His recent film credits also include Garry Marshall's hit ensemble romantic comedy “Valentine's Day,” the thriller “Law Abiding Citizen,” Joe Wright's drama “The Soloist,” the thriller “The Kingdom” and Bill Condon's screen adaptation of the Broadway musical “Dreamgirls.” Foxx also executive produced the film “Life Support,” starring Queen Latifah, which closed the 2007 Sundance Film Festival.
Foxx's big-screen break came in 1999 when Oliver Stone cast him as a star quarterback in “Any Given Sunday.” In 2001, he co-starred with Will Smith in Michael Mann's acclaimed biopic “Ali.” His additional film credits include Michael Mann's “Miami Vice,” with Colin Farrell; Sam Mendes' Gulf War drama “Jarhead,” with Jake Gyllenhaal; “Stealth”; Antoine Fuqua's “Bait”; “Booty Call”; “The Truth about Cats & Dogs”; and “The Great White Hype.”
Foxx first came to fame as a comedian. After spending time on the comedy circuit, he joined Keenan Ivory Wayans, Jim Carrey, Damon Wayans and Tommy Davidson in the landmark Fox sketch comedy series “In Living Color.” In 1996, he launched his own series, “The Jamie Foxx Show,” which was one of the top-rated shows on The WB Network during its five-year run. Foxx also served as co-creator and executive producer, and directed several episodes. His first HBO Comedy Special, “Jamie Foxx: I Might Need Security,” premiered in February 2002.
In addition to his acting success, Foxx has also achieved a thriving music career. His first album, Unpredictable, topped the charts in late 2005 and early 2006 and spawned the NBC special “Unpredictable,” in which he performed with such artists as Mary J. Blige, Common, Snoop Dogg, The Game and Angie Stone. He has been nominated for eight Billboard Music Awards, three Grammy Awards, a Soul Train Music Award, and two American Music Awards, winning for Favorite Male Artist. Foxx's latest album, 2008's Intuition, debuted at number three on the Billboard 200 chart and spawned the chart-topping single “Blame It.” Foxx recently wrapped up his “Blame It Tour” in support of the album. On January 31, 2010 Jamie Foxx and T-Pain's “Blame It” won in the category of Best R%B performance by a duo/group with vocals at the 52nd Annual Grammy Awards.
ABOUT THE FILMMAKERS
TODD PHILLIPS (Director/Screenwriter/Producer) most recently directed and produced the 2009 blockbuster hit comedy “The Hangover,” starring Bradley Cooper, Ed Helms, Zach Galifianakis and Justin Bartha. The film became the highest grossing R-rated comedy of all time and won a Golden Globe for Best Motion Picture – Comedy or Musical. He is currently in production on the much-anticipated sequel, “The Hangover 2,” which reunites the cast.
Phillips started his career as a documentary filmmaker, inspired by humor taken from everyday reality and the belief that the truth is often stranger than fiction.
His first film, “Hated,” portrayed the revolting antics of extreme punk rocker G.G. Allin and became an instant underground sensation. It was released in the summer of 1994 and went on to become the highest grossing student film of its time.
He followed that in 1998 with “Frat House,” a documentary that he produced and directed for HBO's popular “America Undercover” series. “Frat House” premiered at the 1998 Sundance Film Festival and won the Grand Jury Prize for documentary features. The unflinching exposé of life in fraternities created a public controversy that eventually caused the film to be shelved by HBO. Phillips still hopes to release it in the future.
After meeting producer Ivan Reitman at Sundance, Phillips made his crossover to features with 2000's “Road Trip,” which established him as a new force in comedy. He simultaneously produced and directed “Bittersweet Motel,” a documentary on musical cult phenomenon Phish.
In one way or another, Phillips' films explore the nature of male relationships, and in doing so he has worked with some of Hollywood's biggest comedic actors, writing and directing such films as “Old School” in 2003, “Starsky & Hutch” in 2004, and “School for Scoundrels” in 2006. Phillips was nominated for a 2006 Academy Award® for Best Adapted Screenplay for his work on “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan.”
DAN GOLDBERG (Producer) marks his fifth film collaboration with Todd Phillips on “Due Date.” Previously, he served as producer on Phillips' “Old School,” “Road Trip,” “School for Scoundrels” and most recently, “The Hangover,” which won a Golden Globe Award for Best Motion Picture – Musical or Comedy and is the highest grossing R-rated comedy of all time. Goldberg will next produce “The Hangover 2” with Phillips, releasing in 2011.
Goldberg also produced the outrageous comedy “Howard Stern's Private Parts” and the animated comedy adventure “Space Jam,” starring Michael Jordan, and was an executive producer on Ivan Reitman's romantic adventure “Six Days Seven Nights,” starring Harrison Ford.
His screenwriting credits include the classic comedies “Stripes” and “Meatballs,” both of which he also produced; “Feds,” which he also directed; and the enduring cult favorite “Heavy Metal.”
ALAN R. COHEN & ALAN FREEDLAND (Screenwriters, Story) are best known as Emmy Award-winning writers from the Fox animated show “King of the Hill” and often referred to as “the Alans.”
Among numerous other writing and producing credits, the duo also co-created the Comedy Central cult hit “Kid Notorious,” starring Robert Evans. They are currently co- executive producers on Seth MacFarlane's “American Dad.”
Prior to “Due Date,” the Alans wrote feature scripts for various studios. They currently have several television and film projects in development, including the feature comedy “The Reunion,” for producer Brian Grazer.
A George Washington University graduate, Cohen originally hails from Pittsburgh and worked for several years as a reporter in The Baltimore Sun's Washington, D.C. bureau.
Freedland graduated from the University of Michigan. He grew up in the Detroit area and worked in advertising in Chicago.
ADAM SZTYKIEL (Screenwriter)'s most recent writing credit was the comedy “Made of Honor,” starring Patrick Dempsey and Michelle Monaghan.
He is currently working on a film adaptation of the best-selling memoir “The Game” by Neil Strauss, and has numerous other film and television projects in development.
Sztykiel is a graduate of the University of Southern California School of Cinematic Arts.
THOMAS TULL (Executive Producer), Chairman and CEO of Legendary Pictures, has achieved great success in the co-production and co-financing of event movies. Since its inception in 2004, Legendary Pictures has teamed with Warner Bros. Pictures on such hits as Bryan Singer's “Superman Returns”; Zack Snyder's “300” and “Watchmen”; and Christopher Nolan's “Batman Begins” and award-winning phenomenon “The Dark Knight,” which earned in excess of $1 billion worldwide.
More recently, this highly successful partnership produced Ben Affleck's “The Town”; Christopher Nolan's summer blockbuster “Inception”; the worldwide hit “Clash of the Titans”; Todd Phillips' “The Hangover,” which is the highest-grossing R-rated comedy of all time; and Spike Jonze's “Where the Wild Things Are.” Legendary's upcoming releases include Bryan Singer's “Jack the Giant Killer,” Todd Phillips' “The Hangover 2,” and Zack Snyder's “Sucker Punch.” Legendary is also developing a number of promising film projects in-house, including “Warcraft,” “Godzilla,” “Gravel,” “Paradise Lost,” and a sequel to “300.”
Before forming Legendary, Tull was President of The Convex Group, a media and entertainment holding company headquartered in Atlanta, on whose Board of Directors he also served.
SUSAN DOWNEY (Executive Producer) is a principal partner of Team Downey, the production company she formed with her husband, Robert Downey Jr. A prolific film producer, she has collaborated with some of the industry's most noted talents on films ranging from action blockbusters to dramas to comedies to horror thrillers.
Downey also produced the global hit “Sherlock Holmes,” which opened on Christmas Day 2009 and grossed more than $516 million worldwide. Directed by Guy Ritchie, the film starred Robert Downey Jr., Jude Law, Rachel McAdams and Mark Strong in an action adventure mystery that brought Arthur Conan Doyle's legendary detective to the big screen as never before. She is currently producing the sequel, which again stars Downey Jr. and Law under the direction of Ritchie.
Downey also recently served as an executive producer on the action hit “Iron Man 2,” which earned more than $620 million at the worldwide box office. The follow up to “Iron
Man” reunited director Jon Favreau with returning stars Robert Downey Jr. and Gwyneth Paltrow, and also starred Don Cheadle, Mickey Rourke and Scarlett Johansson.
Previously, Downey held the dual posts of Co-President of Dark Castle Entertainment and Executive Vice President of Production at Silver Pictures. Joining Silver Pictures in 1999, she oversaw the development and production of feature films released under both banners, including “Thir13en Ghosts” and “Swordfish.”
In 2002, she made her producing debut as a co-producer on “Ghost Ship” and then co- produced the 2003 release “Cradle 2 the Grave.” Downey went on to produce the features “Gothika” and “House of Wax,” and also served as an executive producer on the critically acclaimed comedic thriller “Kiss Kiss, Bang Bang.”
Downey later produced Neil Jordan's acclaimed psychological drama “The Brave One,” starring Jodie Foster and Terrence Howard; Guy Ritchie's widely praised crime comedy “RocknRolla,” starring Gerard Butler, Tom Wilkinson, Thandie Newton, Idris Elba, Chris Bridges and Jeremy Piven; the horror thriller “Orphan,” starring Vera Farmiga and Peter Sarsgaard; and the thriller “Whiteout,” starring Kate Beckinsale. She was also an executive producer on the Hughes brothers' post-apocalyptic drama “The Book of Eli,” starring Denzel Washington and Gary Oldman.
Prior to her tenure at Dark Castle and Silver Pictures, Downey worked on the hit films “Mortal Kombat” and “Mortal Kombat: Annihilation.”
Downey is a graduate of the University of Southern California's School of Cinema- Television.
SCOTT BUDNICK (Executive Producer) is Executive Vice President of Production for Green Hat Films, overseeing the development and production of a varied slate of projects including the upcoming “Project X,” set for release in 2011. He most recently executive produced the blockbuster hit “The Hangover,” which won a Golden Globe for Best Motion Picture – Musical or Comedy and is the highest grossing R-rated comedy of all time.
Budnick began his entertainment career in local casting while at Emory University in his hometown of Atlanta, Georgia. Upon graduation, he relocated to Los Angeles, serving as casting assistant on Todd Phillips' “Road Trip” and then as associate to the director on “Old School,” starring Vince Vaughn, Luke Wilson, Will Ferrell and Jeremy Piven. Budnick served associate producer on Phillips' following films, “Starsky & Hutch,” starring Owen Wilson and Ben Stiller and “All The King's Men,” starring Sean Penn and Jude Law, which Phillips executive produced; and was co-producer on “School for Scoundrels,” starring Billy Bob Thornton.
LAWRENCE SHER (Director of Photography) reunites with Todd Phillips on “Due Date,” having previously collaborated on the Golden Globe-winning blockbuster comedy “The Hangover.” His work will next be seen in Greg Mottola's sci-fi comedy “Paul,” with Jason Bateman and Seth Rogan, and David Frankel's comedy “The Big Year,” based on Mark Obmascik's book and starring Owen Wilson, both releasing in 2011.
Sher's other recent credits include “I Love You, Man,” “Trucker,” “The Promotion,” “Dan in Real Life,” “The Dukes of Hazzard” and “The Chumscrubber.”
He worked as director of photography on several smaller films and music videos earlier in his career, coming to the fore in 2001 with the award-winning independent film “Kissing Jessica Stein,” followed by director Zach Braff's “Garden State.”
Born and raised in New York City, Sher studied economics at Wesleyan University where, in his junior year, he turned an interest in still photography into a fascination with motion pictures. Upon graduation, he moved to Los Angeles and began his career as a camera assistant.
BILL BRZESKI (Production Designer) previously collaborated with Todd Phillips on the 2009 Golden Globe Award-winning blockbuster comedy “The Hangover,” for which he received an Art Director's Guild Award nomination for Excellence in Production Design. Brzeski re-teams again with Phillips for “The Hangover 2,” releasing in 2011.
Brzeski's other recent credits include “Flipped,” which reunited him with Rob Reiner, having previously served as production designer on Reiner's “The Bucket List”; and re- teaming with Rob Minkoff' on “The Forbidden Kingdom,” having previously worked on the director's groundbreaking CGI movie “Stuart Little” and its sequel, “Stuart Little 2.” Some of the designer's additional credits include “Deck the Halls,” “Blue Streak,” James L. Brooks' Oscar®-winning “As Good As It Gets” and “Matilda.”
Brzeski received his undergraduate degree from Miami University and his MFA in Design from New York University's Tisch School of the Arts. Originally interested in designing for the ballet and opera, he began his career in the theatre before moving to Los Angeles from New York City and designing more than 800 episodes of television series.
Brzeski also designs commercial spaces, most notably the award-winning Susina Bakery in Los Angeles.
His production design workshops at graduate and undergraduate levels have been hosted by New York University School of the Arts, Miami University, Clemson University and Loyola University Film School.
DEBRA NEIL-FISHER (Editor) re-teams with Todd Phillips on “Due Date,” having served as editor on his blockbuster hit “The Hangover,” the number one R-rated comedy of all time. The film won a Golden Globe for Best Motion Picture - Musical or Comedy and Fisher was honored with an Eddie Award by the American Cinema Editors for Best Edited Feature Film.
Among Neil-Fisher's other feature credits are the hit comedies “Baby Mama,” “Semi- Pro,” “Role Models,” “You, Me and Dupree,” “Without a Paddle,” “Saving Silverman,” and two hugely successful Austin Powers films, “Austin Powers: International Man of Mystery” and “Austin Powers: The Spy Who Shagged Me.” She has collaborated three times with director Donald Petrie on “Just My Luck,” “Welcome to Mooseport” and “How to Lose a Guy in 10 Days.” Her work also extends to other genres, including the dramas “Fried Green Tomatoes,” “The War” and “Up Close and Personal,” as well as the thrillers “Teaching Mrs. Tingle” and “Dr. Giggles.”
In 1991 Neil-Fisher won a CableACE Award for her work on TNT's telefilm “Heat Wave,” for director Kevin Hooks. Among her earlier television credits are “The Amy Fisher Story,” “The Case of the Hillside Strangler” and the TNT thriller “Breaking Point.”
LOUISE MINGENBACH (Costume Designer) marks her fifth project with director Todd Phillips on “Due Date,” a collaboration that began on the feature film “Starsky & Hutch,” followed by “School for Scoundrels” and the 2008 telefilm “The More Things Change...” In 2009, her designs were seen in Phillips' mega-blockbuster “The Hangover,” which won a Golden Globe for Best Motion Picture – Musical or Comedy and is the highest R-rated comedy of all time.
The upcoming actioner “Battleship,” based on the classic board game, reunites Mingenbach with Peter Berg, with whom she worked on “Hancock,” starring Will Smith.
Mingenbach also designed costumes for the 2009 action epic ““X-Men: Wolverine.” Previously, she earned a Saturn Award and a Costume Designers Guild Award nomination for her work on Bryan Singer's “X-Men.” She has teamed with Singer on four other films, including the 1995 thriller “The Usual Suspects,” “X2,” “Apt Pupil” and “Superman Returns,” as well as the pilot for “House M.D.”
Mingenbach's additional feature credits include the Farrelly Brothers' “The Heartbreak Kid,” “Spanglish,” “The Rundown,” “K-PAX,” “Gossip,” “Permanent Midnight,” “Nightwatch,” “The Spitfire Grill” and “One Night Stand.”
CHRISTOPHE BECK (Composer) previously collaborated with Todd Phillips on “The Hangover,” which won a Golden Globe for Best Motion Picture – Comedy or Musical.
He has composed scores for 50 feature films and nearly 20 television shows. With more than 15 years of experience, Beck has scored a wide array of projects, including such action films as “Percy Jackson & The Olympians: The Lightning Thief,” “The Sentinel” and “Elektra”; the comedies “Date Night,” “Charlie Bartlett,” “The Pink Panther” and “Bring It On”; and such dramas as “We Are Marshall,” “Under the Tuscan Sun” and “Year of the Dog”; as well as the Davis Guggenheim documentary, “Waiting For Superman.”
Beck most recently composed music for the comedies “Death at a Funeral,” starring Chris Rock, Martin Lawrence and Tracy Morgan; “Date Night,” with Steve Carell and Tina Fey; “Hot Tub Time Machine,” starring John Cusack; and Chris Columbus' fantasy adventure “Percy Jackson & The Olympians: The Lightning Thief.”
His additional credits include “All About Steve,” “The Greatest,” “What Happens in Vegas,” “Phoebe in Wonderland,” “The Seeker: The Dark is Rising,” “Saved!,” “American Wedding” and “Just Married.”
Beck began his scoring career on the Canadian television series “White Fang,” and from there went on to score three seasons of the hit television series “Buffy the Vampire Slayer,” for which he won an Emmy Award for Outstanding Music Composition.
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Due Date Starring Robert Downey Jr. and Zach Galifian
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THE IDEA
From director Todd Phillips, “Due Date” stars Robert Downey Jr. and Zach Galifianakis as two unlikely companions thrown together on a road trip that turns out to be as life-changing as it is outrageous.
Downey plays Peter Highman, an expectant first-time father whose wife's due date is only days away. As he hurries to catch a flight home to Los Angeles from Atlanta to be at her side for the birth, his best intentions go completely awry when a chance encounter with aspiring actor and disaster-magnet Ethan Tremblay (Galifianakis) leads to the two of them being tossed off the plane and placed on a no-fly list...while Peter's luggage, wallet and ID take off without him.
With no alternatives in sight, Peter is forced to hitch a ride with Ethan and his canine traveling companion on what turns out to be a cross-country road trip that will destroy several cars, numerous friendships and Peter's last nerve.
The comedy “Due Date” also stars Michelle Monaghan (“Made of Honor”), Juliette Lewis (“The Switch”) and Academy Award® winner Jamie Foxx (“Ray”).
Directed by Todd Phillips (“The Hangover”), the film is produced by Phillips and Dan Goldberg (“The Hangover,” “Old School”), from a screenplay by Alan R. Cohen & Alan Freedland and Adam Sztykiel & Todd Phillips, story by Alan R. Cohen & Alan Freedland. Thomas Tull, Susan Downey and Scott Budnick serve as executive producers.
“Due Date” reunites Phillips with key members of his filmmaking team from “The Hangover,” including director of photography Lawrence Sher, production designer Bill Brzeski, editor Debra Neil-Fisher, composer Christophe Beck and costume designer Louise Mingenbach.
ABOUT THE PRODUCTION
“If you're going to travel with me to Los Angeles I have to give you a couple of guidelines. Number one: don't ask me a single question.” - Peter Highman
“It's a simple idea—two mismatched guys forced to go on a road trip together,” declares “Due Date” director and co-writer Todd Phillips. “Robert Downey Jr. is Peter Highman, an architect on his way back to L.A. from a business trip in Atlanta. He's on a tight schedule because his wife is expecting their first child and the date is all set. Everything is fine until he gets tangled up at the airport with a wannabe actor named Ethan Tremblay, who somehow gets the both of them booted off the plane and grounded for the foreseeable future.”
At that point, “simple” flies right out the window.
Stranded without cash, credit, ID or time, Peter finds himself in the galling position of having to hitch a ride home with a guy he'd rather take a swing at—Ethan. The person he holds responsible for his predicament in the first place is now behind the wheel of a rental car and offering him the passenger seat.
Though clearly not his best option, it's Peter's only option.
At first grateful for the company, Ethan soon learns that his tightly wound traveling companion is not going to be any fun at 20 Questions, nor generally receptive to the concept of going with the flow. Meanwhile, Peter realizes he's just joined forces with a guy who can casually ruin his life in more ways than he could ever imagine.
“If there really was somebody like Ethan around, he'd have been strangled in his sleep long ago,” Downey attests. “He's like a laser beam that focuses on the one thing that will drive you crazy the most, the kind of guy who will eat a whole plate of waffles before mentioning he's allergic to waffles. I'm sure a lot of people know someone like this, someone who is perfectly wired to activate all of their irritation buttons.”
Granted, Peter has a short fuse to begin with. “He's kind of an edgy, controlling, judgmental guy with some anger-management issues. And who better to help him explore those issues than Ethan Tremblay? High-strung as he is normally, Peter is now facing the birth of his first child and is thrown into this nightmare, so it's all amped up,” Downey adds.
Ethan, by comparison, gives new meaning to the term laid-back. Zach Galifianakis, who stars as the human lightning rod for trouble, observes, “Nothing affects him, no insult seems to penetrate. Ethan lives in his own head. He has no talent, and he's on his way to Hollywood to capitalize on that. These two guys meet through a series of unfortunate circumstances that are entirely Ethan's fault, to which he is completely oblivious. And every bad thing that happens from that point on is Ethan's fault. Everything.”
Says Phillips, “People always cite chemistry in these kinds of movies. They say it's the chemistry between the two lead actors that make it work. I believe what makes ‘Due Date' work is anti-chemistry; it's two guys with zero connection and zero rapport, constantly butting heads, that generates both the tension and the comedy.”
Dan Goldberg, who has produced all of Phillips' feature films since their 2000 collaboration on the hit comedy “Road Trip,” says, “The ride develops its own momentum as one thing after another happens to impede their progress.”
At the same time, their cross-country trek takes Peter and Ethan on another, more unpredictable journey than what they face geographically—one that leads them to discover as much about themselves as each other.
Provided that they survive it.
Scott Budnick, an executive producer on the film, says, “There's real emotional substance to the story and real issues, and Robert and Zach do a phenomenal job in delivering both the humor and the emotional stakes. My favorite comedies are always the ones that have heart.”
As infuriating as Ethan can be, whether mismanaging his funds, missing potty breaks or launching their car off an overpass, Phillips concedes he has his good points, citing “honesty, innocence and a humanity that makes you connect with him and root for him despite it all. Ethan is a complex character. He has just lost his father, who was his best friend, and is having a tough time dealing with that. There's an underlying desperation in everything he does and an eagerness to please to the point where just making friends means trying too hard.”
“A lot of what he does is to avoid being lonely,” says Galifianakis.
Peter, on the other hand, may come across like a self-assured, aggressive control freak but, says Phillips' “Due Date” screenwriting partner Adam Sztykiel, “You sense that his behavior comes from an emotional place and from issues he has yet to work out, that are revealed in the story. Not far beneath the alpha male posture is his own vulnerability and how terrified he is to be responsible for a child.”
“As a parent,” Downey offers, “I know the big question is how are you going to manage and protect something that you have no experience with?”
Playing on that theme were screenwriters Alan R. Cohen and Alan Freedland, who also have story credit on “Due Date.” “Peter's comfort zone is when he's in control. And everything that happens in this movie is about losing control; from his inability to get back home to the larger issue of his impending fatherhood—and whether or not he's ready for it,” Cohen says.
“We wanted to put him into a situation where he had to travel across the country with someone who was effectively a child,” adds Freedland.
Not that it would lessen Peter's pain, stress and frustration if he knew it might be pain, stress and frustration with a purpose. Still...
“When I read the script, I was moved,” recalls executive producer Susan Downey. “It's so funny and yet so human. You want a comedy to have that grounding, in the way that you want a drama to have some humor. In ‘Due Date,' though his experience with Ethan, Peter finds his human side and gets ready for the birth of his own child. It's about him becoming a man before becoming a father.”
“Guess who's got the Subaru Impreza? Me! Guess who's got the winning personality? Me! What do you have? You have a nice hairline. Fine. You have a strong jaw. But I gotta tell you, mister, your personality needs some work.” - Ethan Tremblay
Despite the “anti-chemistry” Phillips had in mind for their characters, Galifianakis and Downey generated some genuine positive chemistry from the start.
Downey vividly recalls their first meeting. “I was in Venice, California, and some weird guy walks by and says, ‘Hi, I think I'm doing a movie with you.' And I was thinking, ‘I might have to punch this guy.' Then I realized, ‘Oh my God...that's Zach.'
“Later, he came over for dinner so we could talk about the script,” Downey continues. “I asked if he had any dietary restrictions and he sent me a note detailing everything he'd need, like bottled water flown in from Barstow. It's one of my favorite things. I read it to people at parties.”
“We kind of took care of each other on the set—very different from what was going on in the movie. We'd talk every morning about how to make a scene work. It was great. Funny how hanging out with a legitimate actor raises your game,” Galifianakis returns.
“I always respond to projects based on the casting potential,” says Phillips. “I immediately start seeing a movie from the standpoint of casting it. For ‘Due Date,' I knew that if I could get Robert and Zach we could go full out.”
Phillips marks his second collaboration with Galifianakis on “Due Date,” following the comedian's breakout starring role in last year's international blockbuster hit “The Hangover,” that became the highest-grossing R-rated comedy of all time. He says, “Zach and I click because he knows I really get his humor, which can be pretty outrageous.”
In “Due Date,” however, Galifianakis creates a character that calls for a great deal of subtlety. Notes Budnick, “Every little nuance of personality and each detail—the way he walks, the way he talks, the way he thinks—Zach has figured out how Ethan Tremblay would do these things and it's reflected in every single moment he's on screen.”
At the same time, there is a core of unpredictability to the performance. “Zach brings a sense of spontaneity and danger and I think comedy is best with an undercurrent of danger so that you never know exactly what's going to happen or what someone will say or do. In that sense, he's the perfect comedic actor,” says Phillips.
And “Due Date” gives him a worthy antagonist in Downey.
“Not only is Robert a world-class actor but he's naturally funny. I wouldn't think of casting Robert Downey Jr. as anyone's straight-man,” says Phillips. “In ‘Due Date' there is no straight-man because they're both screwed up in their own ways. And the beauty of Zach and Robert playing off each other is that they're both funny but their humor comes from such different places and their styles are so different that you're not mining the same vein.”
Downey, Galifianakis, Phillips and Sztykiel “took the script apart and put it back together,” says Goldberg. “Every day there were new things that touched me and made me laugh. I believe ‘Due Date' audiences will see aspects of Robert and Zach that they haven't seen before and things that will surprise them. As a filmmaker, I'm always looking for that.”
It's a philosophy and a process that Phillips respects. “So much of comedy happens on the day you shoot,” he says, and offers the example of the airplane luggage bin scene. “It just happened as we were looking at the seating and the overhead bin and realized how that could bring them really close in a small space. Zach said, ‘What if I rub up against him while I'm reaching into the bin?' And I said, ‘What if you pull your shirt up first to wipe your glasses so it's just your bare stomach?' Comedy isn't math; it's jazz.”
Says Robert Downey Jr., “I start every day thinking here's what will happen if you do it by the book and here's what can happen if you bend yourself over backwards and forwards again and try to invite the unimagined into the situation. The set had energy like a living being; it was evolving all the time. And what's great and so funny about Todd is that sometimes, with him, it's so wrong, it's right.”
That point of view resonates with Galifianakis, who admits to being right alongside the director in appreciating “the inappropriate,” adding, “Todd and I have the same sense of humor. We like stuff that has a bit of a taboo element—things that are funny specifically because you're not supposed to laugh at them. As a stand-up comic, I love it when audiences laugh before they realize maybe they shouldn't have, and then start to question themselves.
“That's not to say that you can't be offended by something Todd or I do in a film,” he continues with mock concern. “I'm often offended by the things I do in movies.”
“You'd better check yourself before you wreck yourself.” - Ethan
“What I like about road trip movies is that essentially your characters are working without a net. You just throw them out into the elements and say, ‘Deal with it,'” says Phillips. “You don't have the support system of friends and family. People come in and out of your life for intense but fleeting moments.”
To help facilitate that, ‘Due Date' features a stellar supporting cast of characters who offer Peter and Ethan a range of memorable and often thought-provoking encounters along the way.
The first of these is Heidi, a freelance medical supplier with questionable parenting skills, tracked down by Ethan at her Birmingham home to restock his supply of “glaucoma medication.” It's one of many detours that takes them miles out of their way.
Heidi is played by Juliette Lewis, in her third screen role for Phillips. Lewis was touring in London with her band when the director called. “We worked it out so that between London and Helsinki I made a pit stop in a place I didn't even know existed—Las Vegas, New Mexico—for a couple of days, to play a pot dealer,” she recounts. “When Todd calls it's a game of trust. I don't know the role, I don't know what he wants me to do, but I know it's going to be good and it's going to be funny.”
Oscar® winner Jamie Foxx, who recently starred with Downey in “The Soloist,” comes aboard in the role of Peter's old college buddy, Darryl, now living in Dallas.
“It was a real coup to get Jamie to come in as Peter's friend—and, according to Ethan, possibly the real father of his soon-to-be-born child,” says Robert Downey Jr., alluding to yet another way in which Ethan manages to get under Peter's skin.
Within minutes of entering Darryl's home, Ethan spots a few photos, asks a few questions, adds two and two, and comes up with five. “He learns that Darryl is very close with Peter's wife and jumps to all kinds of conclusions. Then, he plants the seed of doubt in Peter's mind,” says Phillips.
“Darryl comes into the picture to do these guys a favor and it's all great...until it's not. Then things get very weird, very fast,” Foxx says of the ensuing scene that lands Peter and Ethan back on the pavement. “Working with Robert, Zach and Todd, you'd never know what to expect, but you could always count on it being a crazy, creative, collaborative experience.”
The travelers also run afoul of an ill-tempered Western Union clerk, played by Danny McBride; a paragon of Airport Security, played by Grammy Award-winning hip hop producer/musician and actor Rza; and an exceptionally indifferent TSA agent, played by Matt Walsh, the ER doc from “The Hangover.”
Meanwhile, back home anxiously awaiting Peter's return is his wife, Sarah, played by Michele Monaghan, reuniting with Downey for the first time since they teamed in the 2005 comedy thriller “Kiss Kiss Bang Bang.”
“Sarah is just about 8 months and 29 days pregnant with her first baby and obviously very anxious,” Monaghan offers. “Her husband is not only m.i.a but is also traveling cross- country with a wild man whose only concern is if she has any ‘recommendations for someone who could give him a perm'?!? Clearly, the baby's arrival looks more promising than daddy's.”
“Sonny, stop. Sonny...No. Stop. Good boy.” - Ethan
Before circumstances force these two to share a rental car, Ethan already has a traveling companion: a French Bulldog named Sonny, who becomes the pair's third wheel and a point of calm amidst the escalating mayhem.
The role of Sonny, though indisputably male, was played almost entirely by a young female Frenchie trained by Mark Harden, of Boone's Animals for Hollywood.
The introduction of a dog into the script came about as Phillips sought to further ratchet up the tension between his two leads and decided that one of them should be a dog person and the other...not so much. After perusing renowned animal trainer Boone Narr's company website, he spotted what he was looking for in Bodie, an adult male French Bulldog with the big ears and wide-eyed comical expression typical of the breed.
Unfortunately, at 26 pounds, Bodie was too heavy to be constantly toted around on one arm, so, with only weeks before filming started, Harden launched a full-scale and very specific search for a six-to-10-month-old, cream-colored, slightly undersized French Bulldog. He first tried the rescue agencies, then tapped into a nationwide network of breeders before finding someone who had a full-grown female weighing in at 15 pounds.
Though Galifianakis jokes that Sonny was trained to fall asleep at the word ‘action,' Harden takes no credit for the animal's relaxed demeanor, conceding, “She's just a very settled and well-adjusted dog. She doesn't get worked up. I think she just learned early on that most of her scenes were going to take awhile and she might as well catch a nap.”
Galifianakis, who bonded with his canine co-star despite an allergy to dogs, says, “I was kind of envious at her ability to fall asleep at work. And she snores like me.”
But as much as the camera loved Sonny, there was one special trick she just couldn't manage, that required a one-day command performance from Bodie.
Harden carefully describes how the trick serendipitously made its way into the story. “French Bulldogs are unable to groom themselves in certain areas as other dogs do. I don't know if it's a combination of their short neck and wide shoulders, but they can't twist backwards.”
Consequently, some of them use their paws, “a natural behavior that Bodie spontaneously offered in front of Todd at that first meeting, while we were talking,” the trainer recalls. “As soon as he saw it, there was no turning back. He said, ‘Oh my God, can you train him to do that?”
“Am I okay? Do I look okay? I have a broken arm. I have three cracked ribs. I have seven stitches in my armpit. Does that answer your question? - Peter
“I love physical comedy,” says Phillips, who happily extends the parameters of physical comedy in “Due Date” to include a multi-vehicle freeway chase, an end-over-end car flip and a shoot-out with some seriously t'd-off border security agents.
“For me,” Phillips continues, “It's fun to include shocking moments that make you say, ‘Whoa, where did that come from?' We shot the car sequence in Las Cruces, New Mexico. They let us break through the overpass and land on the road below. We closed the highway for several days to prepare and execute it but, frankly, you never know how a stunt is going to land, so we set up four or five cameras and let it happen. The car flipped back up on its wheels, but we were prepared for it to do anything.” Filming “Due Date” was a road trip in itself. Location shooting began in and around Atlanta and moved generally westward with the story, touching upon Dallas and the Texas interior and various locations in New Mexico, including Las Vegas and Santa Fe, which the filmmakers covered from a base of operations in Albuquerque, before touching down in California.
“The way the script breaks down, they have to get across the country. in a couple of days so you really need to take the southern route, which is not as long as the northern, so it makes sense in terms of driving time,” says production designer Bill Brzeski.
A separate helicopter unit covered the Grand Canyon for a key scene with Peter and Ethan perched on its rim, overlooking the Colorado River snaking its way through, far below. Between takes, busloads of visitors from all over the world arrived to tour the area and there was some concern on the part of the crew that they might forget to watch where they were going once they caught sight of Downey and Galifianakis.
The film's opening airport scenes were a combination of several elements. The plane cabin mockup was constructed on Stage 11 at Warner Bros. Studios; the curb where Peter's and Ethan's cars pull up was shot at Ontario Airport in California; and the screening area and other terminal interiors were built inside the Georgia World Congress Center in Atlanta.
Other practical locations in Georgia included a construction site in Atlanta's Buckhead neighborhood; a Waffle House and portions of Highway 27 in Bremen; various locations along I-75 and I-675, GA-route 20 and the Metropolitan Parkway; the Gwinnett Medical Center in Lawrenceville; the 1010 Condos on Atlanta's historic Peachtree Street; and a recently closed rest stop along I-985.
Darryl's home in Dallas was an amalgam of exteriors captured in Buckland, Georgia, and interiors shot in Encino, California. “You're never really anywhere you're supposed to be,” Brzeski says. “Las Vegas, New Mexico was built around the turn of the century and doesn't look like what you'd expect to see in New Mexico. There's a lot of Victorian architecture that doesn't match the typical Santa Fe look so buildings can substitute for almost any American small town, be it Texas or Ohio. We used it as Alabama for Heidi's house.”
The southwestern city also provided the site for one of the film's larger set pieces; a checkpoint at the U.S./Mexico border that was constructed on a bridge spanning a portion of Route 25 in Las Vegas, under which Brzeski and his team formed an encampment of Federali trailers based on actual Mexican Customs vehicles. Interiors of the office and a trailer, as well as a gimbal rig that figures into the action, were built on stage and another rotating rig, dubbed “car-on-a-spit” by one crew member, was designed for the scene in which Peter and Alan take their rented Subaru for a real spin.
All this action takes its toll on the luggage-deprived Peter, forced to spend the entire journey in one increasingly rumpled, torn, stained and slept-in suit. For costume designer Louise Mingenbach, that meant maintaining 20 versions of the suit in five basic stages of deterioration. “Definitely, the story evolves through Peter's clothes,” she says.
With Ethan's wardrobe she was able to have more fun, brainstorming with Galifianakis, who, she says, “has no vanity. Some actors want to look beautiful all the time but that's not Zach. He will wear whatever works for his character, even if it's acid-washed jeans two sizes too small.”
“I really like to look bad in movies,” Galifianakis agrees. “Originally Ethan was dressed like a hippie but I wanted him to be more arty—or, what he would think is arty. He has a perm, he has his dance shoes and his really bad tight jeans and the scarf as an accessory; he wants to be an actor and this is how he thinks actors dress.”
“Due Date” marks Mingenbach's fifth collaboration with Phillips, who says, “I have a great team. I've worked with essentially the same people throughout my career. We write some crazy thing and then I turn to my guys and say, ‘Can we pull this off?'”
Among those previous colleagues rejoining the director on “Due Date” were cinematographer Lawrence Sher, editor Debra Neil-Fisher and composer Christophe Beck.
Scott Budnick points out, “‘Due Date' marks the 10-year anniversary of ‘Road Trip,' Todd's first movie and my first job out of college. We filmed ‘Road Trip' from September to December 1999, and ‘Due Date' from September to December of 2009.”
For Phillips, it's a genre full of possibilities.
“I've been in some strange situations on the road,” confesses screenwriter Sztykiel, a Los Angelino who identified in some ways with Peter. “Here's a guy who's a little sheltered and doesn't have exposure to the 3,000 miles that exist east of his home, and it was fun to force him out of his bubble. It's uncomfortable, but you come away with a better sense of your place in the world. My advice for travelers? Go to the bathroom. Make sure your traveling partner has gone to the bathroom. Don't spend all your money on illegal substances. Don't say ‘bomb' on an airplane. Don't open your car door in traffic. Pretty simple stuff.” Sure. In hindsight.
“There's something about a road trip that brings out the extremes of human reactions and emotions,” says Phillips. “It's a great opportunity for surprises and for people to learn things about themselves or each other that they'd never see if they weren't being pushed to their limits, or having to make the kinds of quick, instinctive decisions you have to make on the road.”
At the same time, the road itself can be almost incidental. “No matter where we are in ‘Due Date,' no matter what's kind of chaos they're going through,” he concludes, “it all comes down to these two guys working out their issues.”
ABOUT THE CAST
ROBERT DOWNEY JR. (Peter Highman), a two-time Academy Award® nominee, earned his most recent Oscar® nomination, for Best Supporting Actor, for his work in Ben Stiller's comedy hit “Tropic Thunder.” His performance as Kirk Lazarus, a white Australian actor playing a black American character, also brought him Golden Globe, BAFTA Award and Screen Actors Guild (SAG) Award® nominations. Downey was honored with his first Oscar® nomination, in the category of Best Actor, for his portrayal of Charlie Chaplin in Richard Attenborough's acclaimed 1992 biopic “Chaplin,” for which he also won BAFTA Award and London Film Critics Awards and received a Golden Globe Award nomination.
Earlier this year, Downey received another Golden Globe nomination for his performance in the title role of the 2009 hit “Sherlock Holmes,” under the direction of Guy Ritchie. Downey returns to the role of the legendary detective in a new Sherlock Holmes adventure, currently slated for release in December 2011.
In summer 2008, Downey received praise from critics and audiences for his performance in the title role of the blockbuster hit “Iron Man,” under the direction of Jon Favreau. Bringing the Marvel Comics superhero to the big screen, “Iron Man” earned more than $585 million worldwide, making it one of the year's biggest hits. Downey reprised his role in the successful sequel, which was released this past spring. He returns to the role in Josh Whedon's upcoming actioner “The Avengers,” which teams Iron Man with other Marvel Comics superheroes.
Downey's other recent films include “The Soloist,” opposite Jamie Foxx; “Charlie Bartlett”; David Fincher's “Zodiac,” alongside Jake Gyllenhaal and Mark Ruffalo; Richard Linklater's “A Scanner Darkly,” with Keanu Reeves, Winona Ryder and Woody Harrelson; “Fur,” opposite Nicole Kidman in a film inspired by the life of revered photographer Diane Arbus; and “Kiss Kiss, Bang Bang.” He also shared in a SAG Award® nomination as a member of the ensemble cast of George Clooney's true-life drama “Good Night, and Good Luck,” and in a Special Jury Prize won by the ensemble cast of “A Guide to Recognizing Your Saints,” presented at the 2006 Sundance Film Festival.
Downey's long list of film credits also includes “Gothika”; “The Singing Detective”; Curtis Hanson's “Wonder Boys”; “U.S. Marshals”; Mike Figgis' “One Night Stand”; Jodie Foster's “Home for the Holidays”; “Richard III”; Oliver Stone's “Natural Born Killers”; Robert Altman's “The Gingerbread Man” and “Short Cuts,” sharing in a Golden Globe Award for Best Ensemble for the latter; “Heart and Souls,” “Soapdish,” “Air America,” “Chances Are,” “True Believer,” “Less Than Zero,” “Weird Science,” “Firstborn,” and “Pound,” in which he made his debut under the direction of Robert Downey Sr.
On the small screen, Downey made his primetime debut in 2001 when he joined the cast of the series “Ally McBeal.” For his work on the show, he won the Golden Globe Award for Best Supporting Actor in a Series, Miniseries or Motion Picture Made for Television and a Screen Actors Guild Award® for Outstanding Actor in a Comedy Series. In addition, Downey was nominated for an Emmy for Outstanding Supporting Actor in a Comedy Series.
On November 23, 2004, Robert Downey Jr. released his debut album, “The Futurist,” on the Sony Classics label. The album, containing eight original songs, showcased his singing talents.
Downey and his wife, Susan, just formed Team Downey, a production company based at Warner Bros.
ZACH GALIFIANAKIS (Ethan Tremblay) moved to New York City after failing his last college course by one point at North Carolina State University. He got his start performing his brand of humor in the back of a hamburger joint in Times Square, graduating to doing stand-up at night in clubs and coffee houses in the city. While working as a bus boy, he got his first acting job on the NBC sitcom “Boston Common.”
Galifianakis' breakout role came in Todd Phillips' blockbuster hit “The Hangover,” the highest-grossing R-rated comedy of all time. He will reunite with Phillips and cast-mates Bradley Cooper, Ed Helms and Justin Bartha in “The Hangover 2,” slated for a 2011 release.
He also stars in “It's Kind of a Funny Story,” which premieres at the 2010 Toronto Film Festival and opens this fall. Recently, he also co-starred with Steve Carell and Paul Rudd in Jay Roach's comedy “Dinner for Schmucks.” Galifianakis' additional film credits include the Jerry Bruckheimer-produced hit “G-Force”; the indie feature “Youth in Revolt,” with Michael Cera, Steve Buscemi and Ray Liotta; a cameo in Jason Reitman's Oscar®- nominated film “Up in the Air”; “What Happens in Vegas,” with Cameron Diaz and Ashton Kutcher; and the critically acclaimed true-life drama “Into the Wild,” from director Sean Penn.
On the small screen, Galifianakis just started the second season of the HBO comedy “Bored to Death,” with Jason Schwartzman and Ted Danson. In addition, he hosted the critically acclaimed VH1 talk show “Late World with Zach,” and also wrote and starred in “Dog Bites Man” for Comedy Central.
Zach also has an internet talk show entitled “Between Two Ferns.” He has interviewed such guests as Steve Carell, Natalie Portman, Conan O'Brien and Charlize Theron.
When not filming, Galifianakis lives on his farm in North Carolina.
MICHELLE MONAGHAN (Sarah Highman) most recently starred to great critical acclaim in the independent film “Trucker,” which world premiered at the Tribeca Film Festival. She received the Best Actress Awards from the San Diego Film Critics Society, Ft. Lauderdale International Film Festival and Vail Film Festival. Monaghan also served as executive producer on the film.
She will next been seen in Sofia Coppola's “Somewhere,” “Source Code,” opposite Jake Gyllenhaal for director Duncan Jones and “Machine Gun Preacher,” opposite Gerard Butler for director Marc Forster.
Monaghan made her feature film debut in “Perfume,” directed by Michael Rymer, then played Richard Gere's secretary in Adrian Lyne's “Unfaithful.” She followed with supporting roles in Fred Schepisi's “It Runs in the Family,” with Michael Douglas; “Winter Solstice,” with Anthony LaPaglia; Paul Greengrass' “The Bourne Supremacy”; and Doug Liman's “Mr. & Mrs. Smith.”
It was her starring role in “Kiss Kiss, Bang Bang,” opposite Robert Downey Jr. and Val Kilmer, which brought Monaghan to the attention of audiences around the world. She also received rave reviews for her performance in the film, directed by Shane Black. Next, Monaghan joined Charlize Theron and Frances McDormand in “North Country” for director Niki Caro. She then starred in “Gone Baby Gone,” with Casey Affleck and Morgan Freeman; “The Heartbreak Kid,” opposite Ben Stiller; “Mission: Impossible III,” with Tom Cruise and Philip Seymour Hoffman for director J.J. Abrams; opposite Patrick Dempsey in the romantic comedy “Made of Honor”; and in D.J. Caruso's hit thriller “Eagle Eye,” alongside Shia LaBeouf.
JULIETTE LEWIS (Heidi) received Best Supporting Actress Oscar® and Golden Globe nominations for her layered performance as adolescent Danielle, opposite Robert De Niro, in Martin Scorsese's thriller “Cape Fear.”
She reunites with Todd Phillips on “Due Date,” having previously collaborated on “Old School” and “Starsky & Hutch.”
Lewis was most recently seen alongside Hilary Swank, Melissa Leo, Minnie Driver and Sam Rockwell in the independent drama “Conviction,” which premiered at the Toronto Film Festival and opened in October. Prior to that, Lewis appeared in the romantic comedy “The Switch,” alongside Jennifer Aniston, Jason Bateman and Patrick Wilson. She also starred alongside Orlando Bloom, Mark Ruffalo and Laura Linney in Ruffalo's directorial debut, “Sympathy for Delicious,” which took home the US Dramatic Special Jury Prize at this year's Sundance Film Festival. Last year, she played roller derby girl Dinah Might opposite Ellen Page, Marcia Gay Harden, Kristen Wiig, Jimmy Fallon and Eve in Drew Barrymore's directorial debut, “Whip It.”
Among Lewis' many other films are Gary Marshall's “The Other Sister”; “Evening Star,” with Shirley MacLaine; Quentin Tarantino's vampire tale “From Dusk Till Dawn,” opposite George Clooney; the sci-fi actioner “Strange Days,” alongside Ralph Fiennes and Angela Bassett; Nora Ephron's comedy “Mixed Nuts,” opposite Steve Martin and Adam Sandler; Oliver Stone's controversial “Natural Born Killers”; “What's Eating Gilbert Grape,” with Johnny Depp and Leonardo DiCaprio”; “Romeo Is Bleeding”; “Kalifornia”; Woody Allen's “Husbands and Wives”; “Crooked Hearts” and “National Lampoon's Christmas Vacation,” with Chevy Chase.
At 12, Lewis landed her first leading role in the Showtime miniseries “Home Fires.” At 16, her performance in the critically acclaimed longform “Too Young to Die?” led to film roles. Lewis' other television credits include Showtime's “My Louisiana Sky,” for which she received an Emmy Award nomination for Outstanding Performer in a Children's Special, and Mira Nair's HBO film “Hysterical Blindness,” alongside Uma Thurman and Gena Rowlands. She also had recurring roles in several series.
In addition to film and television, Lewis's music career continues to evolve. Her third studio album, Terra Incognito, was released in fall 2009.
JAMIE FOXX (Darryl) won an Academy Award® for Best Actor in 2005 for his portrayal of the legendary Ray Charles in the Taylor Hackford-directed biopic “Ray.” Foxx also won a Golden Globe Award, a Screen Actors Guild (SAG) Award®, a BAFTA Award, and an NAACP Image Award, as well as numerous critics' association awards, and shared in a SAG Award® nomination received by the film's ensemble cast.
Also in 2005, Foxx garnered Oscar®, Golden Globe Award, SAG Award®, BAFTA Award, and Image Award nominations, in the Best Supporting Actor category, for his work in Michael Mann's dramatic thriller “Collateral,” in which he starred with Tom Cruise. That same year, Foxx also earned Golden Globe Award and SAG Award® nominations and won an Image Award for Best Actor in a Television Movie for his portrayal of condemned gang member-turned-Nobel Peace Prize nominee Stan “Tookie” Williams in the FX Network movie “Redemption.”
Foxx has a number of films upcoming, including the Seth Gordon-directed comedy “Horrible Bosses”; F. Gary Gray's action thriller “Kane & Lynch,” opposite Bruce Willis; and the comedy “Skank Robbers,” which he also wrote and is producing. His recent film credits also include Garry Marshall's hit ensemble romantic comedy “Valentine's Day,” the thriller “Law Abiding Citizen,” Joe Wright's drama “The Soloist,” the thriller “The Kingdom” and Bill Condon's screen adaptation of the Broadway musical “Dreamgirls.” Foxx also executive produced the film “Life Support,” starring Queen Latifah, which closed the 2007 Sundance Film Festival.
Foxx's big-screen break came in 1999 when Oliver Stone cast him as a star quarterback in “Any Given Sunday.” In 2001, he co-starred with Will Smith in Michael Mann's acclaimed biopic “Ali.” His additional film credits include Michael Mann's “Miami Vice,” with Colin Farrell; Sam Mendes' Gulf War drama “Jarhead,” with Jake Gyllenhaal; “Stealth”; Antoine Fuqua's “Bait”; “Booty Call”; “The Truth about Cats & Dogs”; and “The Great White Hype.”
Foxx first came to fame as a comedian. After spending time on the comedy circuit, he joined Keenan Ivory Wayans, Jim Carrey, Damon Wayans and Tommy Davidson in the landmark Fox sketch comedy series “In Living Color.” In 1996, he launched his own series, “The Jamie Foxx Show,” which was one of the top-rated shows on The WB Network during its five-year run. Foxx also served as co-creator and executive producer, and directed several episodes. His first HBO Comedy Special, “Jamie Foxx: I Might Need Security,” premiered in February 2002.
In addition to his acting success, Foxx has also achieved a thriving music career. His first album, Unpredictable, topped the charts in late 2005 and early 2006 and spawned the NBC special “Unpredictable,” in which he performed with such artists as Mary J. Blige, Common, Snoop Dogg, The Game and Angie Stone. He has been nominated for eight Billboard Music Awards, three Grammy Awards, a Soul Train Music Award, and two American Music Awards, winning for Favorite Male Artist. Foxx's latest album, 2008's Intuition, debuted at number three on the Billboard 200 chart and spawned the chart-topping single “Blame It.” Foxx recently wrapped up his “Blame It Tour” in support of the album. On January 31, 2010 Jamie Foxx and T-Pain's “Blame It” won in the category of Best R%B performance by a duo/group with vocals at the 52nd Annual Grammy Awards.
ABOUT THE FILMMAKERS
TODD PHILLIPS (Director/Screenwriter/Producer) most recently directed and produced the 2009 blockbuster hit comedy “The Hangover,” starring Bradley Cooper, Ed Helms, Zach Galifianakis and Justin Bartha. The film became the highest grossing R-rated comedy of all time and won a Golden Globe for Best Motion Picture – Comedy or Musical. He is currently in production on the much-anticipated sequel, “The Hangover 2,” which reunites the cast.
Phillips started his career as a documentary filmmaker, inspired by humor taken from everyday reality and the belief that the truth is often stranger than fiction.
His first film, “Hated,” portrayed the revolting antics of extreme punk rocker G.G. Allin and became an instant underground sensation. It was released in the summer of 1994 and went on to become the highest grossing student film of its time.
He followed that in 1998 with “Frat House,” a documentary that he produced and directed for HBO's popular “America Undercover” series. “Frat House” premiered at the 1998 Sundance Film Festival and won the Grand Jury Prize for documentary features. The unflinching exposé of life in fraternities created a public controversy that eventually caused the film to be shelved by HBO. Phillips still hopes to release it in the future.
After meeting producer Ivan Reitman at Sundance, Phillips made his crossover to features with 2000's “Road Trip,” which established him as a new force in comedy. He simultaneously produced and directed “Bittersweet Motel,” a documentary on musical cult phenomenon Phish.
In one way or another, Phillips' films explore the nature of male relationships, and in doing so he has worked with some of Hollywood's biggest comedic actors, writing and directing such films as “Old School” in 2003, “Starsky & Hutch” in 2004, and “School for Scoundrels” in 2006. Phillips was nominated for a 2006 Academy Award® for Best Adapted Screenplay for his work on “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan.”
DAN GOLDBERG (Producer) marks his fifth film collaboration with Todd Phillips on “Due Date.” Previously, he served as producer on Phillips' “Old School,” “Road Trip,” “School for Scoundrels” and most recently, “The Hangover,” which won a Golden Globe Award for Best Motion Picture – Musical or Comedy and is the highest grossing R-rated comedy of all time. Goldberg will next produce “The Hangover 2” with Phillips, releasing in 2011.
Goldberg also produced the outrageous comedy “Howard Stern's Private Parts” and the animated comedy adventure “Space Jam,” starring Michael Jordan, and was an executive producer on Ivan Reitman's romantic adventure “Six Days Seven Nights,” starring Harrison Ford.
His screenwriting credits include the classic comedies “Stripes” and “Meatballs,” both of which he also produced; “Feds,” which he also directed; and the enduring cult favorite “Heavy Metal.”
ALAN R. COHEN & ALAN FREEDLAND (Screenwriters, Story) are best known as Emmy Award-winning writers from the Fox animated show “King of the Hill” and often referred to as “the Alans.”
Among numerous other writing and producing credits, the duo also co-created the Comedy Central cult hit “Kid Notorious,” starring Robert Evans. They are currently co- executive producers on Seth MacFarlane's “American Dad.”
Prior to “Due Date,” the Alans wrote feature scripts for various studios. They currently have several television and film projects in development, including the feature comedy “The Reunion,” for producer Brian Grazer.
A George Washington University graduate, Cohen originally hails from Pittsburgh and worked for several years as a reporter in The Baltimore Sun's Washington, D.C. bureau.
Freedland graduated from the University of Michigan. He grew up in the Detroit area and worked in advertising in Chicago.
ADAM SZTYKIEL (Screenwriter)'s most recent writing credit was the comedy “Made of Honor,” starring Patrick Dempsey and Michelle Monaghan.
He is currently working on a film adaptation of the best-selling memoir “The Game” by Neil Strauss, and has numerous other film and television projects in development.
Sztykiel is a graduate of the University of Southern California School of Cinematic Arts.
THOMAS TULL (Executive Producer), Chairman and CEO of Legendary Pictures, has achieved great success in the co-production and co-financing of event movies. Since its inception in 2004, Legendary Pictures has teamed with Warner Bros. Pictures on such hits as Bryan Singer's “Superman Returns”; Zack Snyder's “300” and “Watchmen”; and Christopher Nolan's “Batman Begins” and award-winning phenomenon “The Dark Knight,” which earned in excess of $1 billion worldwide.
More recently, this highly successful partnership produced Ben Affleck's “The Town”; Christopher Nolan's summer blockbuster “Inception”; the worldwide hit “Clash of the Titans”; Todd Phillips' “The Hangover,” which is the highest-grossing R-rated comedy of all time; and Spike Jonze's “Where the Wild Things Are.” Legendary's upcoming releases include Bryan Singer's “Jack the Giant Killer,” Todd Phillips' “The Hangover 2,” and Zack Snyder's “Sucker Punch.” Legendary is also developing a number of promising film projects in-house, including “Warcraft,” “Godzilla,” “Gravel,” “Paradise Lost,” and a sequel to “300.”
Before forming Legendary, Tull was President of The Convex Group, a media and entertainment holding company headquartered in Atlanta, on whose Board of Directors he also served.
SUSAN DOWNEY (Executive Producer) is a principal partner of Team Downey, the production company she formed with her husband, Robert Downey Jr. A prolific film producer, she has collaborated with some of the industry's most noted talents on films ranging from action blockbusters to dramas to comedies to horror thrillers.
Downey also produced the global hit “Sherlock Holmes,” which opened on Christmas Day 2009 and grossed more than $516 million worldwide. Directed by Guy Ritchie, the film starred Robert Downey Jr., Jude Law, Rachel McAdams and Mark Strong in an action adventure mystery that brought Arthur Conan Doyle's legendary detective to the big screen as never before. She is currently producing the sequel, which again stars Downey Jr. and Law under the direction of Ritchie.
Downey also recently served as an executive producer on the action hit “Iron Man 2,” which earned more than $620 million at the worldwide box office. The follow up to “Iron
Man” reunited director Jon Favreau with returning stars Robert Downey Jr. and Gwyneth Paltrow, and also starred Don Cheadle, Mickey Rourke and Scarlett Johansson.
Previously, Downey held the dual posts of Co-President of Dark Castle Entertainment and Executive Vice President of Production at Silver Pictures. Joining Silver Pictures in 1999, she oversaw the development and production of feature films released under both banners, including “Thir13en Ghosts” and “Swordfish.”
In 2002, she made her producing debut as a co-producer on “Ghost Ship” and then co- produced the 2003 release “Cradle 2 the Grave.” Downey went on to produce the features “Gothika” and “House of Wax,” and also served as an executive producer on the critically acclaimed comedic thriller “Kiss Kiss, Bang Bang.”
Downey later produced Neil Jordan's acclaimed psychological drama “The Brave One,” starring Jodie Foster and Terrence Howard; Guy Ritchie's widely praised crime comedy “RocknRolla,” starring Gerard Butler, Tom Wilkinson, Thandie Newton, Idris Elba, Chris Bridges and Jeremy Piven; the horror thriller “Orphan,” starring Vera Farmiga and Peter Sarsgaard; and the thriller “Whiteout,” starring Kate Beckinsale. She was also an executive producer on the Hughes brothers' post-apocalyptic drama “The Book of Eli,” starring Denzel Washington and Gary Oldman.
Prior to her tenure at Dark Castle and Silver Pictures, Downey worked on the hit films “Mortal Kombat” and “Mortal Kombat: Annihilation.”
Downey is a graduate of the University of Southern California's School of Cinema- Television.
SCOTT BUDNICK (Executive Producer) is Executive Vice President of Production for Green Hat Films, overseeing the development and production of a varied slate of projects including the upcoming “Project X,” set for release in 2011. He most recently executive produced the blockbuster hit “The Hangover,” which won a Golden Globe for Best Motion Picture – Musical or Comedy and is the highest grossing R-rated comedy of all time.
Budnick began his entertainment career in local casting while at Emory University in his hometown of Atlanta, Georgia. Upon graduation, he relocated to Los Angeles, serving as casting assistant on Todd Phillips' “Road Trip” and then as associate to the director on “Old School,” starring Vince Vaughn, Luke Wilson, Will Ferrell and Jeremy Piven. Budnick served associate producer on Phillips' following films, “Starsky & Hutch,” starring Owen Wilson and Ben Stiller and “All The King's Men,” starring Sean Penn and Jude Law, which Phillips executive produced; and was co-producer on “School for Scoundrels,” starring Billy Bob Thornton.
LAWRENCE SHER (Director of Photography) reunites with Todd Phillips on “Due Date,” having previously collaborated on the Golden Globe-winning blockbuster comedy “The Hangover.” His work will next be seen in Greg Mottola's sci-fi comedy “Paul,” with Jason Bateman and Seth Rogan, and David Frankel's comedy “The Big Year,” based on Mark Obmascik's book and starring Owen Wilson, both releasing in 2011.
Sher's other recent credits include “I Love You, Man,” “Trucker,” “The Promotion,” “Dan in Real Life,” “The Dukes of Hazzard” and “The Chumscrubber.”
He worked as director of photography on several smaller films and music videos earlier in his career, coming to the fore in 2001 with the award-winning independent film “Kissing Jessica Stein,” followed by director Zach Braff's “Garden State.”
Born and raised in New York City, Sher studied economics at Wesleyan University where, in his junior year, he turned an interest in still photography into a fascination with motion pictures. Upon graduation, he moved to Los Angeles and began his career as a camera assistant.
BILL BRZESKI (Production Designer) previously collaborated with Todd Phillips on the 2009 Golden Globe Award-winning blockbuster comedy “The Hangover,” for which he received an Art Director's Guild Award nomination for Excellence in Production Design. Brzeski re-teams again with Phillips for “The Hangover 2,” releasing in 2011.
Brzeski's other recent credits include “Flipped,” which reunited him with Rob Reiner, having previously served as production designer on Reiner's “The Bucket List”; and re- teaming with Rob Minkoff' on “The Forbidden Kingdom,” having previously worked on the director's groundbreaking CGI movie “Stuart Little” and its sequel, “Stuart Little 2.” Some of the designer's additional credits include “Deck the Halls,” “Blue Streak,” James L. Brooks' Oscar®-winning “As Good As It Gets” and “Matilda.”
Brzeski received his undergraduate degree from Miami University and his MFA in Design from New York University's Tisch School of the Arts. Originally interested in designing for the ballet and opera, he began his career in the theatre before moving to Los Angeles from New York City and designing more than 800 episodes of television series.
Brzeski also designs commercial spaces, most notably the award-winning Susina Bakery in Los Angeles.
His production design workshops at graduate and undergraduate levels have been hosted by New York University School of the Arts, Miami University, Clemson University and Loyola University Film School.
DEBRA NEIL-FISHER (Editor) re-teams with Todd Phillips on “Due Date,” having served as editor on his blockbuster hit “The Hangover,” the number one R-rated comedy of all time. The film won a Golden Globe for Best Motion Picture - Musical or Comedy and Fisher was honored with an Eddie Award by the American Cinema Editors for Best Edited Feature Film.
Among Neil-Fisher's other feature credits are the hit comedies “Baby Mama,” “Semi- Pro,” “Role Models,” “You, Me and Dupree,” “Without a Paddle,” “Saving Silverman,” and two hugely successful Austin Powers films, “Austin Powers: International Man of Mystery” and “Austin Powers: The Spy Who Shagged Me.” She has collaborated three times with director Donald Petrie on “Just My Luck,” “Welcome to Mooseport” and “How to Lose a Guy in 10 Days.” Her work also extends to other genres, including the dramas “Fried Green Tomatoes,” “The War” and “Up Close and Personal,” as well as the thrillers “Teaching Mrs. Tingle” and “Dr. Giggles.”
In 1991 Neil-Fisher won a CableACE Award for her work on TNT's telefilm “Heat Wave,” for director Kevin Hooks. Among her earlier television credits are “The Amy Fisher Story,” “The Case of the Hillside Strangler” and the TNT thriller “Breaking Point.”
LOUISE MINGENBACH (Costume Designer) marks her fifth project with director Todd Phillips on “Due Date,” a collaboration that began on the feature film “Starsky & Hutch,” followed by “School for Scoundrels” and the 2008 telefilm “The More Things Change...” In 2009, her designs were seen in Phillips' mega-blockbuster “The Hangover,” which won a Golden Globe for Best Motion Picture – Musical or Comedy and is the highest R-rated comedy of all time.
The upcoming actioner “Battleship,” based on the classic board game, reunites Mingenbach with Peter Berg, with whom she worked on “Hancock,” starring Will Smith.
Mingenbach also designed costumes for the 2009 action epic ““X-Men: Wolverine.” Previously, she earned a Saturn Award and a Costume Designers Guild Award nomination for her work on Bryan Singer's “X-Men.” She has teamed with Singer on four other films, including the 1995 thriller “The Usual Suspects,” “X2,” “Apt Pupil” and “Superman Returns,” as well as the pilot for “House M.D.”
Mingenbach's additional feature credits include the Farrelly Brothers' “The Heartbreak Kid,” “Spanglish,” “The Rundown,” “K-PAX,” “Gossip,” “Permanent Midnight,” “Nightwatch,” “The Spitfire Grill” and “One Night Stand.”
CHRISTOPHE BECK (Composer) previously collaborated with Todd Phillips on “The Hangover,” which won a Golden Globe for Best Motion Picture – Comedy or Musical.
He has composed scores for 50 feature films and nearly 20 television shows. With more than 15 years of experience, Beck has scored a wide array of projects, including such action films as “Percy Jackson & The Olympians: The Lightning Thief,” “The Sentinel” and “Elektra”; the comedies “Date Night,” “Charlie Bartlett,” “The Pink Panther” and “Bring It On”; and such dramas as “We Are Marshall,” “Under the Tuscan Sun” and “Year of the Dog”; as well as the Davis Guggenheim documentary, “Waiting For Superman.”
Beck most recently composed music for the comedies “Death at a Funeral,” starring Chris Rock, Martin Lawrence and Tracy Morgan; “Date Night,” with Steve Carell and Tina Fey; “Hot Tub Time Machine,” starring John Cusack; and Chris Columbus' fantasy adventure “Percy Jackson & The Olympians: The Lightning Thief.”
His additional credits include “All About Steve,” “The Greatest,” “What Happens in Vegas,” “Phoebe in Wonderland,” “The Seeker: The Dark is Rising,” “Saved!,” “American Wedding” and “Just Married.”
Beck began his scoring career on the Canadian television series “White Fang,” and from there went on to score three seasons of the hit television series “Buffy the Vampire Slayer,” for which he won an Emmy Award for Outstanding Music Composition.
21 Views
07:40:50 12/30/09
The Book of Eli- DENZEL WASHINGTON's stunt work
[LESS INFO] 21 VIEWS | ADDED 07:40:50 12/30/09
Synopsis
In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth--all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water...or for nothing at all.
But they're no match for this traveler.
A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue.
Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegie's adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfather's domain.
But neither will find it easy to deter him. Nothing--and no one--can stand in his way. Eli must keep moving to fulfill his destiny and bring help to a ravaged humanity.
Alcon Entertainment presents a Silver Pictures production, a Hughes Brothers Film: "The Book of Eli." The film stars two-time Academy Award winner® Denzel Washington ("Training Day," "Glory"), Gary Oldman ("The Dark Knight," the "Harry Potter" films), Mila Kunis ("Forgetting Sarah Marshall"), Ray Stevenson ("Punisher: War Zone"), Jennifer Beals (Showtime's "The L Word"), Frances de la Tour and Michael Gambon (both of "Harry Potter and the Goblet of Fire").
"The Book of Eli" is directed by the Hughes Brothers ("Menace II Society," "Dead Presidents") from a screenplay by Gary Whitta. It is produced by Joel Silver, Denzel Washington, Broderick Johnson, Andrew A. Kosove and David Valdes. Steve Richards, Susan Downey and Erik Olsen serve as executive producers, with co-producers Steven P. Wegner, Yolanda T. Cochran and John David Washington.
The creative team includes director of photography Don Burgess, production designer Gae Buckley, editor Cindy Mollo and costume designer Sharen Davis. Jon Farhat is the visual effects supervisor. Music is composed by Atticus Ross, and the music supervisor is Deva Anderson. The Cast
DENZEL WASHINGTON (Eli/Producer) has been honored with five Academy Award® nominations, winning the Oscar® twice: in 1989 for his performance in "Glory" and again in 2001 for "Training Day." He has earned numerous additional awards and accolades throughout his acting career as well as recognition for his work as a director.
Currently, Washington is in production on director Tony Scott's action thriller "Unstoppable," which is scheduled for a 2010 release. In Spring 2010, he will also star on Broadway in the revival of August Wilson's Pulitzer Prize-winning drama "Fences."
He most recently starred with John Travolta in Tony Scott's remake of "The Taking of Pelham One, Two, Three"; directed and starred in, with Forest Whitaker, "The Great Debaters'; starred with Russell Crowe in Ridley Scott's "American Gangster," which grossed $43.6M in its first weekend to mark Washington's largest opening weekend to date; starred in Spike Lee's "Inside Man," with Clive Owen and Jodie Foster; and starred in Tony Scott's romantic thriller "Deja Vu." His other recent film work includes roles in Tony Scott's "Man on Fire," Jonathan Demme's "The Manchurian Candidate," Carl Franklin's mystery thriller "Out of Time" and Antoine Fuqua's "Training Day," for which Washington earned an Academy Award® for his critically acclaimed performance as a grizzled LAPD veteran who shows a rookie narcotics cop the ropes on his first day.
December 2002 marked Washington's feature film directorial debut with "Antwone Fisher." Inspired by the best-selling autobiography Finding Fish , the film won critical praise and earned the Stanley Kramer Award from the Producers Guild of America, as well as NAACP Image Awards for Outstanding Motion Picture and Outstanding Supporting Actor for Washington. Also in 2002, Washington earned an NAACP Image Award for Outstanding Actor in a Motion Picture for his role as a down-on-his-luck father in "John Q," which established a Presidents Day weekend opening record.
In 2000 he starred in Jerry Bruckheimer's box office sensation "Remember the Titans," a fact-based film about the integration of a high school football team, and in "The Hurricane," which re-teamed him with "A Soldier's Story" director Norman Jewison. Washington received a Golden Globe Award for Best Actor and an Academy Award® nomination for his portrayal of Rubin "Hurricane" Carter, the 1960s world middleweight champion boxer wrongfully imprisoned of murder.
Washington's feature film credits include "The Bone Collector"; Gregory Hoblit's crime thriller "Fallen"; Spike Lee's "He Got Game"; the terrorist thriller "The Siege" and the critically acclaimed military drama "Courage Under Fire" for director Ed Zwick; Penny Marshall's romantic comedy "The Preacher's Wife," opposite Whitney Houston; Tony Scott's underwater action adventure "Crimson Tide," with Gene Hackman; the futuristic thriller "Virtuosity"; and the 1940s romantic thriller "Devil in a Blue Dress," co-produced by the actor's Mundy Lane Entertainment. Another critically acclaimed, Oscar® -nominated performance was his portrayal of the complex and controversial 1960s black activist Malcolm X in director Spike Lee's biographical epic "Malcolm X," hailed by critics and audiences alike as one of the best films of 1992.
Washington took on a different role in 2000, producing the HBO documentary "Half Past Autumn: The Life and Works of Gordon Parks," nominated for two Emmy Awards. He also served as executive producer on the Emmy-nominated "Hank Aaron: Chasing the Dream," a biography for TBS. Additionally, he narrated "John Henry," which was nominated for a 1996 Grammy Award for Best Spoken Word Album for Children, and he was awarded the 1996 NAACP Image Award for his performance in the animated children's special "Happily Ever After: Rumpelstiltskin."
A native of Mt. Vernon, New York, Washington originally had his career sights set on medicine at Fordham University when a theatrical production during a summer camp counseling job introduced him to the stage. Upon graduation from Fordham, Washington attended the theater program at San Francisco's prestigious American Conservatory Theater and began his professional New York theater career with Joseph Papp's Shakespeare in the Park. This was quickly followed by numerous off-Broadway productions including "Ceremonies in Dark Old Men"; "When the Chickens Came Home to Roost," in which he portrayed Malcolm X"; "One Tiger to a Hill"; "Man and Superman"; "Othello"; and "A Soldier's Play," for which he won an Obie Award. Washington's more recent stage appearances include the Broadway production of "Checkmates" and "Richard III," which was produced as part of the 1990 Free Shakespeare in the Park series hosted by Joseph Papp's Public Theatre in New York City, and in 2005 he returned again to his theatre roots with a Broadway starring role as Marcus Brutus in "Julius Caesar." The show was well-received by critics and fans alike.
He made his Hollywood debut in the 1979 television film "Flesh and Blood," but it was Washington's award-winning stage performance in "A Soldier's Play" that captured the attention of the producers of the NBC series "St. Elsewhere," and he was soon cast in that long-running hit series as Dr. Phillip Chandler. His other television credits include "The George McKenna Story," "License to Kill," and "Wilma."
In 1982, Washington recreated his role from "A Soldier's Play" for Norman Jewison's well-received film version, re-titled "A Soldier's Story," and went on to star in Sidney Lumet's "Power"; Richard Attenborough's "Cry Freedom," for which he received his first Oscar® nomination; "For Queen and Country"; "The Mighty Quinn"; "Heart Condition"; "Glory," for which he won the Academy Award® for Best Supporting Actor; and Spike Lee's "Mo' Better Blues." He also starred in the action adventure "Ricochet," Mira Nair's bittersweet comedy "Mississippi Masala," Kenneth Branagh's "Much Ado About Nothing," Jonathan Demme's controversial "Philadelphia," and "The Pelican Brief."
GARY OLDMAN (Carnegie) is known to millions as Harry Potter's godfather Sirius Black and Batman's crime-fighting partner Commissioner Gordon, as well as Dracula, Beethoven, Lee Harvey Oswald and Sid Vicious, to name just a few of the memorable roles he has created in nearly 20 years as a worldwide presence in motion pictures.
Oldman reprised the role of Commissioner Gordon in 2008's top-grossing film "The Dark Knight," having first portrayed Gordon in "Batman Begins." In 2007 he appeared for the third time as Sirius Black in "Harry Potter and the Order of the Phoenix," following "Harry Potter and the Prisoner of Azkaban" and "Harry Potter and the Goblet of Fire." He most recently starred with Jim Carrey in Robert Zemeckis' adaptation of Charles Dickens' holiday classic "A Christmas Carol."
Oldman began his career in 1979 on the London stage. Between 1985 and 1989 he acted exclusively at London's Royal Court Theatre and, in 1985, was named Best Newcomer by London's Time Out for his work in "The Pope's Wedding." That same year he shared the London Critics' Circle Best Actor Award with Anthony Hopkins.
In 1986, Oldman made his major feature film debut in "Sid & Nancy," winning the Evening Standard British Film Award for Most Promising Newcomer for his portrayal of punk rock legend Sid Vicious. The following year, he starred in Stephen Frears' "Prick Up Your Ears," winning the Best Actor Award from the London Film Critics Circle for his portrayal of doomed British playwright Joe Orton. He has since become one of the industry's most respected actors, appearing in both mainstream hits and acclaimed independent films. Oldman's early film credits also include Nicolas Roeg's "Track 29"; "Criminal Law"; "Chattahoochee"; Tom Stoppard's "Rosencrantz & Guildenstern Are Dead," for which he received an Independent Spirit Award nomination for Best Actor; "State of Grace"; "Henry & June"; Oliver Stone's "JFK," playing Lee Harvey Oswald; and the title role in Francis Ford Coppola's "Dracula."
Oldman's subsequent film work includes memorable roles in Tony Scott's "True Romance"; "Romeo is Bleeding"; the Luc Besson films "The Professional" and "The Fifth Element"; "Immortal Beloved"; "Murder in the First"; Roland Joffe's "The Scarlet Letter"; Julian Schnabel's "Basquiat"; Wolfgang Petersen's "Air Force One"; the big screen version of "Lost in Space"; and Ridley Scott's "Hannibal."
In 1995, Oldman and manager/producing partner Douglas Urbanski formed the production company The SE8 Group, which produced Oldman's directorial debut feature "Nil by Mouth," which Oldman also wrote. The film was invited to open the 1997 50th Cannes Film Festival in the main competition, where Kathy Burke won the Best Actress Award for her role. In addition, Oldman won two BAFTA Awards for Best British Film and Best Screenplay; the Channel 4 Director's Award at the 1997 Edinburgh International Film Festival; and the Empire Award for Best Debut Film. He also executive produced and starred in the SE8 Group film "The Contender," which received two Oscar® nominations and brought Oldman a Screen Actors Guild Award® nomination for Best Supporting Actor.
On the small screen, Oldman earned an Emmy nomination for his guest appearance as an alcoholic actor on the hit comedy series "Friends." His earlier television work includes the telefilms "Meantime," directed by Mike Leigh, and "The Firm," directed by Alan Clarke.
MILA KUNIS (Solara) most recently starred in the Mike Judge comedy "Extract," opposite Jason Bateman and Ben Affleck. In 2008 she starred in Judd Apatow's hit comedy "Forgetting Sarah Marshall" as Rachel, opposite Jason Segel, Kirsten Bell, and Jonah Hill, and in the action thriller "Max Payne," with Mark Wahlberg.
Kunis will next be seen in the upcoming feature comedy "Date Night," with Ray Liotta, Mark Ruffalo, Tina Fey, and Steve Carell as one of the characters Fey and Carell encounter as a couple on a date gone awry. She will also star in Darren Aronofsky's supernatural drama "Black Swan," opposite Natalie Portman, as the rival character Lilly. Both films are set for a 2010 release.
The Russian-born actress started her entertainment career by landing several television commercials. She is best known for her roles on two of the Fox Network's most successful shows: as Jackie Burkhart in "That 70's Show," for which she earned two YoungStar Awards for Best Actress in a Television Series, and as the voice of Meg on the hit show "Family Guy."
RAY STEVENSON (Redridge) is perhaps best known for his starring role in the HBO/BBC television series "Rome," portraying the legionary Titus Pullo to both critical and public acclaim. Since the series wrapped, he has been working non-stop in a wide variety of feature films.
Stevenson most recently starred in the fantasy thriller "Cirque de Freak: The Vampire's Assistant," directed by Paul Weitz and based on the best-selling children's series by Darren Shan. In 2008, he was seen as the lead in "Punisher: War Zone," about the Marvel comics anti-hero Frank Castle and his quest to rid the world of evil after the death of his wife and daughter.
He will next be seen in director Jonathan Hensleigh's "The Irishman," as the title character in a true crime story of notorious mobster Danny Greene, with Christopher Walken, Vincent D'Onofrio and Val Kilmer, set for 2010. Hensleigh & Jeremy Walters wrote the screenplay based on the book To Kill the Irishman: The War That Crippled the Mafia, by Rick Porello. Also set for 2010 is Adam McKay's action comedy "The Other Guys," set in the world of the New York City cops, in which Stevenson stars with Will Ferrell and Mark Wahlberg. Among his upcoming projects, Stevenson will play Volstagg, one of the leads in Marvel Comics' "Thor," inspired by the Shakespeare's Falstaff and described as being over 1,000 pounds of muscle and the life of the party. This will reunite him with director Kenneth Branagh, who acted opposite him in "Theory of Flight" for director Paul Greengrass.
Stevenson's film work includes Antoine Fuqua's "King Arthur," for producer Jerry Bruckheimer; the cult favorite "Outpost," for director Steven Barker; "The Return of the Native," opposite Catherine Zeta Jones; and "Some Kind of Life."
His stage work includes playing Christ in the York Mystery Plays in 2000 at York Minster. In 2001, he played Roger in "Mouth to Mouth," by Kevin Ely, at the Albery Theatre in London, and, in 2003, appeared as Cardinal in "The Duchess of Malfi," by John Webster with Janet McTeer, at the Royal National Theatre.
Born in Northern Ireland, Stevenson grew up in England. He studied acting at the Bristol Old Vic Theatre School.
JENNIFER BEALS (Claudia) most recently appeared in the French film "Joueuse," which made its American premiere at the Tribeca Film Festival.
Beals was twice nominated for Outstanding Actress in a Drama Series by the NAACP Image Awards for her role in the acclaimed Showtime series "The L Word," which wrapped its sixth and final season in 2009. Her work on "The L Word" has earned numerous accolades and appreciation from groups including the Power Up Award, the GLAAD Golden Gate Award and the Golden Satellite Award for Outstanding Actress. The L Word Book , Beals' highly anticipated photographic journal, takes an unprecedented, behind-the-scenes look at the groundbreaking Showtime series and is set for release in January 2010. More information is available at www.lwordbook.com.
Beals recently joined the cast of the Fox Network series "Lie to Me," in a recurring role as the ex-wife of series lead Tim Roth.
Among her most memorable roles, Beals starred opposite Campbell Scott in the critically acclaimed film "Roger Dodger," winner of the 2002 Best Narrative Feature at the Tribeca Film Festival and Best First Film at the Venice Film Festival. She earned rave reviews for her role in VH-1's "They Shoot Divas, Don't They?" and was seen in the acclaimed "The Anniversary Party," written and directed by Jennifer Jason Leigh and Alan Cummings. In 2001, Beals starred in two Showtime features: the adaptation of Anne Rice's praised "A Feast of All Saints" and the WGA-nominated "A House Divided," in which she starred opposite Sam Waterston and Lisa Gay Hamilton and earned a Golden Satellite nomination as Best Actress in a Movie/Miniseries. For her extensive research for the film in Sparta, Georgia, where the story is based, she received an honorary Key to the City.
Originally from Chicago, Beals began her career after high school with a role in "Flashdance" that earned her a Golden Globe nomination and an NAACP Image Award for Best Actress. She then entered Yale University to study American Literature and graduated with honors. Beals went on to make an indelible impression in Carl Franklin's drama "Devil in a Blue Dress," opposite Denzel Washington, and in Alan Rudolph's "Mrs. Parker and the Vicious Circle."
In recent years, she has starred in a myriad of film roles, including the lead in "Twilight of the Golds," for which she earned a Golden Satellite Award. Her film credits include "The Grudge 2"; "My Name is Sarah"; "Runaway Jim"; "Catch That Kid"; Whit Stillman's "The Last Days of Disco"; Alexandre Rockwell's "In the Soup," which won the 1992 Grand Jury Prize at the Sundance Film Festival and the Audience Award at Deauville; "Four Rooms"; "Vampire's Kiss," with Nicolas Cage; Claude Chabrol's "Doctor M"; Nanni Moretti's "Caro Diario," which won the Director's Prize at the 1994 Cannes Film Festival; and Samuel Fuller's "The Madonna and the Dragon." On the small screen, she has appeared in the critically acclaimed ABC series "Nothing Sacred."
Beals is a winner of the 1999 Maverick Award from the San Jose Film Festival and, in 2004, was named one of People Magazine's 50 Most Beautiful People.
FRANCES DE LA TOUR (Martha) won a Tony Award for her performance as Mrs. Lintott in Alan Bennett's multi award-winning play "The History Boys," directed by Nicholas Hytner, and was also nominated for a BAFTA in the 2006 screen version of the stage play. She has earned three Olivier Awards: in 1980 for Best Actress in Tom Kempinski's "Duet for One," for which she also won the Evening Standard Best Actress Award; in 1984 for Best Actress in a Revival for "A Moon for the Misbegotten"; and in 1992 for Best Actress in a Supporting Role for "When She Danced."
De la Tour trained at the Drama Centre in London in the 1960s before joining the Royal Shakespeare Company. Through 1971, her work there included the roles of Hoyden in "The Relapse" and Helena in Peter Brook's production of "A Midsummer Night's Dream." For the National Theatre, her credits include "Brighton Beach Memoirs," "Les Parents Terribles," the title role in "St Joan" and "The Good Hope." Her additional theater work includes Matthew Warchus's "Boeing-Boeing," Tennessee Williams' "Small Craft Warnings," "Hamlet," Edward Albee's "Three Tall Women," "Anthony and Cleopatra" for the RSC and Noel Coward's "Fallen Angels," for which she received a Variety Club Best Actress Award. De la Tour can currently be seen on stage at the National in the limited engagement world premiere of "The Habit of Art," which reunites her with playwright Alan Bennett and director Nicholas Hytner and also stars Michael Gambon.
De la Tour's filmography includes the comedy "Rising Damp," based on the popular television series, for which she won the Evening Standard's Best Actress Award. She more recently appeared as Madame Olympe Maxime in "Harry Potter and the Goblet of Fire" and as Frau Eva in Andrei Konchalovsky's fantasy "Nutcracker: The Untold Story." She will next be seen alongside an all-star cast including Johnny Depp and Anne Hathaway in Tim Burton's "Alice in Wonderland," set for a 2010 release.
Her television appearances include the 1970s sitcom "Rising Damp," "Duet for One," for which she received a BAFTA Best Actress nomination, the BBC's "Waking the Dead," "Poirot: Death on the Nile," "Miss Marple: The Moving Finger," BBC's "Sensitive Skin" and, most recently, the CBS-TV series "3 lbs."
MICHAEL GAMBON (George) started his career with the Edwards/ Macliammoir Gate Theatre in Dublin. He joined the National Theatre for its inaugural season under Laurence Olivier at the Old Vic in 1963 and appeared there in "Hamlet," "Saint Joan," "The Recruiting Officer," "Andorra," "Philoctetes," "Othello," "The Royal Hunt of the Sun," "The Crucible," "Mother Courage," "Love for Love," "Juno and the Paycock" and "The Storm."
In repertory, principally at Birmingham Rep, Gambon played title roles in "Othello," "Macbeth" and "Coriolanus."
In the West End, he has appeared in Simon Gray's "Otherwise Engaged"; Alan Ayckbourn's "The Norman Conquest"; "Just Between Ourselves"; "Alice's Boys," with Ralph Richardson; Harold Pinter's "Old Times; the title role in "Uncle Vanya"; "Tom and Clem" and "No Man's Land."
With the Royal Shakespeare Company, he spent a season at the Aldwych and later played the title part in "King Lear" and Antony in "Antony and Cleopatra," opposite Helen Mirren, both at Stratford and the Barbican.
For the National Theatre, Gambon has appeared in the premieres of Harold Pinter's "Betrayal," Simon Gray's "Close of Play," Christopher Hampton's "Tales From Hollywood," Alan Ayckbourn's "Sisterly Feelings," and "A Chorus of Disapproval," for which he won an Olivier Award, as well as "A Small Family Business," "Richard III," "Othello," "Tons of Money," the title role in "The Life of Galileo," "Volpone" and "Skylight." He recreated his starring role in the latter on Broadway in 1996 for which he was nominated for a Tony Award. Also for the National Theatre, Gambon played Eddie Carbone in Arthur Miller's "A View From the Bridge," which transferred to the Aldwych Theatre and for which he won all the major drama awards of 1987.
He was in Harold Pinter's "Mountain Language," "Cressida," at the Almeida, and Pinter's "The Caretaker," for which he earned an Olivier Award nomination. Gambon also directed the Platford Performance of Richard Harris' "Visiting Hour."
His television appearances include the BBC's first adventure series in color, "The Borderers," "Eyeless in Gaza," the series "The Other One," with Richard Briers, "The Seagull," "The Holy Experiment," Oscar," "Ghosts" and the Dennis Potter series "The Singing Detective," for which he won a BAFTA Award, a Broadcasting Press Guild Award and a Royal Television Society Award. He also starred in "The Heat of the Day," scripted by Harold Pinter from Elizabeth Bowen's novel, and was Archie Rice in John Osborne's "The Entertainer." More recently, he portrayed Lyndon Johnson in the HBO film "Path to War" and starred in HBO's "Angels in America," directed by Mike Nichols.
Gambon's film credits include "Turtle Diary," David Hare's "Paris By Night," "A Dry White Season," with Marlon Brando, "The Rachel Papers," Peter Greenaway's "The Cook, The Thief, His Wife and Her Lover," "The Gambler," "Mobsters," "Clean Slate," "Toys," "Indian Warrior," "Wings of the Dove," "The Innocent Sleep," "Dancing at Lughnasa," "Sleepy Hollow," "The Insider," "Gosford Park," Open Range" and four of the Harry Potter films: "Harry Potter and the Prisoner of Azkaban," "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix" and 2009's "Harry Potter and the Half-Blood Prince."
In 1998, Gambon was awarded a KBE in the Queen's Honour List.
Genres: Epic Adventure Starring: Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver Directed By: James Cameron Produced By: James Cameron, Jon Landau
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29 Views
07:40:50 12/30/09
The Book of Eli- DENZEL WASHINGTON's stunt work
[LESS INFO] 29 VIEWS | ADDED 07:40:50 12/30/09
Synopsis
In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth--all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water...or for nothing at all.
But they're no match for this traveler.
A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue.
Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegie's adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfather's domain.
But neither will find it easy to deter him. Nothing--and no one--can stand in his way. Eli must keep moving to fulfill his destiny and bring help to a ravaged humanity.
Alcon Entertainment presents a Silver Pictures production, a Hughes Brothers Film: "The Book of Eli." The film stars two-time Academy Award winner® Denzel Washington ("Training Day," "Glory"), Gary Oldman ("The Dark Knight," the "Harry Potter" films), Mila Kunis ("Forgetting Sarah Marshall"), Ray Stevenson ("Punisher: War Zone"), Jennifer Beals (Showtime's "The L Word"), Frances de la Tour and Michael Gambon (both of "Harry Potter and the Goblet of Fire").
"The Book of Eli" is directed by the Hughes Brothers ("Menace II Society," "Dead Presidents") from a screenplay by Gary Whitta. It is produced by Joel Silver, Denzel Washington, Broderick Johnson, Andrew A. Kosove and David Valdes. Steve Richards, Susan Downey and Erik Olsen serve as executive producers, with co-producers Steven P. Wegner, Yolanda T. Cochran and John David Washington.
The creative team includes director of photography Don Burgess, production designer Gae Buckley, editor Cindy Mollo and costume designer Sharen Davis. Jon Farhat is the visual effects supervisor. Music is composed by Atticus Ross, and the music supervisor is Deva Anderson. The Cast
DENZEL WASHINGTON (Eli/Producer) has been honored with five Academy Award® nominations, winning the Oscar® twice: in 1989 for his performance in "Glory" and again in 2001 for "Training Day." He has earned numerous additional awards and accolades throughout his acting career as well as recognition for his work as a director.
Currently, Washington is in production on director Tony Scott's action thriller "Unstoppable," which is scheduled for a 2010 release. In Spring 2010, he will also star on Broadway in the revival of August Wilson's Pulitzer Prize-winning drama "Fences."
He most recently starred with John Travolta in Tony Scott's remake of "The Taking of Pelham One, Two, Three"; directed and starred in, with Forest Whitaker, "The Great Debaters'; starred with Russell Crowe in Ridley Scott's "American Gangster," which grossed $43.6M in its first weekend to mark Washington's largest opening weekend to date; starred in Spike Lee's "Inside Man," with Clive Owen and Jodie Foster; and starred in Tony Scott's romantic thriller "Deja Vu." His other recent film work includes roles in Tony Scott's "Man on Fire," Jonathan Demme's "The Manchurian Candidate," Carl Franklin's mystery thriller "Out of Time" and Antoine Fuqua's "Training Day," for which Washington earned an Academy Award® for his critically acclaimed performance as a grizzled LAPD veteran who shows a rookie narcotics cop the ropes on his first day.
December 2002 marked Washington's feature film directorial debut with "Antwone Fisher." Inspired by the best-selling autobiography Finding Fish , the film won critical praise and earned the Stanley Kramer Award from the Producers Guild of America, as well as NAACP Image Awards for Outstanding Motion Picture and Outstanding Supporting Actor for Washington. Also in 2002, Washington earned an NAACP Image Award for Outstanding Actor in a Motion Picture for his role as a down-on-his-luck father in "John Q," which established a Presidents Day weekend opening record.
In 2000 he starred in Jerry Bruckheimer's box office sensation "Remember the Titans," a fact-based film about the integration of a high school football team, and in "The Hurricane," which re-teamed him with "A Soldier's Story" director Norman Jewison. Washington received a Golden Globe Award for Best Actor and an Academy Award® nomination for his portrayal of Rubin "Hurricane" Carter, the 1960s world middleweight champion boxer wrongfully imprisoned of murder.
Washington's feature film credits include "The Bone Collector"; Gregory Hoblit's crime thriller "Fallen"; Spike Lee's "He Got Game"; the terrorist thriller "The Siege" and the critically acclaimed military drama "Courage Under Fire" for director Ed Zwick; Penny Marshall's romantic comedy "The Preacher's Wife," opposite Whitney Houston; Tony Scott's underwater action adventure "Crimson Tide," with Gene Hackman; the futuristic thriller "Virtuosity"; and the 1940s romantic thriller "Devil in a Blue Dress," co-produced by the actor's Mundy Lane Entertainment. Another critically acclaimed, Oscar® -nominated performance was his portrayal of the complex and controversial 1960s black activist Malcolm X in director Spike Lee's biographical epic "Malcolm X," hailed by critics and audiences alike as one of the best films of 1992.
Washington took on a different role in 2000, producing the HBO documentary "Half Past Autumn: The Life and Works of Gordon Parks," nominated for two Emmy Awards. He also served as executive producer on the Emmy-nominated "Hank Aaron: Chasing the Dream," a biography for TBS. Additionally, he narrated "John Henry," which was nominated for a 1996 Grammy Award for Best Spoken Word Album for Children, and he was awarded the 1996 NAACP Image Award for his performance in the animated children's special "Happily Ever After: Rumpelstiltskin."
A native of Mt. Vernon, New York, Washington originally had his career sights set on medicine at Fordham University when a theatrical production during a summer camp counseling job introduced him to the stage. Upon graduation from Fordham, Washington attended the theater program at San Francisco's prestigious American Conservatory Theater and began his professional New York theater career with Joseph Papp's Shakespeare in the Park. This was quickly followed by numerous off-Broadway productions including "Ceremonies in Dark Old Men"; "When the Chickens Came Home to Roost," in which he portrayed Malcolm X"; "One Tiger to a Hill"; "Man and Superman"; "Othello"; and "A Soldier's Play," for which he won an Obie Award. Washington's more recent stage appearances include the Broadway production of "Checkmates" and "Richard III," which was produced as part of the 1990 Free Shakespeare in the Park series hosted by Joseph Papp's Public Theatre in New York City, and in 2005 he returned again to his theatre roots with a Broadway starring role as Marcus Brutus in "Julius Caesar." The show was well-received by critics and fans alike.
He made his Hollywood debut in the 1979 television film "Flesh and Blood," but it was Washington's award-winning stage performance in "A Soldier's Play" that captured the attention of the producers of the NBC series "St. Elsewhere," and he was soon cast in that long-running hit series as Dr. Phillip Chandler. His other television credits include "The George McKenna Story," "License to Kill," and "Wilma."
In 1982, Washington recreated his role from "A Soldier's Play" for Norman Jewison's well-received film version, re-titled "A Soldier's Story," and went on to star in Sidney Lumet's "Power"; Richard Attenborough's "Cry Freedom," for which he received his first Oscar® nomination; "For Queen and Country"; "The Mighty Quinn"; "Heart Condition"; "Glory," for which he won the Academy Award® for Best Supporting Actor; and Spike Lee's "Mo' Better Blues." He also starred in the action adventure "Ricochet," Mira Nair's bittersweet comedy "Mississippi Masala," Kenneth Branagh's "Much Ado About Nothing," Jonathan Demme's controversial "Philadelphia," and "The Pelican Brief."
GARY OLDMAN (Carnegie) is known to millions as Harry Potter's godfather Sirius Black and Batman's crime-fighting partner Commissioner Gordon, as well as Dracula, Beethoven, Lee Harvey Oswald and Sid Vicious, to name just a few of the memorable roles he has created in nearly 20 years as a worldwide presence in motion pictures.
Oldman reprised the role of Commissioner Gordon in 2008's top-grossing film "The Dark Knight," having first portrayed Gordon in "Batman Begins." In 2007 he appeared for the third time as Sirius Black in "Harry Potter and the Order of the Phoenix," following "Harry Potter and the Prisoner of Azkaban" and "Harry Potter and the Goblet of Fire." He most recently starred with Jim Carrey in Robert Zemeckis' adaptation of Charles Dickens' holiday classic "A Christmas Carol."
Oldman began his career in 1979 on the London stage. Between 1985 and 1989 he acted exclusively at London's Royal Court Theatre and, in 1985, was named Best Newcomer by London's Time Out for his work in "The Pope's Wedding." That same year he shared the London Critics' Circle Best Actor Award with Anthony Hopkins.
In 1986, Oldman made his major feature film debut in "Sid & Nancy," winning the Evening Standard British Film Award for Most Promising Newcomer for his portrayal of punk rock legend Sid Vicious. The following year, he starred in Stephen Frears' "Prick Up Your Ears," winning the Best Actor Award from the London Film Critics Circle for his portrayal of doomed British playwright Joe Orton. He has since become one of the industry's most respected actors, appearing in both mainstream hits and acclaimed independent films. Oldman's early film credits also include Nicolas Roeg's "Track 29"; "Criminal Law"; "Chattahoochee"; Tom Stoppard's "Rosencrantz & Guildenstern Are Dead," for which he received an Independent Spirit Award nomination for Best Actor; "State of Grace"; "Henry & June"; Oliver Stone's "JFK," playing Lee Harvey Oswald; and the title role in Francis Ford Coppola's "Dracula."
Oldman's subsequent film work includes memorable roles in Tony Scott's "True Romance"; "Romeo is Bleeding"; the Luc Besson films "The Professional" and "The Fifth Element"; "Immortal Beloved"; "Murder in the First"; Roland Joffe's "The Scarlet Letter"; Julian Schnabel's "Basquiat"; Wolfgang Petersen's "Air Force One"; the big screen version of "Lost in Space"; and Ridley Scott's "Hannibal."
In 1995, Oldman and manager/producing partner Douglas Urbanski formed the production company The SE8 Group, which produced Oldman's directorial debut feature "Nil by Mouth," which Oldman also wrote. The film was invited to open the 1997 50th Cannes Film Festival in the main competition, where Kathy Burke won the Best Actress Award for her role. In addition, Oldman won two BAFTA Awards for Best British Film and Best Screenplay; the Channel 4 Director's Award at the 1997 Edinburgh International Film Festival; and the Empire Award for Best Debut Film. He also executive produced and starred in the SE8 Group film "The Contender," which received two Oscar® nominations and brought Oldman a Screen Actors Guild Award® nomination for Best Supporting Actor.
On the small screen, Oldman earned an Emmy nomination for his guest appearance as an alcoholic actor on the hit comedy series "Friends." His earlier television work includes the telefilms "Meantime," directed by Mike Leigh, and "The Firm," directed by Alan Clarke.
MILA KUNIS (Solara) most recently starred in the Mike Judge comedy "Extract," opposite Jason Bateman and Ben Affleck. In 2008 she starred in Judd Apatow's hit comedy "Forgetting Sarah Marshall" as Rachel, opposite Jason Segel, Kirsten Bell, and Jonah Hill, and in the action thriller "Max Payne," with Mark Wahlberg.
Kunis will next be seen in the upcoming feature comedy "Date Night," with Ray Liotta, Mark Ruffalo, Tina Fey, and Steve Carell as one of the characters Fey and Carell encounter as a couple on a date gone awry. She will also star in Darren Aronofsky's supernatural drama "Black Swan," opposite Natalie Portman, as the rival character Lilly. Both films are set for a 2010 release.
The Russian-born actress started her entertainment career by landing several television commercials. She is best known for her roles on two of the Fox Network's most successful shows: as Jackie Burkhart in "That 70's Show," for which she earned two YoungStar Awards for Best Actress in a Television Series, and as the voice of Meg on the hit show "Family Guy."
RAY STEVENSON (Redridge) is perhaps best known for his starring role in the HBO/BBC television series "Rome," portraying the legionary Titus Pullo to both critical and public acclaim. Since the series wrapped, he has been working non-stop in a wide variety of feature films.
Stevenson most recently starred in the fantasy thriller "Cirque de Freak: The Vampire's Assistant," directed by Paul Weitz and based on the best-selling children's series by Darren Shan. In 2008, he was seen as the lead in "Punisher: War Zone," about the Marvel comics anti-hero Frank Castle and his quest to rid the world of evil after the death of his wife and daughter.
He will next be seen in director Jonathan Hensleigh's "The Irishman," as the title character in a true crime story of notorious mobster Danny Greene, with Christopher Walken, Vincent D'Onofrio and Val Kilmer, set for 2010. Hensleigh & Jeremy Walters wrote the screenplay based on the book To Kill the Irishman: The War That Crippled the Mafia, by Rick Porello. Also set for 2010 is Adam McKay's action comedy "The Other Guys," set in the world of the New York City cops, in which Stevenson stars with Will Ferrell and Mark Wahlberg. Among his upcoming projects, Stevenson will play Volstagg, one of the leads in Marvel Comics' "Thor," inspired by the Shakespeare's Falstaff and described as being over 1,000 pounds of muscle and the life of the party. This will reunite him with director Kenneth Branagh, who acted opposite him in "Theory of Flight" for director Paul Greengrass.
Stevenson's film work includes Antoine Fuqua's "King Arthur," for producer Jerry Bruckheimer; the cult favorite "Outpost," for director Steven Barker; "The Return of the Native," opposite Catherine Zeta Jones; and "Some Kind of Life."
His stage work includes playing Christ in the York Mystery Plays in 2000 at York Minster. In 2001, he played Roger in "Mouth to Mouth," by Kevin Ely, at the Albery Theatre in London, and, in 2003, appeared as Cardinal in "The Duchess of Malfi," by John Webster with Janet McTeer, at the Royal National Theatre.
Born in Northern Ireland, Stevenson grew up in England. He studied acting at the Bristol Old Vic Theatre School.
JENNIFER BEALS (Claudia) most recently appeared in the French film "Joueuse," which made its American premiere at the Tribeca Film Festival.
Beals was twice nominated for Outstanding Actress in a Drama Series by the NAACP Image Awards for her role in the acclaimed Showtime series "The L Word," which wrapped its sixth and final season in 2009. Her work on "The L Word" has earned numerous accolades and appreciation from groups including the Power Up Award, the GLAAD Golden Gate Award and the Golden Satellite Award for Outstanding Actress. The L Word Book , Beals' highly anticipated photographic journal, takes an unprecedented, behind-the-scenes look at the groundbreaking Showtime series and is set for release in January 2010. More information is available at www.lwordbook.com.
Beals recently joined the cast of the Fox Network series "Lie to Me," in a recurring role as the ex-wife of series lead Tim Roth.
Among her most memorable roles, Beals starred opposite Campbell Scott in the critically acclaimed film "Roger Dodger," winner of the 2002 Best Narrative Feature at the Tribeca Film Festival and Best First Film at the Venice Film Festival. She earned rave reviews for her role in VH-1's "They Shoot Divas, Don't They?" and was seen in the acclaimed "The Anniversary Party," written and directed by Jennifer Jason Leigh and Alan Cummings. In 2001, Beals starred in two Showtime features: the adaptation of Anne Rice's praised "A Feast of All Saints" and the WGA-nominated "A House Divided," in which she starred opposite Sam Waterston and Lisa Gay Hamilton and earned a Golden Satellite nomination as Best Actress in a Movie/Miniseries. For her extensive research for the film in Sparta, Georgia, where the story is based, she received an honorary Key to the City.
Originally from Chicago, Beals began her career after high school with a role in "Flashdance" that earned her a Golden Globe nomination and an NAACP Image Award for Best Actress. She then entered Yale University to study American Literature and graduated with honors. Beals went on to make an indelible impression in Carl Franklin's drama "Devil in a Blue Dress," opposite Denzel Washington, and in Alan Rudolph's "Mrs. Parker and the Vicious Circle."
In recent years, she has starred in a myriad of film roles, including the lead in "Twilight of the Golds," for which she earned a Golden Satellite Award. Her film credits include "The Grudge 2"; "My Name is Sarah"; "Runaway Jim"; "Catch That Kid"; Whit Stillman's "The Last Days of Disco"; Alexandre Rockwell's "In the Soup," which won the 1992 Grand Jury Prize at the Sundance Film Festival and the Audience Award at Deauville; "Four Rooms"; "Vampire's Kiss," with Nicolas Cage; Claude Chabrol's "Doctor M"; Nanni Moretti's "Caro Diario," which won the Director's Prize at the 1994 Cannes Film Festival; and Samuel Fuller's "The Madonna and the Dragon." On the small screen, she has appeared in the critically acclaimed ABC series "Nothing Sacred."
Beals is a winner of the 1999 Maverick Award from the San Jose Film Festival and, in 2004, was named one of People Magazine's 50 Most Beautiful People.
FRANCES DE LA TOUR (Martha) won a Tony Award for her performance as Mrs. Lintott in Alan Bennett's multi award-winning play "The History Boys," directed by Nicholas Hytner, and was also nominated for a BAFTA in the 2006 screen version of the stage play. She has earned three Olivier Awards: in 1980 for Best Actress in Tom Kempinski's "Duet for One," for which she also won the Evening Standard Best Actress Award; in 1984 for Best Actress in a Revival for "A Moon for the Misbegotten"; and in 1992 for Best Actress in a Supporting Role for "When She Danced."
De la Tour trained at the Drama Centre in London in the 1960s before joining the Royal Shakespeare Company. Through 1971, her work there included the roles of Hoyden in "The Relapse" and Helena in Peter Brook's production of "A Midsummer Night's Dream." For the National Theatre, her credits include "Brighton Beach Memoirs," "Les Parents Terribles," the title role in "St Joan" and "The Good Hope." Her additional theater work includes Matthew Warchus's "Boeing-Boeing," Tennessee Williams' "Small Craft Warnings," "Hamlet," Edward Albee's "Three Tall Women," "Anthony and Cleopatra" for the RSC and Noel Coward's "Fallen Angels," for which she received a Variety Club Best Actress Award. De la Tour can currently be seen on stage at the National in the limited engagement world premiere of "The Habit of Art," which reunites her with playwright Alan Bennett and director Nicholas Hytner and also stars Michael Gambon.
De la Tour's filmography includes the comedy "Rising Damp," based on the popular television series, for which she won the Evening Standard's Best Actress Award. She more recently appeared as Madame Olympe Maxime in "Harry Potter and the Goblet of Fire" and as Frau Eva in Andrei Konchalovsky's fantasy "Nutcracker: The Untold Story." She will next be seen alongside an all-star cast including Johnny Depp and Anne Hathaway in Tim Burton's "Alice in Wonderland," set for a 2010 release.
Her television appearances include the 1970s sitcom "Rising Damp," "Duet for One," for which she received a BAFTA Best Actress nomination, the BBC's "Waking the Dead," "Poirot: Death on the Nile," "Miss Marple: The Moving Finger," BBC's "Sensitive Skin" and, most recently, the CBS-TV series "3 lbs."
MICHAEL GAMBON (George) started his career with the Edwards/ Macliammoir Gate Theatre in Dublin. He joined the National Theatre for its inaugural season under Laurence Olivier at the Old Vic in 1963 and appeared there in "Hamlet," "Saint Joan," "The Recruiting Officer," "Andorra," "Philoctetes," "Othello," "The Royal Hunt of the Sun," "The Crucible," "Mother Courage," "Love for Love," "Juno and the Paycock" and "The Storm."
In repertory, principally at Birmingham Rep, Gambon played title roles in "Othello," "Macbeth" and "Coriolanus."
In the West End, he has appeared in Simon Gray's "Otherwise Engaged"; Alan Ayckbourn's "The Norman Conquest"; "Just Between Ourselves"; "Alice's Boys," with Ralph Richardson; Harold Pinter's "Old Times; the title role in "Uncle Vanya"; "Tom and Clem" and "No Man's Land."
With the Royal Shakespeare Company, he spent a season at the Aldwych and later played the title part in "King Lear" and Antony in "Antony and Cleopatra," opposite Helen Mirren, both at Stratford and the Barbican.
For the National Theatre, Gambon has appeared in the premieres of Harold Pinter's "Betrayal," Simon Gray's "Close of Play," Christopher Hampton's "Tales From Hollywood," Alan Ayckbourn's "Sisterly Feelings," and "A Chorus of Disapproval," for which he won an Olivier Award, as well as "A Small Family Business," "Richard III," "Othello," "Tons of Money," the title role in "The Life of Galileo," "Volpone" and "Skylight." He recreated his starring role in the latter on Broadway in 1996 for which he was nominated for a Tony Award. Also for the National Theatre, Gambon played Eddie Carbone in Arthur Miller's "A View From the Bridge," which transferred to the Aldwych Theatre and for which he won all the major drama awards of 1987.
He was in Harold Pinter's "Mountain Language," "Cressida," at the Almeida, and Pinter's "The Caretaker," for which he earned an Olivier Award nomination. Gambon also directed the Platford Performance of Richard Harris' "Visiting Hour."
His television appearances include the BBC's first adventure series in color, "The Borderers," "Eyeless in Gaza," the series "The Other One," with Richard Briers, "The Seagull," "The Holy Experiment," Oscar," "Ghosts" and the Dennis Potter series "The Singing Detective," for which he won a BAFTA Award, a Broadcasting Press Guild Award and a Royal Television Society Award. He also starred in "The Heat of the Day," scripted by Harold Pinter from Elizabeth Bowen's novel, and was Archie Rice in John Osborne's "The Entertainer." More recently, he portrayed Lyndon Johnson in the HBO film "Path to War" and starred in HBO's "Angels in America," directed by Mike Nichols.
Gambon's film credits include "Turtle Diary," David Hare's "Paris By Night," "A Dry White Season," with Marlon Brando, "The Rachel Papers," Peter Greenaway's "The Cook, The Thief, His Wife and Her Lover," "The Gambler," "Mobsters," "Clean Slate," "Toys," "Indian Warrior," "Wings of the Dove," "The Innocent Sleep," "Dancing at Lughnasa," "Sleepy Hollow," "The Insider," "Gosford Park," Open Range" and four of the Harry Potter films: "Harry Potter and the Prisoner of Azkaban," "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix" and 2009's "Harry Potter and the Half-Blood Prince."
In 1998, Gambon was awarded a KBE in the Queen's Honour List.
Genres: Epic Adventure Starring: Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver Directed By: James Cameron Produced By: James Cameron, Jon Landau
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10:41:49 12/01/08
Felicia and Ubisoft (Prince of Persia)
[LESS INFO] 14 VIEWS | ADDED 10:41:49 12/01/08
Prince of Persia (Ubisoft) & Felicia Day from The Guild. Jace races Producer Todd Roy in yellow Corvettes down the I-5 to the Ubisoft Prince of Persia launch party. There Jace gets insight into the battle between Marketing and Production.
Shared by : Jace Hall
On: Monday, December 01, 2008
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