Search Episodes (A Z of Climbing video series)

The Elder Scrolls V Skryim: Secrets - The Legend of the Red Ea...

Added 11/24/11
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The Elder Scrolls V Skryim: Secrets - The Legend of the Red Eagle ft. Fatiguu (Gameplay/Commentary)

[LESS INFO] 33 VIEWS | ADDED 17:54:56 11/24/11
The Elder Scrolls V Skryim: Secrets - The Legend of the Red Eagle ft. Fatiguu (Gameplay/Commentary) www.youtube.com Click here to watch The Elder Scrolls IV Oblivion: The Unbeaten Path & Suicidal Troll by Fatiguu (Gameplay/Commentary) The Elder Scrolls V Skryim: Secrets - The Legend of the Red Eagle ft. Fatiguu (Gameplay/Commentary) This is the first episode on my series that will be showing you cool things in Skyrim that you won't come across in your daily questing excursions. Enjoy! DIRECTOR'S CHANNEL: www.youtube.com Visit the NEW Inside Gaming Blog! bit.ly - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - This Realm video will show you: How to play The Elder Scrolls V: Skyrim How to quest like a badass How to acquire 2 fantastic swords How to climb Rndless sets of stairs How to ransack a sarcophagus - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Like Machinima Realm on Facebook! facebook.com Enlist in the Respawn Army! therespawnarmy.com FOR MORE MACHINIMA, GO TO www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com Tags: yt:quality=high "Elder Scrolls V" Skyrim 5 five Bethesda Game Studios Softworks role-playing game RPG Microsoft Windows "PlayStation 3" PS3 Sony Xbox 360 Xbox360 Alduin Creation Engine open world Sandbox Dovahkiin Dragonborn Perks dual wield finishing moves Radiant AI Draconic dragon shouts Dovahzaan The Blades Nord Esbern Max von Sydow machinima ... From: MachinimaRealm Views: 12992 447 ratings Time: 06:04 More in Gaming

Minecraft The Spider Queen Ep 5 Ft Techzilla (Mc Gameplay/Co...

Added 09/11/11
15 Views

Minecraft: The Spider Queen Ep.4 ft. Techzilla (MC Gameplay/Co...

Added 08/14/11
2 Views

Minecraft: The Spider Queen Ep.3 ft. Techzilla (MC Gameplay/Co...

Added 08/07/11
15 Views

Minecraft: The Spider Queen Ep.2 ft. Techzilla (MC Gameplay/Co...

Added 08/02/11
14 Views

Juneau, Alaska Walking The Plank - One For The Road Almost Liv...

Added 07/22/11
8 Views

Minecraft: The Spider Queen Ep.1 ft. Techzilla (MC Gameplay/Co...

Added 06/29/11
223 Views

Climbing (with the Great Indoorsman)

Added 05/11/11
11 Views

T Fi J34 Trekking The Japanese Northern Alps 1

Added 09/04/10
0 Views

Climbing Mt. Everest

Added 07/08/10
20 Views

Music Video Reform School vs Selena Gomez and KISS - MeVIO Music

Added 12/23/09
30 Views

Music Video Reform School vs Selena Gomez and KISS - MeVIO Music

[LESS INFO] 30 VIEWS | ADDED 22:14:10 12/23/09
MEVIO MUSIC OFFER: Find a great pair of athletic shoes and apperal at Footlocker.com . Use the promo code below and save money: AFEM0GFL - 15% off any order. If you like that offer, there are many more offers available. Just go to offers.mevio.com . ------------------------------------------------------------------------------------------------------------------ Welcome to Music Video Reform School. Jackie and Martina managed to survive Christmas, and they are back with some new videos to grade. First up is the latest from Selena Gomez, and then they go back to the 80's with a classic video from KISS. Selena Gomez: BIO: (from myspace.com ) Selena Gomez took her sweet time before recording her debut album. After all, she had her hands full starring in her hit Disney Channel series "Wizards of Waverley Place," not to mention appearing in a string of movies and other TV shows. Still, music had been a core passion of hers going back to childhood. A child no more, Selena comes on strong with her Hollywood Records premiere CD, "Kiss & Tell." It is nothing less than the emancipation proclamation of a young artist with a lot to say. She didn't get there alone. Producer Ted Bruner, along with songwriters Gina Schock , Tim James & Antonina Armato and Selena's band, The Scene, wrap her vocals with fire and ferocity. "Because it is my first record I wanted it to be amazing," Selena says. "I think of this record as a huge learning journey. I wanted to find my sound and see where I wanted to go musically." On that journey, she clearly found her musical home base. And it rocks. Selena's blazing rock 'n' roll chops may surprise fans, especially on songs like "Kiss & Tell," with its battalion of drums, tight harmonies and Jane's Addiction-like lead guitar work. Says Selena with a laugh, "Basically this is my harsh song, but in a good way." Selena decided to make the album "passionate, fun and empowering,' as she puts it. Thus, for the most part the 17-year-old singer bypasses the puppy love and goes straight to a righteous "guys are dogs" attitude. Songs like "Falling Down" and "I Don't Miss You At All" simmer with feminine scorn, while the pop gem "I Won't Apologize" (which Selena co-wrote) takes a stand for self-affirmation. "Girls my age tend to change themselves for others," Selena says. "Whether it's a boyfriend or trying to fit in with the 'cool kids,' this song says you're not going to apologize for who you are." Selena tackles ballads on the wistful "The Way I Loved You" and "I Promise You," the latter a love song steeped in unadorned romance. She shakes off the sentimentality in the sophisticated put-down rocker "Stop and Erase," "I Got U," "Crush" and "As a Blond," perhaps the edgiest song yet from the legally brunette Selena. "Every girl goes through a break-up at some point," she says, "and they never feel good. I wanted to make sure that the songs about heartbreak were all empowering rather than sad. When I perform these songs I don't feel I am dwelling on pain." She ends the album with a full-circle moment, re-recording "Tell Me Something I Don't Know," an upbeat hip-hop-flavored track she first cut several years ago and now revisits with a more seasoned point of view. "I thought it would be a fun to redo the song and add some cool techno beats," says the ever-adventurous Selena, who today stands at the brink of a thrilling new phase of her career. Born July 22, 1992 in Dallas, Texas, Selena started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. There she met her best friend, actress/singer and fellow Hollywood Records recording artist Demi Lovato. Their connection has endured. "I was very lucky to have had the opportunity to go through so much with Demi," says Selena. "We have known each other for so long now that we're more like sisters." She landed her first feature film role in 2003, when she was cast in the sci-fi action adventure film "Spy Kids 3-D: Game Over." Selena went on to lend her voice to "Horton Hears a Who!" in 2008, and made guest appearances on "Hannah Montana" and "The Suite Life of Zack & Cody." But she made her greatest impact as an actress starring as girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007. For their work on the show, Selena and her cast mates won a 2009 Emmy Award for Outstanding Children's Program. "I don't think I'm too much like Alex," Selena says. "She gets into a lot of trouble, and my parents would never let that happen. Overall she's confident and doesn't let anyone negative get in her way, which is a good quality to have." Her busy schedule in front of the camera did nothing to dampen her musical dreams. Selena recorded three songs for the "Wizards of Waverly Place The Movie" soundtrack, as well as tracks for "101 Dalmatians," "Another Cinderella Story" and "Tinker Bell." But she had broader ambitions. "I have always loved music and write all the time, but to make a career out of it seemed scary," she says. "I focused more on acting at one point, which blessed me with my show and other projects I had the honor of working on. Now I'm putting more into my music." With a new album, a hit show and more movies on the horizon, it's a wonder Selena has time left for anything else. But she makes time to give something back. She has volunteered for St Jude's Hospital for children, Disney's Friends for Change and she was twice named youth ambassador for UNICEF, a role that recently took her on a fact-finding trip to Africa. It all served to expand her perspective on life. "I am constantly growing and changing," she says, "but I like to think my morals about family and friendships haven't changed." She's not done dreaming. In the years ahead, Selena plans to push her career to greater heights, while always remembering her fans and the faith they place in her. Summing up her goals, Selena says: "I want to inspire others, help and make an impact." With "Kiss & Tell," she won't have long to wait. MYSPACE FACEBOOK TWITTER KISS BIO: (from allmusic.com ) Rooted in the campy theatrics of Alice Cooper and the sleazy hard rock of glam rockers the New York Dolls, Kiss became a favorite of American teenagers in the '70s. Most kids were infatuated with the look of Kiss, not their music. Decked out in outrageously flamboyant costumes and makeup, the band fashioned a captivating stage show featuring dry ice, smoke bombs, elaborate lighting, blood spitting, and fire breathing that captured the imaginations of thousands of kids. But Kiss' music shouldn't be dismissed -- it was a commercially potent mix of anthemic, fist-pounding hard rock driven by sleek hooks and ballads powered by loud guitars, cloying melodies, and sweeping strings. It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late '80s. Kiss was the brainchild of Gene Simmons (bass, vocals) and Paul Stanley (rhythm guitar, vocals), former members of the New York-based hard rock band Wicked Lester; the duo brought in drummer Peter Criss through his ad in Rolling Stone and guitarist Ace Frehley responded to an advertisement in The Village Voice. Even at their first Manhattan concert in 1973, the group's approach was quite theatrical; Flipside producer Bill Aucoin offered the band a management deal after the show. Two weeks later, the band was signed to Neil Bogart's fledgling record label, Casablanca. Kiss released their self-titled debut in February of 1974; it peaked at number 87 on the U.S. charts. By April of 1975, the group had released three albums and had toured America constantly, building up a sizable fan base. Culled from those numerous concerts, Alive! (released in the fall of 1975) made the band rock & roll superstars; it climbed into the Top Ten and its accompanying single, "Rock 'N' Roll All Nite," made it to number 12. Their follow-up, Destroyer, was released in March of 1976 and became the group's first platinum album; it also featured their first Top Ten single, Peter Criss' power ballad "Beth." A 1977 Gallup poll named Kiss the most popular band in America. Kiss mania was in full swing and thousands of pieces of merchandise hit the marketplace. The group had two comic books released by Marvel, pinball machines, makeup and masks, board games, and a live-action TV movie, Kiss Meet the Phantom of the Park. The group was never seen in public without wearing their makeup and their popularity was growing by leaps and bounds; the membership of the Kiss Army, the band's fan club, was now in the six figures. Even such enormous popularity had its limits, and the band reached them in 1978, when all four members released solo albums on the same day in October. Simmons' record was the most successful, reaching number 22 on the charts, yet all of them made it into the Top 50. Dynasty, released in 1979, continued their streak of platinum albums, yet it was their last recorded with the original lineup -- Criss left in 1980. Kiss Unmasked, released in the summer of 1980, was recorded with session drummer Anton Fig; Criss' permanent replacement, Eric Carr, joined the band in time for their 1980 world tour. Kiss Unmasked was their first record since Destroyer to fail to go platinum, and 1981's Music from the Elder, their first album recorded with Carr, didn't even go gold -- it couldn't even climb past number 75 on the charts. Ace Frehley left the band after its release; he was replaced by Vinnie Vincent in 1982. Vincent's first album with the group, 1982's Creatures of the Night, fared better than Music from the Elder, yet it couldn't make it past number 45 on the charts. Sensing it was time for a change, Kiss dispensed with their makeup for 1983's Lick It Up. The publicity worked, as the album became their first platinum record in four years. Animalize, released the following year, was just as successful, and the group had recaptured their niche. Vincent left after Animalize and was replaced by Mark St. John; St. John was soon taken ill with Reiter's Syndrome and left the band. Bruce Kulick became Kiss' new lead guitarist in 1984. For the rest of the decade, Kiss turned out a series of best-selling albums, culminating in the early 1990 hit ballad "Forever," which was their biggest single since "Beth." Kiss was scheduled to record a new album with their old producer, Bob Ezrin, in 1990 when Eric Carr became severely ill with cancer; he died in November of 1991 at the age of 41. Kiss replaced him with Eric Singer and recorded Revenge (1992), their first album since 1989; it was a Top Ten hit and went gold. Kiss followed it with the release of Alive III the following year; it performed respectably, but was not up to the standards of their two previous live records. In 1996, the original lineup of Kiss -- featuring Simmons, Stanley, Frehley, and Criss -- reunited to perform an international tour, complete with their notorious makeup and special effects. The tour was one of the most successful of 1996, and in 1998 the reunited group issued Psycho Circus. While the ensuing tour in support of Psycho Circus was a success, sales of Kiss' reunion album weren't as stellar as anticipated. Reminiscent of the band's late-'70s unfocused period, few tracks on Psycho Circus featured all four members playing together (most tracks were supplemented with session musicians), as the band seemed more interested in flooding the marketplace with merchandise yet again instead of making the music their top priority. With rumors running rampant that the Psycho Circus Tour would be their last, the quartet announced in the spring of 2000 that they would be launching a U.S. farewell tour in the summer, which became one of the year's top concert draws. But on the eve of a Japanese and Australian tour in early 2001, Peter Criss suddenly left the band once again, supposedly discontent with his salary. Taking his place was previous Kiss drummer Eric Singer, who in a controversial move among some longtime fans, donned Criss' cat-man makeup (since Simmons and Stanley own both Frehley and Criss' makeup designs, there was no threat of a lawsuit) as the farewell tour continued. With the band scheduled to call it a day supposedly by late 2001, a mammoth career-encompassing box set was set for later in the year, while the summer saw perhaps the most over-the-top piece of Kiss merchandise yet -- the "Kiss Kasket." The group was relatively quiet through the rest of the year, but 2002 started with a bang as Gene Simmons turned in an entertaining and controversial interview on NPR where he criticized the organization and berated host Terry Gross with sexual comments and condescending answers. He was promoting his autobiography at the time, which also caused dissent in the Kiss camp because of the inflammatory remarks made towards Ace Frehley. Frehley was quite angry at the situation, leading to his no-showing of an American Bandstand anniversary show. His place was taken by a wig-wearing Tommy Thayer, but no one was fooled and the band looked especially awful while pretending to play their instruments during the pre-recorded track. The appearance was an embarrassment for the group and for their fans, but Simmons was quick to dismiss the performance as another in a long series of money-oriented decisions. The band kept touring the globe with no new album in stores, but in 2008 they returned to the studio, re-recorded their hits, and released Jigoku-Retsuden aka KISSology or Kiss Klassics. The release was exclusive to Japan until a year later when it became a bonus disc for the band's first studio album in 11 years, Sonic Boom. Produced by Paul Stanley and Greg Collins, the album was exclusively distributed in North America by the Wal-Mart chain of stores. OFFICIAL SITE LAST FM MYSPACE Keep connected with MeVIO Music on Twitter . For the latest news, videos, and special offers, go to the MeVIO Music Blog .

Roy Buchanan DVD cover by Noë the G and John Peden

Added 04/22/09
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Roy Buchanan DVD cover by Noë the G and John Peden

[LESS INFO] 2 VIEWS | ADDED 16:34:00 04/22/09
Roy Buchanan DVD cover by Noë the G and John Peden Originally uploaded by Doctor Noe PS, we finally put up our "sneak-peek trailer version" of highlights for BlipTv and YouTube. Remember, this is a teaser, containing a fraction of the original footage on the DVD it is meant to promote. To get the full-scope, full-sound, complete experience, buy the DVD! Here's how we look on BlipTv: And here's the "Telly Talk Teaser" on YouTube: We wanted to test the waters to see if there would be a demand for a similar kind of musician-with-guitar talk and demo in a Guitar Galaxy series with some of our old friends ... Billy Gibbons, Steve Stevens, Steve Vai, Joe Satch, Yngwie, Eddie Van H. (my kid goes to school with Wolfie) and Keef (I interviewed him last summer -- see this:) . ... JC-017 Photo Credit: Jacob Cohl Keith Richards (left) and director Martin Scorsese (right) backstage at the Beacon Theater while filming the Rolling Stones concert film “Shine A Light.” Paramount Classics in Association with Concert Productions International and Shangri-La Entertainment Presents A Martin Scorsese Picture “Shine a Light” starring Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood. The film is directed by Martin Scorsese. The producers are Victoria Pearman, Michael Cohl, Zane Weiner and Steve Bing. The executive producers are Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood. This film has been rated PG-13 for brief strong language, drug references and smoking. © 2008 by RST Concerts, Inc. All Rights Reserved. From my interview with Keith: Keith Richards is also a major fan of Scorsese’s and says he’s studied “every one of his movies. Some of them I know most of the dialogue,” he says. “All I heard was that Marty might be shooting the Stones, and I said, ‘Yeah!’ Given the opportunity to get a Stones show shot by a master, who’s going to say no?” Richards and the Stones have been no strangers to the cinematic treatment by film masters. Of the more than 18 documentaries that have been made about them, “Shine A Light” is one of more than half a dozen helmed by an “auteur.” There was 1968’s Jean-Luc Godard activist-arriviste take on the band, “Sympathy for the Devil: One Plus One”; Robert Frank’s very-limited release (it was shown publicly perhaps three times) documentary about their debauched life on the road, “Cocksucker Blues”; Peter Whitehead’s 1966 art-scene film “Charlie is My Darling”; The Maysles Brothers’ “Gimme Shelter”; and Hal Ashby’s “Let’s Spend the Night Together.” Film scholar that he is, Richards says “Don’t forget ‘Hail! Hail! Rock ’n’ Roll,’” Taylor Hackford’s documentary about a legendary Chuck Berry concert, in which Richards appeared and also co-produced. “To me, ‘Shine A Light’ is on a par with that film. It’s different because it’s a Stones show but it’s a very superior rock ’n roll film.” And why was that one so important to him as a performer and as an artist? “Actually, to me,” says Richards, “what was really intriguing was getting Marty’s take on it, and his vision. To me, the thing was that Martin Scorsese wanted to do something, and I thought, well, he must have something in mind that is beyond the usual sort of video scan. So I really wanted to find out what Marty wanted.” Who would have guessed that beneath the guise of the ultimate rock ‘n roll outlaw beat the heart of a cinematheque-denizen film scholar who wanted nothing more than to please a master auteur? “When you’re actually up there doing the work, you really pass all of that onto the director so that in a way, you just do what you do and try to do it as well as you can, and at the end you see whether you did it or not and then you stop to see – ahh! his vision of it,” observes Richards. “As it slowly unfolded with “Shine A Light” – Marty’s great use of old footage and live footage, for instance, had a great feel about it. It slowly dawns on you as you’re watching it. Otherwise, you have no idea. You can’t climb inside of somebody else’s brain.” At this point in the conversation, Keith says, "Lord knows, there's been people trying to get into my brain, but that was a necessity," referring to his own brain salad surgery. From the Production Notes for the movie "Shine A Light" Noe Gold, aka Noe the G is featured for his interviews with Mick and Keith in the Mahalo Daily show’s report on the Martin Scorsese Rolling Stones movie “Shine a Light,” which opens stateside April 4, 2008. Check out the episode here . P.S. Please check out my latest links ... This just in: >"}}}}));> Noe Gold, aka Noe the G is now a regular contributor to Fancast.com, an entertainment news website sponsored by the movie-obsessed Fandango service. His blog kicks off with his interviews with Mick and Keith in a report on the Martin Scorsese-Rolling Stones movie 'Shine a Light,' which opened stateside April 4, 2008: bigpicture.fancast.com/2008/04/fancast_interview_mick_jag... . >"}}}}):;> Noe was interviewed about how he came to talk to Mick and Keith on the Mahalo Daily show's episode here: daily.mahalo.com/2008/04/04/md093-shine-a-light-exclusive... [http://daily.mahalo.com/2008/04/04/md093-shine-a-light-exclusive-footage-and-interviews/ ] April 4, 2008 -- Mahalo Daily, (http://daily.mahalo.com/) ranks consistently in the top five podcasts on iTunes. We recently put out a video which reached 350,000+ views on YouTube, and was most viewed for several days. There will be more from my Mick & Keef conversations here. So whaddayasay, Guitar World flickr-ites? should we do it? will there be an audience for this sort of thing? Lemme know.