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5 Views
21:00:06 12/29/11
There's No Mystery About Romney's Taxes and Tax Plan
[LESS INFO] 5 VIEWS | ADDED 21:00:06 12/29/11
Why is Mitt Romney alone among the Republican presidential candidates in refusing to release his tax returns ? And why is the former Massachusetts Governor also the only major GOP contender not calling for the complete elimination of the capital gains tax ? As it turns out, the answer - horrible political optics - is the same to both questions. Because Romney's continuing millions in annual income from Bain Capital are taxed at the 15 percent capital gains rate, Mitt already pays a much lower share to Uncle Sam than most middle class families . And if he called for changing the capital gains rate to zero, Mitt Romney would have to explain to voters why the $250 million man should pay virtually no tax bill at all .
Despite his famous demand in the 1994 Senate race that Ted Kennedy release his tax returns to show he has "nothing to hide," Romney last week reiterated his own paperwork would not be forthcoming. "We don't have any current plans to release tax returns, but never say never," Romney said, adding: >
"I can tell you we follow the tax laws, and if there's an opportunity to save taxes, we like anybody else in this country will follow that opportunity."
Truer words were never spoken.
In October, Citizens for Tax Justice estimated that the Romneys paid only 14 percent of their income in taxes . (It's no wonder Mitt opposes the " Buffett Rule .") As Time reported: >
Just how much Romney pays in taxes is, for the moment, a private matter. But his income is public knowledge. In August, Romney disclosed that in 2010 he and his wife made between $1.1 million and $2.8 million in royalties, salary, speaking fees and interest, most of which was likely taxed at a marginal rate of 35%, after accounting for deductions. The Romneys made an additional $5.5 million to $37.3 million from dividends and capital gains, which is generally taxed at a much lower rate of 15%.
Two weeks ago, the New York Times shed light on that "$5.5 million to $37.3 million from dividends and capital gains" that represents most of Romney's income. Though Mitt left Bain Capital in 1999, 13 years later his windfall continues uninterrupted: >
In what would be the final deal of his private equity career, he negotiated a retirement agreement with his former partners that has paid him a share of Bain's profits ever since, bringing the Romney family millions of dollars in income each year and bolstering the fortune that has helped finance Mr. Romney's political aspirations... >
In the process, Bain continued to buy and restructure companies, potentially leaving Mr. Romney exposed to further criticism that he has grown wealthier over the last decade partly as a result of layoffs. Moreover, much of his income from the arrangement has probably qualified for a lower tax rate than ordinary income under a tax provision favorable to hedge fund and private equity managers, which has become a point of contention in the battle over economic inequality.
And that creates what Steve Benen aptly called "Romney's 'carried interest' problem." >
In case anyone needs a refresher, there's a tax loophole on "carried interest" -- sometimes called "the carry" -- that taxes private equity and venture capital income at a lower, 15% rate, as compared to 35% on ordinary income. Hedge-fund managers and the Wall Street have fought tooth and nail to protect this loophole -- even after the Obama White House tried to eliminate it -- and so far, they've been successful.
Which is why Mitt Romney has thus far refused to join his fellow GOP White House hopefuls in proposing the elimination of the 15 percent capital gains tax. Newt Gingrich, Rick Perry and Herman Cain all called for zeroing out the capital gains levy, which is one reason why their tax plans represent such a huge windfall for the wealthy . (Their support for a flat-tax is another.) The Washington Post explained why for the rich that would be "better than any Christmas gift": >
While it's true that many middle-class Americans own stocks or bonds, they tend to stash them in tax-sheltered retirement accounts, where the capital gains rate does not apply. By contrast, the richest Americans reap huge benefits. Over the past 20 years, more than 80 percent of the capital gains income realized in the United States has gone to 5 percent of the people; about half of all the capital gains have gone to the wealthiest 0.1 percent.
For his part, Romney has proposed reducing the capital gains tax rate only for the first $200,000 in income. But as ThinkProgress pointed out, Romney's claim that "The people in the middle...I focused my tax cut right there" is preposterous: >
Romney may think he focused his tax cut on the middle-class, but according to a ThinkProgress analysis of Tax Policy Center data*, nearly three-fourths of households that make $200,000 or less annually would get literally nothing from Romney's tax cut, due to the simple fact that most of those households have no capital gains income.
But while Mitt Romney didn't want to create the appearance of slashing most of his own tax bill, that doesn't mean his proposals wouldn't produce a massive payday for his own and other rich families while piling up yet more debt. Romney's 59-point economic plan calls for extending the Bush tax cuts, ending the estate tax and reducing corporate taxes. The result, as ThinkProgress explained: >
Romney's tax plan includes a $6.6 TRILLION giveaway to corporations and the wealthiest Americans. Meanwhile, Romney's Medicaid cuts are even more draconian than the ones in Paul Ryan plan. Both of their plans end also end Medicare, naturally.
Still, in an interview last weekend the reliably Republican Wall Street Journal wondered why Romney had been so "timid" compared to his rivals. In a rare moment of candor, Mitt revealed that his real preferences would make for very bad politics: >
What about his reform principles? Mr. Romney talks only in general terms. "Moving to a consumption-based system is something which is very attractive to me philosophically, but I've not been able to sufficiently model it out to jump on board a consumption-based tax. A flat tax, a true flat tax is also attractive to me. What I like--I mean, I like the simplification of a flat tax. I also like removing the distortion in our tax code for certain classes of investment. And the advantage of a flat tax is getting rid of some of those distortions"... >
Amid such generalities, it's hard not to conclude that the candidate is trying to avoid offering any details that might become a political target. And he all but admits as much. "I happen to also recognize," he says, "that if you go out with a tax proposal which conforms to your philosophy but it hasn't been thoroughly analyzed, vetted, put through models and calculated in detail, that you're gonna get hit by the demagogues in the general election."
"The president," Romney complained, "will characterize anyone running for office, and me in particular, as just in there to lower taxes for rich people, and that is not my intent." Perhaps, but that's the inevitable impact. As John McCain learned in 2008 , refusing the release the details of his beer heiress wife Cindy's fortune while calling for tax policies delivering his family lottery-sized winning courtesy of the U.S. Treasury is not going to endear you to working Americans. (In Mitt Romney's case, revealing the 10 percent tithe he dutifully pays to his Mormon church probably won't endear him to the GOP's evangelical primary voters, either.)
All of which explains why Mitt Romney won't release his tax returns or call for abolishing the capital gains tax, the love which dares not speak its name. Besides, Mitt Romney wants Americans to believe he's just part of the "80 to 90 percent of us" who are middle class.
And, no doubt, Mitt's willing to bet you $10,000 to prove it.
(This piece also appears at Perrspectives .)
4 Views
21:00:06 12/29/11
There's No Mystery About Romney's Taxes and Tax Plan
[LESS INFO] 4 VIEWS | ADDED 21:00:06 12/29/11
Why is Mitt Romney alone among the Republican presidential candidates in refusing to release his tax returns ? And why is the former Massachusetts Governor also the only major GOP contender not calling for the complete elimination of the capital gains tax ? As it turns out, the answer - horrible political optics - is the same to both questions. Because Romney's continuing millions in annual income from Bain Capital are taxed at the 15 percent capital gains rate, Mitt already pays a much lower share to Uncle Sam than most middle class families . And if he called for changing the capital gains rate to zero, Mitt Romney would have to explain to voters why the $250 million man should pay virtually no tax bill at all .
Despite his famous demand in the 1994 Senate race that Ted Kennedy release his tax returns to show he has "nothing to hide," Romney last week reiterated his own paperwork would not be forthcoming. "We don't have any current plans to release tax returns, but never say never," Romney said, adding: >
"I can tell you we follow the tax laws, and if there's an opportunity to save taxes, we like anybody else in this country will follow that opportunity."
Truer words were never spoken.
In October, Citizens for Tax Justice estimated that the Romneys paid only 14 percent of their income in taxes . (It's no wonder Mitt opposes the " Buffett Rule .") As Time reported: >
Just how much Romney pays in taxes is, for the moment, a private matter. But his income is public knowledge. In August, Romney disclosed that in 2010 he and his wife made between $1.1 million and $2.8 million in royalties, salary, speaking fees and interest, most of which was likely taxed at a marginal rate of 35%, after accounting for deductions. The Romneys made an additional $5.5 million to $37.3 million from dividends and capital gains, which is generally taxed at a much lower rate of 15%.
Two weeks ago, the New York Times shed light on that "$5.5 million to $37.3 million from dividends and capital gains" that represents most of Romney's income. Though Mitt left Bain Capital in 1999, 13 years later his windfall continues uninterrupted: >
In what would be the final deal of his private equity career, he negotiated a retirement agreement with his former partners that has paid him a share of Bain's profits ever since, bringing the Romney family millions of dollars in income each year and bolstering the fortune that has helped finance Mr. Romney's political aspirations... >
In the process, Bain continued to buy and restructure companies, potentially leaving Mr. Romney exposed to further criticism that he has grown wealthier over the last decade partly as a result of layoffs. Moreover, much of his income from the arrangement has probably qualified for a lower tax rate than ordinary income under a tax provision favorable to hedge fund and private equity managers, which has become a point of contention in the battle over economic inequality.
And that creates what Steve Benen aptly called "Romney's 'carried interest' problem." >
In case anyone needs a refresher, there's a tax loophole on "carried interest" -- sometimes called "the carry" -- that taxes private equity and venture capital income at a lower, 15% rate, as compared to 35% on ordinary income. Hedge-fund managers and the Wall Street have fought tooth and nail to protect this loophole -- even after the Obama White House tried to eliminate it -- and so far, they've been successful.
Which is why Mitt Romney has thus far refused to join his fellow GOP White House hopefuls in proposing the elimination of the 15 percent capital gains tax. Newt Gingrich, Rick Perry and Herman Cain all called for zeroing out the capital gains levy, which is one reason why their tax plans represent such a huge windfall for the wealthy . (Their support for a flat-tax is another.) The Washington Post explained why for the rich that would be "better than any Christmas gift": >
While it's true that many middle-class Americans own stocks or bonds, they tend to stash them in tax-sheltered retirement accounts, where the capital gains rate does not apply. By contrast, the richest Americans reap huge benefits. Over the past 20 years, more than 80 percent of the capital gains income realized in the United States has gone to 5 percent of the people; about half of all the capital gains have gone to the wealthiest 0.1 percent.
For his part, Romney has proposed reducing the capital gains tax rate only for the first $200,000 in income. But as ThinkProgress pointed out, Romney's claim that "The people in the middle...I focused my tax cut right there" is preposterous: >
Romney may think he focused his tax cut on the middle-class, but according to a ThinkProgress analysis of Tax Policy Center data*, nearly three-fourths of households that make $200,000 or less annually would get literally nothing from Romney's tax cut, due to the simple fact that most of those households have no capital gains income.
But while Mitt Romney didn't want to create the appearance of slashing most of his own tax bill, that doesn't mean his proposals wouldn't produce a massive payday for his own and other rich families while piling up yet more debt. Romney's 59-point economic plan calls for extending the Bush tax cuts, ending the estate tax and reducing corporate taxes. The result, as ThinkProgress explained: >
Romney's tax plan includes a $6.6 TRILLION giveaway to corporations and the wealthiest Americans. Meanwhile, Romney's Medicaid cuts are even more draconian than the ones in Paul Ryan plan. Both of their plans end also end Medicare, naturally.
Still, in an interview last weekend the reliably Republican Wall Street Journal wondered why Romney had been so "timid" compared to his rivals. In a rare moment of candor, Mitt revealed that his real preferences would make for very bad politics: >
What about his reform principles? Mr. Romney talks only in general terms. "Moving to a consumption-based system is something which is very attractive to me philosophically, but I've not been able to sufficiently model it out to jump on board a consumption-based tax. A flat tax, a true flat tax is also attractive to me. What I like--I mean, I like the simplification of a flat tax. I also like removing the distortion in our tax code for certain classes of investment. And the advantage of a flat tax is getting rid of some of those distortions"... >
Amid such generalities, it's hard not to conclude that the candidate is trying to avoid offering any details that might become a political target. And he all but admits as much. "I happen to also recognize," he says, "that if you go out with a tax proposal which conforms to your philosophy but it hasn't been thoroughly analyzed, vetted, put through models and calculated in detail, that you're gonna get hit by the demagogues in the general election."
"The president," Romney complained, "will characterize anyone running for office, and me in particular, as just in there to lower taxes for rich people, and that is not my intent." Perhaps, but that's the inevitable impact. As John McCain learned in 2008 , refusing the release the details of his beer heiress wife Cindy's fortune while calling for tax policies delivering his family lottery-sized winning courtesy of the U.S. Treasury is not going to endear you to working Americans. (In Mitt Romney's case, revealing the 10 percent tithe he dutifully pays to his Mormon church probably won't endear him to the GOP's evangelical primary voters, either.)
All of which explains why Mitt Romney won't release his tax returns or call for abolishing the capital gains tax, the love which dares not speak its name. Besides, Mitt Romney wants Americans to believe he's just part of the "80 to 90 percent of us" who are middle class.
And, no doubt, Mitt's willing to bet you $10,000 to prove it.
(This piece also appears at Perrspectives .)
17 Views
11:57:04 07/30/11
Private Networked Cultures (Dir Peter Mörtenböck And Helge Mooshammer) 2008 (105 Min )
[LESS INFO] 17 VIEWS | ADDED 11:57:04 07/30/11
Networked Cultures provides a filmic archive of practitioners from the fields of art, architecture, theory and activism talking about their work in the light of global cultural transformation. Network Creativity Azra Akšamija, Stefano Boeri, Katherine Carl, Branka Curćić, Olga Lopoukhova, Margarethe Makovec, Kyong Park, Marjetica Potrc, Irit Rogoff, Florian Schneider, Srdjan Jovanović Weiss Contested Spaces Ayreen Anastas, Ursula Biemann, Stefano Boeri, Erden Kosova, Marta Paz, Pablo de Soto, Eyal Weizman Trading Places Helmut Batista, Ursula Biemann, Philipp Oswalt, Tadej Pogačar, Marjetica Potrc, Oliver Ressler, Irit Rogoff Parallel Worlds
3 Views
20:26:21 06/02/09
When Values Collide Financial Asset Or Cultural Resource?
[LESS INFO] 3 VIEWS | ADDED 20:26:21 06/02/09
Veteran cultural journalist and "CultureGrrl" blogger Lee Rosenbaum speaks about art museum deaccessioning controversies in the University of Iowa Museum of Art's Spring 2009 Elliott Society lecture series. Iowa City-based attorney David Bright, who serves on the American Bar Association’s Art & Cultural Heritage Law Committee and the UIMA Members Council, joins Rosenbaum for the talk on April 15, 2009. The program’s focus is especially relevant for the UIMA in light of the year's events. In 2008, at the request of the Board of Regents, the University of Iowa prepared an analysis of the advantages and disadvantages of deaccessioning the Museum’s most celebrated painting, Jackson Pollock’s Mural (1943), to cover flood damages the campus suffered in June 2008.
2 Views
16:34:00 04/22/09
Roy Buchanan DVD cover by Noë the G and John Peden
[LESS INFO] 2 VIEWS | ADDED 16:34:00 04/22/09
Roy Buchanan DVD cover by Noë the G and John Peden
Originally uploaded by Doctor Noe PS, we finally put up our "sneak-peek trailer version" of highlights for BlipTv and YouTube. Remember, this is a teaser, containing a fraction of the original footage on the DVD it is meant to promote. To get the full-scope, full-sound, complete experience, buy the DVD!
Here's how we look on BlipTv:
And here's the "Telly Talk Teaser" on YouTube:
We wanted to test the waters to see if there would be a demand for a similar kind of musician-with-guitar talk and demo in a Guitar Galaxy series with some of our old friends ... Billy Gibbons, Steve Stevens, Steve Vai, Joe Satch, Yngwie, Eddie Van H. (my kid goes to school with Wolfie) and Keef (I interviewed him last summer -- see this:) . ...
JC-017 Photo Credit: Jacob Cohl
Keith Richards (left) and director Martin Scorsese (right) backstage at the Beacon Theater while filming the Rolling Stones concert film “Shine A Light.” Paramount Classics in Association with Concert Productions International and Shangri-La Entertainment Presents A Martin Scorsese Picture “Shine a Light” starring Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood. The film is directed by Martin Scorsese. The producers are Victoria Pearman, Michael Cohl, Zane Weiner and Steve Bing. The executive producers are Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood. This film has been rated PG-13 for brief strong language, drug references and smoking.
© 2008 by RST Concerts, Inc. All Rights Reserved.
From my interview with Keith:
Keith Richards is also a major fan of Scorsese’s and says he’s studied “every one of his movies. Some of them I know most of the dialogue,” he says. “All I heard was that Marty might be shooting the Stones, and I said, ‘Yeah!’ Given the opportunity to get a Stones show shot by a master, who’s going to say no?”
Richards and the Stones have been no strangers to the cinematic treatment by film masters. Of the more than 18 documentaries that have been made about them, “Shine A Light” is one of more than half a dozen helmed by an “auteur.” There was 1968’s Jean-Luc Godard activist-arriviste take on the band, “Sympathy for the Devil: One Plus One”; Robert Frank’s very-limited release (it was shown publicly perhaps three times) documentary about their debauched life on the road, “Cocksucker Blues”; Peter Whitehead’s 1966 art-scene film “Charlie is My Darling”; The Maysles Brothers’
“Gimme Shelter”; and Hal Ashby’s “Let’s Spend the Night Together.” Film scholar that he is, Richards says “Don’t forget ‘Hail! Hail! Rock ’n’ Roll,’” Taylor Hackford’s documentary about a legendary Chuck Berry concert, in which Richards appeared and also co-produced. “To me, ‘Shine A Light’ is on a par with that film. It’s different because it’s a Stones show but it’s a very superior rock ’n roll film.”
And why was that one so important to him as a performer and as an artist?
“Actually, to me,” says Richards, “what was really intriguing was getting Marty’s take on it, and his vision. To me, the thing was that Martin Scorsese wanted to do something, and I thought, well, he must have something in mind that is beyond the usual sort of video scan. So I really wanted to find out what Marty wanted.”
Who would have guessed that beneath the guise of the ultimate rock ‘n roll outlaw beat the heart of a cinematheque-denizen film scholar who wanted nothing more than to please a master auteur? “When you’re actually up there doing the work, you really pass all of that onto the director so that in a way, you just do what you do and try
to do it as well as you can, and at the end you see whether you did it or not and then you stop to see – ahh! his vision of it,” observes Richards. “As it slowly unfolded with “Shine A Light” – Marty’s great use of old footage and live footage, for instance, had a great feel about it. It slowly dawns on you as you’re watching it. Otherwise, you have no idea. You can’t climb inside of somebody else’s brain.” At this point in the conversation, Keith says, "Lord knows, there's been people trying to get into my brain, but that was a necessity," referring to his own brain salad surgery.
From the Production Notes for the movie "Shine A Light"
Noe Gold, aka Noe the G is featured for his interviews with Mick and Keith in the Mahalo Daily show’s report on the Martin Scorsese Rolling Stones movie “Shine a Light,” which opens stateside April 4, 2008.
Check out the episode here .
P.S. Please check out my latest links ...
This just in:
>"}}}}));> Noe Gold, aka Noe the G is now a regular
contributor to Fancast.com, an entertainment news website
sponsored by the movie-obsessed Fandango service. His blog
kicks off with his interviews with Mick and Keith in a report
on the Martin Scorsese-Rolling Stones movie 'Shine a Light,'
which opened stateside April 4, 2008:
bigpicture.fancast.com/2008/04/fancast_interview_mick_jag... .
>"}}}}):;> Noe was interviewed about how he came to talk to
Mick and Keith on the Mahalo Daily show's episode here:
daily.mahalo.com/2008/04/04/md093-shine-a-light-exclusive...
[http://daily.mahalo.com/2008/04/04/md093-shine-a-light-exclusive-footage-and-interviews/ ]
April 4, 2008 -- Mahalo Daily, (http://daily.mahalo.com/) ranks
consistently in the top five podcasts on iTunes. We recently
put out a video which reached 350,000+ views on YouTube, and
was most viewed for several days.
There will be more from my Mick & Keef conversations here.
So whaddayasay, Guitar World flickr-ites? should we do it? will there be an audience for this sort of thing?
Lemme know.
1 Views
02:21:35 04/10/09
Aero Tv Building A Legacy The Lopresti Family Mission (Part 3)
[LESS INFO] 1 VIEWS | ADDED 02:21:35 04/10/09
A General Aviation Dynasty Continues To Grow There are few families so uniquely identified with the world of general aviation as is the Lopresti clan. For those not familiar with the LoPresti legacy, the patriarch of the brood, Roy Lopresti, was the prolific and innovative aircraft designer was the creative force behind the Grumman Tiger, Cheetah, Cougar and the Mooney 201, 232, 252 and 301. Oh, and also NASA's Lunar Lander. What you might (NOT) call an underachiever... David Lopresti recently talked with Aero-TV about his family... and especially of his Dad. LeRoy "Roy" LoPresti did so much during his lifetime... a legacy now carried on by his family. For more than three decades, Roy was the reigning prince of light aircraft design, putting his stamp on some of the most well-known aircraft in the world and his last, unfinished, work is finally about to see production. LeRoy designed the FURY after modeling the bird on the much lauded Globe Swift, while his sons continue his legacy and the brand LoPresti. The LoPresti family has been in business in Vero Beach, Florida since 1987. In addition to the Fury aircraft, the family has a variety of high performance STC’s for aircraft including, Hawker jets, Bell helicopters, Mooney, Grumman and Piper piston and piston aircraft. Their designs and manufactured modifications dramatically improve the safety and performance of all types of aircraft. With certifications on over 220 different models, providing for over 72,000 aircraft, LoPresti claims industry leadership in HID lighting for aviation and has installed thousands of aftermarket kits. There are now six divisions within the company: Aerodrome, Fleet Ops, Engineering, Fury, SkyStruck and SpeedMerchants. In 1991, Roy formed LoPresti Speed Merchants, and located in Vero Beach, Florida. Now with more than 40 Supplemental Type Certificates (STCs) and Parts Manufacturing Authorizations (PMAs), plus patents and copyrights, LoPresti Aviation and Florida's Sebastian Municipal Airport (X26) broke ground on a new $1.4 million hangar on July 19, 2008, marking the beginning of a 15-year lease agreement. The LoPresti team has moved into part of the airport administration building and expects to complete a move into the hangar facility soon after. The remaining divisions will continue operation in Vero Beach, FL. Aero-TV Interviews David Lopresti About Subjects Near (And Dear) To His Heart (Part 3) FMI: www.speedmods.com, www.aero-tv.net, www.youtube.com/aerotvnetwork, http://twitter.com/AeroNews Copyright 2009, Aero-News Network, Inc., ALL Rights Reserved.
1 Views
02:44:21 04/09/09
Aero Tv Building A Legacy The Lopresti Family Mission (Part 2)
[LESS INFO] 1 VIEWS | ADDED 02:44:21 04/09/09
A General Aviation Dynasty Continues To Grow There are few families so uniquely identified with the world of general aviation as is the Lopresti clan. For those not familiar with the LoPresti legacy, the patriarch of the brood, Roy Lopresti, was the prolific and innovative aircraft designer was the creative force behind the Grumman Tiger, Cheetah, Cougar and the Mooney 201, 232, 252 and 301. Oh, and also NASA's Lunar Lander. What you might (NOT) call an underachiever... David Lopresti recently talked with Aero-TV about his family... and especially of his Dad. LeRoy "Roy" LoPresti did so much during his lifetime... a legacy now carried on by his family. For more than three decades, Roy was the reigning prince of light aircraft design, putting his stamp on some of the most well-known aircraft in the world and his last, unfinished, work is finally about to see production. LeRoy designed the FURY after modeling the bird on the much lauded Globe Swift, while his sons continue his legacy and the brand LoPresti. The LoPresti family has been in business in Vero Beach, Florida since 1987. In addition to the Fury aircraft, the family has a variety of high performance STC’s for aircraft including, Hawker jets, Bell helicopters, Mooney, Grumman and Piper piston and piston aircraft. Their designs and manufactured modifications dramatically improve the safety and performance of all types of aircraft. With certifications on over 220 different models, providing for over 72,000 aircraft, LoPresti claims industry leadership in HID lighting for aviation and has installed thousands of aftermarket kits. There are now six divisions within the company: Aerodrome, Fleet Ops, Engineering, Fury, SkyStruck and SpeedMerchants. In 1991, Roy formed LoPresti Speed Merchants, and located in Vero Beach, Florida. Now with more than 40 Supplemental Type Certificates (STCs) and Parts Manufacturing Authorizations (PMAs), plus patents and copyrights, LoPresti Aviation and Florida's Sebastian Municipal Airport (X26) broke ground on a new $1.4 million hangar on July 19, 2008, marking the beginning of a 15-year lease agreement. The LoPresti team has moved into part of the airport administration building and expects to complete a move into the hangar facility soon after. The remaining divisions will continue operation in Vero Beach, FL. Aero-TV Interviews David Lopresti About Subjects Near (And Dear) To His Heart (Part 2) FMI: www.speedmods.com, www.aero-tv.net, www.youtube.com/aerotvnetwork, http://twitter.com/AeroNews Copyright 2009, Aero-News Network, Inc., ALL Rights Reserved.
2 Views
03:33:41 04/08/09
Aero Tv Building A Legacy The Lopresti Family Mission (Part 1)
[LESS INFO] 2 VIEWS | ADDED 03:33:41 04/08/09
A General Aviation Dynasty Continues To Grow There are few families so uniquely identified with the world of general aviation as is the Lopresti clan. For those not familiar with the LoPresti legacy, the patriarch of the brood, Roy Lopresti, was the prolific and innovative aircraft designer was the creative force behind the Grumman Tiger, Cheetah, Cougar and the Mooney 201, 232, 252 and 301. Oh, and also NASA's Lunar Lander. What you might (NOT) call an underachiever... David Lopresti recently talked with Aero-TV about his family... and especially of his Dad. LeRoy "Roy" LoPresti did so much during his lifetime... a legacy now carried on by his family. For more than three decades, Roy was the reigning prince of light aircraft design, putting his stamp on some of the most well-known aircraft in the world and his last, unfinished, work is finally about to see production. LeRoy designed the FURY after modeling the bird on the much lauded Globe Swift, while his sons continue his legacy and the brand LoPresti. The LoPresti family has been in business in Vero Beach, Florida since 1987. In addition to the Fury aircraft, the family has a variety of high performance STC’s for aircraft including, Hawker jets, Bell helicopters, Mooney, Grumman and Piper piston and piston aircraft. Their designs and manufactured modifications dramatically improve the safety and performance of all types of aircraft. With certifications on over 220 different models, providing for over 72,000 aircraft, LoPresti claims industry leadership in HID lighting for aviation and has installed thousands of aftermarket kits. There are now six divisions within the company: Aerodrome, Fleet Ops, Engineering, Fury, SkyStruck and SpeedMerchants. In 1991, Roy formed LoPresti Speed Merchants, and located in Vero Beach, Florida. Now with more than 40 Supplemental Type Certificates (STCs) and Parts Manufacturing Authorizations (PMAs), plus patents and copyrights, LoPresti Aviation and Florida's Sebastian Municipal Airport (X26) broke ground on a new $1.4 million hangar on July 19, 2008, marking the beginning of a 15-year lease agreement. The LoPresti team has moved into part of the airport administration building and expects to complete a move into the hangar facility soon after. The remaining divisions will continue operation in Vero Beach, FL. Aero-TV Interviews David Lopresti About Subjects Near (And Dear) To His Heart (Part 1) FMI: www.speedmods.com, www.aero-tv.net, www.youtube.com/aerotvnetwork, http://twitter.com/AeroNews Copyright 2009, Aero-News Network, Inc., ALL Rights Reserved.
0 Views
13:46:03 11/19/08
Mo Willems 2008
[LESS INFO] 0 VIEWS | ADDED 13:46:03 11/19/08
Mo Willems talks about his beloved characters. From his earliest explorations to the undeniable Pigeon (and beyond), Mo explains that every character has his or her own gestation period meanwhile revealing his newest character—Wilbur the Naked Mole Rat—who will see the light of day this Winter 2009 in Naked Mole Rat Gets Dressed.
0 Views
23:45:00 11/13/08
2008 Lighting Talks
[LESS INFO] 0 VIEWS | ADDED 23:45:00 11/13/08
Espacio programado para charlas breves disponible para peque
0 Views
05:42:31 11/10/08
Vlo Mo08 Day 9 Heartland In Peril 2
[LESS INFO] 0 VIEWS | ADDED 05:42:31 11/10/08
Another raw excerpt of a film project that I am working on.This is all b-roll that will probably end up on the cutting room floor because of shaky video, bad audio or some other reason. Since this is VloMo, I thought I would let it see the light of day somewhere.Come talk to me at davidhowellstudios.com
2 Views
23:37:47 08/24/08
NooBTooB Episode 103: Schizoid, Soul Bubbles, Comic Con 2008
[LESS INFO] 2 VIEWS | ADDED 23:37:47 08/24/08
We’re pretty light on new games since it’s still the Summer Doldroms, but we did end up spending some time talking about all the games I played at Comic Con. This episode marks the triumphant return of the box of wine, and the pimp cups are back by popular demand.Be sure to subscribe to our [...]
14 Views
12:00:00 04/21/08
Tate Tracks: New Young Pony Club
[LESS INFO] 14 VIEWS | ADDED 12:00:00 04/21/08
Tate invited the band New Young Pony Club to walk around the gallery and find a work of art that would inspire them to write a track. They picked a neon light sculpture by British artist Martin Creed. The band’s founding members Tahita Bulmer and Andy Spence talked to TateShots about turning art into music.
12 Views
12:00:00 04/21/08
Tate Tracks New Young Pony Club
[LESS INFO] 12 VIEWS | ADDED 12:00:00 04/21/08
Tate invited the band New Young Pony Club to walk around the gallery and find a work of art that would inspire them to write a track. They picked a neon light sculpture by British artist Martin Creed. The band’s founding members Tahita Bulmer and Andy Spence talked to TateShots about turning art into music.
6 Views
01:15:36 02/12/08
Virtual Worlds Libraries Education And Museums Conference Saturday March 8 2008 In Second Life
[LESS INFO] 6 VIEWS | ADDED 01:15:36 02/12/08
“Virtual Worlds: Libraries, Education, and Museums”Saturday, March 8, 2008 in Second Life - New Media Consortium Conference Center.http://www.alliancelibraries.info/virtualworlds/Purpose of the Conference: To provide a gathering place for librarians, information professionals, educators, museologists, and others to learn about and discuss the educational, informational, and cultural opportunities of virtual worlds. Please note: Although the conference will be held in the virtual world Second Life, presentation and paper proposals about LEM developments in other virtual worlds are encouraged. Tentative Schedule 9:00 a.m. Second Life Time (Pacific Time) "Ancient Mesopotamia: Engaging Online Resources from the Oriental Institute," Presented by Wendy Ennes and Lisa Perez Wendy Ennes, Teacher Services and e-Learning Coordinator for the Oriental Institute Museum of the University of Chicago, will present information about the new, engaging website Ancient Mesopotamia: This History, Our History. In this highly useful online resource, students and educators can learn about various aspects of Mesopotamian culture. They can participate in the interactive "Dig into History", playing the role of an archeologist or a museum curator. Also, they can peruse the "Learning Collection", zooming in on various teacher-selected artifacts. Teachers can also locate primary source materials, lesson plans, and recommended learning activities. This presentation will be useful to teachers, librarians, students, and history aficionados. This presentation is brought to you in collaboration with the Chicago Public Schools Department of Libraries and Information Services. "Persistent Worlds: Will They Ever Go Away?" Presented by Dr. Susan Hazan Now that Second Life has hit the front page of Newsweek it seems Neal Stephenson's vision of the Metaverse has crossed over -- from being a fringe fantasy land for pure escapists to a persistent world for play, commerce, creativity and exploration. It's time to take a close look at this synthetic world. Presented by three leading avatars directly from Second Life, this panel will showcase some of the leading cultural institutions from their 3D graphic locations, and will explore how they welcome visitors, guests and colleagues in-world. "The State of Librarianship in Second Life" Presented by Lauren Pressley This session examines the idea of librarianship in Second Life, specifically focusing on reference practices and the development of a library's presence in a virtual world. The session will conclude with a discussion of possible virtual world library services that have not yet been designed and implemented. "Reflections in Wonderland" Presented by Alison (Wynne Merlin) Williams & Mary (Merry Mayo) Hudson This paper takes a reflective approach concentrating on the authors' explorations of Second Life. These explorations were undertaken as part of a project to assess how the university library might operate in such an environment to support student learning. An introduction briefly outlines the project and we then go on to describe our initial experiences of Second Life, and of participation in courses and meetings. In the light of these experiences we reflect on the possibilities offered by this type of environment, before concluding with our thoughts on the way forward. "Reconstructing Maya: Student Created Poems" Presented by Beth Ritter-Guth (SL Desideria Stockton) The students in College English II: Literature at Lehigh Carbon Community College are creating interactive poems to celebrate the poetry of Maya Angelou. Conference participants will be able to view the work of students, meet them, and construct a poem of their own. The workshop will require the use of voice and participants should download a free recording program like Audacity. Students will showcase their interactive poem "Still I Rise" by Maya Angelou. A notecard with the instructions on how to build the poem will be provided, and participants will work together to create a collaborative poem using WAV files, objects, and scripts. 10:00 a.m. Second Life Time (Pacific Time) "Voice vs. Text Chat: Solutions for Teaching/Presenting in Two Languages Simultaneously" Presented by Chris Haskell As voices ring out over the virtual landscape, some oppose vocal communication for its technical imperfections, infrequent use, and VW cultural bias. Educators, presenters, and facilitators in the Metaverse need solutions to communicate in both "native" languages. This session demonstrates tools and techniques currently being employed to engage multiple learning and communication styles in this expanding virtual space. "Immersion Environments and Recreational Learning: Opportunities for Informal Education on the Virtual Landscape" Presented by Aldo Stern and JJ Drinkwater When the residents of an online three-dimensional platform such as Second life are able to create their own immersion environments, learning opportunities abound. Experience with a number of recent experiments has indicated that the educational potential of these builds comes not just within the context of a formal, institutionally-managed didactic approach, but also--and in some cases, more successfully--in the context of informal, self-directed learning opportunities. Panelists Aldo Stern and JJ Drinkwater draw upon their real world backgrounds in the museum and library fields, along with their extensive experience in a variety of experimental collaborative educational, cultural and recreational environments created on the SL platform, to discuss the relative success of traditional "classroom" approaches in various builds, and the surprisingly vibrant informal learning dynamic that has developed alongside--or as an alternative to--the attempts at structured, hierarchical didacticism. The panelists also will seek to explore how what has transpired in-world is analogous to the real world living history/reenacting "hobby" movement of the 1970s-1990s and other recreational self-directed learning opportunities, and consider issues of how institutions and organizations might utilize the potential of online creative platforms in the future to more effectively foster and encourage self-directed learning, and to integrate it into their programming in ways that it could compliment and enhance more traditional approaches to engaging and educating diverse audiences. "Whatcha Gonna Do?: An Academic Health Sciences Library in Second Life Embraces New Roles" Presented by PF Anderson (Perplexity Peccable); Gillian Mayman (Gillian Oh); Anne Perorazio (Kaiya Qunha); and Jane Blumenthal (Wrenaissance Jewell) Academic health sciences libraries support the educational, research, clinical, and service missions of the universities and healthcare institutions of which they are a part. In the recent past, this has meant primarily building print and web-based collections of health and research information, and providing classes and services that facilitate the use and integration of these collections into the skillset of the local academic healthcare community. In Spring of 2007, the University of Michigan Medical School purchased an island in Second Life. In supporting the activities associated with this initiative, we have found that many of the activities and services we have traditionally offered are not immediately relevant in the new environment, are needs that are being filled by others, or are beyond the scope of what is possible with the resources currently available to us. Examples of these might include teaching how to search Medline, offering classes relating to health skill sets, building collections of health information. Similarly, many of the activities and services we have found ourselves embracing in Second Life are hard to imagine ever happening in our real life libraries. Examples of these might include building freebie collections, teaching classes on how to make clothes, setting up a Spirit Shop for the university (along with making the inventory), hosting in-world and out-world events to engage community, setting up a patient support group, as well as helping folks navigate Orientation and Help Islands. Here we present information about the similarities and differences between what we do in which environment and why we do or do not offer similar services in the other environment, as well as discuss the planning process and skill sets required. We would particularly like to focus on tools that have formed the basis of our community building efforts, which have largely depended on resources that bridge Second Life and the broader online and analog environments. So, when it comes to leading the way in a new and emerging technological environment, what are librarians going to do? Our answer: whatever needs to be done. "Interaction, Visibility and Searchability in Virtual Worlds: The Possibilities, Benefits and the Future" Presented by Namro Orman Interaction with the Web should be a major focus point for libraries in virtual worlds. Resources, news, and communication are needed, and not only with Second Life Residents. The merging with other social networks looks promising, but a lot can be improved/gained inside Second Life as well to make library services and resouces more visible, and findable, also on the Web. This goals of this session are to improve awareness of current possibilities, to show developments, and to offer a sketch of the future. "The 3D3C Metaverse" Presented by Yesha Sivan Dr. Yesha Sivan, founder of Metaverse Labs, is interested in interoperability. He also has been looking into how virtual world simulations can interface with the real world. 11:00 a.m. Second Life Time (Pacific Time) "Applying Distance Educational Theory to Virtual Worlds" Presented by Rebecca Hedreen Current adult educational theory is student-centered and those students have experience, abilities, and preferences that affect or control the learning process. This presentation will show (and tell) you how to use these theories, and the practices that spring from them, to improve your Second Life presentations. In the process, we'll cover some techniques that also improve accessibility and decrease the chance that a technological glitch will ruin your work. "The Museum Phenomenon in Star Wars Galaxies" Presented by Annie Platoff Annie Platoff, the Director of the Wookiee Cultural Center, the premier Wookiee museum in Star Wars Galaxies, will discuss the museum phenomenon in Star Wars Galaxies. "My Life as an Avatar (So Far)" Presented by Sir Arthur Conan Doyle This presentation is intended for teachers, librarians, and those who work in museums; as well as amateur history buffs. In this discussion I will provide an account of how I came to portray one of the best known authors of the Victorian era; the development of a plausible "back story" to cover my inadequacies; my successes and failures in Second Life; my views on the educational potential of ReCreationism; and, finally, my advice to aspiring ReCreationists. "The Festival of European Languages in Second Life" Presented by Birdie Newborn (Birdie Newcomb in SL) This session will look at the Festival of European Languages recently held on Belle Isle in Second Life. It was a venture in outside-the-classroom education. It was a 6-hour festival over half the island with a schedule of speakers, demonstrations, booths, and a giant map of Europe with landmarks to every known language community in Second Life. 6:00 p.m. Second Life Time (Pacific Time) "Self-directed Group Learning in Virtual Worlds" Presented by Nick Noakes This will be a mix of an interactive discussion session on the affordances of Virtual Worlds with respect to self-directed group learning, followed by a tour of Boracay sim to see one way self-directed group learning can be implemented. "Virtual Museums: When Do They Become "Real"?" Presented by Annie Platoff With the launch of massively multiplayer online roleplaying games (MMORPGs), players were given the opportunity to build their own communities within the confines of virtual worlds created by the game developers. When Star Wars Galaxies was launched in June 2003, players were also given the opportunity to manipulate their environment. SWG Developers not only allowed players to place structures within the landscape of the game, but also gave them the opportunity to decorate the interiors of their buildings. It wasn't long before players began to open their own museums. At first, the museums were nothing more than decorated houses containing developer-made paintings and objects. Eventually, however, the museums evolved and now there are quite a number that include interpretive labels, thematic exhibits, and more. While some of these museums are quite well known within their communities, they are virtually unknown by those who do not play the game. That is not the case for the museums in another virtual community, however. The emergence of museums in the virtual world of Second Life has been the topic of much discussion in the museum community. Also launched in 2003, Second Life presents itself as a 3-D virtual world rather than a game. In the world of Second Life players can create just about anything they can imagine and add it to the environment including, of course, museums. Some of those museums have been replicas of real-life museums created by private individuals. Other museums in this virtual environment were created as initiatives of established real-world museums. But there are some museums in Second Life that only exist in that virtual landscape. The International Space Museum, one such museum, has spawned a real-life non-profit organization to support the work of the virtual museum. All of this activity in virtual museums brings with it some interesting questions for members of the museum community. Are virtual museums "real" museums? And if they are, what are the implications for established real-life museums? This paper will examine a variety of museums in two virtual environments ? the MMORPG Star Wars Galaxies and the virtual world of Second Life. It will apply established definitions of what is a museum and determine which of those virtual museums appear to meet the criteria. Finally, it will draw conclusions about the "realness" of virtual museums and the potential of these institutions for reaching new audiences. "An Overview of Science-Related Stuff in Second Life" Presented by Dr. Troy McConaghy (Troy McLuhan in SL) Troy will give examples of how Second Life is being used for science education, public outreach, prototyping, and research Intendend Audience: Scientists, science educators, science librarians, and science museum professionals. "Immersive Education: New Models for Lifelong Learning" Presented by Kevin Roebuck Open source technologies for virtual worlds, on-line games, and new media have tremendous potential to offer new models for lifelong learning. Sun Microsystems Global Education & Research Group has formed a new community to explore these new immersive worlds and their application with the Project Wonderland 3-D tool-kit, Project Darkstar Game Server and SunSPOT sensor platforms. The new Sun Immersion Special Interest Group has announced a joint initiative with the Immersive Education Initiative at Media Grid including a $25,000 set of "Immersion Grants" to see pilot projects in K12 schools, community college, and higher education institutions. This session will feature Kevin Roebuck, Community Manager for Immersive Technologies at Sun, to give a brief overview of the communities activities, initiatives and worldwide projects in open source and open content for Immersive Education. 7:00 p.m. Second Life Time (Pacific Time) "Using Second Life to Enhance Student Research and Presentations" Presented by Robert Walker The presentation will look at an exciting Second Life assignment being used at Labette Community College in the Music Appreciation classes to enhance student presentations. This assignment could easily be adapted for use in any class that requires students to research and present that research to the class. It is useful for both onground and online classes. Students are given the following assignment, using Second Life, prepare a museum exhibit on the following composer. You should include written information, audio, images and perhaps video. Your presentation should not only include biographical information about the composer, but information about the period that the composer was writing. That information should include people of historical interest, other artists of the period, clothing and architectural styles of the time. This presentation will show the mechanics of managing an assignment like this. What tools do the students need? What knowledge/tools does the instructor need? These concerns will all be discussed and examples of previous semester projects will be reviewed as well as the assignment and the rubric. "Virtual Worlds for Learning" Presented by Ann Crewdson and Sachin Patil Virtual Worlds offer a quick and inexpensive ways of simulating information artifacts(in libraries and museums) into multi-faceted synthetic learning environments that merit interaction, immersion and information equally. The Federation of American Scientists, as part of its "Virtual Worlds for Learning" research program, has created a Virtual World Sim (Mesopotamia) in Second Life that leverages collective intelligence by enabling interdisciplinary communities of scholars such as archeologists, librarians museologists, historians, technologists, artists, and academia to share data and their expertise. The prototype has developed a web-integrated inworld tool, called Medulla, to collaborate on 3D content creation, peer-review the content for authenticity and edit it continuously based on new academic & research findings. In the near future, this tool will support functionalities for incorporating game-like features to make simulation experience more interactive and engaging. This presentation will describe content creation & management processes we have developed to collect, render, manage, evaluate and preserve digital assets for 3D virtual environments. Attendees, mainly librarians and museum administrators, will learn how virtual worlds together with web technologies can be used for a wide variety of learning opportunities, scholarly interaction, and the collection, development and management of digital assets for 3D virtual environments. "Standing on the Shoulders of Giants" Presented by Rochelle Mazar This presentation will demonstrate and explore the ways that digital objects have been archived in older virtual environments, their contribution to a competitive gift economy, and the kinds of lessons those practices bring to bear on the work being done by librarians and educators in Second Life. In text-based MOO spaces, object archives function as museum spaces, shops for finding useful objects to use in one's own builds, and as a structure that reinforces and supports a functioning gift economy. In worlds without built-in money economies, archiving and "generics" organization allows new users to see what has been built before, to take advantage of that older work by taking their own copy of these generic objects to build upon, and provides a form of feedback and recognition for those who build the best objects across the entire MOO community world-wide. With a long tradition of including the builder's name as part of the object, a successful builder can build a reputation across many different virtual worlds as others request archived copies of their objects. This gift economy encourages builders and programmers to donate their work for use by others as well as to create more and better generic objects for general use. Their active participation in the gift economy thereby assists in the creation of richer online spaces for all. Could this model work in Second Life, in spite of its existing money economy? This presentation would consist of audio content detailing the structure of these digital archives and their use, as well as detail about the gift economy and how it encouraged more and better objects to share with the community, and would include discussion with participants about its pros and cons and feasibility for use in Second Life. 8:00 p.m. Second Life Time (Pacific Time) "Education on the Teen Grid: The View from Eye4You Alliance Island" Presented by Kelly Czarnecki (Bluewings Hayek in SL), Anthony Curtis (Stone Semyorka in SL), and Beth Kraemer (Alice Burgess in SL) So what's it like to be an educator on the teen grid? Eye4You Alliance Island has been a source of education, creativity and fun on the teen grid since 2006. Librarians, professors, authors, technology specialists, subject matter specialists, and teens from around the world are involved in projects ranging from classes about SL and RL skills; recurring events like book discussions, space talks and island management meetings; special events like the recent literary festival, last year's college fair and craft fair; and a host of other activities. The presenters will provide an overview of what it's like to be an adult educator on the teen grid, describing the challenges and opportunities, and will discuss recent activities and plans that are underway. We'll compare the experience with education on the main grid and discuss our view of the future of education for teens in Second Life. The presentation may also incorporate comments from the teen residents themselves. "VW Libraries and Education: The Purpose and the Potential" Presented by Valerie Hill (Valibrarian Gregg in SL) Virtual worlds seem to be exploding into existence online. For everyone from toddlers to senior citizens, a virtual world beckons. Valibrarian Gregg, a Second Life librarian (and real life school librarian) shares her journey learning in a virtual world to help understand the purpose and potential for librarians and educators. Read some of the latest Virtual World news at iVinnie.com. "Providing Library Services in Second Life" Presented by Margaret Ostrander and Anne Mostad-Jensen Margaret Ostrander will share her research in progress exploring information seeking behavior in Second Life. All research is taking place in-world, combining structured interviews and ethnographic fieldwork. Research questions include: What are the information needs of everyday Second Life residents? What kinds of information are people in SL utilizing, and how do they go about finding it? This research explicitly studies SL residents in non-library contexts. A more robust understanding of such "native" information seeking behavior can help inform SL library services. This research is under the supervision of Dr. Michael Stephens of Dominican University (Illinois, U.S.A.). Read more about Margaret's research at Librarian Dreamer. Anne Mostad-Jensen will present her research in progress focused on the new user's experience in Second Life. Research questions include: How do new users approach and use virtual worlds? What are the information needs of new users and what are their information seeking behaviors? Research subjects will be observed while utilizing the Second Life interface for the first time, accompanied by pre- and post-interviews. This research will inform how libraries in Second Life can help meet the needs of new users. This research is under the supervision of MLIS faculty member Dr. Joyce Yukawa of the College of St. Catherine (Minnesota, U.S.A.). Both Anne and Margaret will share their findings to date, along with learnings about the methodologies and research instruments they have adopted.CREDITS: This machinima was filmed on location with the help of avatars in the teen grid and main adult grid of Second Life: Info International, Talis, and Eye4YouAlliance Island, funded by the Public Library of Charlotte & Mecklenburg County (PLCMC). http://infoisland.orghttp://www.talis.comhttp://www.plcmc.org/teens/secondlife.aspMachinima: Bernadette Daly Swanson / HVX Silverstar in Second LifeMusic: Revostock.com
