Search Episodes (Getting Back To Work Part 1)

Added 02/08/12
0 Views

Lap Band Success Stories And Pictures

[LESS INFO] 0 VIEWS | ADDED 23:00:00 02/08/12
http://mylapbandsuccess.plus101.com ---Lap Band Success Stories And Pictures. "My Journey With The Lap Band Has Been Rough... In Fact, I Almost Took Matters Into My Own Hands, And Ended That Journey A few Years Ago... But the fact that I'm still here today -- slim and happy, is proof that it is possible to overcome, and end your emotional reliance on food, and get the body and life you've always wanted! Let Me Tell You My Story... It was the worst week I had since my surgery -- Thanksgiving week. I was at a point where all I was thinking about all day, was food. I had to actually fight to resist my strong cravings... I just wanted to take one bite of that turkey... just eat one piece of pumpkin pie! I just wanted to be able to taste some of the same things everyone else was eating! Not Only Was I Still Obese, But I Couldn't Even Enjoy My Own Life! My cravings were driving me insane, but I did my best to resist the temptation. When I got onto the scales that week, I was dumb-founded - My weight loss had stalled! All the agony and deprivation I'd suffered... was for nothing! I was so angry at myself for even putting me in such a low, pitiful state in the first place! I was to blame for the way I looked! I was frustrated and... I felt helpless! My Weight Loss Had Stalled... Ok, so maybe I needed another refill but nothing could improve my emotional state-of-mind... I became so disillusioned that I could not remember my reasonsfor wanting to lose weight, and how critical it was for me to resist my favorite foods. All I thought, was that the lap band was not working for me... and I gave in! I Was Once Too Embarrassed To Share My Story With Anyone, But I'm Telling It To You Today, So You'll Know That You're Not Alone!... I had lost all hope of losing weight, that I began to out-eat my band, and find ways to cheat it... One of my favorite foods before the surgery was french fries dipped in a mix of mayonnaise and ketchup. Since I couldn't have it after the lap band, I improvised... and blended it! I Would Actually Put Fries, Mayo And Ketchup Into A Blender... And Then Drink It! If you've ever fallen off the wagon then I don't have to tell you about theguilt that sets in after-wards... I'd drink it, then I'd feel guilty and start to cry... It would make me sick... but I did it anyway! I hated myself for doing it... but I did it anyway! When the scales began to creep back up again, I knew why... but I didn't know what to do about it! I felt like my life was in a tail-spin. The worst part was that I was just too embarrassed & humiliated to talk to anyone about it! Have you ever felt that way? To find out what happened next, scroll down! In an amazing twist of fate, find out how I found it easier to lose the last 132 lbs than it ever was to lose the first 60 lbs!" By April Cannon Lap, Band, Success, Stories, And, Pictures, Laparoscopic, gastric, Banding, costs, stomach, surgery, diet, successfull, Raisa Khan, April Cannon

Newt on This Week: Mitt Can't Tell The Truth, Has A 'Character...

Added 01/29/12
0 Views

Newt on This Week: Mitt Can't Tell The Truth, Has A 'Character' Problem

[LESS INFO] 0 VIEWS | ADDED 21:00:11 01/29/12
video platform video management video solutions video player Now, I'm going to assume that you didn't come in during the third act of Newt's career, and therefore you can appreciate just how funny it is when, on This Week , he's whining to Jake Tapper about how hard it is to pin someone down who will just lie about anything ! > TAPPER: In many ways, you are where you are because of your debate performances. Last week, you had a couple that were not your strongest, to say the least. GINGRICH: Yep. TAPPER: Why do you think that was? What happened? GINGRICH: I was amazed. I mean, I'm standing next to a guy who is the most blatantly dishonest answers I can remember in any presidential race in -- in my lifetime. And I've seen, I think, every presidential debate -- presidential campaign debate or virtually every one. And, you know, he would say things that were just plain not true. Look, it's a little bit like yesterday's L.A. Times report. I mean, now it found 23 foreign accounts he never reported until he released his taxes. He would say -- he would say thing after thing after thing that just plain wasn't true. And I had -- I don't know how you debate a person with civility if they're prepared to say things that are just plain factually false. And that's going to become a key part of this. I think the Republican establishment believes it's OK to say and do virtually anything to stop a genuine insurgency from winning because they are very afraid of losing control of the old order. We tried a moderate in 1996 for president. He lost. We tried a moderate in 2008 for president. He lost. It's very hard to take Romneycare and Obamacare and have a debate and have the Republican win that debate. You need to have a conservative who is a very big distance away from Obama, because you've got to have the space so that, in fact, you can communicate with the American people. TAPPER: I want to follow up on some of these comments you're making about Mitt Romney. The race has taken something of a nasty turn. Here's an ad that you are currently running in Florida. (BEGIN VIDEO CLIP) (UNKNOWN): What kind of man would mislead, distort and deceive just to win an election? This man would, Mitt Romney. If we can't trust what Mitt Romney says about his own record, how can we trust him on anything? (END VIDEO CLIP) TAPPER: It sounds as if you're saying in that ad, and here this morning, that Mitt Romney is unfit and does not have the character to be president. GINGRICH: I am saying that he would not be where he is today, the debates this week wouldn't have been where they were, if he had told the truth. And I think that's a very serious problem for somebody. I think that you look at -- again, he's supposedly a great manager, yet he can't explain 23 different foreign accounts that weren't reported. He's a great manager. He can't explain being on the board of directors of the company which got the largest Medicare fine in history for fraud? Somehow, every time it's bad, he didn't know about it or he wasn't aware about it. He didn't really understand the Planned Parenthood by law, the largest abortion provider in the United States, is in Romneycare? Romneycare literally defines Planned Parenthood in a key -- in a part of the bill. He didn't seem to quite know it. Every time you turn around, this great manager consistently doesn't understand whatever it is that would have hurt him. And you just have to look back and say, why can't you be candid with the American people? You cannot be president of the United States if you cannot be honest and candid with the American people. And that's compounded, frankly, by a number of the ads he runs, which are just plain false. TAPPER: So you're saying that he does not have the character to be president of the United States, because he's, in your view, not honest. GINGRICH: I'm saying it is a very -- it's a -- it is a very serious problem when you have somebody who on item after item after item -- I mean, the clip you had just now, he knows what he said in that clip is not true. I did not resign in disgrace. I did not pay a fine. And, in fact, CNN ran an entire piece recently in which they pointed out that on every single substantive count in the ethics investigation, every single one, that I was vindicated, including vindication by a federal judge, vindication by the Internal Revenue Service, vindication by the Federal Elections Commission . Now, Romney knows that. (CROSSTALK) TAPPER: Well, the clip -- the clip... GINGRICH: So he's run a campaign of vilification. TAPPER: The clip I just played was actually one of your ads, but let's get to that Romney ad that you're talking about... GINGRICH: No, no, but I'm talking about the earlier -- I'm talking about -- I'm talking about the clip you showed of him campaigning yesterday. TAPPER: Oh, OK. GINGRICH: What he said yesterday, this wasn't true. TAPPER: There... GINGRICH: And so at some point, I don't quite -- I don't quite -- to be honest, Jake, I don't quite know how you deal with an opponent, because you want to deal with them with civility, you want to deal with them in a positive way. I want to talk about big issues. I talked about space this week, which I think is important for the country's future. I talked about housing. I talked about creating jobs. I talked about the record I had working with Ronald Reagan to create jobs and the record I had working with Bill Clinton to create jobs. We talked about welfare reform as the first great entitlement reform. There are all sorts of positive things. We have a proposal on Social Security which would allow every young American the option of having a personal Social Security account on the model of Galveston, Texas, and the country of Chile. So there are a lot of positive things. And if you'll notice, when you get outside the zone where Romney carpet-bombs with Wall Street money, and you look at what's happening in the rest of the country, I'm ahead in all three national polls that were released this week. I'm ahead by a big margin, because when you come to positive ideas, I represent real change in Washington, I represent unleashing the spirit of the American people to get us back as a country, rebuilding the country we love. And when we get to a positive idea campaign, I consistently win. It's only when he can mass money to focus on carpet-bombing with negative ads that he gains any traction at all.

Newt on This Week: Mitt Can't Tell The Truth, Has A 'Character...

Added 01/29/12
0 Views

Newt on This Week: Mitt Can't Tell The Truth, Has A 'Character' Problem

[LESS INFO] 0 VIEWS | ADDED 21:00:11 01/29/12
video platform video management video solutions video player Now, I'm going to assume that you didn't come in during the third act of Newt's career, and therefore you can appreciate just how funny it is when, on This Week , he's whining to Jake Tapper about how hard it is to pin someone down who will just lie about anything ! > TAPPER: In many ways, you are where you are because of your debate performances. Last week, you had a couple that were not your strongest, to say the least. GINGRICH: Yep. TAPPER: Why do you think that was? What happened? GINGRICH: I was amazed. I mean, I'm standing next to a guy who is the most blatantly dishonest answers I can remember in any presidential race in -- in my lifetime. And I've seen, I think, every presidential debate -- presidential campaign debate or virtually every one. And, you know, he would say things that were just plain not true. Look, it's a little bit like yesterday's L.A. Times report. I mean, now it found 23 foreign accounts he never reported until he released his taxes. He would say -- he would say thing after thing after thing that just plain wasn't true. And I had -- I don't know how you debate a person with civility if they're prepared to say things that are just plain factually false. And that's going to become a key part of this. I think the Republican establishment believes it's OK to say and do virtually anything to stop a genuine insurgency from winning because they are very afraid of losing control of the old order. We tried a moderate in 1996 for president. He lost. We tried a moderate in 2008 for president. He lost. It's very hard to take Romneycare and Obamacare and have a debate and have the Republican win that debate. You need to have a conservative who is a very big distance away from Obama, because you've got to have the space so that, in fact, you can communicate with the American people. TAPPER: I want to follow up on some of these comments you're making about Mitt Romney. The race has taken something of a nasty turn. Here's an ad that you are currently running in Florida. (BEGIN VIDEO CLIP) (UNKNOWN): What kind of man would mislead, distort and deceive just to win an election? This man would, Mitt Romney. If we can't trust what Mitt Romney says about his own record, how can we trust him on anything? (END VIDEO CLIP) TAPPER: It sounds as if you're saying in that ad, and here this morning, that Mitt Romney is unfit and does not have the character to be president. GINGRICH: I am saying that he would not be where he is today, the debates this week wouldn't have been where they were, if he had told the truth. And I think that's a very serious problem for somebody. I think that you look at -- again, he's supposedly a great manager, yet he can't explain 23 different foreign accounts that weren't reported. He's a great manager. He can't explain being on the board of directors of the company which got the largest Medicare fine in history for fraud? Somehow, every time it's bad, he didn't know about it or he wasn't aware about it. He didn't really understand the Planned Parenthood by law, the largest abortion provider in the United States, is in Romneycare? Romneycare literally defines Planned Parenthood in a key -- in a part of the bill. He didn't seem to quite know it. Every time you turn around, this great manager consistently doesn't understand whatever it is that would have hurt him. And you just have to look back and say, why can't you be candid with the American people? You cannot be president of the United States if you cannot be honest and candid with the American people. And that's compounded, frankly, by a number of the ads he runs, which are just plain false. TAPPER: So you're saying that he does not have the character to be president of the United States, because he's, in your view, not honest. GINGRICH: I'm saying it is a very -- it's a -- it is a very serious problem when you have somebody who on item after item after item -- I mean, the clip you had just now, he knows what he said in that clip is not true. I did not resign in disgrace. I did not pay a fine. And, in fact, CNN ran an entire piece recently in which they pointed out that on every single substantive count in the ethics investigation, every single one, that I was vindicated, including vindication by a federal judge, vindication by the Internal Revenue Service, vindication by the Federal Elections Commission . Now, Romney knows that. (CROSSTALK) TAPPER: Well, the clip -- the clip... GINGRICH: So he's run a campaign of vilification. TAPPER: The clip I just played was actually one of your ads, but let's get to that Romney ad that you're talking about... GINGRICH: No, no, but I'm talking about the earlier -- I'm talking about -- I'm talking about the clip you showed of him campaigning yesterday. TAPPER: Oh, OK. GINGRICH: What he said yesterday, this wasn't true. TAPPER: There... GINGRICH: And so at some point, I don't quite -- I don't quite -- to be honest, Jake, I don't quite know how you deal with an opponent, because you want to deal with them with civility, you want to deal with them in a positive way. I want to talk about big issues. I talked about space this week, which I think is important for the country's future. I talked about housing. I talked about creating jobs. I talked about the record I had working with Ronald Reagan to create jobs and the record I had working with Bill Clinton to create jobs. We talked about welfare reform as the first great entitlement reform. There are all sorts of positive things. We have a proposal on Social Security which would allow every young American the option of having a personal Social Security account on the model of Galveston, Texas, and the country of Chile. So there are a lot of positive things. And if you'll notice, when you get outside the zone where Romney carpet-bombs with Wall Street money, and you look at what's happening in the rest of the country, I'm ahead in all three national polls that were released this week. I'm ahead by a big margin, because when you come to positive ideas, I represent real change in Washington, I represent unleashing the spirit of the American people to get us back as a country, rebuilding the country we love. And when we get to a positive idea campaign, I consistently win. It's only when he can mass money to focus on carpet-bombing with negative ads that he gains any traction at all.

Welcome to Drupal! What Now? [January 26, 2012]

Added 01/28/12
0 Views

The Pace Report: "The 2012 NEA Jazz Masters Cememony Highlights"

Added 01/21/12
2 Views

The Pace Report: "The 2012 NEA Jazz Masters Cememony Highlights"

[LESS INFO] 2 VIEWS | ADDED 13:32:12 01/21/12
One of the most important jazz events took place at Jazz at Lincoln Center during the week of APAP last week. The 2012 National Endowment for the Arts held their 30th anniversary of the Jazz Masters Ceremony and Concert to a sold-out crowd. The event pays tribute to the architects of jazz music both living and deceased. More importantly, the NEA gives the current inductees as well as music programs and centers all over the country, grants and funding to continue the legacy of providing the community jazz programming and education to keep the music viable to public. Including this year’s inductees, the NEA has celebrated the work and lives of 128 jazz musicians, awarded more than 2,400 jazz grants, and given over $32 million dollars over the last 30 years. A very important feat for the music that very seldom gets the notoriety or praise like other American black music such as hip-hop, soul, and the blues. This year’s 2012 NEA Jazz Masters inductees include: Sheila Jordan, vocalist and educator; Von Freeman, tenor saxophonist and bandleader; Jack DeJohnette, drummer and pianist; Jimmy Owens, trumpeter, educator, and advocate; and Charlie Haden, bassist and bandleader. The festivities kicked off this year in regal fashion as Rocco Landesman, Chairman of the National Endowment for the Arts gave the opening comments about how rich the NEA’s tradition of celebrating and commemorating of America’s only art form. 2007 NEA Jazz Master Ramsey Lewis and last year’s inductee Wynton Marsalis, artistic director of Jazz at Lincoln Center, also gave opening comments of the historical implications of the 30th Anniversary of this year’s jazz masters ceremony. NEA Jazz Master Phil Woods along with alto saxophonist Grace Kelly played “Things To Come” composed by former NEA Jazz Master Dizzy Gillespie. The two were backed by the stellar Jazz at Lincoln Orchestra lead by Wynton Marsalis. Drummer Jack DeJohnette was inducted by his mentor and fellow NEA Jazz Master Muhal Richard Abrams. Abrams helped Jack as a teen study and play both the piano and drums while growing up in Chicago, Illinois. Through Abram’s Association for the Advancement of Creative Musicians, Jack developed a love and passion to play both classical and jazz music which helped him decide to play music professionally. In the mid-1960’s Jack decided to move to New York City where he played with the late Rashied Ali in the John Coltrane Quintet. He got his first taste of success when he joined saxophonist Charles Lloyd in his first quartet where he played with a young pianist named Keith Jarrett. During the late 1960’s into the 1970’s, Jack backed and recorded with the likes of Miles Davis, Sonny Rollins, Special Edition, New Directions, and his long association with the Keith Jarrett Trio with bassist Gary Peacock. Today, Jack is still very active and just released his latest disc “Sound Travels” on the the eOne Music label. NEA Jazz Master Benny Golson gave the induction speech of 2012 inductee Von Freeman. Freeman, who couldn’t make this year’s ceremony due to illness, was given some praise and adoration by his sons Chico and Mark Freeman, who gave his induction speech. Earle Lavon Freeman, Sr, was born in Chicago, Illinois where he’s been a musical icon for the last 70 years. Von comes from that elite class of Chicago tenor saxophonists like Gene Ammons, Clifford Jordan, and the late Johnny Griffin. During the 1950’s he and his brothers George and Bruz were the house band at the famed Pershing Hotel in Chicago. Von played with a slew of great local musicians that included Jimmy Witherspoon, Sun Ra, and Andrew Hill. In 1972 he recorded his debut recording “Doin’ It Right Now” produced by Rahsaan Roland Kirk. Currently Von plays weekly at the New Apartment Lounge and Andy’s Jazz Club in Chicago. Bassist and bandleader Charlie Haden has given the world of music and jazz his unique blend of originality and heart. Since he made his way on the bandstand during the late 1950’s, Haden has been a trailblazer and relentless musician always striving to take music to the next level as well as always create new forms of roots music. From his days with saxophonist Ornette Coleman’s group, the quartet recorded the landmark recording for Atlantic Records, “The Shape of Jazz to Come.” But in 1969 Haden would record one of the most ambitious jazz recordings of the time. “Liberation Music Orchestra” was a record that fused the social themes of the times as well as free jazz that spoke volumes in the jazz community. The music was arranged and composed by Carla Bley and the orchestra has been recording sporadically over the last four decades. In addition to Haden’s orchestra, the three-time Grammy Award winner also fronts Quartet West. Charlie couldn’t attend the jazz masters ceremony due to his recovery from a recent surgery. His daughter Patra read his acceptance speech and acknowledged his many accomplishments on Charlie’s behalf. Vocalist, musical visionary, and NEA Jazz Master Jon Hendricks gave one of the most poignant speeches for his friend and contemporary, vocalist Sheila Jordan. Hendricks praised her accomplishments as a vocalist as well as keeping the vocal tradition alive by teaching the next generation of vocalists. Jordan, a Detroit native, comes from a great tradition and legacy of musicians that have made great and important strides in the world of jazz music. She developed her vocal style while singing in a local group named Skeeter, Mitch, and Jean. But it was her drive and determination that got her to move to New York City where she decided to throw herself into the thriving music scene. When she moved here she learned music theory and harmony by bassist Charles Mingus and pianist Lennie Tristano. Pianist George Russell discovered and recorded her on his “The Outer View” recording in 1962. Sheila made history by recording the first vocal record for Blue Note Records titled “Portrait of Sheila.” Throughout her career she’s recorded and performed with the Steve Kuhn Quartet and Harvie Swartz. Today she continues to teach jazz vocal workshops as well as perform all over the world. Trumpeter and educator Jimmy Owens is having a stellar 2012 so far. His latest IPO Recordings release “The Monk Project” celebrates and focuses on the compositions of pianist Thelonious Monk. In his 50 years in the business, the 68 year-old musician has been on the front lines for the betterment for working jazz musicians. As a board and active member of the Jazz Foundation of America, part of Jimmy’s lifework has been to help musicians seek funding for medical expenses, legal assistance, housing, and steady work. He founded the Musicians Emergency Fund due to the lack of support from the arts community and serve as a means to never negate the lives of many musicians that haven’t had the support or the able means to survive. Musicians that have benefited from this generous program were Odetta, Fats Domino, Clark Terry, Freddie Hubbard, Cecil Payne, and Sweet Georgia Brown. In addition to his dedication to the JFA, he’s also been a supporter and advocate for the Local 802 of the American Federation of Musicians here in New York City. It’s Jimmy’s drive and passion that he’s fought State Politicians to repeal the 8.25% admission tax for clubs and major venues and to take those funds and contribute them to the AFM’s pension fund.This and his dedication to education in jazz music is why he’s been honored as one of this year’s NEA Jazz Master Inductees. Jimmy, who hails from the Bronx, New York, was exposed to jazz music when he was kid when his parents played the music. He wanted to play the trumpet and one of his first teacher’s as well as mentor, Dr. Donald Byrd, got him to take the instrument and studying it seriously. Over the years he’d back and play with some of jazz music’s leading innovators and icons. Musicians like Duke Ellington, Count Basie, Lionel Hampton, Clark Terry, Dizzy Gillispie, and the Thad Jones/Mel Lewis Orchestra. Today he still teaches as well as serves as a mentor to many of today’s current jazz musicians and composers. Some of highlight performances of the evening included two separate duo performances including NEA Jazz Masters bassist Ron Carter and flutist Huber Laws in their rendition of “Little Waltz”/”Memories of Minnie.” Also, Jazz Masters vibraphonist Bobby Hutcherson and pianist Kenny Barron’s rendition of Dave Brubeck’s “In Your Own Sweet Way.” The Jazz at Lincoln Center Orchestra under the direction of Wynton Marsalis did an outstanding job in arranging tributes throughout the concert to NEA Jazz Master Horace Silver featuring Dave Liebman, Toshiko Akiyoshi, Candido Camero, and the new trumpet sensation Ambrose Akinmusire. The Benny Carter and Frank Foster tribute also turned a lot of heads featuring saxophonists Frank Wess and Benny Golson. I must add that the National Endowment for the Arts have dedicated to the works and mission to keep the jazz legacy alive via the grants they award every year. Also, they’ve been in tune with the jazz community via journalists, the musicians, and the many jazz associations to help educate and get the word out about America’s only original art-form. The NEA has more info for fans to reach out into their community to support the arts. For more info please visit them on the web at arts.gov.

Episode 121: Sat Phone Conundrum

Added 01/12/12
0 Views

Episode 121: Sat Phone Conundrum

[LESS INFO] 0 VIEWS | ADDED 12:14:51 01/12/12
What We?ve Got Here Is A Failure To Communicate. Since today was a rest day here in Namche, I decided to test our satellite gear. It doesn?t work. Whenever I visit Everest I always bring some technology that allows me to share my experiences with everyone. One of my favorite things is working with high-tech gear in remote, wild places. My sat phone and sat modem are usually very dependable but as with everything there are times where technical difficulties arise. Today was one of those days. We brought the sat gear so that everyone on the trek could share their adventure with their friends and family. The goal was to allow everyone to update Twitter, upload their best photos from each day to flickr and simply phone back home. In the past I?ve always brought my Iridium sat phone but it is notorious for dropping calls while in the himalayas. For this trip I purchased a Thuraya sat phone because it?s reception is almost always rock steady. I also brought an Inmarsat BGAN satellite modem for accessing the Internet. I?m familiar with BGANs since CNN provided one to us for the 2003 Everest expedition. It?s an amazing little piece of technology. Unfortunately I purchased these pieces of gear from a vendor that I?d never used before and they just didn?t give me all of the instructions for activating everything. Without properly activating everything they pretty much are as effective as a paperweight. The issues I?m having made me furious because communication is an integral part of the workshop and one of the services Chris and I promised everyone. Luckily there is a hotel near our campsite that has an Internet connection and PC so I was able to email my sales rep for help. I hope he?ll get right back to me with the missing registration instructions. We just want to phone home. ET phone home. Everest Trek phone home! Jon Miller Total Running Time: 31:21

Army Corps Works To Strengthen Levees

Added 01/11/12
0 Views

LIVE - You're Divine - OWN IT! Eyes-of-Heart Perspective Can S...

Added 01/07/12
0 Views

LIVE - You're Divine - OWN IT! Eyes-of-Heart Perspective Can Shock

[LESS INFO] 0 VIEWS | ADDED 04:58:32 01/07/12
2012-01-05 2nd journal, Mayan day 4 Water or Offering Dimitri Halley – How You Attract Your Shadow 14:56 Complementary Text http://www.scribd.com/doc/77425923 Intro: Are you tired of life or down on life in any way? Any way at all? If so, I can guarantee you're not in heart. You're stuck in the mind's way of viewing things. Come on – admit it. If life has gone stale or become just too hard for you, do consider what's being said, here – and find your way into your heart, or into the heart of the now moment – same thing. Each and every one of us – minus the robots and clones, of course – is a cell in the body of the divine – of Source or God. We ARE That. Just as Christ said, “I Am the vine, and ye are the branches.” What part of the branch can't be said to be the vine? Are they not one and the same? Can we not see this? Surely, we can. It's just our programming that got in the way. Well, there's real beauty in that, even. How so? Because it is so amazingly easy to get out of that. There's no need to study the enemy, to out-wit him or gain strength and work out strategy for the battle. No need at all. Why not? It's so beautifully simple, I could practically shout it – there's no need to fight! All we need do is walk away. Literally, just turn your back on mind and walk out, and you win. It's your mind, after all – right? Well, take command of it. YOU tell it when to enter, what challenge to tackle, what to do. Don't put up with being bossed around by that tyrant that the mind has been programmed to become. Admit it- for all of us, the mind is a terrible task master. Many minds are also abusive, continually hamster-wheeling around through all of your faults and short-comings, just so you'll know, singing the litany of that. Yikes! No wonder we get depressed and want out...

New Found Glory Live in Studio B - Part 1 - Radio Surgery

Added 12/29/11
3 Views

New Found Glory Live in Studio B - Part 1 - Radio Surgery

[LESS INFO] 3 VIEWS | ADDED 18:31:59 12/29/11
Part 1 of New Found Glory performing live at Mevio Studios in San Francisco For the full performance CLICK HERE New found energy, new found purpose: that's what Not Without A Fight is all about. The first New Found Glory album to bear the Epitaph logo brims with fresh promise, showcasing a band comfortable in their own skin and eager to get back to basics and present it all to the world. Not Without A Fight is arguably the strongest addition to an impressive catalog with no less than three gold records and ... some of the most memorable songs of the past decade. Album opener "Right Where We Left Off" is an instant reminder of the keen self-awareness that endeared New Found Glory to millions of fans worldwide in the first place. And naming their album Not Without A Fight? That's a nod to that other side of the group Epitaph owner Brett Gurewitz called "the greatest pop-punk band in history," the side that is scrappy, that's from the do-it-yourself scene. The side of a band who probably never should have been lumped in with some of the more teeny-bop friendly fare they've often shared the rock radio and TRL charts with. Lead single "Listen to Your Friends" flips the script by rocking a verse even catchier than its chorus; "I'll Never Love Again" boasts a killer singalong. "47" has a hooky scream that breaks new ground for the Florida-bred five-some while "Truck Stop Blues" summons the potent urgency of the burgeoning scene that New Found Glory arose from, recalling a bygone era when they shared small stages with their friends in Get Up Kids, Piebald and Saves The Day. Not Without A Fight packs together the best elements of fan favorite albums like Sticks and Stones (2002) and Catalyst (2004) with a reinvigorated drive making for a declaration that's fresh and timely. There's pop, there's punk, there's crunch, there's those irrepressible melodies and Jordan Pundik's instantly recognizable voice is in fine form. "Nobody in New Found Glory loves anything as much as this band," says guitarist Chad Gilbert, by way of explanation as to how they have managed to maintain the same lineup - Pundik, Gilbert, Steven Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over ten years. "You fight with your mom. You don't hang out with her all the time. But you love her! You're never going to hate her. We're family. It might sound cliche, but that's what it is." That family first came together in Coral Springs, Florida in 1997. Nothing Gold Can Stay (1999) and New Found Glory (2000) became classics thanks to hard-touring and good natured relationship building the world over, which ensured the next two albums (Sticks and Stones and Catalyst) would both debut in the Top 5 on the Billboard 200 chart. As happens all too often, the uber-successful and beloved band found themselves delivering Coming Home to a group of relative strangers who lacked the same investment in them as before. By 2006, many of the folks who worked with the band at the label had been replaced by new faces, from the president on down. "At major labels, people are always losing their jobs," Gilbert points out. "Someone can love your band one week and the next week that person is fired." With their recording contract fulfilled and in between management, New Found Glory seized the opportunity to have some fun while weighing their options, releasing From the Screen to Your Stereo Part II (something their most ardent supporters had demanded for years) and a split EP with their alter-ego, International Superheroes Of Hardcore. "It brought this different attention to our band that we hadn't had in a while," Gilbert says. "Through the major label years, some of those lines got blurred because of some of the things the label did representing our band. With the release on Bridge 9 Records, we were able to do things how we wanted to do them. It was awesome." In the midst of all of this, the band continued to write their next album, which they ultimately decided to record before choosing a new label. That's where +44 / Blink 182's Mark Hoppus came in, agreeing to produce Not Without A Fight at the studio he co-owns with Travis Barker. "He's an old friend of ours," Gilbert explains. "We had no money to make the record so we wanted someone with the confidence to do the album for free and get reimbursed later." Eventually, of course, the label situation needed sorted out, as the guys in New Found Glory have no desire to be in any kind of "business" other than than business of writing great songs, recording them and playing them live. "When we announced that we were no longer signed to Geffen two years ago, Brett Gurewitz was the first one to call me," Gilbert remembers. "'People at Epitaph are all music fans and have their shit together." And as for that spectacular accolade from the man running their new record label home? "It's crazy!" Chad says, laughing. "The Descendents could take that crown way before we could, or Screeching Weasel, or Green Day. I don't know why he said that! He's crazy. It's flattering. It's really flattering. But I don't know what to say!" New Found Glory's first Epitaph album has no guest appearances, no frills, nothing but fantastic songs and powerful performances. "If you really listen to our music, you can't pigeonhole it. We play music that we love." Not Without A Fight is alternately the band's most streamlined and direct but powerful and broad album thus far. "New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart." http://www.newfoundglory.com http://www.myspace.com/newfoundglory http://www.newfoundglorystuff.com http://www.steveisthereason.tumblr.com http://www.twitter.com/xchadballx http://www.twitter.com/boomersaveus http://www.twitter.com/steveisdareason

New Found Glory Live in Studio B - Part 2 - Anthem For The Unw...

Added 12/29/11
2 Views

New Found Glory Live in Studio B - Part 2 - Anthem For The Unwanted

[LESS INFO] 2 VIEWS | ADDED 18:27:42 12/29/11
Part 2 of New Found Glory performing live at Mevio Studios in San Francisco For the full performance CLICK HERE New found energy, new found purpose: that's what Not Without A Fight is all about. The first New Found Glory album to bear the Epitaph logo brims with fresh promise, showcasing a band comfortable in their own skin and eager to get back to basics and present it all to the world. Not Without A Fight is arguably the strongest addition to an impressive catalog with no less than three gold records and ... some of the most memorable songs of the past decade. Album opener "Right Where We Left Off" is an instant reminder of the keen self-awareness that endeared New Found Glory to millions of fans worldwide in the first place. And naming their album Not Without A Fight? That's a nod to that other side of the group Epitaph owner Brett Gurewitz called "the greatest pop-punk band in history," the side that is scrappy, that's from the do-it-yourself scene. The side of a band who probably never should have been lumped in with some of the more teeny-bop friendly fare they've often shared the rock radio and TRL charts with. Lead single "Listen to Your Friends" flips the script by rocking a verse even catchier than its chorus; "I'll Never Love Again" boasts a killer singalong. "47" has a hooky scream that breaks new ground for the Florida-bred five-some while "Truck Stop Blues" summons the potent urgency of the burgeoning scene that New Found Glory arose from, recalling a bygone era when they shared small stages with their friends in Get Up Kids, Piebald and Saves The Day. Not Without A Fight packs together the best elements of fan favorite albums like Sticks and Stones (2002) and Catalyst (2004) with a reinvigorated drive making for a declaration that's fresh and timely. There's pop, there's punk, there's crunch, there's those irrepressible melodies and Jordan Pundik's instantly recognizable voice is in fine form. "Nobody in New Found Glory loves anything as much as this band," says guitarist Chad Gilbert, by way of explanation as to how they have managed to maintain the same lineup - Pundik, Gilbert, Steven Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over ten years. "You fight with your mom. You don't hang out with her all the time. But you love her! You're never going to hate her. We're family. It might sound cliche, but that's what it is." That family first came together in Coral Springs, Florida in 1997. Nothing Gold Can Stay (1999) and New Found Glory (2000) became classics thanks to hard-touring and good natured relationship building the world over, which ensured the next two albums (Sticks and Stones and Catalyst) would both debut in the Top 5 on the Billboard 200 chart. As happens all too often, the uber-successful and beloved band found themselves delivering Coming Home to a group of relative strangers who lacked the same investment in them as before. By 2006, many of the folks who worked with the band at the label had been replaced by new faces, from the president on down. "At major labels, people are always losing their jobs," Gilbert points out. "Someone can love your band one week and the next week that person is fired." With their recording contract fulfilled and in between management, New Found Glory seized the opportunity to have some fun while weighing their options, releasing From the Screen to Your Stereo Part II (something their most ardent supporters had demanded for years) and a split EP with their alter-ego, International Superheroes Of Hardcore. "It brought this different attention to our band that we hadn't had in a while," Gilbert says. "Through the major label years, some of those lines got blurred because of some of the things the label did representing our band. With the release on Bridge 9 Records, we were able to do things how we wanted to do them. It was awesome." In the midst of all of this, the band continued to write their next album, which they ultimately decided to record before choosing a new label. That's where +44 / Blink 182's Mark Hoppus came in, agreeing to produce Not Without A Fight at the studio he co-owns with Travis Barker. "He's an old friend of ours," Gilbert explains. "We had no money to make the record so we wanted someone with the confidence to do the album for free and get reimbursed later." Eventually, of course, the label situation needed sorted out, as the guys in New Found Glory have no desire to be in any kind of "business" other than than business of writing great songs, recording them and playing them live. "When we announced that we were no longer signed to Geffen two years ago, Brett Gurewitz was the first one to call me," Gilbert remembers. "'People at Epitaph are all music fans and have their shit together." And as for that spectacular accolade from the man running their new record label home? "It's crazy!" Chad says, laughing. "The Descendents could take that crown way before we could, or Screeching Weasel, or Green Day. I don't know why he said that! He's crazy. It's flattering. It's really flattering. But I don't know what to say!" New Found Glory's first Epitaph album has no guest appearances, no frills, nothing but fantastic songs and powerful performances. "If you really listen to our music, you can't pigeonhole it. We play music that we love." Not Without A Fight is alternately the band's most streamlined and direct but powerful and broad album thus far. "New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart." http://www.newfoundglory.com http://www.myspace.com/newfoundglory http://www.newfoundglorystuff.com http://www.steveisthereason.tumblr.com http://www.twitter.com/xchadballx http://www.twitter.com/boomersaveus http://www.twitter.com/steveisdareason

New Found Glory - Live in Studio B Part 3 - My Friends Over You

Added 12/29/11
2 Views

New Found Glory - Live in Studio B Part 3 - My Friends Over You

[LESS INFO] 2 VIEWS | ADDED 18:18:46 12/29/11
Part 3 of New Found Glory performing live at Mevio Studios in San Francisco For the full performance CLICK HERE New found energy, new found purpose: that's what Not Without A Fight is all about. The first New Found Glory album to bear the Epitaph logo brims with fresh promise, showcasing a band comfortable in their own skin and eager to get back to basics and present it all to the world. Not Without A Fight is arguably the strongest addition to an impressive catalog with no less than three gold records and ... some of the most memorable songs of the past decade. Album opener "Right Where We Left Off" is an instant reminder of the keen self-awareness that endeared New Found Glory to millions of fans worldwide in the first place. And naming their album Not Without A Fight? That's a nod to that other side of the group Epitaph owner Brett Gurewitz called "the greatest pop-punk band in history," the side that is scrappy, that's from the do-it-yourself scene. The side of a band who probably never should have been lumped in with some of the more teeny-bop friendly fare they've often shared the rock radio and TRL charts with. Lead single "Listen to Your Friends" flips the script by rocking a verse even catchier than its chorus; "I'll Never Love Again" boasts a killer singalong. "47" has a hooky scream that breaks new ground for the Florida-bred five-some while "Truck Stop Blues" summons the potent urgency of the burgeoning scene that New Found Glory arose from, recalling a bygone era when they shared small stages with their friends in Get Up Kids, Piebald and Saves The Day. Not Without A Fight packs together the best elements of fan favorite albums like Sticks and Stones (2002) and Catalyst (2004) with a reinvigorated drive making for a declaration that's fresh and timely. There's pop, there's punk, there's crunch, there's those irrepressible melodies and Jordan Pundik's instantly recognizable voice is in fine form. "Nobody in New Found Glory loves anything as much as this band," says guitarist Chad Gilbert, by way of explanation as to how they have managed to maintain the same lineup - Pundik, Gilbert, Steven Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over ten years. "You fight with your mom. You don't hang out with her all the time. But you love her! You're never going to hate her. We're family. It might sound cliche, but that's what it is." That family first came together in Coral Springs, Florida in 1997. Nothing Gold Can Stay (1999) and New Found Glory (2000) became classics thanks to hard-touring and good natured relationship building the world over, which ensured the next two albums (Sticks and Stones and Catalyst) would both debut in the Top 5 on the Billboard 200 chart. As happens all too often, the uber-successful and beloved band found themselves delivering Coming Home to a group of relative strangers who lacked the same investment in them as before. By 2006, many of the folks who worked with the band at the label had been replaced by new faces, from the president on down. "At major labels, people are always losing their jobs," Gilbert points out. "Someone can love your band one week and the next week that person is fired." With their recording contract fulfilled and in between management, New Found Glory seized the opportunity to have some fun while weighing their options, releasing From the Screen to Your Stereo Part II (something their most ardent supporters had demanded for years) and a split EP with their alter-ego, International Superheroes Of Hardcore. "It brought this different attention to our band that we hadn't had in a while," Gilbert says. "Through the major label years, some of those lines got blurred because of some of the things the label did representing our band. With the release on Bridge 9 Records, we were able to do things how we wanted to do them. It was awesome." In the midst of all of this, the band continued to write their next album, which they ultimately decided to record before choosing a new label. That's where +44 / Blink 182's Mark Hoppus came in, agreeing to produce Not Without A Fight at the studio he co-owns with Travis Barker. "He's an old friend of ours," Gilbert explains. "We had no money to make the record so we wanted someone with the confidence to do the album for free and get reimbursed later." Eventually, of course, the label situation needed sorted out, as the guys in New Found Glory have no desire to be in any kind of "business" other than than business of writing great songs, recording them and playing them live. "When we announced that we were no longer signed to Geffen two years ago, Brett Gurewitz was the first one to call me," Gilbert remembers. "'People at Epitaph are all music fans and have their shit together." And as for that spectacular accolade from the man running their new record label home? "It's crazy!" Chad says, laughing. "The Descendents could take that crown way before we could, or Screeching Weasel, or Green Day. I don't know why he said that! He's crazy. It's flattering. It's really flattering. But I don't know what to say!" New Found Glory's first Epitaph album has no guest appearances, no frills, nothing but fantastic songs and powerful performances. "If you really listen to our music, you can't pigeonhole it. We play music that we love." Not Without A Fight is alternately the band's most streamlined and direct but powerful and broad album thus far. "New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart." http://www.newfoundglory.com http://www.myspace.com/newfoundglory http://www.newfoundglorystuff.com http://www.steveisthereason.tumblr.com http://www.twitter.com/xchadballx http://www.twitter.com/boomersaveus http://www.twitter.com/steveisdareason

New Found Glory - Live In Studio B

Added 12/29/11
1 Views

New Found Glory - Live In Studio B

[LESS INFO] 1 VIEWS | ADDED 17:17:37 12/29/11
New Found Glory performs live at Mevio Studios in San Francisco New found energy, new found purpose: that's what Not Without A Fight is all about. The first New Found Glory album to bear the Epitaph logo brims with fresh promise, showcasing a band comfortable in their own skin and eager to get back to basics and present it all to the world. Not Without A Fight is arguably the strongest addition to an impressive catalog with no less than three gold records and ... some of the most memorable songs of the past decade. Album opener "Right Where We Left Off" is an instant reminder of the keen self-awareness that endeared New Found Glory to millions of fans worldwide in the first place. And naming their album Not Without A Fight? That's a nod to that other side of the group Epitaph owner Brett Gurewitz called "the greatest pop-punk band in history," the side that is scrappy, that's from the do-it-yourself scene. The side of a band who probably never should have been lumped in with some of the more teeny-bop friendly fare they've often shared the rock radio and TRL charts with. Lead single "Listen to Your Friends" flips the script by rocking a verse even catchier than its chorus; "I'll Never Love Again" boasts a killer singalong. "47" has a hooky scream that breaks new ground for the Florida-bred five-some while "Truck Stop Blues" summons the potent urgency of the burgeoning scene that New Found Glory arose from, recalling a bygone era when they shared small stages with their friends in Get Up Kids, Piebald and Saves The Day. Not Without A Fight packs together the best elements of fan favorite albums like Sticks and Stones (2002) and Catalyst (2004) with a reinvigorated drive making for a declaration that's fresh and timely. There's pop, there's punk, there's crunch, there's those irrepressible melodies and Jordan Pundik's instantly recognizable voice is in fine form. "Nobody in New Found Glory loves anything as much as this band," says guitarist Chad Gilbert, by way of explanation as to how they have managed to maintain the same lineup - Pundik, Gilbert, Steven Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over ten years. "You fight with your mom. You don't hang out with her all the time. But you love her! You're never going to hate her. We're family. It might sound cliche, but that's what it is." That family first came together in Coral Springs, Florida in 1997. Nothing Gold Can Stay (1999) and New Found Glory (2000) became classics thanks to hard-touring and good natured relationship building the world over, which ensured the next two albums (Sticks and Stones and Catalyst) would both debut in the Top 5 on the Billboard 200 chart. As happens all too often, the uber-successful and beloved band found themselves delivering Coming Home to a group of relative strangers who lacked the same investment in them as before. By 2006, many of the folks who worked with the band at the label had been replaced by new faces, from the president on down. "At major labels, people are always losing their jobs," Gilbert points out. "Someone can love your band one week and the next week that person is fired." With their recording contract fulfilled and in between management, New Found Glory seized the opportunity to have some fun while weighing their options, releasing From the Screen to Your Stereo Part II (something their most ardent supporters had demanded for years) and a split EP with their alter-ego, International Superheroes Of Hardcore. "It brought this different attention to our band that we hadn't had in a while," Gilbert says. "Through the major label years, some of those lines got blurred because of some of the things the label did representing our band. With the release on Bridge 9 Records, we were able to do things how we wanted to do them. It was awesome." In the midst of all of this, the band continued to write their next album, which they ultimately decided to record before choosing a new label. That's where +44 / Blink 182's Mark Hoppus came in, agreeing to produce Not Without A Fight at the studio he co-owns with Travis Barker. "He's an old friend of ours," Gilbert explains. "We had no money to make the record so we wanted someone with the confidence to do the album for free and get reimbursed later." Eventually, of course, the label situation needed sorted out, as the guys in New Found Glory have no desire to be in any kind of "business" other than than business of writing great songs, recording them and playing them live. "When we announced that we were no longer signed to Geffen two years ago, Brett Gurewitz was the first one to call me," Gilbert remembers. "'People at Epitaph are all music fans and have their shit together." And as for that spectacular accolade from the man running their new record label home? "It's crazy!" Chad says, laughing. "The Descendents could take that crown way before we could, or Screeching Weasel, or Green Day. I don't know why he said that! He's crazy. It's flattering. It's really flattering. But I don't know what to say!" New Found Glory's first Epitaph album has no guest appearances, no frills, nothing but fantastic songs and powerful performances. "If you really listen to our music, you can't pigeonhole it. We play music that we love." Not Without A Fight is alternately the band's most streamlined and direct but powerful and broad album thus far. "New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart." http://www.newfoundglory.com http://www.myspace.com/newfoundglory http://www.newfoundglorystuff.com http://www.steveisthereason.tumblr.com http://www.twitter.com/xchadballx http://www.twitter.com/boomersaveus http://www.twitter.com/steveisdareason

Mitt Romney's Big Promises - and Bigger Lies

Added 12/29/11
6 Views

Mitt Romney's Big Promises - and Bigger Lies

[LESS INFO] 6 VIEWS | ADDED 16:00:56 12/29/11
Click here to view this media In the election of 1928, the Republican Party of Herbert Hoover promised voters "a chicken in every pot and a car in every backyard." (We all know how that turned out.) Now, Mitt Romney is pledging that "If I'm President" every college graduate will be guaranteed a job, Iran will have no nuclear weapons and the United States will dominate the 21st century. And when Romney isn't making fantastic promises about what he'll do when he gets to the White House, he's slandering the current occupant , Barack Obama. "I Won't Let Iran Get Nukes" Governor Romney's guarantees start with Iran and its nuclear program . In a November 10, 2011 op-ed in the Wall Street Journal, Romney pledged, " I won't let Iran get nukes ." Or as he put it 10 days earlier during a GOP national security debate : > "If we re-elect Barack Obama, Iran will have a nuclear weapon. If you elect me as president, Iran will not have a nuclear weapon." As to how he'll ensure that outcome, Romney explained that "If you want peace, prepare for war." And despite occasionally acknowledging the complexity of a strike against Iran and even the questionable possibility of success, Romney told the Wall Street Journal this weekend how he would get it done: > So what would he do about it? "I do not have a top secret security clearance at this stage to be able to define precisely what kinds of actions we could take." But he adds that "the range includes something of a blockade nature, to something of a surgical strike nature, to something of a decapitate the regime nature, to eliminate the military threat of Iran altogether." No U.S. Decline in Romney's "American Century" Romney's promise to "eliminate the military threat of Iran altogether" is just part of his larger assurance that the 21st century will be another " American Century ." Pretending that the rise of India, China and Brazil doesn't inevitably entail the relative loss of U.S. power and influence, Romney announced in his October address at The Citadel : > "This century must be an American Century. In an American Century, America has the strongest economy and the strongest military in the world. In an American Century, America leads the free world and the free world leads the entire world...As President of the United States, I will devote myself to an American Century. And I will never, ever apologize for America." Not content to rest there, Romney accused President Obama of "waving the white flag of surrender": > "An eloquently justified surrender of world leadership is still surrender. > I will not surrender America's role in the world. This is very simple: If you do not want America to be the strongest nation on Earth, I am not your President. > You have that President today." Two months later, Mitt Romney repackaged his promise and his slander at the December 15 Republican debate in Sioux City, Iowa: > "Our president thinks America is in decline. It is if he's president. It's not if I'm president. This is going to be an American century." As for Romney's charge that President Obama "went around the world and apologized for America," the Washington Post Fact Checker deemed it a Four-Pinocchio lie . A Job for Every College Graduate At an event in New Hampshire last week, Governor Romney's pandering went from the sublime to the ridiculous. There, Mitt pledged President Romney would deliver full-employment for all American college graduates: > "What I can promise you is this -- when you get out of college, if I'm president you'll have a job. If President Obama is reelected, you will not be able to get a job. That's the reason I will hopefully get young people who are in college is to say, You know what, I understand what it takes to get jobs in America." As the record shows , not so much. After all, as the Los Angeles Times recently documented, Romney's "Bain Capital often maximized profits in part by firing workers." That's why FactCheck.org , the Washington Post Fact Checker and Fortune all refused to vouch for Romney's claim that "In those hundreds of businesses we invested in, tens of thousands of jobs net-net were created." Obama "Has Not Created Any New Jobs" If Mitt Romney can't prove his boasts about his own job creation record, neither can he justify his blatant lie about President Obama's : > "25 million people are out of work because of Barack Obama. And so I'll compare my experience in the private sector where, net-net, we created over 100,000 jobs." > "I'll compare that record with his record, where he has not created any new jobs." Sadly for Mitt Romney, the Bush recession began in December 2007. As ThinkProgress rightly noted, "The private sector has added 2.3 million new jobs since March 2010, and it took the Obama economy one year to create more jobs than the economy under President Bush did in eight." As The Economist explained earlier, the recession was not at its deepest just as Barack Obama was entering office, but far worse than official statistics revealed at the time. Romney might also want to check with former McCain economic adviser Mark Zandi as well as the non-partisan CBO , who concluded that the Obama stimulus program "added up to 0.9 million jobs in 2009, 3.3 million jobs in 2010 and 2.6 million jobs in 2011." Obama's Debt Exceeds All Previous Presidents Combined Mitt Romney didn't just lie about Barack Obama's jobs record. At the Sioux City debate, he got President Obama's contribution to the federal debt all wrong as well: > "We all understand that the spending crisis is extraordinary, with $15 trillion now in debt, with a president that's racked up as much debt as almost all of the other presidents combined." Of course, we don't all understand that, because it's not true . After Ronald Reagan tripled the gross national debt and George W. Bush doubled it again, Uncle Sam's red ink totaled almost $11 trillion when Barack Obama took the oath of office. Obama is "Taking over 100 Percent" of Health Care In his desperate quest to win over conservative Republican primary voters, Mitt Romney has turned his back on his signature achievement which he once boasted was a health care model for the nation. And to do it, Romney has been lying for months by telling voters "Obamacare is about taking over 100 percent of the people's insurance in this country." In a September 15, 2011 interview with CNN's Wolf Blitzer , Romney made the same charge: > "The Massachusetts plan was crafted for Massachusetts, for the needs of 8 percent of our population that didn't have insurance, not for the 92 percent that did. Obamacare is a plan that takes over 100 percent of the people in the country and their health care, and that's one of the reasons why people don't want it." Sadly for Mitt Romney, repetition of a lie doesn't make it any more true. The Affordable Care Act passed by Congress and signed by President Obama in the spring of 2010 targets the 17 percent of people (over 50 million people) who are uninsured . As Politifact explained in deeming Romney's fraud another "Pants on Fire" lie: > According to the Census Bureau, the percentage of Americans without health insurance nationally was slightly under 17 percent in 2009, the year Obama began pushing for the bill. According to a Congressional Budget Office estimate, the number was about the same in 2010, when the measure was signed into law. Other estimates have pegged the national number at about 15 percent. As Henry Aaron, a senior fellow with the centrist-to-liberal Brookings Institution right noted, comparing 8 percent to 17 percent "would have been apples to apples" when it comes to the impact of the individual mandate at the center of both the Massachusetts and national plans. Sadly, Politifact concluded, Romney was guilty of "a felony case of comparing apples and oranges." Romney "Will Reverse President Obama's Massive Defense Cuts" During that same "American Century" speech in October, Governor Romney pledged: > "I will reverse President Obama's massive defense cuts. Time and again, we have seen that attempts to balance the budget by weakening our military only lead to a far higher price, not only in treasure, but in blood." Sadly for Romney, as Steve Benen pointed out, defense spending has not only gone up every year of the Obama presidency . It is higher than it ever was when George W. Bush sat in the Oval Office. Of course, Romney's confusion over matters of war and peace are hardly new. In an April op-ed for the Manchester Union Leader, Mitt forgot about the conflicts in Iraq and Afghanistan as he denounced President Obama for "one of the biggest peacetime spending binges in American history." Obama's "Equal Outcomes" and "Entitlement Society" Last week, the Romney campaign rolled out what may well become the meta-theme and meta-lie for the 2012 general election race. After President Obama declared in his Osawatomie, Kansas address that Republican trickle down economics "never worked," Romney struck back. Just not with the truth: > "Just a couple of weeks ago in Kansas, President Obama lectured us about Teddy Roosevelt's philosophy of government. But he failed to mention the important difference between Teddy Roosevelt and Barack Obama. Roosevelt believed that government should level the playing field to create equal opportunities. President Obama believes that government should create equal outcomes. > "In an entitlement society, everyone receives the same or similar rewards, regardless of education, effort, and willingness to take risk. That which is earned by some is redistributed to the others. And the only people who truly enjoy any real rewards are those who do the redistributing -- the government. > "The truth is that everyone may get the same rewards, but virtually everyone will be worse off." By raising the mythical red menace of communism and falsely attributing it to Barack Obama, Romney in the words of Paul Krugman had introduced " The Big Lie " into his " Post-Truth Campaign ." While Andrew Sullivan announced "Mitt Romney is a big, fat liar," Steve Benen lamented that "Romney, allegedly the responsible one in the Republican field, has been reduced to lying uncontrollably." And while Greg Sargent in the past had expressed amazement at "Mitt Romney's casual, effortless falsehoods," New York Magazine's Jonathan Chait explained that Romney's red scare rose to a whole new level of duplicity: > "This isn't just a casual line. In eight sentences, Romney asserts over and over again that Obama wants to create "equal outcomes" and give everybody the "same rewards." This is nuts, Glenn Beck-level insane. Restoring Clinton-era taxes is not a plan to equalize outcomes, or even close. It's not even a plan to stop rising inequality. Obama's America will continue to be the most unequal society in the advanced world -- only slightly less so. The alternative proposals accelerate inequality even further." Of course, as the proliferating profiles from the Wall Street Journal , the New York Times , the Washington Post and others show, Mitt Romney is no stranger to inequality. Legendarily cheap and analytical , as a Harvard Business School student Romney gave a presentation to his classmates that "proved the value of family time based not on emotion but on yield." Two Romney quotes - " I love business " and " I love data " - seem to sum up the man. As for loving the truth, that for Mitt Romney is apparently another matter altogether. (This piece also appears at Perrspectives .)

On "If I were a poor Black kid"...

Added 12/28/11
0 Views

On "If I were a poor Black kid"...

[LESS INFO] 0 VIEWS | ADDED 07:41:54 12/28/11
[ VIDEO ] Joe Hicks discusses the controversy over Gene Marks' blog post at Forbes entitled " If I were a poor Black kid ". Basically he asks, "Why can't white people contribute to the national dialogue on race and racism?" It does seem like a cop out to just tell someone that they have nothing to say because they're not a poor Black child so they can't relate in any way. I've had a white geography teacher in high school - GO FALCONS - who said that he could relate because he was poor. Of course the conclusion could be that he thinks all Blacks are poor, but that's only a thought and not necessarily based on reality. All the same Marks bounces off of a recent speech by President Obama in Kansas where he discussed the gap between the rich and the poor: > The President’s speech got me thinking. My kids are no smarter than similar kids their age from the inner city. My kids have it much easier than their counterparts from West Philadelphia . The world is not fair to those kids mainly because they had the misfortune of being born two miles away into a more difficult part of the world and with a skin color that makes realizing the opportunities that the President spoke about that much harder. This is a fact. In 2011. I am not a poor black kid. I am a middle aged white guy who comes from a middle class white background. So life was easier for me. But that doesn’t mean that the prospects are impossible for those kids from the inner city. It doesn’t mean that there are no opportunities for them. Or that the 1% control the world and the rest of us have to fight over the scraps left behind. I don’t believe that. I believe that everyone in this country has a chance to succeed. Still. In 2011. Even a poor black kid in West Philadelphia. It takes brains. It takes hard work. It takes a little luck. And a little help from others. It takes the ability and the know-how to use the resources that are available. Like technology. As a person who sells and has worked with technology all my life I also know this. If I was a poor black kid I would first and most importantly work to make sure I got the best grades possible. I would make it my #1 priority to be able to read sufficiently. I wouldn’t care if I was a student at the worst public middle school in the worst inner city. Even the worst have their best. And the very best students, even at the worst schools, have more opportunities. Getting good grades is the key to having more options. With good grades you can choose different, better paths. If you do poorly in school, particularly in a lousy school, you’re severely limiting the limited opportunities you have. And I would use the technology available to me as a student. I know a few school teachers and they tell me that many inner city parents usually have or can afford cheap computers and internet service nowadays. That because (and sadly) it’s oftentimes a necessary thing to keep their kids safe at home than on the streets. And libraries and schools have computers available too. Computers can be purchased cheaply at outlets like TigerDirect and Dell’s Outlet . Professional organizations like accountants and architects often offer used computers from their members, sometimes at no cost at all. You will see at the end of this posting links to several rebuts to Marks' comments. I will add my two cents just as Hicks and those other links have. I didn't go to the very best schools in Chicago. I'd say my old elementary school was an average at best school and my old high school - when I attended - was one of the worst. My marks weren't that great in elementary school but for some reason my marks in high school were often in the honor roll range. With that in mind though I consider that a fluke today. My time in high school wasn't a time to seek out options. I never thought of my grades as a ticket mainly because they were had too easy. It was never a challenge academically and who knows how that would've been weathered. The serious challenge was in college where I struggled to keep up. If only I had the tools back then that the young people have today to help me study and understand the various subjects. I wouldn't just be ahead of my peers but it would be light years ahead of them. But when I was in public school most of those tools did not yet exist. In spite of the nay sayers - and I will get to one in a moment - Marks isn't wrong. Make the best grades you can where you are take advantage of all the tools you can. Don't have a PC at home go somewhere to use one, especially the library. At that there are people at your school who if you establish a relationship with them will help you move forward. This nay sayer, well is making more of this than he realizes: > No believer in Bell Curv-ish nonsense about black intellectual inferiority, Marks makes clear that the children about whom he speaks are no less capable than his own kids. Of course, one wonders just how much of a compliment Marks really intends for this to be, given his strange habit of dissing his offspring, on more than one occasion, as rather unintelligent, unmotivated, promiscuous and even inclined to petty criminality. Not sure what kind of asshole says things like this about his children in print, but I suppose we can leave that discussion for another day. No doubt Marks would say that he was simply encouraging poor African American kids to take personal responsibility for their success. He might even say that by acknowledging unfair and unjust structural inequity (and even, indirectly, white privilege), he was doing so in a politically ecumenical way. Certainly Marks would perceive his words and intentions as quite different from those of right-wingers whose hectoring of the poor so often involves blaming those at the bottom of the nation’s economic hierarchy for their station in life. To Marks, poor black kids are not to blame for the position in which they find themselves, but they nonetheless hold the keys to their own liberation, and if they would simply follow his sage counsel they could surely make it, like anyone else: even the cerebrally challenged and oversexed spawn who slumber each night just down the hall from he and his wife. There is much one could say about Marks’s advice — rather typical bootstrapping fare about studying hard, coupled with a more modern emphasis on becoming a techie like him, and thereby, presumably, an irresistible college or job applicant — and most of it has been said already. Like, for instance, this piece , or this one , or this one , or maybe this one , all of which eloquently critique the privileged and naive mindset displayed by Marks, and explain how even when poor kids of color do everything right, the structures of society are too often set up to help them fail anyway. ... And it’s this last point that we might do well to explore further. Fact is, Gene Marks knows his readership at Forbes . He knows that it includes virtually none of the people to whom he is ostensibly offering advice, which means that he isn’t really giving them advice at all; rather, he is inviting his mostly white, mostly affluent audience to engage in a perverse moralistic voyeurism at the expense of impoverished African American youth, almost none of whom that readership will ever meet, and whom they will, in fact, go out of their way to avoid. He is offering a kind of secret white-male handshake to others in the club, assuring them that the problems of urban poverty are not theirs to fix, that they are off the hook as it were, and isn’t that a relief? That Marks may not be as vile in his desire to blame the poor for their status as some, hardly acquits him of the charge that by pandering to the biases of his readership, he has, with some 700-odd simple (and simplistic) words, managed to reinscribe all the worst of their prejudices, many of which one can see on grand display in the readers’ comments section of the original article. Make no mistake, Gene Marks’s column is contempt cloaked as compassion and bigotry dressed up as benevolence. And it can do nothing but contribute to the indifference and even antipathy towards the poor that those who rely on Forbes for insights already possess in ample supply. Starting with that last paragraph it's true, Forbes may not have a significant audience in poor inner city communities. Without having to purchase a subscription you can always go to a library to access past issues of magazines. Also with internet access you can access magazines as well and blog posts such as this one which surely don't require a subscription. As for Mr. Tim Wise who wrote the above excerpts, how is he going to call that man out for what he refers to his kids. Yeah it may be wrong to say your kids are very bright, but somewhere out there some parent is doing it. I also recognize that Marks is merely a commentator who is definitely using his platform to say what he wants to say. The main point surely Marks is making is that his children are not much different than poor inner city children. Just that they have different opportunities living in a different part of the Philadelphia area than the inner city children. Perhaps even different expectations from parents, perhaps different staff and different schools. He didn't write the "poor black kid" piece to denigrate his children. I think what he wrote was real. It shouldn't be impeached merely for that reason. That alone is weak! Although to Mr. Wise's credit he is at least has some suggestions for Marks to put his money where his mouth is. Marks could always help get the information out aside from using his platform at Forbes.

Gingrich Just the Latest Republican to Threaten Judges

Added 12/21/11
6 Views

Gingrich Just the Latest Republican to Threaten Judges

[LESS INFO] 6 VIEWS | ADDED 17:00:55 12/21/11
"Judicial activism" is in the eye of the beholder. Threatening judges is not. That explains why even Michael Mukasey and Alberto Gonzales , former Bush Attorneys General and ardent defenders of detainee torture and illicit domestic surveillance, denounced Newt Gingrich's assault on the federal bench as "dangerous, ridiculous, totally irresponsible, outrageous, off-the-wall and would reduce the entire judicial system to a spectacle." Sadly, Gingrich has plenty of company among conservatives threatening judges. As the dangerous rhetoric of John Cornyn, Tom Delay and a host of other Republican officeholders and propagandists shows, judicial intimidation is now standard fare for many of the leading lights of the GOP. On Face the Nation Sunday, Gingrich the fading frontrunner told CBS News host Bob Schieffer he wouldn't hesitate to send the Capitol police or U.S. marshals to round up judges with whom he disagreed and force them to respond to subpoenas. As McClatchy reported Saturday: > In order to restore balance between Congress, the White House, and the courts, Gingrich recommended ignoring rulings, impeaching judges, subpoenaing justices to have them explain their rulings and, as a last resort, abolishing the courts altogether... > "I was frankly just fed up with elitist judges imposing secularism on the country and fundamentally changing the American Constitution," Gingrich told reporters, adding that "it was clear to me that you have a judicial psychology run amok, and there has to be some method of bringing balance back to the three branches." During the height of the Terri Schiavo controversy in 2005, some Republican leaders darkly suggested what one of those methods might be. Senator John Cornyn (R-TX), himself a former Texas Supreme Court Justice, has been at the forefront of GOP advocacy of violence towards members of the bench whose rulings part ways with conservative orthodoxy. Back in 2005, Cornyn was one of the GOP standard bearers in the conservative fight against so-called "judicial activism" in the wake of the Republicans' disastrous intervention in the Terri Schiavo affair . On April 4th, Cornyn took to the Senate floor to issue a not-too-thinly veiled threat to judges opposing his reactionary agenda. Just days after the murders of judge in Atlanta and another's family members in Chicago, Cornyn offered his endorsement of judicial intimidation: > "I don't know if there is a cause-and-effect connection, but we have seen some recent episodes of courthouse violence in this country...And I wonder whether there may be some connection between the perception in some quarters, on some occasions, where judges are making political decisions yet are unaccountable to the public, that it builds up and builds up and builds up to the point where some people engage in, engage in violence." Facing criticism for his remarks seemingly endorsing right-wing retribution against judges, Cornyn held his ground . "I didn't make the link," he said on Fox News Sunday, adding with a note of sarcasm: > "It was taken out of context. I regret it was taken out of context and misinterpreted." As it turns out, Cornyn was merely echoing the words of the soon-to-be indicted House Majority Leader Tom Delay. On March 31st, Delay issued a statement regarding the consistent rulings in favor of Michael Schiavo by all federal and state court judges involved: > "The time will come for the men responsible for this to answer for their behavior, but not today." The impact of tacit conservative endorsement of violence against judges cannot be dismissed. After all, it extends to members of the Supreme Court of the United States. In March 2006, Justice Ruth Bader Ginsburg revealed that she and Justice Sandra Day O'Connor were the targets of death threats . On February 28th, 2005, the marshal of the Court informed O'Connor and Ginsburg of an Internet posting citing their references to international law in Court decisions (a frequent whipping boy of the right) as requiring their assassination: > "This is a huge threat to our Republic and Constitutional freedom...If you are what you say you are, and NOT armchair patriots, then those two justices will not live another week." Neither O'Connor nor Ginsburg are shy about making the connection between Republican rhetoric of judicial intimidation and the upswing in threats and actual violence against judges. Ginsburg noted that they "fuel the irrational fringe" O'Connor blamed Cornyn and his fellow travelers for "creating a culture" in which violence towards judges is merely another political tactic: > "It gets worse. It doesn't help when a high-profile senator suggests a 'cause-and-effect connection' [between controversial rulings and subsequent acts of violence.]" When anthrax spores were mailed to the Supreme Court in 2001, Americans could be forgiven for speculating on the ideological persuasion of the culprit. Aided by best-selling conservative author and media personality Ann Coulter , who joked in January 2006, "We need somebody to put rat poisoning in Justice Stevens' creme brulee," the right-wing endorsement of retribution against judges increasingly permeates the culture. Just ask Judge Reggie Walton. A federal judge on the United States District Court for the District of Columbia, Walton was picked by Supreme Court Chief Justice John Roberts to serve on the FISA court which must approve government requests for domestic electronic surveillance. But when Dick Cheney's chief-of-staff Scooter Libby was convicted in his court in 2007, Judge Walton received death threats : > "I received a number of angry, harassing mean-spirited phone calls and letters. Some of those were wishing bad things on me and my family." One of those seemingly wishing bad things on judges is Montana Republican Congressman Denny Rehberg . Just weeks after the Tucson slaughter that claimed the life of circuit judge John Roll , Rehberg responded to a recent ruling by declaring he wanted to " put some of these judicial activists on the Endangered Species list ": > "Environmental obstructionists found a federal judge in Missoula that was willing to ignore the scientific evidence as well as the expert opinions of on-the-ground wildlife managers here in Montana. And he ruled last August that the grey wolf had to remain on the Endangered Species List.! > When I first heard his decision, like many of you I wanted to take action immediately. I asked: how can we put some of these judicial activists on the Endangered Species List? I am still working on that!" As are, in myriad other ways, many of his GOP allies. By proposing to abolish the Ninth Circuit Court of Appeals , Newt Gingrich was hardly the first Republican to call for simply ending jurisdiction for the federal courts across a broad swath of issues. Even after the calamitous intervention in the Schiavo imbroglio, conservative stalwarts continued to turn to "court-stripping" as a favorite tactic. As the Eagle Forum's Phyllis Schlafly put it in 2006, "The American people are waiting for this year's Congress to pass legislation defining the jurisdiction of the federal courts so that supremacist judges will not be able to ban the Pledge of Allegiance, the Ten Commandments, the Boy Scouts, or the traditional definition of marriage as the union of a man and a woman." On terror detainees, the EPA's regulation of greenhouse gases and so much more, Republicans want eliminate the prospect of future rulings with which they might disagree. In 2008, former Supreme Court Justice and Reagan appointee Sandra Day O'Connor wrote, "What worries me is the manner in which politically motivated interest groups are attempting to interfere with justice." As O'Connor explained the next year to Jon Stewart of The Daily Show , that threat prompted her to launch a new online civics education project: > "Well, what I became aware of increasingly in those last years was all the criticism of judges across America. We heard a lot in Congress and in state legislature. We heard a lot about "activist judges," didn't we? "Secular, godless humanists trying to tell us all what to do." I mean, that was what we were hearing. And I just didn't see it that way, and I thought perhaps a lot of Americans had stopped understanding about the three branches of government." Americans, that is, like Newt Gingrich and many of his friends in the Republican Party. (This piece also appears at Perrspectives .)

Family Of The Year - Live in Studio B - Part 1- Living On Love

Added 12/19/11
2 Views

Family Of The Year - Live in Studio B - Part 1- Living On Love

[LESS INFO] 2 VIEWS | ADDED 16:57:51 12/19/11
Part 1 of Family of The Year performing at Mevio Studios in San Francisco For the entire performance CLICK HERE WEBSITE FACEBOOK TWITTER About Most bands function like a family, seeing how touring, writing, and studio time force them to share a lot of small spaces for extended periods of time. But Family of the Year has taken that familial feeling a step further, and not just with its moniker. The members of the Los Angeles outfit have formed unbreakable bonds amongst themselves that come from cohabitating in a run-down house and relying on each other for inspiration and support, which has led to the kind of camaraderie that allows members to finish each other’s sentences. It also doesn’t hurt that frontman Joe Keefe and drummer Sebastian Keefe are real-life siblings. Not surprisingly, many of the group’s songs feature numerous voices, and more than a few include a chorus of joyous handclaps. Some even sound like they should be sung by the tight-knit group around the campfire while the s’mores are melting and the wine is flowing, especially the ones that name-drop members of the band. Guitarist Jamesy Buckey, in particular, has received the lion’s share of shout-outs in FOTY songs, to the point where it’s become a Family tradition. Family of the Year’s story began in 2009, when Joe assembled a band around an album, Songbook , that he completed while decompressing from a five-year stint with Unbusted, the alt-rock trio he started in Boston with Sebastian that gained some notoriety for its inclusion on the soundtrack to the Farrelly brothers’ film Stuck On You . Instead of relying on the distortion of his past, suddenly pianos, horns, acoustic guitars, and other assorted instrumentation were being used to display a more sophisticated—yet equally as playful—indie-rock sound that brings to mind classic pop bands like The Smiths, The Byrds, Fleetwood Mac, and The Go-Betweens. To say that Family of the Year has accomplished a lot in a short amount of time would be an understatement. In addition to Songbook , the band has issued a pair of EPs on its own Washashore Records imprint, 2009’s Where’s The Sun and 2010’s Through The Trees , and songs from all three discs have made their way onto various international releases. Media attention has come from various corners of the world, including heavy rotation on French radio as well as glowing reviews from NME , the BBC, and Spin . Now the group is preparing for its busiest schedule yet, with shows and tours being planned around two new releases: the St. Croix EP, which is coming out on Sept. 27, and the full-length Diversity , which is due in early 2012. In addition to plenty of stateside dates, the Family plans to return overseas, where it has already developed a significant fanbase. In early 2011, the band played sold-out shows in England and across Europe, including a triumphant set at France’s largest music festival, Les Vieilles Charrues. The list of artists that FOTY has played with over the years is notable, including Edward Sharpe & The Magnetic Zeroes (who took the band on tour early in its career), Mumford & Sons, Gomez, and The Antlers, though arguably the most impressive opening gig so far was when the band warmed up a Ben Folds performance with the Boston Pops Orchestra. Handpicked by Folds and Boston Pops conductor Keith Lockhart, Family of the Year beat out 700 other hopeful artists to open the Oct. 2009 event. Not a bad way to spend your third show ever. “We went back home to Boston to play at Symphony Hall, which was the sweetest homecoming ever,” says Joe. “The show was amazing. Our mom got to stay at a nice hotel and get dressed up and come see us play. Musically we were a bit shaky, it being our third gig, but it was a great room to play in.” Proving its versatility, the Family has made fans of a couple of fellow Massachusetts-bred musicians who, on the surface at least, don’t have much in common: singer-songwriter Willy Mason and Aerosmith frontman Steven Tyler. Mason contributed to the reggae-tinged “The Princess And The Pea” on Through The Trees , while the demon of screamin’ discovered Family of the Year through a mutual connection and compared what he heard to “The Mamas And The Papas on acid.” Interestingly enough, the Keefe brothers used to live next to the apartment in Boston that once housed Aerosmith. “I don’t think Steven Tyler is getting a tattoo anytime soon, but he likes our music,” says Sebastian. “We had the opportunity to meet him once, and he was really cool.” But a band is only as good as its most recent output, which is why it’s fair to say that Family of the Year has positioned itself for greatness. Recorded by what now constitutes the core of FOTY—Joe (vocals, guitar), Sebastian (drums, vocals), Buckey (guitar, vocals), and Christina Schroeter (keyboards, vocals)—the group completed 14 songs with producer Wally Gagel at his new studio in Hollywood. This is the first time that the band has worked with a producer and gone outside of its own camp to release its music. With Gagel’s assistance, the band has crafted a stirring set of songs teeming with catchy melodies, clever ruminations on love, heartbreak, and staying up late enough to watch the sun rise, and a cosmopolitan flavor enhanced by the fact that the members of Family of the Year hail from all over the globe. After being born in Martha’s Vineyard, the Keefe brothers followed their father’s bloodline back to Wales during their formative years (during which time Britpop was booming); Buckey is from Jacksonville, Florida, where he familiarized himself with that town’s all-ages punk scene; and Schroeter is the lone Southern California native, having grown up in Huntington Beach. Though still only in their 20s, the members of this Family are music veterans, and the precision with which they play is a testament to all of the hard work that got them here. Gagel is another Boston native, having played with ’90s power trio Orbit prior to his current status as half of the hit-making production duo Wax Ltd (he and Xandy Barry have collectively and individually worked with artists like Folk Implosion, Muse, New Order, and The Rolling Stones). Joe had already developed strong ties with Gagel before the band entered the studio. “Having him be a really close friend instead of a random producer assigned to us was really helpful, because you have to be pushed to edit yourself and be better, be stronger, work harder on things,” says Joe. “Working with someone like that who knows exactly what we wanted it to sound like with the same exact vision, it was really kind of a no-brainer.” St. Croix ’s title track and “Living On Love” perfectly encapsulate what FOTY does best, and the two songs will also appear on next year’s full-length. “St. Croix” is a dreamy, jangly tune about “a boy from Florida / took a trip to the Caribbean … he came to get over her,” and in case you’re wondering, yes, it’s about Jamesy. “Living On Love” is as spirited as the band members themselves, promoting carpe diem over a bouncy, keyboard-driven rocker that brings to mind Vampire Weekend at its best. As a bonus, the EP features a slow-bumping electro remix of “St. Croix” by Hooray For Earth’s Noel Heroux, who over the years has shared various stages with the Keefe brothers. The track is a reminder of their origins, while the EP and LP as a whole are glorious celebrations of just how far they’ve come. “It feels like the first time in so many ways, because it’s the first time things have really clicked,” says Joe. “We inspire each other,” says Sebastian. “It was important for this record to be something that would stand up as one piece, rather than something that sounded like songs strung together. We really wanted to have a record with a clear identity.” And Family of the Year’s future is clearly a bright one. Playing every show like it’s a special occasional and writing each song with complete conviction has allowed the band to accomplish everything it has set its sights on. As “Living On Love” notes, “they say that you can’t get every little thing that you want … it’s such a lie.” Contact Information Booking: AJ Paul / APA apaul@apa-agency.com Online: Sneak Attack, Zach Hinkle, zach@sneakattackmedia.com Label: tinyOGRE, marketing@tinyOGREent.com

Sign in to Channels.com!

Search Results

Lap Band Success Stories And Pictures

Newt on This Week: Mitt Can't Tell The Truth, Has A 'Character' Problem

Newt on This Week: Mitt Can't Tell The Truth, Has A 'Character' Problem

Welcome to Drupal! What Now? [January 26, 2012]

The Pace Report: "The 2012 NEA Jazz Masters Cememony Highlights"

Episode 121: Sat Phone Conundrum

Army Corps Works To Strengthen Levees

LIVE - You're Divine - OWN IT! Eyes-of-Heart Perspective Can Shock

New Found Glory Live in Studio B - Part 1 - Radio Surgery

New Found Glory Live in Studio B - Part 2 - Anthem For The Unwanted

New Found Glory - Live in Studio B Part 3 - My Friends Over You

New Found Glory - Live In Studio B

Mitt Romney's Big Promises - and Bigger Lies

On "If I were a poor Black kid"...

Gingrich Just the Latest Republican to Threaten Judges

Family Of The Year - Live in Studio B - Part 1- Living On Love