Join Steve Martin, Mark Spencer, Brian Gary, Alex Lindsay and friends as they reveal the ins and outs of video production on the Mac. Fro...
Education, Technology
[LESS INFO] 53 VIEWS | ADDED 17:57:49 09/07/10
Steve shows us how to use the link selection properly in Final Cut Pro.
Final Cut Pro - Mar...
68 Views 21:47:40 08/25/10
Adding markers on the fly is the fastest way to annotate a long clip in FCP. Granted, it's not speech recognition, but this technique will work in a pinch.
[LESS INFO] 68 VIEWS | ADDED 21:47:40 08/25/10
Adding markers on the fly is the fastest way to annotate a long clip in FCP. Granted, it's not speech recognition, but this technique will work in a pinch.
Motion - Custom Sha...
64 Views 23:09:01 08/10/10
How to create your own "brushes" for painting in Motion.
[LESS INFO] 34 VIEWS | ADDED 22:13:15 07/23/10
Don't abandon QuickTime 7 just yet! There are some powerful editing features in QuickTime pro that are conspicuously absent from QuickTime X.
AE & Motion - "Sha...
49 Views 21:03:34 07/16/10
Mark Spencer and Steve Taylor share and compare notes on how null objects work in both Motion and After Effects.
[LESS INFO] 49 VIEWS | ADDED 21:03:34 07/16/10
Mark Spencer and Steve Taylor share and compare notes on how null objects work in both Motion and After Effects.
AE - Creating Tilt-...
82 Views 21:56:00 07/09/10
After Effects artist and guru Steve Taylor shows us how to "miniaturize" video in this cool tutorial on creating the popular "tilt-shift" effect.
[LESS INFO] 82 VIEWS | ADDED 21:56:00 07/09/10
After Effects artist and guru Steve Taylor shows us how to "miniaturize" video in this cool tutorial on creating the popular "tilt-shift" effect.
FCP's Wacky Coordin...
70 Views 20:48:00 07/01/10
Steve shows us how to use anchor point coordinates to precisely control the scaling of a video layer. But be warned, Final Cut Pro's math is not what you learned i...
[LESS INFO] 70 VIEWS | ADDED 20:48:00 07/01/10
Steve shows us how to use anchor point coordinates to precisely control the scaling of a video layer. But be warned, Final Cut Pro's math is not what you learned in Algebra class!
Using Aperture to M...
63 Views 23:40:46 06/25/10
Brian explores the possibilities of using Apple's Aperture 3 as an archive and management tool for VIDEO.
[LESS INFO] 63 VIEWS | ADDED 23:40:46 06/25/10
Brian explores the possibilities of using Apple's Aperture 3 as an archive and management tool for VIDEO.
Diana's Favorite Pr...
28 Views 00:50:19 06/22/10
Diana shows off some of her most utilitarian iApps for production and gives us a grand tour of her own iApp, iKeys to Go for Final Cut Pro.
[LESS INFO] 28 VIEWS | ADDED 00:50:19 06/22/10
Diana shows off some of her most utilitarian iApps for production and gives us a grand tour of her own iApp, iKeys to Go for Final Cut Pro.
Morphing in Motion
239 Views 17:10:42 06/09/10
Based on a tip from Motion user Zak Peric, Mark shows us how to use Optical Flow in Motion to morph between images.
[LESS INFO] 239 VIEWS | ADDED 17:10:42 06/09/10
Based on a tip from Motion user Zak Peric, Mark shows us how to use Optical Flow in Motion to morph between images.
Motion - The "OK Go...
37 Views 20:51:46 06/01/10
Based on a tip from Motion forum contributor "Special Case", Mark shows us how how to create the effect used in a recent music video.
[LESS INFO] 37 VIEWS | ADDED 20:51:46 06/01/10
Based on a tip from Motion forum contributor "Special Case", Mark shows us how how to create the effect used in a recent music video.
Aperture 3 - Using...
109 Views 18:14:30 05/18/10
MBS welcomes Wendi Berman Gary - documentary filmmaker and photographer, to discuss how Aperture 3 is a boon to her productivity
[LESS INFO] 109 VIEWS | ADDED 18:14:30 05/18/10
MBS welcomes Wendi Berman Gary - documentary filmmaker and photographer, to discuss how Aperture 3 is a boon to her productivity
Final Cut Pro for A...
34 Views 20:23:36 05/11/10
Diana Weynand shows us what every AVID editor should know when learning FCP.
[LESS INFO] 89 VIEWS | ADDED 20:38:06 05/06/10
Steve shows off Color's powerful secondary color grading tools to isolate specific colors in the frame for punching up a sky.