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00:00:40 01/06/12
Mitt Romney, a Profile in Cowardice
[LESS INFO] 3 VIEWS | ADDED 00:00:40 01/06/12
For months, likely Republican presidential nominee Mitt Romney has made Barack Obama's supposed "failure of leadership" a centerpiece of his campaign. But like his ill-advised comparison of President Obama to Marie Antoinette , Romney's sound bite could well boomerang. After all, when Multiple Choice Mitt isn't comically reversing his stands, he's too afraid to take any at all .
That cowardice starts with his tax returns . While John Kerry and John McCain at least presented a summary of their (and their well-to-do wives') payments to Uncle Sam, the $250 million Mitt has so far refused to do so. Despite his famous demand in the 1994 Senate race that Ted Kennedy release his tax returns to show he has "nothing to hide," Romney reiterated his own paperwork would not be forthcoming. "We don't have any current plans to release tax returns, but never say never," Romney said, adding: >
"I can tell you we follow the tax laws, and if there's an opportunity to save taxes, we like anybody else in this country will follow that opportunity."
Or as he put it to CNN's Wolf Blitzer last week (at around the 6:40 mark): >
"I don't put out which tooth paste I use either. It's not that I have something to hide."
That's one interpretation. Another is that Mitt Romney is desperate to avoid the horrible political optics his tax returns would inevitably produce. After all, because Romney's continuing millions in annual income from Bain Capital (a company the Los Angeles Times recently explained "often maximized profits in part by firing workers") are taxed at the 15 percent capital gains rate, Mitt already pays a much lower share to Uncle Sam than most middle class families .
Romney's pusillanimity extends to his own tax proposals as well. Unlike virtually all of his GOP rivals , Romney has held back on endorsing either a flat-tax or the complete elimination of the capital gains tax. As he seemed to suggest to the Wall Street Journal , discretion is the better part of valor when it comes to telling voters about the massive windfall the Romneys would reap under the tax policies that dare not speak their name: >
What about his reform principles? Mr. Romney talks only in general terms. "Moving to a consumption-based system is something which is very attractive to me philosophically, but I've not been able to sufficiently model it out to jump on board a consumption-based tax. A flat tax, a true flat tax is also attractive to me. What I like--I mean, I like the simplification of a flat tax. I also like removing the distortion in our tax code for certain classes of investment. And the advantage of a flat tax is getting rid of some of those distortions"... >
Amid such generalities, it's hard not to conclude that the candidate is trying to avoid offering any details that might become a political target. And he all but admits as much. "I happen to also recognize," he says, "that if you go out with a tax proposal which conforms to your philosophy but it hasn't been thoroughly analyzed, vetted, put through models and calculated in detail, that you're gonna get hit by the demagogues in the general election."
Mitt Romney's fear of getting hit was also on display during the debt ceiling debate this summer. As the GOP's brinksmanship over defaulting on the U.S. debt reached its climax in late July, Romney turned his tail and fled. As MSNBC reported at the time: >
NBC's Garrett Haake reported that Mitt Romney told reporters in Ohio yesterday that he would not comment on the debt negotiations in Washington. And so far, he has refused to either endorse Boehner's legislation (as Huntsman has done) or oppose it (as Pawlenty and Bachman have done). Our question: How does someone who wants to be the leader of the Republican Party not have a position on one of the biggest issues facing Washington, especially after the dueling primetime speeches by Obama and Boehner? It's actually quite surprising; this isn't just another Washington fight. Is the lack of a position proof of how fragile Team Romney believes its front-runner status is right now?
(Ultimately, Romney used Facebook to announce his support of the Boehner bill, but only after it passed the GOP House .)
As it turns out, Ohio was the scene of another of Mitt Romney's moments in cowardice.
After visiting a Republican phone bank calling voters about the state's controversial Issue 2 curbing public unions , Romney amazingly refused to take a position: >
"I'm not saying anything one way or the other about the two ballot issues."
Embarrassed by his obvious lack of backbone, Romney endorsed the measure the next day. Ohio voters, who handily defeated the Republican measure, won't soon forget Romney said goodbye to his spine in Columbus.
Romney's vertebra similarly went missing on immigration and abortion , two issues near and dear to the Republican primary voter's heart. As Steve Benen recounted, Mitt's campaign simply would not answer Joe Klein question about what President Romney would do about the 12 million illegal immigrants already in the country: >
The evasion wasn't exactly graceful. Klein asked what Romney would do with the undocumented immigrants who are already here, and Fehrnstrom replied, "He would not grant them amnesty." Right, Klein said, but instead of amnesty, what would Romney do with these people? "He would not grant them amnesty," Fehrnstrom answered. Got it, Klein said, but what, specifically, would Romney do? "I just told you, he's not going to grant them amnesty," the campaign spokesperson said. When Klein then explained that this isn't actually an answer, Fehrnstrom, once again, said, "He would not grant them amnesty."
The Romney camp built a similar stonewall after their man seemingly came out in support of the soon-to-be defeated "personhood" initiative in Mississippi . But the day after the ballot measure went down to crushing defeat, Team Romney insisted "he's being falsely characterized as supporting a proposed amendment to define a fertilized egg as a 'person.'"
On matters small and large, duck and cover is Mitt Romney's posture. Afraid to admit that he has obviously been running for President without interruption since his failed campaign four years ago, Romney's wife claimed his 2012 run was all her idea. As Ann Romney told Wolf Blitzer last week (starting around the 2:30 mark in the video above): >
BLITZER: Is it true that you had to talk to Mitt into running again? >
ANN ROMNEY. ROMNEY: It is true...after the last campaign, it was kind of ironic that I was the one that said I'd never do this again, and now, this time around, I'm saying, you know what, Mitt, you've got to do this again.
But in Mitt's telling, his latest White House bid is all due to Barack Obama. As he told the Wall Street Journal just days ago, Mitt was content to hang out in his $12 million, soon-to-be doubled-in-size California beach side home : >
The Republican presidential candidate says he never intended to run for office again after 2008--"I went back and bought a home which was far too expensive and grandiose for the purposes of another campaign," he jokes. He was drawn back into public life amid Mr. Obama's bid to "fundamentally transform" the country, to use the president's own words, into "an entitlement society," to use Mr. Romney's.
Given his Boston area townhouse and lakeside mansion with man-made beach in New Hampshire, a third palatial retreat would have seemed excessive for a candidate Romney. After all, Mitt Romney's running for office as a " man of the people "; he can't have mansions, for Pete's sake .
"If it seems like this keeps coming up with the former governor," Benen concluded, "it's not your imagination." >
Romney refused to take a stand on Paul Ryan's budget. Romney refused to take a stand when asked about voters booing a U.S. soldier serving in Iraq during a Republican debate. Romney refused to take a stand when Rick Perry dabbled in Birtherism. Romney initially refused to take a stand on Ohio's campaign to undermine collective-bargaining rights, and then sheepishly backpedaled when the right complained. >
There's going to come a point next year when the Obama campaign is likely to say, "Mitt Romney lacks the courage and the character to be a leader." And the criticism will sting because it's based in fact.
And so it goes for the man George Will rightly described as a "recidivist reviser of his principles." On the issues where he doesn't change his mind, Mitt Romney - the man who would be leader of the Free World - lacks "the courage of his absence of convictions."
(This piece also appears at Perrspectives. )
0 Views
00:00:40 01/06/12
Mitt Romney, a Profile in Cowardice
[LESS INFO] 0 VIEWS | ADDED 00:00:40 01/06/12
For months, likely Republican presidential nominee Mitt Romney has made Barack Obama's supposed "failure of leadership" a centerpiece of his campaign. But like his ill-advised comparison of President Obama to Marie Antoinette , Romney's sound bite could well boomerang. After all, when Multiple Choice Mitt isn't comically reversing his stands, he's too afraid to take any at all .
That cowardice starts with his tax returns . While John Kerry and John McCain at least presented a summary of their (and their well-to-do wives') payments to Uncle Sam, the $250 million Mitt has so far refused to do so. Despite his famous demand in the 1994 Senate race that Ted Kennedy release his tax returns to show he has "nothing to hide," Romney reiterated his own paperwork would not be forthcoming. "We don't have any current plans to release tax returns, but never say never," Romney said, adding: >
"I can tell you we follow the tax laws, and if there's an opportunity to save taxes, we like anybody else in this country will follow that opportunity."
Or as he put it to CNN's Wolf Blitzer last week (at around the 6:40 mark): >
"I don't put out which tooth paste I use either. It's not that I have something to hide."
That's one interpretation. Another is that Mitt Romney is desperate to avoid the horrible political optics his tax returns would inevitably produce. After all, because Romney's continuing millions in annual income from Bain Capital (a company the Los Angeles Times recently explained "often maximized profits in part by firing workers") are taxed at the 15 percent capital gains rate, Mitt already pays a much lower share to Uncle Sam than most middle class families .
Romney's pusillanimity extends to his own tax proposals as well. Unlike virtually all of his GOP rivals , Romney has held back on endorsing either a flat-tax or the complete elimination of the capital gains tax. As he seemed to suggest to the Wall Street Journal , discretion is the better part of valor when it comes to telling voters about the massive windfall the Romneys would reap under the tax policies that dare not speak their name: >
What about his reform principles? Mr. Romney talks only in general terms. "Moving to a consumption-based system is something which is very attractive to me philosophically, but I've not been able to sufficiently model it out to jump on board a consumption-based tax. A flat tax, a true flat tax is also attractive to me. What I like--I mean, I like the simplification of a flat tax. I also like removing the distortion in our tax code for certain classes of investment. And the advantage of a flat tax is getting rid of some of those distortions"... >
Amid such generalities, it's hard not to conclude that the candidate is trying to avoid offering any details that might become a political target. And he all but admits as much. "I happen to also recognize," he says, "that if you go out with a tax proposal which conforms to your philosophy but it hasn't been thoroughly analyzed, vetted, put through models and calculated in detail, that you're gonna get hit by the demagogues in the general election."
Mitt Romney's fear of getting hit was also on display during the debt ceiling debate this summer. As the GOP's brinksmanship over defaulting on the U.S. debt reached its climax in late July, Romney turned his tail and fled. As MSNBC reported at the time: >
NBC's Garrett Haake reported that Mitt Romney told reporters in Ohio yesterday that he would not comment on the debt negotiations in Washington. And so far, he has refused to either endorse Boehner's legislation (as Huntsman has done) or oppose it (as Pawlenty and Bachman have done). Our question: How does someone who wants to be the leader of the Republican Party not have a position on one of the biggest issues facing Washington, especially after the dueling primetime speeches by Obama and Boehner? It's actually quite surprising; this isn't just another Washington fight. Is the lack of a position proof of how fragile Team Romney believes its front-runner status is right now?
(Ultimately, Romney used Facebook to announce his support of the Boehner bill, but only after it passed the GOP House .)
As it turns out, Ohio was the scene of another of Mitt Romney's moments in cowardice.
After visiting a Republican phone bank calling voters about the state's controversial Issue 2 curbing public unions , Romney amazingly refused to take a position: >
"I'm not saying anything one way or the other about the two ballot issues."
Embarrassed by his obvious lack of backbone, Romney endorsed the measure the next day. Ohio voters, who handily defeated the Republican measure, won't soon forget Romney said goodbye to his spine in Columbus.
Romney's vertebra similarly went missing on immigration and abortion , two issues near and dear to the Republican primary voter's heart. As Steve Benen recounted, Mitt's campaign simply would not answer Joe Klein question about what President Romney would do about the 12 million illegal immigrants already in the country: >
The evasion wasn't exactly graceful. Klein asked what Romney would do with the undocumented immigrants who are already here, and Fehrnstrom replied, "He would not grant them amnesty." Right, Klein said, but instead of amnesty, what would Romney do with these people? "He would not grant them amnesty," Fehrnstrom answered. Got it, Klein said, but what, specifically, would Romney do? "I just told you, he's not going to grant them amnesty," the campaign spokesperson said. When Klein then explained that this isn't actually an answer, Fehrnstrom, once again, said, "He would not grant them amnesty."
The Romney camp built a similar stonewall after their man seemingly came out in support of the soon-to-be defeated "personhood" initiative in Mississippi . But the day after the ballot measure went down to crushing defeat, Team Romney insisted "he's being falsely characterized as supporting a proposed amendment to define a fertilized egg as a 'person.'"
On matters small and large, duck and cover is Mitt Romney's posture. Afraid to admit that he has obviously been running for President without interruption since his failed campaign four years ago, Romney's wife claimed his 2012 run was all her idea. As Ann Romney told Wolf Blitzer last week (starting around the 2:30 mark in the video above): >
BLITZER: Is it true that you had to talk to Mitt into running again? >
ANN ROMNEY. ROMNEY: It is true...after the last campaign, it was kind of ironic that I was the one that said I'd never do this again, and now, this time around, I'm saying, you know what, Mitt, you've got to do this again.
But in Mitt's telling, his latest White House bid is all due to Barack Obama. As he told the Wall Street Journal just days ago, Mitt was content to hang out in his $12 million, soon-to-be doubled-in-size California beach side home : >
The Republican presidential candidate says he never intended to run for office again after 2008--"I went back and bought a home which was far too expensive and grandiose for the purposes of another campaign," he jokes. He was drawn back into public life amid Mr. Obama's bid to "fundamentally transform" the country, to use the president's own words, into "an entitlement society," to use Mr. Romney's.
Given his Boston area townhouse and lakeside mansion with man-made beach in New Hampshire, a third palatial retreat would have seemed excessive for a candidate Romney. After all, Mitt Romney's running for office as a " man of the people "; he can't have mansions, for Pete's sake .
"If it seems like this keeps coming up with the former governor," Benen concluded, "it's not your imagination." >
Romney refused to take a stand on Paul Ryan's budget. Romney refused to take a stand when asked about voters booing a U.S. soldier serving in Iraq during a Republican debate. Romney refused to take a stand when Rick Perry dabbled in Birtherism. Romney initially refused to take a stand on Ohio's campaign to undermine collective-bargaining rights, and then sheepishly backpedaled when the right complained. >
There's going to come a point next year when the Obama campaign is likely to say, "Mitt Romney lacks the courage and the character to be a leader." And the criticism will sting because it's based in fact.
And so it goes for the man George Will rightly described as a "recidivist reviser of his principles." On the issues where he doesn't change his mind, Mitt Romney - the man who would be leader of the Free World - lacks "the courage of his absence of convictions."
(This piece also appears at Perrspectives. )
5 Views
20:00:00 12/19/11
Havel the Dissident: A Legacy Worth Claiming
[LESS INFO] 5 VIEWS | ADDED 20:00:00 12/19/11
Former President Havel addresses a European cultural congress on the economics of culture
On a warm evening in 1991, a colleague and I found an out-of-the-way café in the old part of Prague. Two men with blank expressions stood outside. The interior was dim and close, with room for only eight or nine tables. The place was almost empty. Just a sleepy waitress, a bartender polishing glasses, and a single patron who sat alone drinking wine and chain-smoking cigarettes.
The President of Czechoslovakia wasn't reviewing official papers. He was reading a book, a startlingly un-Presidential act to our American eyes. My companion, a neoconservative State Department official, already admired him for defying and defeating a Communist state. He'd impressed me by bringing a writer's sensibility and an affinity for true underground culture to his role as head of state.
Václav Havel even tried to appoint Frank Zappa as his Minister of Culture. "We're not rock musicians," Zappa told a reporter back in the sixties. "We're electronic social workers." The State Department wouldn't let Zappa assume the post, but Havel had made his point to the Czech public by offering this apparatchik's position to the composer of songs like "What's the Ugliest Part of Your Body?" ("Some say your nose, some say your toes, but I think it's your mind .")
We never spoke to Havel that night. It didn't seem polite to offer anything more than the curt nod of acknowledgement any café patron gives another at that hour. But Havel spoke to us, to all of us. And on the occasion of his death, the real lessons of his life's work are in danger of being lost.
Today we're told that the Occupy movement is too idealistic, too naïve. Naïve? Try Havel's words if you want naïve: "May truth and love triumph over lies and hatred."
Think of that as the Velvet Revolution's "one demand."
Portrait of the President as a Young Freak
As millions of people know, the underground playwright Havel first made his political mark in Charter 77. That group was formed to defend the Plastic People of the Universe, a banned and imprisoned rock band working in the Zappa mold of musical dissonance and cultural dissidence.
The Occupy movement is not on the cultural fringe, despite what its detractors say. But Havel's movement began as a Yippie-like creature of the underworld. Charter 77 rarely had more than a thousand members. It was a strange blend of political idealism and the hippie subculture where people proudly labeled themselves "freaks" to the conventional world. Despite its later alignment with economically conservative forces, it was more Allen Ginsburg than Alan Greenspan.
And it was created to defend the Plastic People of the Universe, whose grating music makes Occupy's drum circles seem like a children's choir serenading the bored residents of a home for aging veterans.
Words
Liberté, Egalité, Fraternité - what wonderful words! And how terrifying their meaning can be! Freedom in the shirt unbuttoned before execution. Equality in the constant speed of the guillotine's fall on different necks. Fraternity in some dubious paradise ...
Havel addressed the liberal democratic West on words in the 1970s, noting that the suppression of speech can give language enormous power: >
I ... live in a country where a writers' congress speech is capable of shaking the system ... a manifesto served as one of the pretexts for the invasion of our country one night by five foreign armies ... a system in which words are capable of shaking the entire structure of government, where words can prove mightier than ten military divisions.
When a system has become inflexible and is in danger of collapsing, what it fears most is words. Think about that the next time you see a phalanx of cops tear down a tent city on television.
Havel had been burned by language, too: >
The same word can at one moment radiate great hope, at another it can emit lethal rays ... true at one moment and false the next, at one moment illuminating, at another, deceptive. On one occasion it can open up glorious horizons, on another, it can lay down the tracks to an entire archipelago of concentration camps.
And as we approach an election year that will be filled with the rhetoric of freedom, this observation still resonates: >
The same word can at one time be the cornerstone of peace, while at another time machine-gun fire resounds in its every syllable.
Control
In 1975 Havel had the presumption to write directly to Czechoslovakian head of state Gustáv Husák with a few suggestions. There's more than a passing resemblance between the fear-driven Communist society Havel condemned in that letter and the financial anxiety many Americans endure today: >
The technique of existential pressure is ... universal. There is no one in our country who is not, in a broad sense, existentially vulnerable. Everyone has something to lose and so everyone has reason to be afraid. The range of things one can lose is broad, extending from the manifold privileges of the ruling caste... down to the mere possibility of living in that limited degree of legal certainty available to other citizens.
Today, one out of two Americans lives in financial insecurity. Even many upper-middle-class citizens live from month to month, just one layoff notice away from medical bankruptcy or home foreclosure.
"Everyone has something to lose," observed Havel.
Havel's description of his 20th Century Communist society echoes our own: >
The more completely one abandons any hope of general reform, any interest in suprapersonal goals and values, or any chance of exercising influence in an 'outward' direction, the more one's energy is diverted in the direction of least resistance, that is, 'inwards.'"
People today are preoccupied far more with themselves ... They fill their homes with all kinds of appliances and pretty things, they try to improve their accommodations, they try to make life pleasant for themselves, building cottages, looking after their cars, taking more interest in food and clothing and domestic comfort ...They turn their main attention to the material aspects of their private lives.
Havel concluded that "Despair leads to apathy, apathy to conformity, and conformity to routine (political) performance - which is then quoted as evidence of 'mass political involvement.'"
Ambition
Havel understood the psychology of greed and power, too. From his letter to Husák: >
If it is fear which lies behind people's defensive attempts to preserve what they have, it becomes increasingly apparent that the chief impulses for their aggressive efforts to win what they do not yet possess are selfishness and careerism.
It is not surprising that so many public and influential positions are occupied more than ever before by notorious careerists, opportunists, charlatans, and men of dubious record.
From Prague to Washington, from Moscow to lower Manhattan, the opportunities change. But human nature never does: >
Seldom in recent times has a social system offered scope so openly and so brazenly to people willing to support anything as long as it brings them some advantage; to unprincipled and spineless men, prepared to do anything in their craving for power and personal gain; to born lackeys, ready for any humiliation and willing at all times to sacrifice their neighbors' and their own honor for a chance to ingratiate themselves with those in power.
Technocracy
It's a historical irony that those who claim they'll govern with the most efficiency usually wind up governing with the least effectiveness. Today corporate-funded politicians from both parties argue that the country should be led by "technocrats' who'll govern without messy "ideologies."
That's a false premise Havel knew well. He called it the "process by which power becomes anonymous and depersonalized, reduced to a mere technology of rule and manipulation."
Washington's technocratic "bipartisans" dream of a world where, in Havel's words, the "professional ruler is (seen as) the 'innocent' tool of an 'innocent' anonymous power ... legitimized by science, cybernetics, ideology, law, abstraction, and objectivity - that is, by everything except personal responsibility to human beings as persons and neighbors." Havel's Prague is our Beltway: >
States grow ever more machinelike; people are transformed into statistical choruses of voters, producers, consumers, patients, tourists, or soldiers, (where) in politics good and evil, categories of the natural world and therefore obsolete remnants of the past, lose all absolute meaning (and where) the sole method of politics is quantifiable success.
Havel condemned a system of state-orchestrated political theater, and the self-perpetuating failures of imagination which mistook the indifferent and pro forma participation of its citizens for genuine democracy. And he saw its universal nature: >
(It) has a thousand masks, variants, and expressions. Essentially, though, it is the same universal trend ... the essential trait of all modern civilization, growing directly from its spiritual structure, rooted in it by a thousand tangled tendrils and inseparable even in thought from its technological nature, its mass characteristics, and its consumer orientation.
"The contemporary concept of 'normal' behavior is," Havel wrote, "deeply pessimistic."
Responsibility
"I favor 'antipolitical politics,'" said Havel, "politics not as the technology of power and manipulation, of cybernetic rule over humans or as the art of the utilitarian, but politics as one of the ways of seeking and achieving meaningful lives, of protecting them and serving them." >
I favor politics as practical morality, as service to the truth, as essentially human and humanly measured care for our fellow humans.
None of us--as an individual--can save the world as a whole, but . . . each of us must behave as though it were in his power to do so.
Decades later he said this to the leaders of Western countries: >
Today, more than ever before in the history of mankind, everything is interrelated ... Because of this, the future of the United States or the European Union is being decided in suffering Sarajevo or Mostar, in the plundered Brazilian rain forests, in the wretched poverty of Bangladesh or Somalia.
Havel had glaring faults. American neocons offered him small favors during his final rise to power. He reciprocated, consciously or unconsciously, by aiding their destructive military ventures and adopting their foolish economic policies. He succumbed to the politics of personality, both his own and those of the leaders who courted him. But it would be a shame if that's all the world remembered.
Havel seemed unhappy in the role of leader. It's possible than he lost sight of his deepest insights, his truest gifts. It was the outsider Havel, the dreamer of the impossible, the surrealist and absurdist, we should remember. That's the Havel who can and should inspire dissidents everywhere.
"Is the human word truly powerful enough to change the world and influence history?" he once asked. With his life and his words, Václav Havel gave us his answer. He showed us the power in each individual and the responsibility that accompanies that power.
At his best, and above all else, Havel was a dissident outsider who realized his power and used it. Now it's our turn.
66 Views
04:46:23 08/30/11
Lowkey Ft Immortal Technique Voices Of The Voiceless
[LESS INFO] 66 VIEWS | ADDED 04:46:23 08/30/11
Verse 1: (Lowkey) "From West 10 to the West Bank, I write righteous rhymes with my right and wrestle the devil with my left hand, Never work for a Zionist, never been a yes man, My art is like Rembrandt painting pictures of death camps, The average person is allergic to the words of wisdom, This is for everyone of Saddam's Kurdish murder victims, And all the pure souls that never had the chance to speak, Truth pumps in my arteries and causes my heart to beat, For soldiers haunted and tortured by guilty memories, Who realised too late to reveal their real enemy, It's all dead wrong For every victim of racist persecution from Auschwitz to Hebron, My words may sting cowards, For people that were atomised by the Thermate in the Twin Towers Those living through the wars, Ask me what I do this for, Put the world in its place before it put you in yours, Chorus: (Singer) What happens under darkness shall come to light, Can't silence us even though you try, (Lowkey) You can try to avoid us but it's pointless You can never avoid the voices of the voiceless (Singer) Take our freedom, Can't take our pride, Come what may we will survive, (Lowkey) You can try to avoid us but it's pointless, You can never avoid the voices of the voiceless Verse 2: (Immortal Technique) Keep my third eye hidden under my New York fitted, A crazy unmarried man that deserves to be committed, The future is encrypted in my troubled lyrics, Dream that I've been somewhere for weeks, then wake up in a couple minutes, Sweat dripping with visions of population control, Thoughts overflowing my world like the melting of the North Pole, My people are targeted by military crack committees, So I'm bucking at the feds like natives in Rapid City, Reality savage, my words are like a riot in Paris, The voice of the voiceless, that voice is social imbalance, So stand strong or sit harder in your mental palace, Blinded inside a Kingdom united to its old habits, But now, Middle Passage coming, War Chant, African drumming, Gatling gun humming, Rapid fire mechanism, reckless living, That checks the rhythm of perfectionism, Slave condition, While you're singing God save the system, (Chorus) Verse 3: (Lowkey) Detain my body, but you can't imprison my mind, If it's my time I'll probably die with my fist in the sky, These are the thoughts of a man who can't escape from his coma, Cries of a young virgin girl who got raped by them soldiers, (Immortal Technique) Birthing a screaming bastard, post colonial nation, Subject to childhood diseases, famine, war and inflation, Education moulded you into your masters image, And you forgot who the fuck you were before the war was finished (Lowkey) You're hearing the ghosts of Nagasaki, You're hearing Hiroshima, Beautiful babies being born with the weirdest features, You might never see me in the charts, But Inshallah my seed can see peace in Iraq, (Immortal Technique) But peace and freedom can never be given, That's historically forbidden, Cos only collision is the recipe, Changing the course of destiny, So I'm strapped with weaponry, (Lowkey & Immortal Technique) Cos the government don't give a fuck about protecting me. (Chorus) My TIP JAR
7 Views
04:46:23 08/30/11
Lowkey Ft Immortal Technique Voices Of The Voiceless
[LESS INFO] 7 VIEWS | ADDED 04:46:23 08/30/11
Verse 1: (Lowkey) "From West 10 to the West Bank, I write righteous rhymes with my right and wrestle the devil with my left hand, Never work for a Zionist, never been a yes man, My art is like Rembrandt painting pictures of death camps, The average person is allergic to the words of wisdom, This is for everyone of Saddam's Kurdish murder victims, And all the pure souls that never had the chance to speak, Truth pumps in my arteries and causes my heart to beat, For soldiers haunted and tortured by guilty memories, Who realised too late to reveal their real enemy, It's all dead wrong For every victim of racist persecution from Auschwitz to Hebron, My words may sting cowards, For people that were atomised by the Thermate in the Twin Towers Those living through the wars, Ask me what I do this for, Put the world in its place before it put you in yours, Chorus: (Singer) What happens under darkness shall come to light, Can't silence us even though you try, (Lowkey) You can try to avoid us but it's pointless You can never avoid the voices of the voiceless (Singer) Take our freedom, Can't take our pride, Come what may we will survive, (Lowkey) You can try to avoid us but it's pointless, You can never avoid the voices of the voiceless Verse 2: (Immortal Technique) Keep my third eye hidden under my New York fitted, A crazy unmarried man that deserves to be committed, The future is encrypted in my troubled lyrics, Dream that I've been somewhere for weeks, then wake up in a couple minutes, Sweat dripping with visions of population control, Thoughts overflowing my world like the melting of the North Pole, My people are targeted by military crack committees, So I'm bucking at the feds like natives in Rapid City, Reality savage, my words are like a riot in Paris, The voice of the voiceless, that voice is social imbalance, So stand strong or sit harder in your mental palace, Blinded inside a Kingdom united to its old habits, But now, Middle Passage coming, War Chant, African drumming, Gatling gun humming, Rapid fire mechanism, reckless living, That checks the rhythm of perfectionism, Slave condition, While you're singing God save the system, (Chorus) Verse 3: (Lowkey) Detain my body, but you can't imprison my mind, If it's my time I'll probably die with my fist in the sky, These are the thoughts of a man who can't escape from his coma, Cries of a young virgin girl who got raped by them soldiers, (Immortal Technique) Birthing a screaming bastard, post colonial nation, Subject to childhood diseases, famine, war and inflation, Education moulded you into your masters image, And you forgot who the fuck you were before the war was finished (Lowkey) You're hearing the ghosts of Nagasaki, You're hearing Hiroshima, Beautiful babies being born with the weirdest features, You might never see me in the charts, But Inshallah my seed can see peace in Iraq, (Immortal Technique) But peace and freedom can never be given, That's historically forbidden, Cos only collision is the recipe, Changing the course of destiny, So I'm strapped with weaponry, (Lowkey & Immortal Technique) Cos the government don't give a fuck about protecting me. (Chorus)
2 Views
19:33:59 03/25/11
Christian Behavior Violation By Westboro Baptist Church Pastor Nelson Turner Av1611 Reformation Com
[LESS INFO] 2 VIEWS | ADDED 19:33:59 03/25/11
Lord's Day Sermon preached March 20, 2011 by Pastor Nelson Turner of www.AV1611Reformation.com. This sermon, using the infallible, inerrant word of God as found in the AV1611 King James Bible, addresses violations of norms of Christian behavior by Westboro Baptist Church and its pastor Fred Phelps. Citing evidence in the news, as well as personal experience, Pastor Turner call upon the members of that church body involved in these violations to repent of their outrages. Evil cannot be overcome with evil. Evil cannot bring forth a greater good. Only good, as taught in the word of God can overcome evil. A lively faith in God rather than obsession with personal antics engaged in supposedly for God's sake are indicated as proper for Christian brethren. From a prior sermon "Secret Sins" the following admonition is repeated to those with ears to hear: THE BEST AND EASIEST RULE OF LIFE FOR THE BELIEVER IS THIS: Romans 14:23 for whatsoever is not of faith is sin. THIS RULE WILL SUFFICE AN HONEST HEARTED MAN IN HIS WALK AND LIFE WITH AND IN CHRIST: ALL DOUBTFUL ACTIONS OR THOUGHTS ARE PROHIBITED. IF YOU ARE UNSURE OF ANY ACTION, WORD, OR DEED, ENGAGE NOT IN IT. IF THERE IS ANY PROBABILTY THAT THE ACTION MIGHT BE SINFUL, OR IF THE WORD, THOUGHT OR DEED WOULD BE COMMITTED IN UNCERTAINTY AS TO ITS LAWFULLNESS, CEASE, ABSTAIN AND DESIST. THIS RULE WHEN ACTED UPON WILL CAST DOWN ALL WICKED IMAGINATIONS, HALT ALL WICKED AND FOOLISH WORDS, AND STIFLE EVERY WICKED DEED. THOSE WHO WOULD SUBMIT THEMSELVES TO GOD MUST RESIST THE DEVIL; TO RESIST THE DEVIL, ONE CANNOT BE IGNORANT OF HIS DEVICES, AND THOSE THAT RELY UPON THE WORD OF GOD,STUDYING IT, AND AVAILING THEMSELVES OF THE FULL ORDINANCES OF GOD WILL EVIDENCE IN THEIR WARFARE WITH SATAN A RESOLUTION TO HAVE THEIR SECRET SINS REVEALED TO THEM BY GOD, THAT THEY MIGHT REPENT AND REMAIN IN AGREEMENT WITH GOD AND WALK WITH HIM. If this sermon is a blessing to you, or if you have honest questions about the Bible and Christianity, please write to Pastor Turner at drogheda@comcast.net. Visit www.AV1611Reformation.com for other sermons and study materials to help you by God's grace to improve your understanding and practice of the Christian faith which God has freely given to you. Pastor Turner is also the author of two books God's Divorce - detailing the true Bible doctrine of divorce, and, The Mind of the Jesuit:Signs, Symbols, Dogma and the Devil. Both may be ordered from the website store at www.Av1611Reformation.com .
3 Views
04:03:24 03/23/11
Christian Behavior Its Violation By Westboro Baptist Church Pastor Nelson Turner Av1611 Reformation Com
[LESS INFO] 3 VIEWS | ADDED 04:03:24 03/23/11
Lord's Day Sermon preached March 20, 2011 by Pastor Nelson Turner of www.AV1611Reformation.com. This sermon, using the infallible, inerrant word of God as found in the AV1611 King James Bible, addresses violations of norms of Christian behavior by Westboro Baptist Church and its pastor Fred Phelps. Citing evidence in the news, as well as personal experience, Pastor Turner call upon the members of that church body involved in these violations to repent of their outrages. Evil cannot be overcome with evil. Evil cannot bring forth a greater good. Only good, as taught in the word of God can overcome evil. A lively faith in God rather than obsession with personal antics engaged in supposedly for God's sake are indicated as proper for Christian brethren. From a prior sermon "Secret Sins" the following admonition is repeated to those with ears to hear: THE BEST AND EASIEST RULE OF LIFE FOR THE BELIEVER IS THIS: Romans 14:23 for whatsoever is not of faith is sin. THIS RULE WILL SUFFICE AN HONEST HEARTED MAN IN HIS WALK AND LIFE WITH AND IN CHRIST: ALL DOUBTFUL ACTIONS OR THOUGHTS ARE PROHIBITED. IF YOU ARE UNSURE OF ANY ACTION, WORD, OR DEED, ENGAGE NOT IN IT. IF THERE IS ANY PROBABILTY THAT THE ACTION MIGHT BE SINFUL, OR IF THE WORD, THOUGHT OR DEED WOULD BE COMMITTED IN UNCERTAINTY AS TO ITS LAWFULLNESS, CEASE, ABSTAIN AND DESIST. THIS RULE WHEN ACTED UPON WILL CAST DOWN ALL WICKED IMAGINATIONS, HALT ALL WICKED AND FOOLISH WORDS, AND STIFLE EVERY WICKED DEED. THOSE WHO WOULD SUBMIT THEMSELVES TO GOD MUST RESIST THE DEVIL; TO RESIST THE DEVIL, ONE CANNOT BE IGNORANT OF HIS DEVICES, AND THOSE THAT RELY UPON THE WORD OF GOD,STUDYING IT, AND AVAILING THEMSELVES OF THE FULL ORDINANCES OF GOD WILL EVIDENCE IN THEIR WARFARE WITH SATAN A RESOLUTION TO HAVE THEIR SECRET SINS REVEALED TO THEM BY GOD, THAT THEY MIGHT REPENT AND REMAIN IN AGREEMENT WITH GOD AND WALK WITH HIM. If this sermon is a blessing to you, or if you have honest questions about the Bible and Christianity, please write to Pastor Turner at drogheda@comcast.net. Visit www.AV1611Reformation.com for other sermons and study materials to help you by God's grace to improve your understanding and practice of the Christian faith which God has freely given to you. Pastor Turner is also the author of two books God's Divorce - detailing the true Bible doctrine of divorce, and, The Mind of the Jesuit:Signs, Symbols, Dogma and the Devil. Both may be ordered from the website store at www.AV1611Reformation.com .
12 Views
16:24:56 01/06/11
The Face of the Israeli Occupation in Beit Ommar, West Bank, Palestine, 12/25/10: video
[LESS INFO] 12 VIEWS | ADDED 16:24:56 01/06/11
On December 25th, 2010, after the weekly peaceful demonstration against the Karmei Tsur settlement, Beit Ommar villagers speak about the demonstrations and the contradiction between the concilliatory words of one Israeli Defense Forces soldier, who offered to shake hands with villagers at that day's protest, versus the hostility Beit Ommar residents regularly endure from soldiers, as was the case on this very day just hundreds of yards from the demonstration in Beit Ommar. They speak of the release of massive amounts of tear gas near a wedding party two days earlier and the constant harassment and provocations of villagers by the IDF, often for no apparent reason other than the "training" of new soldiers who come into the area. Military commanders are allowed free reign by the Israeli government to do as they please, from making nighttime arrests to even killing people. Seventy percent of the income of the village is dependent upon agriculture, but due to the presence of settlements in the area, villagers are denied access to all of their lands. In fact, settlements across Palestine have been expanding since the 10-month settlement freeze ended in September, with 13,000 new units built in the West Bank. Karmei Tsur alone has added fourty-two new housing units in just two months. The Palestine Solidarity Project opposes the Israeli occupation through non-violent direct action such as this day's protest and welcomes Israelis and internationals of conscience to come participate and bear witness to the occupation of Palestinian lands. In this first video, on the walk back from the demonstration, Mousa Abu Maria of the Palestine Solidarity Project explains what happened in the discussions with the soldiers this day and how it contradicts the real face of the occupation:
22 Views
12:13:00 01/05/11
The Face of the Israeli Occupation in Beit Ommar, West Bank, Palestine, 12/25/10: video
[LESS INFO] 22 VIEWS | ADDED 12:13:00 01/05/11
On December 25th, 2010, after the weekly peaceful demonstration against the Karmei Tsur settlement, Beit Ommar villagers speak about the demonstrations and the contradiction between the concilliatory words of one Israeli Defense Forces soldier, who offered to shake hands with villagers at that day's protest, versus the hostility Beit Ommar residents regularly endure from soldiers, as was the case on this very day just hundreds of yards from the demonstration in Beit Ommar. They speak of the release of massive amounts of tear gas near a wedding party two days earlier and the constant harassment and provocations of villagers by the IDF, often for no apparent reason other than the "training" of new soldiers who come into the area. Military commanders are allowed free reign by the Israeli government to do as they please, from making nighttime arrests to even killing people. Seventy percent of the income of the village is dependent upon agriculture, but due to the presence of settlements in the area, villagers are denied access to all of their lands. In fact, settlements across Palestine have been expanding since the 10-month settlement freeze ended in September, with 13,000 new units built in the West Bank. Karmei Tsur alone has added fourty-two new housing units in just two months. The Palestine Solidarity Project opposes the Israeli occupation through non-violent direct action such as this day's protest and welcomes Israelis and internationals of conscience to come participate and bear witness to the occupation of Palestinian lands. In this first video, on the walk back from the demonstration, Mousa Abu Maria of the Palestine Solidarity Project explains what happened in the discussions with the soldiers this day and how it contradicts the real face of the occupation:
3 Views
09:14:02 11/26/10
A Mother Reflects On Her Family Off to War
[LESS INFO] 3 VIEWS | ADDED 09:14:02 11/26/10
Hear from a mother and soldier, in her own words, about having five family members deployed together to Afghanistan this holiday season. They are part of the largest deployment of the Iowa National Guard since World War II.
20 Views
15:40:50 12/30/09
The Book of Eli- DENZEL WASHINGTON's stunt work
[LESS INFO] 20 VIEWS | ADDED 15:40:50 12/30/09
Synopsis
In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth--all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water...or for nothing at all.
But they're no match for this traveler.
A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue.
Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegie's adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfather's domain.
But neither will find it easy to deter him. Nothing--and no one--can stand in his way. Eli must keep moving to fulfill his destiny and bring help to a ravaged humanity.
Alcon Entertainment presents a Silver Pictures production, a Hughes Brothers Film: "The Book of Eli." The film stars two-time Academy Award winner® Denzel Washington ("Training Day," "Glory"), Gary Oldman ("The Dark Knight," the "Harry Potter" films), Mila Kunis ("Forgetting Sarah Marshall"), Ray Stevenson ("Punisher: War Zone"), Jennifer Beals (Showtime's "The L Word"), Frances de la Tour and Michael Gambon (both of "Harry Potter and the Goblet of Fire").
"The Book of Eli" is directed by the Hughes Brothers ("Menace II Society," "Dead Presidents") from a screenplay by Gary Whitta. It is produced by Joel Silver, Denzel Washington, Broderick Johnson, Andrew A. Kosove and David Valdes. Steve Richards, Susan Downey and Erik Olsen serve as executive producers, with co-producers Steven P. Wegner, Yolanda T. Cochran and John David Washington.
The creative team includes director of photography Don Burgess, production designer Gae Buckley, editor Cindy Mollo and costume designer Sharen Davis. Jon Farhat is the visual effects supervisor. Music is composed by Atticus Ross, and the music supervisor is Deva Anderson. The Cast
DENZEL WASHINGTON (Eli/Producer) has been honored with five Academy Award® nominations, winning the Oscar® twice: in 1989 for his performance in "Glory" and again in 2001 for "Training Day." He has earned numerous additional awards and accolades throughout his acting career as well as recognition for his work as a director.
Currently, Washington is in production on director Tony Scott's action thriller "Unstoppable," which is scheduled for a 2010 release. In Spring 2010, he will also star on Broadway in the revival of August Wilson's Pulitzer Prize-winning drama "Fences."
He most recently starred with John Travolta in Tony Scott's remake of "The Taking of Pelham One, Two, Three"; directed and starred in, with Forest Whitaker, "The Great Debaters'; starred with Russell Crowe in Ridley Scott's "American Gangster," which grossed $43.6M in its first weekend to mark Washington's largest opening weekend to date; starred in Spike Lee's "Inside Man," with Clive Owen and Jodie Foster; and starred in Tony Scott's romantic thriller "Deja Vu." His other recent film work includes roles in Tony Scott's "Man on Fire," Jonathan Demme's "The Manchurian Candidate," Carl Franklin's mystery thriller "Out of Time" and Antoine Fuqua's "Training Day," for which Washington earned an Academy Award® for his critically acclaimed performance as a grizzled LAPD veteran who shows a rookie narcotics cop the ropes on his first day.
December 2002 marked Washington's feature film directorial debut with "Antwone Fisher." Inspired by the best-selling autobiography Finding Fish , the film won critical praise and earned the Stanley Kramer Award from the Producers Guild of America, as well as NAACP Image Awards for Outstanding Motion Picture and Outstanding Supporting Actor for Washington. Also in 2002, Washington earned an NAACP Image Award for Outstanding Actor in a Motion Picture for his role as a down-on-his-luck father in "John Q," which established a Presidents Day weekend opening record.
In 2000 he starred in Jerry Bruckheimer's box office sensation "Remember the Titans," a fact-based film about the integration of a high school football team, and in "The Hurricane," which re-teamed him with "A Soldier's Story" director Norman Jewison. Washington received a Golden Globe Award for Best Actor and an Academy Award® nomination for his portrayal of Rubin "Hurricane" Carter, the 1960s world middleweight champion boxer wrongfully imprisoned of murder.
Washington's feature film credits include "The Bone Collector"; Gregory Hoblit's crime thriller "Fallen"; Spike Lee's "He Got Game"; the terrorist thriller "The Siege" and the critically acclaimed military drama "Courage Under Fire" for director Ed Zwick; Penny Marshall's romantic comedy "The Preacher's Wife," opposite Whitney Houston; Tony Scott's underwater action adventure "Crimson Tide," with Gene Hackman; the futuristic thriller "Virtuosity"; and the 1940s romantic thriller "Devil in a Blue Dress," co-produced by the actor's Mundy Lane Entertainment. Another critically acclaimed, Oscar® -nominated performance was his portrayal of the complex and controversial 1960s black activist Malcolm X in director Spike Lee's biographical epic "Malcolm X," hailed by critics and audiences alike as one of the best films of 1992.
Washington took on a different role in 2000, producing the HBO documentary "Half Past Autumn: The Life and Works of Gordon Parks," nominated for two Emmy Awards. He also served as executive producer on the Emmy-nominated "Hank Aaron: Chasing the Dream," a biography for TBS. Additionally, he narrated "John Henry," which was nominated for a 1996 Grammy Award for Best Spoken Word Album for Children, and he was awarded the 1996 NAACP Image Award for his performance in the animated children's special "Happily Ever After: Rumpelstiltskin."
A native of Mt. Vernon, New York, Washington originally had his career sights set on medicine at Fordham University when a theatrical production during a summer camp counseling job introduced him to the stage. Upon graduation from Fordham, Washington attended the theater program at San Francisco's prestigious American Conservatory Theater and began his professional New York theater career with Joseph Papp's Shakespeare in the Park. This was quickly followed by numerous off-Broadway productions including "Ceremonies in Dark Old Men"; "When the Chickens Came Home to Roost," in which he portrayed Malcolm X"; "One Tiger to a Hill"; "Man and Superman"; "Othello"; and "A Soldier's Play," for which he won an Obie Award. Washington's more recent stage appearances include the Broadway production of "Checkmates" and "Richard III," which was produced as part of the 1990 Free Shakespeare in the Park series hosted by Joseph Papp's Public Theatre in New York City, and in 2005 he returned again to his theatre roots with a Broadway starring role as Marcus Brutus in "Julius Caesar." The show was well-received by critics and fans alike.
He made his Hollywood debut in the 1979 television film "Flesh and Blood," but it was Washington's award-winning stage performance in "A Soldier's Play" that captured the attention of the producers of the NBC series "St. Elsewhere," and he was soon cast in that long-running hit series as Dr. Phillip Chandler. His other television credits include "The George McKenna Story," "License to Kill," and "Wilma."
In 1982, Washington recreated his role from "A Soldier's Play" for Norman Jewison's well-received film version, re-titled "A Soldier's Story," and went on to star in Sidney Lumet's "Power"; Richard Attenborough's "Cry Freedom," for which he received his first Oscar® nomination; "For Queen and Country"; "The Mighty Quinn"; "Heart Condition"; "Glory," for which he won the Academy Award® for Best Supporting Actor; and Spike Lee's "Mo' Better Blues." He also starred in the action adventure "Ricochet," Mira Nair's bittersweet comedy "Mississippi Masala," Kenneth Branagh's "Much Ado About Nothing," Jonathan Demme's controversial "Philadelphia," and "The Pelican Brief."
GARY OLDMAN (Carnegie) is known to millions as Harry Potter's godfather Sirius Black and Batman's crime-fighting partner Commissioner Gordon, as well as Dracula, Beethoven, Lee Harvey Oswald and Sid Vicious, to name just a few of the memorable roles he has created in nearly 20 years as a worldwide presence in motion pictures.
Oldman reprised the role of Commissioner Gordon in 2008's top-grossing film "The Dark Knight," having first portrayed Gordon in "Batman Begins." In 2007 he appeared for the third time as Sirius Black in "Harry Potter and the Order of the Phoenix," following "Harry Potter and the Prisoner of Azkaban" and "Harry Potter and the Goblet of Fire." He most recently starred with Jim Carrey in Robert Zemeckis' adaptation of Charles Dickens' holiday classic "A Christmas Carol."
Oldman began his career in 1979 on the London stage. Between 1985 and 1989 he acted exclusively at London's Royal Court Theatre and, in 1985, was named Best Newcomer by London's Time Out for his work in "The Pope's Wedding." That same year he shared the London Critics' Circle Best Actor Award with Anthony Hopkins.
In 1986, Oldman made his major feature film debut in "Sid & Nancy," winning the Evening Standard British Film Award for Most Promising Newcomer for his portrayal of punk rock legend Sid Vicious. The following year, he starred in Stephen Frears' "Prick Up Your Ears," winning the Best Actor Award from the London Film Critics Circle for his portrayal of doomed British playwright Joe Orton. He has since become one of the industry's most respected actors, appearing in both mainstream hits and acclaimed independent films. Oldman's early film credits also include Nicolas Roeg's "Track 29"; "Criminal Law"; "Chattahoochee"; Tom Stoppard's "Rosencrantz & Guildenstern Are Dead," for which he received an Independent Spirit Award nomination for Best Actor; "State of Grace"; "Henry & June"; Oliver Stone's "JFK," playing Lee Harvey Oswald; and the title role in Francis Ford Coppola's "Dracula."
Oldman's subsequent film work includes memorable roles in Tony Scott's "True Romance"; "Romeo is Bleeding"; the Luc Besson films "The Professional" and "The Fifth Element"; "Immortal Beloved"; "Murder in the First"; Roland Joffe's "The Scarlet Letter"; Julian Schnabel's "Basquiat"; Wolfgang Petersen's "Air Force One"; the big screen version of "Lost in Space"; and Ridley Scott's "Hannibal."
In 1995, Oldman and manager/producing partner Douglas Urbanski formed the production company The SE8 Group, which produced Oldman's directorial debut feature "Nil by Mouth," which Oldman also wrote. The film was invited to open the 1997 50th Cannes Film Festival in the main competition, where Kathy Burke won the Best Actress Award for her role. In addition, Oldman won two BAFTA Awards for Best British Film and Best Screenplay; the Channel 4 Director's Award at the 1997 Edinburgh International Film Festival; and the Empire Award for Best Debut Film. He also executive produced and starred in the SE8 Group film "The Contender," which received two Oscar® nominations and brought Oldman a Screen Actors Guild Award® nomination for Best Supporting Actor.
On the small screen, Oldman earned an Emmy nomination for his guest appearance as an alcoholic actor on the hit comedy series "Friends." His earlier television work includes the telefilms "Meantime," directed by Mike Leigh, and "The Firm," directed by Alan Clarke.
MILA KUNIS (Solara) most recently starred in the Mike Judge comedy "Extract," opposite Jason Bateman and Ben Affleck. In 2008 she starred in Judd Apatow's hit comedy "Forgetting Sarah Marshall" as Rachel, opposite Jason Segel, Kirsten Bell, and Jonah Hill, and in the action thriller "Max Payne," with Mark Wahlberg.
Kunis will next be seen in the upcoming feature comedy "Date Night," with Ray Liotta, Mark Ruffalo, Tina Fey, and Steve Carell as one of the characters Fey and Carell encounter as a couple on a date gone awry. She will also star in Darren Aronofsky's supernatural drama "Black Swan," opposite Natalie Portman, as the rival character Lilly. Both films are set for a 2010 release.
The Russian-born actress started her entertainment career by landing several television commercials. She is best known for her roles on two of the Fox Network's most successful shows: as Jackie Burkhart in "That 70's Show," for which she earned two YoungStar Awards for Best Actress in a Television Series, and as the voice of Meg on the hit show "Family Guy."
RAY STEVENSON (Redridge) is perhaps best known for his starring role in the HBO/BBC television series "Rome," portraying the legionary Titus Pullo to both critical and public acclaim. Since the series wrapped, he has been working non-stop in a wide variety of feature films.
Stevenson most recently starred in the fantasy thriller "Cirque de Freak: The Vampire's Assistant," directed by Paul Weitz and based on the best-selling children's series by Darren Shan. In 2008, he was seen as the lead in "Punisher: War Zone," about the Marvel comics anti-hero Frank Castle and his quest to rid the world of evil after the death of his wife and daughter.
He will next be seen in director Jonathan Hensleigh's "The Irishman," as the title character in a true crime story of notorious mobster Danny Greene, with Christopher Walken, Vincent D'Onofrio and Val Kilmer, set for 2010. Hensleigh & Jeremy Walters wrote the screenplay based on the book To Kill the Irishman: The War That Crippled the Mafia, by Rick Porello. Also set for 2010 is Adam McKay's action comedy "The Other Guys," set in the world of the New York City cops, in which Stevenson stars with Will Ferrell and Mark Wahlberg. Among his upcoming projects, Stevenson will play Volstagg, one of the leads in Marvel Comics' "Thor," inspired by the Shakespeare's Falstaff and described as being over 1,000 pounds of muscle and the life of the party. This will reunite him with director Kenneth Branagh, who acted opposite him in "Theory of Flight" for director Paul Greengrass.
Stevenson's film work includes Antoine Fuqua's "King Arthur," for producer Jerry Bruckheimer; the cult favorite "Outpost," for director Steven Barker; "The Return of the Native," opposite Catherine Zeta Jones; and "Some Kind of Life."
His stage work includes playing Christ in the York Mystery Plays in 2000 at York Minster. In 2001, he played Roger in "Mouth to Mouth," by Kevin Ely, at the Albery Theatre in London, and, in 2003, appeared as Cardinal in "The Duchess of Malfi," by John Webster with Janet McTeer, at the Royal National Theatre.
Born in Northern Ireland, Stevenson grew up in England. He studied acting at the Bristol Old Vic Theatre School.
JENNIFER BEALS (Claudia) most recently appeared in the French film "Joueuse," which made its American premiere at the Tribeca Film Festival.
Beals was twice nominated for Outstanding Actress in a Drama Series by the NAACP Image Awards for her role in the acclaimed Showtime series "The L Word," which wrapped its sixth and final season in 2009. Her work on "The L Word" has earned numerous accolades and appreciation from groups including the Power Up Award, the GLAAD Golden Gate Award and the Golden Satellite Award for Outstanding Actress. The L Word Book , Beals' highly anticipated photographic journal, takes an unprecedented, behind-the-scenes look at the groundbreaking Showtime series and is set for release in January 2010. More information is available at www.lwordbook.com.
Beals recently joined the cast of the Fox Network series "Lie to Me," in a recurring role as the ex-wife of series lead Tim Roth.
Among her most memorable roles, Beals starred opposite Campbell Scott in the critically acclaimed film "Roger Dodger," winner of the 2002 Best Narrative Feature at the Tribeca Film Festival and Best First Film at the Venice Film Festival. She earned rave reviews for her role in VH-1's "They Shoot Divas, Don't They?" and was seen in the acclaimed "The Anniversary Party," written and directed by Jennifer Jason Leigh and Alan Cummings. In 2001, Beals starred in two Showtime features: the adaptation of Anne Rice's praised "A Feast of All Saints" and the WGA-nominated "A House Divided," in which she starred opposite Sam Waterston and Lisa Gay Hamilton and earned a Golden Satellite nomination as Best Actress in a Movie/Miniseries. For her extensive research for the film in Sparta, Georgia, where the story is based, she received an honorary Key to the City.
Originally from Chicago, Beals began her career after high school with a role in "Flashdance" that earned her a Golden Globe nomination and an NAACP Image Award for Best Actress. She then entered Yale University to study American Literature and graduated with honors. Beals went on to make an indelible impression in Carl Franklin's drama "Devil in a Blue Dress," opposite Denzel Washington, and in Alan Rudolph's "Mrs. Parker and the Vicious Circle."
In recent years, she has starred in a myriad of film roles, including the lead in "Twilight of the Golds," for which she earned a Golden Satellite Award. Her film credits include "The Grudge 2"; "My Name is Sarah"; "Runaway Jim"; "Catch That Kid"; Whit Stillman's "The Last Days of Disco"; Alexandre Rockwell's "In the Soup," which won the 1992 Grand Jury Prize at the Sundance Film Festival and the Audience Award at Deauville; "Four Rooms"; "Vampire's Kiss," with Nicolas Cage; Claude Chabrol's "Doctor M"; Nanni Moretti's "Caro Diario," which won the Director's Prize at the 1994 Cannes Film Festival; and Samuel Fuller's "The Madonna and the Dragon." On the small screen, she has appeared in the critically acclaimed ABC series "Nothing Sacred."
Beals is a winner of the 1999 Maverick Award from the San Jose Film Festival and, in 2004, was named one of People Magazine's 50 Most Beautiful People.
FRANCES DE LA TOUR (Martha) won a Tony Award for her performance as Mrs. Lintott in Alan Bennett's multi award-winning play "The History Boys," directed by Nicholas Hytner, and was also nominated for a BAFTA in the 2006 screen version of the stage play. She has earned three Olivier Awards: in 1980 for Best Actress in Tom Kempinski's "Duet for One," for which she also won the Evening Standard Best Actress Award; in 1984 for Best Actress in a Revival for "A Moon for the Misbegotten"; and in 1992 for Best Actress in a Supporting Role for "When She Danced."
De la Tour trained at the Drama Centre in London in the 1960s before joining the Royal Shakespeare Company. Through 1971, her work there included the roles of Hoyden in "The Relapse" and Helena in Peter Brook's production of "A Midsummer Night's Dream." For the National Theatre, her credits include "Brighton Beach Memoirs," "Les Parents Terribles," the title role in "St Joan" and "The Good Hope." Her additional theater work includes Matthew Warchus's "Boeing-Boeing," Tennessee Williams' "Small Craft Warnings," "Hamlet," Edward Albee's "Three Tall Women," "Anthony and Cleopatra" for the RSC and Noel Coward's "Fallen Angels," for which she received a Variety Club Best Actress Award. De la Tour can currently be seen on stage at the National in the limited engagement world premiere of "The Habit of Art," which reunites her with playwright Alan Bennett and director Nicholas Hytner and also stars Michael Gambon.
De la Tour's filmography includes the comedy "Rising Damp," based on the popular television series, for which she won the Evening Standard's Best Actress Award. She more recently appeared as Madame Olympe Maxime in "Harry Potter and the Goblet of Fire" and as Frau Eva in Andrei Konchalovsky's fantasy "Nutcracker: The Untold Story." She will next be seen alongside an all-star cast including Johnny Depp and Anne Hathaway in Tim Burton's "Alice in Wonderland," set for a 2010 release.
Her television appearances include the 1970s sitcom "Rising Damp," "Duet for One," for which she received a BAFTA Best Actress nomination, the BBC's "Waking the Dead," "Poirot: Death on the Nile," "Miss Marple: The Moving Finger," BBC's "Sensitive Skin" and, most recently, the CBS-TV series "3 lbs."
MICHAEL GAMBON (George) started his career with the Edwards/ Macliammoir Gate Theatre in Dublin. He joined the National Theatre for its inaugural season under Laurence Olivier at the Old Vic in 1963 and appeared there in "Hamlet," "Saint Joan," "The Recruiting Officer," "Andorra," "Philoctetes," "Othello," "The Royal Hunt of the Sun," "The Crucible," "Mother Courage," "Love for Love," "Juno and the Paycock" and "The Storm."
In repertory, principally at Birmingham Rep, Gambon played title roles in "Othello," "Macbeth" and "Coriolanus."
In the West End, he has appeared in Simon Gray's "Otherwise Engaged"; Alan Ayckbourn's "The Norman Conquest"; "Just Between Ourselves"; "Alice's Boys," with Ralph Richardson; Harold Pinter's "Old Times; the title role in "Uncle Vanya"; "Tom and Clem" and "No Man's Land."
With the Royal Shakespeare Company, he spent a season at the Aldwych and later played the title part in "King Lear" and Antony in "Antony and Cleopatra," opposite Helen Mirren, both at Stratford and the Barbican.
For the National Theatre, Gambon has appeared in the premieres of Harold Pinter's "Betrayal," Simon Gray's "Close of Play," Christopher Hampton's "Tales From Hollywood," Alan Ayckbourn's "Sisterly Feelings," and "A Chorus of Disapproval," for which he won an Olivier Award, as well as "A Small Family Business," "Richard III," "Othello," "Tons of Money," the title role in "The Life of Galileo," "Volpone" and "Skylight." He recreated his starring role in the latter on Broadway in 1996 for which he was nominated for a Tony Award. Also for the National Theatre, Gambon played Eddie Carbone in Arthur Miller's "A View From the Bridge," which transferred to the Aldwych Theatre and for which he won all the major drama awards of 1987.
He was in Harold Pinter's "Mountain Language," "Cressida," at the Almeida, and Pinter's "The Caretaker," for which he earned an Olivier Award nomination. Gambon also directed the Platford Performance of Richard Harris' "Visiting Hour."
His television appearances include the BBC's first adventure series in color, "The Borderers," "Eyeless in Gaza," the series "The Other One," with Richard Briers, "The Seagull," "The Holy Experiment," Oscar," "Ghosts" and the Dennis Potter series "The Singing Detective," for which he won a BAFTA Award, a Broadcasting Press Guild Award and a Royal Television Society Award. He also starred in "The Heat of the Day," scripted by Harold Pinter from Elizabeth Bowen's novel, and was Archie Rice in John Osborne's "The Entertainer." More recently, he portrayed Lyndon Johnson in the HBO film "Path to War" and starred in HBO's "Angels in America," directed by Mike Nichols.
Gambon's film credits include "Turtle Diary," David Hare's "Paris By Night," "A Dry White Season," with Marlon Brando, "The Rachel Papers," Peter Greenaway's "The Cook, The Thief, His Wife and Her Lover," "The Gambler," "Mobsters," "Clean Slate," "Toys," "Indian Warrior," "Wings of the Dove," "The Innocent Sleep," "Dancing at Lughnasa," "Sleepy Hollow," "The Insider," "Gosford Park," Open Range" and four of the Harry Potter films: "Harry Potter and the Prisoner of Azkaban," "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix" and 2009's "Harry Potter and the Half-Blood Prince."
In 1998, Gambon was awarded a KBE in the Queen's Honour List.
Genres: Epic Adventure Starring: Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver Directed By: James Cameron Produced By: James Cameron, Jon Landau
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19 Views
15:40:50 12/30/09
The Book of Eli- DENZEL WASHINGTON's stunt work
[LESS INFO] 19 VIEWS | ADDED 15:40:50 12/30/09
Synopsis
In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth--all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water...or for nothing at all.
But they're no match for this traveler.
A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue.
Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegie's adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfather's domain.
But neither will find it easy to deter him. Nothing--and no one--can stand in his way. Eli must keep moving to fulfill his destiny and bring help to a ravaged humanity.
Alcon Entertainment presents a Silver Pictures production, a Hughes Brothers Film: "The Book of Eli." The film stars two-time Academy Award winner® Denzel Washington ("Training Day," "Glory"), Gary Oldman ("The Dark Knight," the "Harry Potter" films), Mila Kunis ("Forgetting Sarah Marshall"), Ray Stevenson ("Punisher: War Zone"), Jennifer Beals (Showtime's "The L Word"), Frances de la Tour and Michael Gambon (both of "Harry Potter and the Goblet of Fire").
"The Book of Eli" is directed by the Hughes Brothers ("Menace II Society," "Dead Presidents") from a screenplay by Gary Whitta. It is produced by Joel Silver, Denzel Washington, Broderick Johnson, Andrew A. Kosove and David Valdes. Steve Richards, Susan Downey and Erik Olsen serve as executive producers, with co-producers Steven P. Wegner, Yolanda T. Cochran and John David Washington.
The creative team includes director of photography Don Burgess, production designer Gae Buckley, editor Cindy Mollo and costume designer Sharen Davis. Jon Farhat is the visual effects supervisor. Music is composed by Atticus Ross, and the music supervisor is Deva Anderson. The Cast
DENZEL WASHINGTON (Eli/Producer) has been honored with five Academy Award® nominations, winning the Oscar® twice: in 1989 for his performance in "Glory" and again in 2001 for "Training Day." He has earned numerous additional awards and accolades throughout his acting career as well as recognition for his work as a director.
Currently, Washington is in production on director Tony Scott's action thriller "Unstoppable," which is scheduled for a 2010 release. In Spring 2010, he will also star on Broadway in the revival of August Wilson's Pulitzer Prize-winning drama "Fences."
He most recently starred with John Travolta in Tony Scott's remake of "The Taking of Pelham One, Two, Three"; directed and starred in, with Forest Whitaker, "The Great Debaters'; starred with Russell Crowe in Ridley Scott's "American Gangster," which grossed $43.6M in its first weekend to mark Washington's largest opening weekend to date; starred in Spike Lee's "Inside Man," with Clive Owen and Jodie Foster; and starred in Tony Scott's romantic thriller "Deja Vu." His other recent film work includes roles in Tony Scott's "Man on Fire," Jonathan Demme's "The Manchurian Candidate," Carl Franklin's mystery thriller "Out of Time" and Antoine Fuqua's "Training Day," for which Washington earned an Academy Award® for his critically acclaimed performance as a grizzled LAPD veteran who shows a rookie narcotics cop the ropes on his first day.
December 2002 marked Washington's feature film directorial debut with "Antwone Fisher." Inspired by the best-selling autobiography Finding Fish , the film won critical praise and earned the Stanley Kramer Award from the Producers Guild of America, as well as NAACP Image Awards for Outstanding Motion Picture and Outstanding Supporting Actor for Washington. Also in 2002, Washington earned an NAACP Image Award for Outstanding Actor in a Motion Picture for his role as a down-on-his-luck father in "John Q," which established a Presidents Day weekend opening record.
In 2000 he starred in Jerry Bruckheimer's box office sensation "Remember the Titans," a fact-based film about the integration of a high school football team, and in "The Hurricane," which re-teamed him with "A Soldier's Story" director Norman Jewison. Washington received a Golden Globe Award for Best Actor and an Academy Award® nomination for his portrayal of Rubin "Hurricane" Carter, the 1960s world middleweight champion boxer wrongfully imprisoned of murder.
Washington's feature film credits include "The Bone Collector"; Gregory Hoblit's crime thriller "Fallen"; Spike Lee's "He Got Game"; the terrorist thriller "The Siege" and the critically acclaimed military drama "Courage Under Fire" for director Ed Zwick; Penny Marshall's romantic comedy "The Preacher's Wife," opposite Whitney Houston; Tony Scott's underwater action adventure "Crimson Tide," with Gene Hackman; the futuristic thriller "Virtuosity"; and the 1940s romantic thriller "Devil in a Blue Dress," co-produced by the actor's Mundy Lane Entertainment. Another critically acclaimed, Oscar® -nominated performance was his portrayal of the complex and controversial 1960s black activist Malcolm X in director Spike Lee's biographical epic "Malcolm X," hailed by critics and audiences alike as one of the best films of 1992.
Washington took on a different role in 2000, producing the HBO documentary "Half Past Autumn: The Life and Works of Gordon Parks," nominated for two Emmy Awards. He also served as executive producer on the Emmy-nominated "Hank Aaron: Chasing the Dream," a biography for TBS. Additionally, he narrated "John Henry," which was nominated for a 1996 Grammy Award for Best Spoken Word Album for Children, and he was awarded the 1996 NAACP Image Award for his performance in the animated children's special "Happily Ever After: Rumpelstiltskin."
A native of Mt. Vernon, New York, Washington originally had his career sights set on medicine at Fordham University when a theatrical production during a summer camp counseling job introduced him to the stage. Upon graduation from Fordham, Washington attended the theater program at San Francisco's prestigious American Conservatory Theater and began his professional New York theater career with Joseph Papp's Shakespeare in the Park. This was quickly followed by numerous off-Broadway productions including "Ceremonies in Dark Old Men"; "When the Chickens Came Home to Roost," in which he portrayed Malcolm X"; "One Tiger to a Hill"; "Man and Superman"; "Othello"; and "A Soldier's Play," for which he won an Obie Award. Washington's more recent stage appearances include the Broadway production of "Checkmates" and "Richard III," which was produced as part of the 1990 Free Shakespeare in the Park series hosted by Joseph Papp's Public Theatre in New York City, and in 2005 he returned again to his theatre roots with a Broadway starring role as Marcus Brutus in "Julius Caesar." The show was well-received by critics and fans alike.
He made his Hollywood debut in the 1979 television film "Flesh and Blood," but it was Washington's award-winning stage performance in "A Soldier's Play" that captured the attention of the producers of the NBC series "St. Elsewhere," and he was soon cast in that long-running hit series as Dr. Phillip Chandler. His other television credits include "The George McKenna Story," "License to Kill," and "Wilma."
In 1982, Washington recreated his role from "A Soldier's Play" for Norman Jewison's well-received film version, re-titled "A Soldier's Story," and went on to star in Sidney Lumet's "Power"; Richard Attenborough's "Cry Freedom," for which he received his first Oscar® nomination; "For Queen and Country"; "The Mighty Quinn"; "Heart Condition"; "Glory," for which he won the Academy Award® for Best Supporting Actor; and Spike Lee's "Mo' Better Blues." He also starred in the action adventure "Ricochet," Mira Nair's bittersweet comedy "Mississippi Masala," Kenneth Branagh's "Much Ado About Nothing," Jonathan Demme's controversial "Philadelphia," and "The Pelican Brief."
GARY OLDMAN (Carnegie) is known to millions as Harry Potter's godfather Sirius Black and Batman's crime-fighting partner Commissioner Gordon, as well as Dracula, Beethoven, Lee Harvey Oswald and Sid Vicious, to name just a few of the memorable roles he has created in nearly 20 years as a worldwide presence in motion pictures.
Oldman reprised the role of Commissioner Gordon in 2008's top-grossing film "The Dark Knight," having first portrayed Gordon in "Batman Begins." In 2007 he appeared for the third time as Sirius Black in "Harry Potter and the Order of the Phoenix," following "Harry Potter and the Prisoner of Azkaban" and "Harry Potter and the Goblet of Fire." He most recently starred with Jim Carrey in Robert Zemeckis' adaptation of Charles Dickens' holiday classic "A Christmas Carol."
Oldman began his career in 1979 on the London stage. Between 1985 and 1989 he acted exclusively at London's Royal Court Theatre and, in 1985, was named Best Newcomer by London's Time Out for his work in "The Pope's Wedding." That same year he shared the London Critics' Circle Best Actor Award with Anthony Hopkins.
In 1986, Oldman made his major feature film debut in "Sid & Nancy," winning the Evening Standard British Film Award for Most Promising Newcomer for his portrayal of punk rock legend Sid Vicious. The following year, he starred in Stephen Frears' "Prick Up Your Ears," winning the Best Actor Award from the London Film Critics Circle for his portrayal of doomed British playwright Joe Orton. He has since become one of the industry's most respected actors, appearing in both mainstream hits and acclaimed independent films. Oldman's early film credits also include Nicolas Roeg's "Track 29"; "Criminal Law"; "Chattahoochee"; Tom Stoppard's "Rosencrantz & Guildenstern Are Dead," for which he received an Independent Spirit Award nomination for Best Actor; "State of Grace"; "Henry & June"; Oliver Stone's "JFK," playing Lee Harvey Oswald; and the title role in Francis Ford Coppola's "Dracula."
Oldman's subsequent film work includes memorable roles in Tony Scott's "True Romance"; "Romeo is Bleeding"; the Luc Besson films "The Professional" and "The Fifth Element"; "Immortal Beloved"; "Murder in the First"; Roland Joffe's "The Scarlet Letter"; Julian Schnabel's "Basquiat"; Wolfgang Petersen's "Air Force One"; the big screen version of "Lost in Space"; and Ridley Scott's "Hannibal."
In 1995, Oldman and manager/producing partner Douglas Urbanski formed the production company The SE8 Group, which produced Oldman's directorial debut feature "Nil by Mouth," which Oldman also wrote. The film was invited to open the 1997 50th Cannes Film Festival in the main competition, where Kathy Burke won the Best Actress Award for her role. In addition, Oldman won two BAFTA Awards for Best British Film and Best Screenplay; the Channel 4 Director's Award at the 1997 Edinburgh International Film Festival; and the Empire Award for Best Debut Film. He also executive produced and starred in the SE8 Group film "The Contender," which received two Oscar® nominations and brought Oldman a Screen Actors Guild Award® nomination for Best Supporting Actor.
On the small screen, Oldman earned an Emmy nomination for his guest appearance as an alcoholic actor on the hit comedy series "Friends." His earlier television work includes the telefilms "Meantime," directed by Mike Leigh, and "The Firm," directed by Alan Clarke.
MILA KUNIS (Solara) most recently starred in the Mike Judge comedy "Extract," opposite Jason Bateman and Ben Affleck. In 2008 she starred in Judd Apatow's hit comedy "Forgetting Sarah Marshall" as Rachel, opposite Jason Segel, Kirsten Bell, and Jonah Hill, and in the action thriller "Max Payne," with Mark Wahlberg.
Kunis will next be seen in the upcoming feature comedy "Date Night," with Ray Liotta, Mark Ruffalo, Tina Fey, and Steve Carell as one of the characters Fey and Carell encounter as a couple on a date gone awry. She will also star in Darren Aronofsky's supernatural drama "Black Swan," opposite Natalie Portman, as the rival character Lilly. Both films are set for a 2010 release.
The Russian-born actress started her entertainment career by landing several television commercials. She is best known for her roles on two of the Fox Network's most successful shows: as Jackie Burkhart in "That 70's Show," for which she earned two YoungStar Awards for Best Actress in a Television Series, and as the voice of Meg on the hit show "Family Guy."
RAY STEVENSON (Redridge) is perhaps best known for his starring role in the HBO/BBC television series "Rome," portraying the legionary Titus Pullo to both critical and public acclaim. Since the series wrapped, he has been working non-stop in a wide variety of feature films.
Stevenson most recently starred in the fantasy thriller "Cirque de Freak: The Vampire's Assistant," directed by Paul Weitz and based on the best-selling children's series by Darren Shan. In 2008, he was seen as the lead in "Punisher: War Zone," about the Marvel comics anti-hero Frank Castle and his quest to rid the world of evil after the death of his wife and daughter.
He will next be seen in director Jonathan Hensleigh's "The Irishman," as the title character in a true crime story of notorious mobster Danny Greene, with Christopher Walken, Vincent D'Onofrio and Val Kilmer, set for 2010. Hensleigh & Jeremy Walters wrote the screenplay based on the book To Kill the Irishman: The War That Crippled the Mafia, by Rick Porello. Also set for 2010 is Adam McKay's action comedy "The Other Guys," set in the world of the New York City cops, in which Stevenson stars with Will Ferrell and Mark Wahlberg. Among his upcoming projects, Stevenson will play Volstagg, one of the leads in Marvel Comics' "Thor," inspired by the Shakespeare's Falstaff and described as being over 1,000 pounds of muscle and the life of the party. This will reunite him with director Kenneth Branagh, who acted opposite him in "Theory of Flight" for director Paul Greengrass.
Stevenson's film work includes Antoine Fuqua's "King Arthur," for producer Jerry Bruckheimer; the cult favorite "Outpost," for director Steven Barker; "The Return of the Native," opposite Catherine Zeta Jones; and "Some Kind of Life."
His stage work includes playing Christ in the York Mystery Plays in 2000 at York Minster. In 2001, he played Roger in "Mouth to Mouth," by Kevin Ely, at the Albery Theatre in London, and, in 2003, appeared as Cardinal in "The Duchess of Malfi," by John Webster with Janet McTeer, at the Royal National Theatre.
Born in Northern Ireland, Stevenson grew up in England. He studied acting at the Bristol Old Vic Theatre School.
JENNIFER BEALS (Claudia) most recently appeared in the French film "Joueuse," which made its American premiere at the Tribeca Film Festival.
Beals was twice nominated for Outstanding Actress in a Drama Series by the NAACP Image Awards for her role in the acclaimed Showtime series "The L Word," which wrapped its sixth and final season in 2009. Her work on "The L Word" has earned numerous accolades and appreciation from groups including the Power Up Award, the GLAAD Golden Gate Award and the Golden Satellite Award for Outstanding Actress. The L Word Book , Beals' highly anticipated photographic journal, takes an unprecedented, behind-the-scenes look at the groundbreaking Showtime series and is set for release in January 2010. More information is available at www.lwordbook.com.
Beals recently joined the cast of the Fox Network series "Lie to Me," in a recurring role as the ex-wife of series lead Tim Roth.
Among her most memorable roles, Beals starred opposite Campbell Scott in the critically acclaimed film "Roger Dodger," winner of the 2002 Best Narrative Feature at the Tribeca Film Festival and Best First Film at the Venice Film Festival. She earned rave reviews for her role in VH-1's "They Shoot Divas, Don't They?" and was seen in the acclaimed "The Anniversary Party," written and directed by Jennifer Jason Leigh and Alan Cummings. In 2001, Beals starred in two Showtime features: the adaptation of Anne Rice's praised "A Feast of All Saints" and the WGA-nominated "A House Divided," in which she starred opposite Sam Waterston and Lisa Gay Hamilton and earned a Golden Satellite nomination as Best Actress in a Movie/Miniseries. For her extensive research for the film in Sparta, Georgia, where the story is based, she received an honorary Key to the City.
Originally from Chicago, Beals began her career after high school with a role in "Flashdance" that earned her a Golden Globe nomination and an NAACP Image Award for Best Actress. She then entered Yale University to study American Literature and graduated with honors. Beals went on to make an indelible impression in Carl Franklin's drama "Devil in a Blue Dress," opposite Denzel Washington, and in Alan Rudolph's "Mrs. Parker and the Vicious Circle."
In recent years, she has starred in a myriad of film roles, including the lead in "Twilight of the Golds," for which she earned a Golden Satellite Award. Her film credits include "The Grudge 2"; "My Name is Sarah"; "Runaway Jim"; "Catch That Kid"; Whit Stillman's "The Last Days of Disco"; Alexandre Rockwell's "In the Soup," which won the 1992 Grand Jury Prize at the Sundance Film Festival and the Audience Award at Deauville; "Four Rooms"; "Vampire's Kiss," with Nicolas Cage; Claude Chabrol's "Doctor M"; Nanni Moretti's "Caro Diario," which won the Director's Prize at the 1994 Cannes Film Festival; and Samuel Fuller's "The Madonna and the Dragon." On the small screen, she has appeared in the critically acclaimed ABC series "Nothing Sacred."
Beals is a winner of the 1999 Maverick Award from the San Jose Film Festival and, in 2004, was named one of People Magazine's 50 Most Beautiful People.
FRANCES DE LA TOUR (Martha) won a Tony Award for her performance as Mrs. Lintott in Alan Bennett's multi award-winning play "The History Boys," directed by Nicholas Hytner, and was also nominated for a BAFTA in the 2006 screen version of the stage play. She has earned three Olivier Awards: in 1980 for Best Actress in Tom Kempinski's "Duet for One," for which she also won the Evening Standard Best Actress Award; in 1984 for Best Actress in a Revival for "A Moon for the Misbegotten"; and in 1992 for Best Actress in a Supporting Role for "When She Danced."
De la Tour trained at the Drama Centre in London in the 1960s before joining the Royal Shakespeare Company. Through 1971, her work there included the roles of Hoyden in "The Relapse" and Helena in Peter Brook's production of "A Midsummer Night's Dream." For the National Theatre, her credits include "Brighton Beach Memoirs," "Les Parents Terribles," the title role in "St Joan" and "The Good Hope." Her additional theater work includes Matthew Warchus's "Boeing-Boeing," Tennessee Williams' "Small Craft Warnings," "Hamlet," Edward Albee's "Three Tall Women," "Anthony and Cleopatra" for the RSC and Noel Coward's "Fallen Angels," for which she received a Variety Club Best Actress Award. De la Tour can currently be seen on stage at the National in the limited engagement world premiere of "The Habit of Art," which reunites her with playwright Alan Bennett and director Nicholas Hytner and also stars Michael Gambon.
De la Tour's filmography includes the comedy "Rising Damp," based on the popular television series, for which she won the Evening Standard's Best Actress Award. She more recently appeared as Madame Olympe Maxime in "Harry Potter and the Goblet of Fire" and as Frau Eva in Andrei Konchalovsky's fantasy "Nutcracker: The Untold Story." She will next be seen alongside an all-star cast including Johnny Depp and Anne Hathaway in Tim Burton's "Alice in Wonderland," set for a 2010 release.
Her television appearances include the 1970s sitcom "Rising Damp," "Duet for One," for which she received a BAFTA Best Actress nomination, the BBC's "Waking the Dead," "Poirot: Death on the Nile," "Miss Marple: The Moving Finger," BBC's "Sensitive Skin" and, most recently, the CBS-TV series "3 lbs."
MICHAEL GAMBON (George) started his career with the Edwards/ Macliammoir Gate Theatre in Dublin. He joined the National Theatre for its inaugural season under Laurence Olivier at the Old Vic in 1963 and appeared there in "Hamlet," "Saint Joan," "The Recruiting Officer," "Andorra," "Philoctetes," "Othello," "The Royal Hunt of the Sun," "The Crucible," "Mother Courage," "Love for Love," "Juno and the Paycock" and "The Storm."
In repertory, principally at Birmingham Rep, Gambon played title roles in "Othello," "Macbeth" and "Coriolanus."
In the West End, he has appeared in Simon Gray's "Otherwise Engaged"; Alan Ayckbourn's "The Norman Conquest"; "Just Between Ourselves"; "Alice's Boys," with Ralph Richardson; Harold Pinter's "Old Times; the title role in "Uncle Vanya"; "Tom and Clem" and "No Man's Land."
With the Royal Shakespeare Company, he spent a season at the Aldwych and later played the title part in "King Lear" and Antony in "Antony and Cleopatra," opposite Helen Mirren, both at Stratford and the Barbican.
For the National Theatre, Gambon has appeared in the premieres of Harold Pinter's "Betrayal," Simon Gray's "Close of Play," Christopher Hampton's "Tales From Hollywood," Alan Ayckbourn's "Sisterly Feelings," and "A Chorus of Disapproval," for which he won an Olivier Award, as well as "A Small Family Business," "Richard III," "Othello," "Tons of Money," the title role in "The Life of Galileo," "Volpone" and "Skylight." He recreated his starring role in the latter on Broadway in 1996 for which he was nominated for a Tony Award. Also for the National Theatre, Gambon played Eddie Carbone in Arthur Miller's "A View From the Bridge," which transferred to the Aldwych Theatre and for which he won all the major drama awards of 1987.
He was in Harold Pinter's "Mountain Language," "Cressida," at the Almeida, and Pinter's "The Caretaker," for which he earned an Olivier Award nomination. Gambon also directed the Platford Performance of Richard Harris' "Visiting Hour."
His television appearances include the BBC's first adventure series in color, "The Borderers," "Eyeless in Gaza," the series "The Other One," with Richard Briers, "The Seagull," "The Holy Experiment," Oscar," "Ghosts" and the Dennis Potter series "The Singing Detective," for which he won a BAFTA Award, a Broadcasting Press Guild Award and a Royal Television Society Award. He also starred in "The Heat of the Day," scripted by Harold Pinter from Elizabeth Bowen's novel, and was Archie Rice in John Osborne's "The Entertainer." More recently, he portrayed Lyndon Johnson in the HBO film "Path to War" and starred in HBO's "Angels in America," directed by Mike Nichols.
Gambon's film credits include "Turtle Diary," David Hare's "Paris By Night," "A Dry White Season," with Marlon Brando, "The Rachel Papers," Peter Greenaway's "The Cook, The Thief, His Wife and Her Lover," "The Gambler," "Mobsters," "Clean Slate," "Toys," "Indian Warrior," "Wings of the Dove," "The Innocent Sleep," "Dancing at Lughnasa," "Sleepy Hollow," "The Insider," "Gosford Park," Open Range" and four of the Harry Potter films: "Harry Potter and the Prisoner of Azkaban," "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix" and 2009's "Harry Potter and the Half-Blood Prince."
In 1998, Gambon was awarded a KBE in the Queen's Honour List.
Genres: Epic Adventure Starring: Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver Directed By: James Cameron Produced By: James Cameron, Jon Landau
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1st Look Edited by Steve Samblis
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3 Views
19:37:50 01/13/09
Gaza Zeitoun
[LESS INFO] 3 VIEWS | ADDED 19:37:50 01/13/09
SOURCES - ALL AJE ZEITOUN AIR STRIKES 30 FAMILY MEMBERS KILLED SHOWS-- Ahmed Samouni, 16 year old boy, injured and on hospital bed. Victim of the Israeli attacks.- SOT - Ahmed Samouni- Ambulances arriving at Al Quds hospital.- Paramedics taking the dead and the injured into the hospital.- Various of choas scenes from inside the hospital.- Doctors treating the injured patients.- SOT - MOHAMED EL HALBY - PARAMEDIC - Ambulance driver who saved Ahmed Samouni.- Interior scenes of the hospital ward where Ahmed Samouni's cousins were admitted for treatment.- Close of young 6 year old boy - Abdullah- SOT - WAEL SAMOUNI - Ahmed's father.- Wael showing various wounds sustained by the small boy.- PTC - Sherine Tadros - 1KM away from Zeitoun.- Various of paramedics standing next to an ambulance.- SOT - RAED EL HELKY PARAMEDIC- Doctors treating an injured boy.- Infant crying on a stretcher.- Paramedic running into the hospital with injured boy in his arms.- Young boy crying out of pain in hospital ward. He witnessed what many are calling a massacre…and then was left for days amidst the dead bodies of his mother and 4 brothers. The horror 16-year old Ahmed Samouni has seen was hard for him to put into words but the effects are written all over his face.SOT Ahmed Samouni“It was the third missile I remember. The other ones had killed my elder brother and injured people, they kept bleeding. But the third missile, that killed them all. My brother was bleeding so much and right infront of my eyes he died. My other brother Ismail, he also bled to death (crys)..and my mum and my youngest brother, they are gone. 4 brothers and my mother, dead. May God give them peace”These are the scenes from last Wednesday when paramedics brought back the dead and injured from the Samouni and other houses nearby, after they had spent 4 days trapped in their home.According to their accounts, partly corroborated with the Red Cross and the United Nations, Israeli soldiers raided their homes and then huddled the extended family together into one house. They then shelled and dropped missiles around the house. 30 members of the Samouni family were killed.SOT Ahmed Samouni“We were put in an ambulance. But there were still people inside the house, dead and injured. For days we all bled. We were so hungry..i remember giving my brother Isaac a tomato to eat before he died.”We tracked down the ambulance driver who rescued Ahmed….The Red Cross were denied access by the Israeli Army to the area for four days, and are still being prevented from going bacK and getting the rest of the dead despite repeated requests.SOT MOHAMED EL HALBY - PARAMEDIC“On the day we got permission, the Army told us to leave the ambulances around 2 km from the house. So we walked and all around us we could see they had bulldozed the area. The houses we passed had Israeli soldiers standing on the roofs. We went inside and heard screams coming from one room. There were about 15 people inside, 2 were dead the rest sitting around them. That was just one room.”Mohamed took us to see Ahmed’s cousins who he also rescued that day from the Samouni house….6 year-old Abdullah was trapped inside the same house as Ahmed, surrounded by his dead cousins and uncles….terrified and distraught he could hardly speak to us… there was no food or water he told me….we only had tomoatoes…what happened to your family I asked..they were infront of me, dead and I was just looking at them he said.Abdullah’s father, Wael escaped on the first day of the Israeli raid. For four days he thought his son was dead.SOT WAEL SAMOUNI“I didn’t know what to do, I still don’t…look at him he is so ill, they are all terrified. He cries all the time. His shoulder is hurt and it has infection but he cant stand the smell, he cries when he looks and smells his wounds. And his leg, look. I want to take him out of Gaza for treatment and I want to be able to go back to the house and get the rest of my family so that I can bury them.”Al Jazeera tried to get to the family’s house, but it wasn’t safe...
30 Views
22:00:00 11/09/08
Seinfeld Scenes: The Contest
[LESS INFO] 30 VIEWS | ADDED 22:00:00 11/09/08
50 Cent aka Curtis Jackson LIVE on KMEL 106.1 in the San Francisco Bay Area speaking on his newest album, Curtis that releases Sept. 11, 2007. CURTIS (Shady/Aftermath/Interscope), features guest appearances by Eminem, Timbaland, Akon, Justin Timberlake, Mary J. Blige, Robin Thicke, and Nicole Scherzinger from the Pussycat Dolls. 50 has 2 HOT tracks leading up to the release of Curtis! Both have taken the radio airwaves by storm: AYO TECHNOLOGY featuring JUSTIN TIMBERLAKE and TIMBALAND - produced by TIMBALAND, and I GET MONEY! Curtis continues 50 Cent's phenomenal rise from the mean streets. His official debut album, 2003's Get Rich Or Die Tryin.., sold 872,000 units in the first four days of its release, making it the fastest-selling debut disc in the SoundScan era (since 1991). The album was the biggest seller of 2003 and is currently ten times platinum worldwide. Later that year, The New Breed, a DVD with a bonus CD including new songs, charted #2 Pop and #1 RB/Hip-Hop. His second album, 2005's The Massacre, was the second biggest-selling album of the year and is now seven times platinum worldwide. Since he first dropped his bombs on the music world, 50 has earned 11 Grammy nominations, from Best New Artist to Best Rap Album for each of his first two efforts. Attesting to his worldwide popularity, Get Rich Or Die Tryin' hit #2 in the U.K. and #1 in Australia while The Massacre went #1 in both those countries, #2 in Sweden, and is the biggest-selling rap album in India, where it has been certified double platinum, selling more than 2,000,000 copies. Back in the U.S., 50 has scored three singles claiming the #1 spot across the charts -- RB/Hip-hop, Rap, and Pop: In Da Club, Candy Shop, and 21 Questions (featuring Nate Dogg). Three more went Top 3 across the board: P.I.M.P, Just A Lil Bit, and Disco Inferno. Yet another four were Rap Top 10s: Wanksta, Outta Control (Remix), Window Shopper, and Best Friend. Four of the above have been certified digital gold: In Da Club, Candy Shop, P.I.M.P, and Disco Inferno. From music to movies, video games to books, a clothing line to footwear, 50 has taken street culture by storm. But as Curtis proves, and as he says in ..Straight to the Bank,.. 50 Cent wants even more. KEYWORDS: 50 cent 106 kmel g unit g.u.n.i.t. 106.1 exclusive interview on the air man myth legened fifty cent 50cent 106kmel beef gossip drama king c.u.r.t.i.s. curtis justin timberlake timberland robin thick thicke nicole pussycat dolls tcd akon dr. dre doctor andre come and go eminem em platinum aggressive rb kanye beef bear blow the whole thing interscope g-unit records content al pacino soldier emcee t emceet chinese king of the bay ckotb c.k.o.t.b. emcee t is hotter better and superior to jin WHO talks about beef with kanye, movie role, curtis album, game, 106 kmel interview 50 cent g unit stickam stick am, SouljaBoy, Soulja Boy, SouljaBoy diss, Soulja Boy diss, hate, hater, hating, hatin', dating, datin', lil wayne diss, lil-wayne diss, game diss, the game, kayne diss COPYRIGHT TO 106.1 KMEL AFFILIATES
